1312 books for « roberto e etc »Edit

‎Eagles Looking East and West. Dynasty, Ritual and Representation in Habsburg Hungary and Spain‎

‎, Brepols, 2021 Paperback, 338 pages, Size:156 x 234 mm, Illustrations:55 b/w, Language: English. ISBN 9782503581330.‎

‎Summary Symbolised by the 'double-headed eagle' looking East and West, the Habsburg dynasty constituted a universal power structure in the early modern era. The dynasty's Spanish and Austrian branches created a code of shared identity, one which also encompassed their religious piety and their ability to pitch the Austriacum Imperium against multiple enemies worldwide. The present volume investigates the construction of the dynasty's political image in two spheres, the Kingdom of Hungary and the Spanish monarchy, between the sixteenth and eighteenth centuries. Fifteen Hungarian, Czech and Spanish specialists offer comparative perspectives on the Habsburg era during this convulsive period of European history, addressing topics including diplomatic links, dynastic ritual and representation, and the Order of the Golden Fleece. In covering a wide range of themes, their contributions aim towards a better understanding of the emergence of new political attitudes in the Western world prior to the Enlightenment. Contributors to the volume include Cristina Bravo Lozano, V clav B??ek, N ra G. Et nyi, Alfredo Florist n Im zcoz, Rub n Gonz lez Cuerva, Borb la Guly s, Fanni Hende, J nos Kalm r, Zsolt K k nyesi, Zolt n Korp s, Pavel Marek, Tibor Monostori, and G za P lffy. TABLE OF CONTENTS Introduction Dynastic links between far lands: The kingdom of Hungary and the Spanish monarchy in the early modern age Tibor Mart and Roberto Quiros Rosado PART I A ritualized dynasty: The ceremonies of the Habsburgs Funerals and coronations: Dynastic heraldic representation in Central Europe from the fifteenth to the early seventeenth century G za P lffy Swearing in, crowning and proclaiming the Habsburgs in the kingdoms of Spain: Continuity and innovation, 1516-98 Alfredo Florist n Im zcoz Festivities celebrating the coronations of the Habsburgs Maximilian and Rudolf as king of Hungary in Pozsony/Bratislava, 1563-72 Borb la Guly s The funerals of the emperor Rudolf II in the Spanish monarchy, 1612 V clav B??ek and Pavel Marek Printed political representations of the coronation of Joseph I as king of Hungary, 1687 N ra G. Et nyi Archduke Charles of the House of Habsburg's proclamation of accession to the throne of Spain and his inauguration as king of Aragon, 1703-6 J nos Kalm r Political representation at the coronations of Hungarian kings in the first half of the eighteenth century Fanni Hende PART II One dynasty, two branches: Political interaction and self-representation of the eastern and western Habsburgs Quarrelling brothers: The fraternal relationship of Charles V and Ferdinand I and their attitudes towards Hungary Zolt n Korp s The king of Hungary and the cardinal of Toledo: The creation of a common dynastic image around the two Ferdinands, 1631-35 Rub n Gonz lez Cuerva The kingdom of Hungary in essays and other writings of Diego Saavedra Fajardo in the years 1630-50 Tibor Monostori Hymenaeus in The Hague: Inaugural and dynastic celebrations of Spanish diplomats in the United Provinces, 1649 Cristina Bravo Lozano Hungarian members of the Order of the Golden Fleece: The importance of a Habsburg chivalric order in seventeenth-century Hungary Tibor Mart Moribus antiquis: Dynasty, political strategy and court ceremonial during the genesis of the Austrian Golden Fleece, 1709-13 Roberto Quir s Rosado Court entertainment and relationship networks: Shooting competitions in Charles VI's Viennese court as social opportunities for the noble elite, 1716-33 Zsolt K k nyesi‎

‎Homo, Natura, Mundus: Human Beings and Their Relationships. Proceedings of the XIV International Congress of the Soci t Internationale pour l' tude de la Philosophie M di vale‎

‎, Brepols, 2021 Hardback, xlv + 979 pages, Size:156 x 234 mm, Illustrations:1 b/w, 1 col., 2 tables b/w., Language(s):English, German, Spanish. ISBN 9782503592633.‎

