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Dutch and Flemish Painting: Portraits 1600-1800, Old Masters' Gallery Catalogues, Szepmuveszeti Muzeum Budapest, Volume 1.
NL-, Primavera, 2011 Bound, hardcover, 304 pag., 22 x 28 cm, bound, ca. 150 ill. mostly colour fine condition !. ISBN 9789059971004.
The collection of Dutch Old Master paintings in the Szepm?veszeti Muzeum, Budapest, is one of the largest in the world outside the Netherlands and Belgium. This first volume of its catalogue raisonne series discusses one hundred and five Dutch and Flemish portraits from 1600 to 1800, an abundant and varied section of the collection. Represented are such great masters like Anthony van Dyck, Frans Hals, Thomas de Keyser, Bartholomeus van der Helst, and it includes fine works by leading portraitists from nearly all the famous centres of Dutch painting. The core of this material comes from the Prince Esterhazy collection purchased in 1871, which was subsequently enriched by gifts and bequests of further Hungarian aristocrats and bourgeois collectors. Until recently the collection of portraits has been augmented through resolute or occasional aquisitions by gallery directors, starting with Karoly Pulszky, Gabriel Terey and others. This volume is the first systematic overview of that special part of the Budapest collection, containing new achievements of research: several new attributions, names of sitters, and unknown data to the provenance of the paintings. The text is in English and Hungarian. Rudi E.O. Ekkart, director of the Rijksbureau voor Kunsthistorische Documentatie in the Hague, is the leading authority on seventeenth-century Dutch and Flemish portraits, author of scholarly catalogues and co-curator of special exhibitions. He is professor of arthistory at the Utrecht University.
Looted Art & restitution : The Exodus and Partial Return of Dutch Art Property During and After World War II
, Waanders, 2023 Hardcover, 216 pages, ENG. edition !! 240 x 170 x 25 mm, NEW, illustr. / images in colour / b/w. ISBN 9789462624986.
Looted Art & Restitution relates the history of the trade, looting and restitution of works of art from the Netherlands before, during and after World War II. Due to the German collection rage, countless artworks ended up in German hands during the occupation. The allies recovered a large number of works of art to the Netherlands after the war. It was the Dutch government?s task to return looted or forcibly sold works to their original owners. The mostly Jewish claimants, however, often encountered bureaucratic and unwilling authorities. Meanwhile, most of the artworks were distributed over museums and depots or auctioned off. It was not until the late 1990s that, in accordance with international developments, the restitution policy became much more humane and a search for the rightful owners was implemented.
Kinderen op hun mooist, het kinderportret in de Nederlanden, 1500 - 1700
Gent 2000 Ludion Soft cover 1st Edition
Kinderen op hun mooist, het kinderportret in de Nederlanden, 1500 - 1700, zachte kaft, 320 blz, talloze illustraties in kleur, nieuwstaat
Kinderen op hun mooist, het kinderportret in de Nederlanden, 1500 - 1700
Gent 2000 Ludion Hardcover 1st Edition
Kinderen op hun mooist, het kinderportret in de Nederlanden, 1500 - 1700, Hardcover, rode linnen band met stofwikkel, 320 blz, talloze illustraties in kleur, nieuwe staat
GOLAY, Laurent. - WOELDERINK, Bernard. - EKKART, Rudi E. O. - JUNOD, Philip.
Reference : 63790
Benjamin Samuel Bolomey 1739-1819: un peintre suisse à la Cour du Prince Guillaume V d’Orange.
Zwolle - La Haye - Prangins, Wanders Uitgevers - Haags Historisch Museum - Musée National Suisse 2001, 280x230mm, 216pages, broché. Bel exemplaire.
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De Renildis Handpers 1957-1987.
2. 's Gravenhage, Rijksmuseum Meermanno-Westreenianum, 1987, in-8°, 40 pp, sewn, original stiff wrapper, bound with a silk tie. Text in Dutch. On the Renildis Handpress of Maurice Laudy.
