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RETOUR DU PACIFIQUE - J. Esch.
COLLECTION HARLEQUIN SERIE GRANDS ROMANS N° 23. 1989. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 378 pages.. . . . Classification Dewey : 820-Littératures anglaise et anglo-saxonne
Traduction de Classification Dewey : 820-Littératures anglaise et anglo-saxonne
RETOUR DU PACIFIQUE
COLLECTION HARLEQUIN RELIURE EDITEUR. 1989. In-16. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 379 pages. Auteur et ornements dorés sur le premier plat. Auteur, titre, fleuron et décorations dorés sur le dos. Signet à l'intérieur.. . . . Classification Dewey : 843.085-Le roman sentimental
Traduction française de Jean ESH Classification Dewey : 843.085-Le roman sentimental
Retour du pacifique
Harlequin prestige 1989 379 pages in12. 1989. relié. 379 pages.
Très Bon Etat
David A. Jenkins, Simon Timberlake, Andrew Davidson, Kalla Mal, Peter Marshall, Tim Mighall, Charlotte O?Brien, David N. Smith, Helen Chittock, Robert Masefield, Enid Allison, Anne Crone, Derek Hamilton, Suzi Richer, Jackaline Robertson, Alex Wood, Stephen Davis, Knut Rassmann, Aaron Watson, Richard Bradley, Guillaume Robin,Yoshihiro Nishiaki, Mark Haughton, Marie Louise Stig Sørensen, Lise Bender Jørgensen, Florian Soula, Pascal Tramoni, Laura Manca, Kirsty Lilley, Danny Rosenberg,Bob Davis, Phil Harding, Matt Leivers, Rivka Chasa, Alejandro García-Moreno, Miriam Cubas, Iain Davidson, Diego Garate, Inés López-Dóriga, Ana B. Marín-Arroyo, Miguel Ángel Mateo Saura, José E. Ortiz, Ana Polo-Díaz, Joseba Rios-Garaizar, Aixa San Emeterio, Trinidad de Torres, Rachel Wood, Chris Fowler, Rachel J. Crellin, Michelle Gamble, n, Sergio Ripoll, Vicente Bayarri, Francisco J. Muñoz, Ricardo Ortega, Elena Castillo, José Latova, Jesús Herrera, David Moreno-Salinas, Ignacio Martín, Lionel Sims,
Reference : 64850
Proceedings of the Prehistoric Society Volume 87
Cambridge, Cambridge University Press, 2021 Softcover, 291 pages, 26 x 20.5 cm. ISBN 0079497x.
?The Dead are Watching Us?: A Landscape Study of Prehistoric Rock-cut Tomb Cemeteries in Ossi, Sardinia, Italy Guillaume Robin, Florian Soula, Pascal Tramoni, Laura Manca, Kirsty Lilley Article Select Between Novelty and Variability: Natufian Hunter-Gatherers (c. 15?11.7 kyr) Proto-Agrotechnology and the Question of Morphometric Variations of the Earliest Sickles Between Novelty and Variability: Natufian Hunter-Gatherers (c. 15?11.7 kyr) Proto-Agrotechnology and the Question of Morphometric Variations of the Earliest Sickles Article Select Hands Stencils in El Castillo Cave (Puente Viesgo, Cantabria, Spain). An Interdisciplinary Study Hands Stencils in El Castillo Cave (Puente Viesgo, Cantabria, Spain). An Interdisciplinary Study Article Select El Niño Cave (Aýna, Albacete, Spain): Late Middle Palaeolithic, Rock Art, and Neolithic Occupations from Inland Iberia El Niño Cave (Aýna, Albacete, Spain): Late Middle Palaeolithic, Rock Art, and Neolithic Occupations from Inland Iberia Article Select Change and Diversity in Neolithic Mortuary Practices on the Isle of Man Change and Diversity in Neolithic Mortuary Practices on the Isle of Man Select Returning from the Underworld: The West Kennet Palisades in the Avebury Monument Complex Returning from the Underworld: The West Kennet Palisades in the Avebury Monument Complex Article Select Reflectance Transformation Imaging (RTI) Investigation of Engraved Chalk Plaques from the Stonehenge Region Reflectance Transformation Imaging (RTI) Investigation of Engraved Chalk Plaques from the Stonehenge Region Article Select The Pre-Pottery Neolithic Water-well at Tell Seker al-Aheimar, Upper Mesopotamia: The Social Contexts of its Construction and Management The Pre-Pottery Neolithic Water-well at Tell Seker al-Aheimar, Upper Mesopotamia: The Social Contexts of its Construction and Management Article Select Bronze Age Woollen Textile Production in England: A Consideration of Evidence and Potentials Bronze Age Woollen Textile Production in England: A Consideration of Evidence and Potentials Article Select Beyond Newgrange: Brú na Bóinne in the later Neolithic Beyond Newgrange: Brú na Bóinne in the later Neolithic Article Select A New Study of the Decorated Cists in Kilmartin Glen, Argyll, Scotland A New Study of the Decorated Cists in Kilmartin Glen, Argyll, Scotland Article Select Hot Stone Technology at Bucklers Park, Crowthorne, Berkshire: The Use and Re-use of a Persistent Place During the Bronze and Iron Ages Hot Stone Technology at Bucklers Park, Crowthorne, Berkshire: The Use and Re-use of a Persistent Place During the Bronze and Iron Ages Article Select Copper Mining in the Bronze Age at Mynydd Parys, Anglesey, Wales Copper Mining in the Bronze Age at Mynydd Parys, Anglesey, Wales
Thomas A. Denenberg , Glenn O'Brien , Anne Wilkes Tucker ; Laura Levine ; Kate Simon
Reference : 60772
Backstage Pass : Rock & Roll Photography
, Yale University Press, 2009 Paperback, 128 pages, ENG, 280 x 245 x 10 mm, NEW, illustrated in colour / b/w. ISBN 9780300151633.
This striking collection of photographs features nearly every important figure in the world of rock & roll, from Elvis to Eric Clapton, the Beatles to Bob Dylan, Jimi Hendrix to John Coltrane. Many of the nearly one hundred images have rarely been published, and all reveal fascinating glimpses of celebrities off stage, away from the glare of the spotlights. Shot from the mid-fifties to the mid-nineties, the portraits often have a spontaneous, informal, and everyday feel, and most record their subjects before they had become immensely famous--and well practiced in posing for photographs. The more than fifty photographers who contribute to the volume are among the most talented in their field, including Lee Friedlander, Lynn Goldsmith, Bob Gruen, Mick Rock, and many more. Three original essays address topics suggested by the photographs. The authors discuss the coded nature of celebrity portraiture, the 1970s music scene in New York City, the frank sexuality of rock musicians, and how the Beatles' look evolved over time. This book will be treasured not only by fans of rock & roll music and admirers of photographic portraits, but also by those who remember the vanished time when photographers had genuine access to performers, and were a crucial element in the worlds they were documenting.