‎Summary The present volumes contain a number of studies first presented at the XIV International Congress of the Soci t Internationale pour l' tude de la Philosophie M di vale, July 24-28, 2017, Porto Alegre, Brazil - which happened to be the first SIEPM Congress in Latin America and the first in the Southern Hemisphere. In 65 essays on current research questions in Latin, Jewish, and Arabic Philosophy, and Early Modern Scholasticism, the contributors explore the general theme of "Homo - Natura - Mundus: Human Beings and their Relationships," and lead us to new perspectives. These essays relate to the following areas of interest: the human being's self-understanding as a rational creature in multiple relationships (with God, the other, the community, the fellow and the different); the human being's place in the natural world and the possibility of relating to nature through knowledge; medieval philosophical traditions and the challenges introduced by the "discovery" of the "New World" (dominium, war, hierarchies, and new areas of concern with respect to justice, the human good, and the law). Thus, these volumes offer a unique sample of scholarly studies that work with the idea of "relationships" in two distinct, but not opposing, directions. Firstly, they explore the ways in which human beings, according to the reach of their soul's powers, construct their self-understanding and existence in relation to God, themselves, others and the natural world. Secondly, they explore the ways in which the philosophical bases for the understanding of these relationships were challenged by the transportation of medieval ideas to the "New World" and by the reception of these ideas in early modern times. TABLE OF CONTENTS Preface by Prof. Dr. Loris Sturlese, Former President of the SIEPM Preface by the Editors Acknowledgments Introduction Part I - Plenary Sessions (1) The Scientific View, Andreas Speer (2) Plants, Animals and Human Beings in the Aristotelian Science of the Soul: Some Medieval Views, Silvia Donati (3) How Human Beings Grasp Nature - John Buridan on Knowing Substances, Rodrigo Guerizoli (4) The Human Being and Its Dignity - Three Medieval Models, Fiorella Retucci (5) Human Relationships and Human Attitudes in the Medieval Universities, Olga Weijers (6) The Noble Vita activa: The Philosopher's Relation to the Many, Steven Harvey (7) Las relaciones de poder en la teor a pol tica isl mica, Rafael Ram n Guerrero (8) From Salamanca to Mexico: On Justifying Empire, Joerg Alejandro Tellkamp Part II - Ordinary and Special Sessions 1. The Human Being as a Creature and the Knowledge of God (9) Deconstructing the Substantialist Conception of God: Recasting Heidegger's Critique of Augustine, Nythamar de Oliveira (10) A condi o paradoxal da natureza humana deca da frente ao mundo criado em Santo Agostinho, Matheus Jeske Vahl (11) A antropologia de Anselmo de Aosta: fundamenta o teol gica e desdobramentos filos ficos, Manoel Vasconcellos (12) Gerard of Bologna and the Debate on the Epistemological Status of Revealed Theology, David Pich (13) Marta y Mar a: la singular ex gesis eckhartiana en torno a la correlaci n de vida activa y contemplativa, Silvana Filippi 2. Human Beings and the Powers of the Soul (14) Fundamentos de la adquisici n cognitiva en al-F?r?b?: Una lectura sobre las cogniciones primarias desde la discusi n teol gica, Nicol s Moreira Alaniz (15) Intellect and Internal Senses in Avicenna's Kit?b al-Nafs V, Meline Costa Sousa (16) Free Will in Ibn B?jja's Physics, Said El Bousklaoui (17) Ab lard et la notion aristot licienne d'habitude, Guy Hamelin (18) Manifestation et exp rience : la m taphysique de la vision et de la perception sensorielle de Suhraward? selon sa Philosophie de l'illumination (?ikmat al-i?r?q), Mateus Domingues da Silva (19) Mittelalterliche Anthropologie im Umbruch: Das Lehrst ck von den vires motivae animae rationalis des Albertus Magnus, Henryk Anzulewicz (20) Albert the Great's Ethical Commentaries and al-Farabi's De intellectu, Tracy Wietecha (21) Petrus Hispanus' Discussion of the Soul as Harmony, Jos F. P. Meirinhos (22) Homo - mundus, la relaci n cognoscitiva entre el hombre y el mundo en Tom s de Aquino: representaci n vs. informaci n, Emiliano Javier Cuccia (23) Reasons for Willing - John Duns Scotus' Critical Assessment of Aristotle's Notion of Rational and Non-Rational Powers, Gloria Silvana El as (24) A teoria dos h bitos de Ockham: considera es preliminares, Laiza Rodrigues de Souza, 3. The Senses, the Imagination, and the Arts (25) Arenques frescos ou o meu ltimo desejo, Carlos Arthur Ribeiro do