Write to the booksellers3 books for « schwarz michael »Edit
-
Topics
Architecture (1)
Belgium (1)
Germanic languages (1)
History (1)
Sciences (1)
-
Countries
Belgium (1)
France (1)
Switzerland (1)
-
Syndicate
ILAB (2)
SLAM (1)
DAS ZEITALTER DER GALANTEN MALEREI, EUROPÄISCHES ROKOKO
Georg Westermann. 1969. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 192 pages illustrées en couleur et noir et blanc, dans et hors texte. Ouvrage en allemand.. Avec Jaquette. . . Classification Dewey : 430-Langues germaniques. Allemand
Classification Dewey : 430-Langues germaniques. Allemand
Brice Marden. Work Books 1964-1995.
Staatliche Graphische Sammlung München, Kunstmuseum Winterhur, Harvard Univercity Art Museums Cambridge, 1997. 4°. 231 S., 2 lose Bl. Text und Errata. Mit vielen Abbildungen. Originalkarton.
Erschien zu den Ausstellungen 1997-1998. - Text in Deutsch und Englisch. Einband an den Kanten etwas berieben.
Buchloh, Benjamin H.D. [Buchloh, Benjamin] [edit.] Borgemeister, Rainer Gevaert, Yves Oppitz, Michael Pelzer, Birgit Rorimer, Anne Schwarz, Dieter Snauwaert, Dirk
Reference : 63274
October 42 Art, Theory, Criticism, Politics. Broodthaers.
, Cambridge, Mass. : The MIT Press , 1988 Original publishers paper-covered boards, white wrappers printed in black & red. 210 pages, 8vo; illustrated, Bibliography by Marie-Pascale Gildemyn. **VERY FINE CONDITION!. ISBN 0262521350.
October books. - Cambridge, Mass.; vol. 1988: 1. printed in black & red. Bibliography by Marie-Pascale Gildemyn. Hint of toning & soil at edges of white covers. Marcel Broodthaers (b. January 28, 1924 d. January 28, 1976) was a Belgian poet, filmmaker and artist. He struggled with poverty for twenty years as a poet, before the idea of inventing something insincere dawned on him which began with the production of objects such as embedding fifty unsold copies of his book of poems Pense-Bête in plaster as "a concrete gesture", in which one cannot access the book without destroying the sculpture, passing this prohibition along to the viewer. "During his short yet prolific period as an artist, he radically rethought conventional approaches to poetry, film, books, and exhibition practice itself, proving enormously influential to future generations of artists." (Francis Wilmott, MoMA)
