Roethlisberger, Marcel: Bartholomeus Breenbergh. The Paintings. Berlin & New York: Walter de Gruyter, 1981. 122 pages plus 377 monochrome illustrations. Wear to top of the front cover and spine, internally clean. Cloth. 31x23.5cms. Catalogue of works. Includes works by his predecessors and related artists, including Bril, Pynas, Filippo Napoletano, Poelenburgh, Wals, Linsen, C. de Hooch, Groenewegen, Barata, plus lost works and imitations. With chapter on his influence, bibliography.
Catalogue of works. Includes works by his predecessors and related artists, including Bril, Pynas, Filippo Napoletano, Poelenburgh, Wals, Linsen, C. de Hooch, Groenewegen, Barata, plus lost works and imitations. With chapter on his influence, bibliography. Text in English
Roethlisberger, Marcel: L'opera completa di Liotard. Milan: Rizzoli, Series: Classici dell'Arte. 128pp with 64 colour plates and over 400 moncohrome illustrations. Cloth, 31.5x25cms. Text in Italian.
Text in Italian
Doornspijk, Davaco, 2008 2 volumes in-4to (31 x 23.5 cm): the text is in French and covers 930 pages, including an extensive catalogue raisonne of 450 pages; the plate volume comprises 913 illustrations, nearly half of them in colour.Binding: Cloth bound with dust jacket in a decorative slipcase, Printed in an edition of 500 copies. *NEW!! ISBN 9070288087.
This book, written and published in French only, is the first exhaustive monograph dedicated to Liotard, the principal Geneva painter. The authors have previously published many articles on the theme.Jean-Etienne Liotard (Geneva 1702-1789), trained as an enamelist in Geneva and in Paris, received international acclaim as an itinerant portrait painter working for the major courts of Europe. He was established in Paris, in Italy, four years in Constantinople, in Moldavia, then several times in Vienna, Germany, Paris, London, the Netherlands and Geneva. During the fifty-five years of his activity, from 1725 to 1780, he worked for forty years in the European capitals. While mindful to his competitors, he never fully adhered to a national school. His aesthetic conception was totally original and independent, opposed to academic conventions, without any concessions made to the conventions characterizing court portraiture. In the field of enamel and miniature painting he had no equal.Some 525 works of his production survive, including 280 pastels, oils, enamels, miniatures, engravings, and 140 drawings. Many other works are documented but lost. The ?uvre is today spread across museums of Europe and the United States - foremost in Geneva and Amsterdam, - and in private collections. Numerous masterpieces have never been on view, many works are now published for the first time.The book discusses the life and the art of Liotard, his artistic trajectory, the particularities of his style, his evolution, his self portraits. The sources cover the genealogy, contracts, inventories, the two autobiographies and the contemporary biographies. The chapter of the techniques deals with the practical aspects of his art. His collection of old paintings is studied in detail. His two theoretical publications, including the Treatise of 1781, are reprinted in full and analyzed in detail.The bulk of the text is the critical catalogue in chronological sequence, discussing in each case the relevant aspects and the biography of the represented sitters. A chapter presents the graphic production of the engraver Jean-Michel Liotard, his twin brother. A major section comprises for the first time all the letters of Liotard and large excerpts of the letters of his family.The 900 illustrations, to a large extent in colour, throw full light upon the international dimension of the art of Liotard and bring to life this great artist.
Musée de Grenoble Broché 1977 In-8 (21*19), dos broché sous couverture illustrée, 46 pages, 74 oeuvres commentées et reproduites ; couverture légèrement jaunie ; bel état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
Skira. 1975. In-Folio. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 198 pages - nombreuses reproductions en couleurs et en noir et blanc dans et hors texte (les reproductions en couleurs sont contre collées) - jaquette conservée.. Avec Jaquette. . . Classification Dewey : 750-La peinture et les peintres
Classification Dewey : 750-La peinture et les peintres
Genève, Skira 1975, 345x245mm, 198pages, reliure d'éditeur sous jaquette. Jaquette légèrement défraîchie, sinon bel exemplaire. Très bel exemplaire.
210 photos couleurs et n/b, Pour un paiement via PayPal, veuillez nous en faire la demande et nous vous enverrons une facture PayPal
Genève, Skira, 1975, in-folio, 199 p. avec 210 reproductions en couleurs et en noir/blanc, reliure en toile originale sous jaquette illustrée et emboîtage, exemplaire frais.
Phone number : 41 (0)26 3223808
Genève, Skira, 1975, in-folio, 199 p. avec 210 reproductions en couleurs et en noir/blanc, reliure en toile originale sous jaquette illustrée.
Phone number : 41 (0)26 3223808
"11. Berkeley and Los Angeles,University of California Press, 1968, 2 vols in-4°, xi + 477 pp ; 1244 b/w illustrations of drawings. Publisher's buckram, no dustwrappers. Fine/good copies with the ex-libris of Raymond and Pamela Lister tipped in. Published as volume VIII in the series; ''California Studies in the History of Art''."
[Claude GellÃe called Claude Lorrain] - Cecchi, Doretta and Marcel Roethlisberger
Reference : 054027
(1975)
Cecchi, Doretta and Marcel Roethlisberger: Claude Lorrain Opera Completa. Milan: Rizzoli, 1975. Series: Classici dell'Arte. 128 pages with 64 colour plates and c.250 black and white illustrations. Hardback. 31 x 24.5cms. Text in Italian.
Text in Italian
Roethlisberger-Bianco, Marcel: Cavalier Pietro Tempesta and his time. University of Delaware Press, 1970. 143pp plus 16 colour and 456 monochrome illustrations. Cloth, 30.5x23cms. Pieter Mulier the Younger, Haarlem 1937 - Milan 1701, called Tempesta. With catalogue of his works, his predecessors, school and followers; bibliography; letters.
Pieter Mulier the Younger, Haarlem 1937 - Milan 1701, called Tempesta. With catalogue of his works, his predecessors, school and followers; bibliography; letters
A. Skira, Genève 1975. Bel in-4 (35 x 25) relié, reliure pleine toile et jaquette d'orig., 200 pages sur papier cartonné avec note, tables, planches, index ...