Nascimento (26) L lio e as virtudes dos cavaleiros nos esmaltes her ldicos do Armorial Equestre Toison d'or, Diego Apellaniz Borba (27) Im genes en Ramon Llull: intento de categorizaci n, Nicol s Mart nez Bejarano (28) Literature and Philosophy in the Monastic Context of 14th Century Florence, Myrtha de Meo-Ehlert (29) Ideias filos ficas na arte barroca do Brasil Colonial, Idalgo J. Sangalli 4. Language and Communication (30) Aristotle, Augustine and Aquinas on the Nature of Signs, Mercedes Rubio (31) Wie l sst sich das Seiende durch die Sprache beschreiben? Eine Reflexion ber Dietrich von Freibergs Sprachtheorie, Tamar Tsopurashvili (32) Translatio linguarum and Popularisation of Philosophy in the Middle Ages, A Historical Witness on Popularisation of Philosophy, Loris Sturlese (33) Buridan et la virtus sermonis, Roberta Miquelanti 5. Human Beings in Relationships: Otherness, Difference, and Social Life (34) La ontolog a como fundamento de la pol tica en al-F?r?b?, Francisca Galil ia Silva (35) Nature humaine et les relations entre individus : travers l' p tre sur l'amour d'Avicenne (Ris?lh fy m?hy? ?l ??q), Aicha Lahdhiri (36) The Relationship between Jews and Non-Jews According to Judah Halevi, Daniel J. Lasker (37) Andr s el Capell n y la auctoritas femenina, Nicol s Mart nez S ez (38) Lullus and Arabic Thought, Josep Puig Montada (39) William of Ockham on Children, Vesa Hirvonen (40) Body and Rationality: The Philosophical Contribution of Christine de Pizan, Ana Rieger Schmidt 6. Slavery (41) "Hi sunt natura servi." Natural Inequality and Biology in Albert the Great's Politica, Alessandro Palazzo (42) Thomas d'Aquin et Vitoria : de l'acceptation l'abolition de l'esclavage des esclaves par nature d'Aristote, Emmanuel Bermon (43) A moral econ mica e o tr fico de escravos na escol stica ibero-americana: Tom s de Mercado e a Suma de tratos y contratos (1571), Alfredo S. Culleton (44) El derecho a la vida y la salvaci n en los subyugados: los derechos naturales de los esclavos africanos en Alonso de Sandoval, Manuel M ndez Alonzo (45) Freedom and Slavery in the Thought Antonio Vieira, Paulo Ricardo Martines (46) Two Attitudes Towards Slavery in Colonial Brazil, Alfredo Carlos Storck 7. Nature, World, and Reality (47) Philoponus against the Incorruptibility of Celestial Bodies, Matheus Henrique Gomes Monteiro (48) The Virtue of the Adulterous Woman: Ibn Gabirol on the Dignity of Matter, Cec lia Cavaleiro de Macedo (49) A distin o entre cont nuo e discreto em Alberto Magno. Uma an lise sobre o coment rio Physica V.3, Marco Aur lio Oliveira Silva (50) A Logic of Exchange? Disagreements between Albert the Great and Thomas Aquinas, Katja Krause (51) El mundo en el Logos divino - Preexistencia inteligible y vital de las creaturas en Dios, Juan Jos Herrera (52) The Heuristic Role of the History of Philosophy and Science in Roger Bacon's Intellectual Project, Daniel Gonz lez-Garc a (53) The Weaker and Stronger Senses of Scotus's Formal Distinction, Guido J. Alt (54) Scotus, Durandus & nominales - Prescienza e natura dei demoni nell'Exercitium academicum circa praescientiam daemonum expendendam occupatum di Dietrich L ders, Riccardo Fedriga e Roberto Limonta (55) The Concept of Spiritus in Walter Burley's Parva naturalia Commentaries, Marek Gensler (56) Reception of the Works of Nicholas of Cusa in the Manuscripts from the Erfurt Charterhouse in the Fifteenth Century, Mikhail Khorkov (57) What Did Nicholas of Cusa Mean with His Conception of the Universe as Indefinite?, Jean-Michel Counet (58) Is There for Francisco Su rez a Real Final Cause in All Beings?, C sar Ribas Cezar (59) A F sica especial y curiosa de Francisco Javier Tr as e o Curso de Filosofia no Collegium Maragnonense, Luiz Fernando Medeiros Rodrigues 8. Normativity and Law (60) Natural Law and the Distinction between Conscience and Synderesis in Henry of Ghent, Gustavo Barreto Vilhena de Paiva (61) A rela o entre lei natural e justi a pol tica em Tom s de Aquino, Camila Ezidio (62) Transkulturelle Auslegungen des G ttlichen Rechts: Die Quellen von Meister Eckharts Dekalogauslegung, G rge K. Hasselhoff (63) Ius post bellum - Francisco de Vitoria e as condi es para a restaura o da paz, Renata Floriano de Sousa (64) "Obedezco pero no cumplo": A Study about Servibumbres personales de indios (1604) by Miguel de Agia, Lucas Duarte Silva (65) Diego de Avenda o's Probablistic Understanding of Right Conscience and Prudential Acts, Roberto Hofmeister Pich Index of Manuscripts Index of Ancient and Medieval Names Index of 'Second Scholastic' Authors Index of Modern and Contemporary Authors‎

