Write to the booksellers2 books for « rudy jos beerens »Edit
Painters and Communities in Seventeenth-Century Brussels, A Social History of Art
BE, UPL - KU Leuven, 2024 Paperback, 300 pages, 50 Illustrated, full colour, 244 x 170 x mm, Language: English, .*NEW ISBN 9789462704282.
Innovative exploration of the Brussels Baroque and the social dimensions of art production. In seventeenth-century Brussels, the careers of painters were shaped not only by their artistic talents but also by the communities to which they belonged. This book explores the intricate relationship between the social structures and artistic production of the 353 painters who became masters in the Brussels Guild of Painters, Goldbeaters, and Stained-Glass Makers between 1599 and 1706. This innovative study combines quantitative digital analysis with detailed qualitative case studies, offering a novel approach to the social history of art. By examining the various communities in which these artists operated, this book provides new insights into how early modern painters ? both in Brussels and beyond ? created their art, earned a living, and navigated the complexities of urban life. Painters and Communities in Seventeenth-Century Brussels also presents the first overview of the Brussels Baroque, with extensive biographical lists of the city?s master painters. PART I THE THREE PLACES OF LIVING CHAPTER 1. THE FIRST PLACE: THE FAMILY AND KINSHIP PATTERNS OF BRUSSELS? PAINTERS 1.1 The Early Modern Family of Painters in Art History 1.2 Brussels in the Seventeenth Century 1.3 Marriage Patterns and Independent Households 1.4 Occupational Continuity 1.5 Spiritual Kinship: Godparents and Marriage Witnesses 1.6 Conclusion CHAPTER 2. THE SECOND PLACE: BRUSSELS? PAINTERS AND THE LOCAL GUILD OF PAINTERS, GOLDBEATERS, AND STAINED-GLASS MAKERS 2.1 A Social Approach to the History of Guilds in the Southern Netherlands 2.2 The Brussels Guild of Painters, Goldbeaters, and Stained-Glass Makers During the Seventeenth Century 2.3 The Guild?s Conditions of Membership and Increasing Openness to Outsiders 2.4 Social Mobility Within the Guild 2.5 Occupational Ties and Information Flows 2.6 Conclusion CHAPTER 3. THE THIRD PLACE: THE SOCIAL LIFE OF BRUSSELS? PAINTERS BEYOND HOME AND WORK 3.1 The ?Third Place? in the Early Modern Southern Netherlands 3.2 Public Houses 3.3 Chambers of Rhetoric 3.4 Confraternities 3.5 Parishes and Neighbourhoods 3.6 Conclusion PART II THE THREE PLACES OF PAINTING CHAPTER 4. PAINTING FOR THE COURT: A FAMILY OF PAINTERS AT THE START OF THE SEVENTEENTH CENTURY 4.1 Brussels? Painters and the Archdukes? Patronage 4.2 The Noveliers Family of Painters 4.3 The Noveliers Family?s Privileged Position at the Court 4.4 The Noveliers Family?s Activities Outside the Court 4.5 Conclusion CHAPTER 5. PAINTING FOR THE MARKET: THE SONIAN FOREST DEPICTED AROUND THE MID-SEVENTEENTH CENTURY 5.1 The Sonian Forest Painters in Art-Historical Literature 5.2 The Growing Demand for Native Landscapes 5.3 The Sonian Forest Painters? Network 5.4 Collaborations 5.5 Conclusion CHAPTER 6. PAINTING FOR THE TAPESTRY INDUSTRY: THE CO-PRODUCTION OF TAPESTRY CARTOONS AT THE END OF THE SEVENTEENTH CENTURY 6.1 The Increasing Interest in Brussels? Tapestry Designers and Cartoon Painters 6.2 Adapting to a Changing Taste 6.3 Designing and Painting Tapestry Cartoons 6.4 The Importance of Spatial Proximity 6.5 Conclusion GENERAL CONCLUSION APPENDICES NOTES SOURCES AND BIBLIOGRAPHY
Rudy Jos Beerens, Yvonne Bleyerveld, Edwin Buijsen, Lisanne den Hartog, Caroline van Santen
Reference : 62696
DE OMGEKEERDE WERELD VAN ADRIAEN VAN DE VENNE
, Waanders Uitgevers, 2023 PB, 240 x 170 mm, 96 pages. NL editie, Nieuw, illustraties in kleur / z/w. ISBN 9789462625044.
In 2023 is het 400 jaar geleden dat de Zeevsche Nachtegael verscheen. Deze ambitieuze dichtbundel bevat werk van voornamelijk in Zeeland wonende dichters. Adriaen van de Venne levert, zowel in woord als in beeld, een belangrijke bijdrage aan deze uitgave. Dit jubileum is voor het Zeeuws Museum aanleiding om de eerste grote monografische tentoonstelling over deze veelzijdige kunstenaar te organiseren, met ruim 100 bruiklenen uit binnenen buitenland. Het overzicht beslaat zowel de tien jaar dat hij werkzaam is in Middelburg (1614-1624) als de daaropvolgende periode in Den Haag (1625-1662). In het begeleidende boek komen alle aspecten van zijn kunstenaarschap aan bod aan de hand van ruim 45 werken. Van ontwerpen voor boekillustraties tot een wandtapijt van bijna acht meter breed.
