[Taddeo di Bartolo] - Solberg, Gail Elizabeth
Reference : 121802
(2024)
ISBN : 9781909400818
Solberg, Gail Elizabeth: Taddeo di Bartolo. Siena's Painter in the Early Quattrocento. 2 volumes. 2024. Volume 1: 831 pages, no illustrations. Volume 2: 839 pages, 802 colour and 166 black & white illustrations. Hardback. 30 x 23cms. A study of Sienese painting from 1380 to 1420, focused on the life and work of Taddeo di Bartolo. The first volume is divided into 20 chapters, exploring his early life, late trecento painting in Siena, his altarpieces, his time spent in Florence, Lucca, Pisa, Padua, Genoa, Volterra, San Gimignano and Liguria, his work on the cathedral, 'palazzo pubblico' and late civic commissions in Siena, his 'Madonna and Child' paintings, predellas, and polyptychs, his later drawings, and his legacy. Looking in particular at his assumption triptych for the Agrazzi at Montepulciano, his double-sided heptaptych for the Franciscans in Perugia, and his heptaptych for the Dominicans at Gubbio. The second volume contains the illustrations to the catalogue raisonne and 3 appendices on the contemporary reception of his work, transcriptions of archival documents, and a list of problematic attributions.
A study of Sienese painting from 1380 to 1420, focused on the life and work of Taddeo di Bartolo. The first volume is divided into 20 chapters, exploring his early life, late trecento painting in Siena, his altarpieces, his time spent in Florence, Lucca, Pisa, Padua, Genoa, Volterra, San Gimignano and Liguria, his work on the cathedral, 'palazzo pubblico' and late civic commissions in Siena, his 'Madonna and Child' paintings, predellas, and polyptychs, his later drawings, and his legacy. Looking in particular at his assumption triptych for the Agrazzi at Montepulciano, his double-sided heptaptych for the Franciscans in Perugia, and his heptaptych for the Dominicans at Gubbio. The second volume contains the illustrations to the catalogue raisonne and 3 appendices on the contemporary reception of his work, transcriptions of archival documents, and a list of problematic attributions