‎Twentieth-Century Music and Mathematics‎

‎, Brepols, 2019 Hardback, xxxiii + 382 pages, Size:216 x 280 mm, Illustrations:Musical examples and figures, Languages: English, French, Italian. ISBN 9782503585703.‎

‎Summary Music and mathematics have been connected since ancient times. During the twentieth century, however, many composers consciously started using many mathematical concepts, algebraic operations and theorems as bases for their creative processes. The first part of this volume deals with the relationship between music and mathematics in the music of composers such as Olivier Messiaen, Iannis Xenakis, Franco Evangelisti, Pierre Boulez, Arvo P rt, Steve Reich and Philip Glass. A chapter is then dedicated to Spanish composers of the last forty years (Francisco Guerrero, Alberto Posadas, Jos Mar a S nchez-Verd , Iluminada P rez Frutos, Nur a Gimenez Comas, Helga Arias and Jos L pez Montes). The theme continues in the second part of the book through the examination of prominent theories (Neo-Riemannian theory, diatonic set theory, theory of musical kaleidocycles), the use of diagrams and charts in music, the algorithmic evolution of music, contemporary compositional practices inspired by mathematical concepts; it arrives at studies on double canons and trichords. We publish a philosophical study in order to ask what the future of the relationship between music and mathematics will be at the beginning of the 21st century. Includes an introduction by Massimiliano Locanto. TABLE OF CONTENTS Roberto Illiano Preface Massimiliano Locanto Music Composition, Mathematics, and the Modernist Legacy Twentieth-Century Composers and Mathematics Athanase Papadopoulos Messiaen et les math matiques Ronald Squibbs Xenakis's Method of Stochastic Composition: A Brief Introduction Peter Hoffmann My Music Makes no Revolution : Thoughts on the Role of Mathematics in the Work of Iannis Xenakis Alessandro Mastropietro Simboli matematici nei titoli delle composizioni di Franco Evangelisti C. Catherine Losada Boulez and Mathematics Andrew Shenton 1 + 1 = 1: The Elengant Mathematics of Arvo P rt's Tintinnabulation Joel Haack Mathematical Considerations of the Rhythmic Patterns in the Music of Steve Reich Richard Cohn Glass Graphs Pedro Ord ez Eslava Ars combinatoria: po ticas del n mero en la composici n espa ola contempor nea (1980-2018). Breve antolog a inacabada Music and Mathematics: Theories, Practices, Future Henry Klumpenhouwer Neo-Riemannian Theory Franck Jedrzejewski Graphes et diagrammes, l'en-de de la composition Angelo Orcalli L'evoluzione algoritmica della musica. Omaggio a Jean-Claude Risset Jos L. Besada Where Science-Based Music Comes From: Some Cognitive Remarks upon Contemporary Compositional Practices Inspired by Mathematical Concepts, Operations, and Objects Richard Hermann On Near Maximally Even Set-Classes Guerino Mazzola The Role of Mathematics for Music in Theory, Composition, and Performance Luigi Verdi Due esempi di Chim(us)ica Dodici canoni tricordali e loro combinazioni. Caleidocicli e canoni ritmici Fran ois Nicolas Du partage moderne/contemporain en math matiques et en musique la lumi re de Fernando Zalamea (Philosophie syst matique de la math matique contemporaine) Abstracts Biographies Index of Names‎

‎Music Criticism 1950-2000‎

‎, Brepols, 2019 Hardback, xxiv + 420 pages, Size:220 x 280 mm, Illustrations:20 b/w, Languages: English, Italian, Spanish. ISBN 9782503584423.‎

‎Summary This book addresses the complex world of music criticism during the second half of the twentieth century, with particular emphasis on the relationship between music criticism and pivotal changes in politics, society, technology, and economics. The focus on music criticism should be understood in a very broad sense, as one of the various forms of communication and expression that contributes both to the formulation of judgments, and to a broader discourse on the constructions of music. In addition, the book deepens the topic of music criticism by addressing some defining aspects of the period, such as the development of music for the cinema, the growth of the music industry, and the new media that characterized the turn of the century. The articles are divided into five sections: 'Music Criticism and its Roles', 'Music Criticism and Italian Film Music', 'Music Criticism and Ideology', 'Music Criticism and the Web', and 'Case Studies' (Amiri Baraka, Astor Piazzolla, Louis Andriessen, Dieter Roth, John Cage, and Stravinsky). TABLE OF CONTENTS Massimiliano Locanto Introduction. Music Criticism and Musicology: Depolarising the Debate Aknowledgements Music Critics and Their Roles Abdullah Essa Jamal Khalaf Alan Rawsthorne: The Neglected Chopin Critic Massimiliano Locanto Brother Criticus : Stravinsky 'the Serialist' against Music Criticism H ctor Gasol Calvo Manuel R. de Llauder y la cr tica musical en Barcelona durante los a os '60. Un compositor y cr tico contempor neo de Xavier Montsalvatge David Hurwitz The Twentieth-Century Recording Explosion: Challenges and Opportunities for Criticism Music Criticism and Ideology Lee Ellen Martin Sing a Song of Freedom: Civil Rights and the Reception of Race and Gender in the Music of Lambert, Hendricks & Ross Carla Cuomo Massimo Mila e l'impegno: interazioni tra critica militante e musicologia dal dopoguerra agli anni Settanta Lada Durakovi! Musica e discorso ideologico: i testi sulla musica durante la formazione del socialismo in Croazia Marita Fornaro Bordolli Criticism, Power and Canon in Uruguay (1950-2000): Between Conservatism and Avant-Garde Music Criticism and Music for Film in Italy Umberto Fasolato Il contributo della critica cinematogra?ca militante italiana alla de?nizione del paesaggio sonoro nei ?lm degli anni Cinquanta Kristjan Stopar - Francesco Verona La musica per ?lm nelle riviste cinematogra?che italiane tra gli anni Cinquanta e Sessanta: i casi di Cinema e Filmcritica Antonio Ferrara La musica nel ?lm (1950): la prima monogra?a italiana sulla musica cinematogra?ca Roberto Calabretto Le pubblicazioni di Sergio Miceli quale parte del dibattito storiogra?co sulla musica per ?lm in Italia Music Criticism and the Web Pedro Ord ez Eslava Facebooking Musicology: apuntes para una ( nueva?) cr tica musical 2.0 Giacomo Albert How are Social Media Reshaping the Critical Debate around Contemporary Music? Stefano Lombardi Vallauri Il trattamento della musica nei blog culturali generalisti italiani Marida Rizzuti La critica musicale in Italia intorno al 2000 fra I lIke It e cinguettii Case Studies Siegwart Reichwald Making it in the Big Apple: Piazzolla's 1980s New York Experience in the Words of The New York Times Ryan Bruce Amiri Baraka's Black Music as an Avant-Garde Manifesto in Jazz Helena Mart n-Nieva Opening Pandora's Cage: 'Open Music' and John Cage in Barcelona, 1960-1970 Lorenzo De Donato Il suono 'inaudito'. Il fenomeno musicale nell'opera di Dieter Roth Eric Taxier Object-Oriented Music Criticism: On Louis Andriessen's De Staat Abstracts Biographies Index of Names‎

‎Transferts culturels franco-italiens au Moyen ge - Trasferimenti culturali italo francesi‎

‎, Brepols, 2021 Paperback, 292 pages, Size:156 x 234 mm, Illustrations:10 b/w, Languages: French, Italian. ISBN 9782503587714.‎

‎Summary La Societ italiana di Filologia romanza, la Soci t de langues et litt ratures m di vales d'oc et d'o l et la Soci t de Linguistique romane ont d cid d'organiser conjointement un colloque consacr au th me des transferts culturels franco-italiens au Moyen ge . Le th me des transferts culturels, choisi par les trois soci t s, est apparu comme le meilleur moyen d' tudier ce qui la fois rapproche et s pare ces deux espaces centraux de la Romania. Le colloque a permis de contribuer au renouvellement des tudes comparatistes dans le domaine des lettres m di vales, favorisant une meilleure communication entre les sp cialistes de la civilisation litt raire du Moyen ge. La structuration des trois journ es en cinq s ances principales et deux tables rondes a galement permis de r fl chir ce sujet selon cinq approches compl mentaires qui entendent tenir compte de l'ensemble des mouvements qui mettent en relation et en tension les lettres gallo-romanes et le volgare tout au long du Moyen ge vernaculaire. TABLE OF CONTENTS 1. Approches m thodologiques et traditions critiques / Approcci metodologici et tradizioni critiche? Massimo Bonafin, Somiglianze e differenze nella comparazione Fr d ric Duval - Elisa Guadagnini, La rappresentazione lessicale del teatro antico nel Medioevo francese e italiano: per una lessicologia storica tra "transferts culturels" e comparatismo Lino Leonardi, Ce que la philologie italienne a appris de la philologie fran aise 2. Influences linguistiques et mod les artistiques et litt raires / Influenze linguistiche, artistiche e letterarie? Maria Colombo-Timelli, Usuriers, couards, tra tres: la (mauvaise) r putation des Lombards en moyen fran ais? Maria Luisa Meneghetti, Du motif litt raire au motif artistique dans la culture fran aise du Moyen ge Cinzia Pignatelli, La premi re traduction fran aise des trait s moraux d'Albertano da Brescia a-t-elle t r alis e par un italien? Retour sur une th se r cente 3. Traductions et bilinguisme / Traduzioni e bilinguismo? Claudio Galderisi, Deux cultures litt raires s par es par une m me langue-m re? Quelques seuils de la traduction entre l'o l et l'italien (et vice-versa) Federico Saviotti, Traduire les troubadours. La lyrique occitane dans le transfert culturel franco-italien Fabio Zinelli, De la France-Italie l'Italo-France (ou de l'histoire litt raire comme d localisation) ? 4. Modernit et Moyen ge / Medioevo e Modernit Roberto Antonelli, Dans l'ab me des arch types S bastien Douchet, Esquisse d'une r ception fran aise de Brunet Latin l' ge classique (XVIe-XVIIIe si cles) Antonio Pioletti Francia, Italia, Mediterraneo: filologia romanza e filologie nazionali fra Medioevo e Moderno Jean-Jacques Vincensini, L vi-Strauss Carduel. Pens e mythique et m di vistiques italienne et fran aise‎

‎I generi letterari in Properzio: modelli e fortuna. Proceedings of the Twenty-Second International Conference on Propertius, Assisi - Spello, 24-27 May 2018‎

‎, Brepols, 2020 Paperback, 408 pages, Size:156 x 234 mm, Languages: Italian, Spanish. ISBN 9782503589268.‎

‎Summary Tra Omero e Virgilio, passando attraverso la tragedia, l'epos enniano, l'epigramma e il registro epigrafico, la tradizione etiologica e didascalica e la formularit giuridica, la silloge properziana guadagna grazie a questo XXII Convegno una nuova primazia nel macrotesto augusteo. La sua poetica appare meno rettilinea, ma pi dialogante, alla ricerca di una via per uscire dalla gabbia dello stereotipo erotico: e se non cos 'difficile' come in passato risulta la sua adesione alle direttive augustee, pi ricca appare la strumentazione posta in atto da Properzio per nutrire la propria vocazione, per cercare una strada autonoma: far risuonare nella propria la voce virgiliana ma con un mutato orientamento, una nuova discorsivit . Del resto, dobbiamo prepararci a pensare in termini rinnovati o perlomeno pi definiti lo stesso personaggio Properzio: un Sesto Properzio finanzia in et augustea o giulio-claudia la costruzione in Assisi di un teatro probabilmente legato alla Domus Musae. Cos , la prosopografia properziana si profila strettamente intrecciata alla storia della letteratura di et imperiale, e pu gettare luce anche sui possibili consumatori di poesia elegiaca. TABLE OF CONTENTS Premessa Properzio in Assisi e a Roma (Giorgio Bonamente) Tra genere letterario e ideologia politica: tradizioni e riletture storiche in Properzio 4, 6 (Roberto Cristofoli) Ad coniugem suum, da Properzio a Ovidio (Rosalba Dimundo) Properzio e l'epos virgiliano. Dall'annuncio al ricordo (Paolo Fedeli) Varcare i confini? 'Palinsesti didascalici' nel terzo libro delle Elegie di Properzio (Luciano Landolfi) L'epos latino arcaico e Properzio (Paolo Mastandrea) Influssi della tragedia attica sull'elegia di Properzio (Maria Pia Pattoni) Propercio y la poes a etiol gica: del servitium amoris al servitium patriae (Arturo R. lvarez Hern ndez) Scribenda mihi lex in amore novo: il linguaggio del diritto in Properzio (Paola Pinotti) Properzio e l'epigrafia (Giovanni Polara) Il 'tempo della bellezza' e la legge della forza: l'epos omerico in Properzio (Gianpiero Rosati) Aristofane e 'le aristofaniche fantasie' nel corpus elegiaco di Properzio: porte sbattute, muraglie celesti, morti che rivivono (Carlo Santini) L'arte nella poesia di Properzio (Andrew Wallace-Hadrill) Considerazioni conclusive (Gianluigi Baldo)‎

‎Performing Arts and Technical Issues‎

‎, Brepols, 2021 Hardback, 480 pages, Size:215 x 260 mm, Illustrations:15 b/w, Language(s):English, French, Italian. ISBN 9782503597393.‎

‎Summary This volume addresses multiple facets of the artistic expression of a live performance, with a particular focus on the technical issues, people, and institutions related to it. Dance, musical theatre, mime, puppetry, and other performing arts are investigated through the lens of their various components, as well as their protagonists ? impresarios, companies, designers, conductors and directors. Specific sections of the book are devoted to lighting, scenography and costume design, staging, but also on circus, puppetry, dance, and entertainers. A number of articles are dedicated to single artists: Diaghilev, Massenet, Pacini, Poulenc, Verdi, and Wagner. With contributions by (in alphabetical order): Mathias Auclair, Rapha l Bortolotti, Michael Burden, Maria Birbili, Simone Ciolfi, Francesc Cortes, Mar a Encina Cortizo, Nathalie Coutelet, Petra Dotlacilova, Catrina Flint, Federico Gon, Vesa Kurkela, J rgen Maehder, Scott Palmer, Bertrand Porot, Manuela Rita, Ram n Sobrino, Valeriya Zharkova. TABLE OF CONTENTS Roberto Illiano Preface Performing Arts: Puppetry, Circus, Dance, Entertainers Catrina Flint de M dicis From Provence to Montmartre: Setting the Stage for Maurice Bouchor's Little Wooden Actors Bertrand Porot Les jeux des foires au xviiie si cle: les spectacles d'acrobate Nathalie Coutelet Les pantomimes nautiques du Nouveau-Cirque ou les pouvoirs spectaculaires de l'eau Mathias Auclair Les f tes galantes 1923 : Les Biches et le festival fran ais des Ballets russes Vesa Kurkela Miscellany and the Great Split: Itinerant Entertainers in 19th-Century Helsinki Technical Issues: Stage Lighting Scott Palmer A Staging Revolution through Light and Music: Adolphe Appia, Wagner and Hugo B hr Mar a Encina Cortizo - Ram n Sobrino Luis Par s, director de escena en el Teatro Real de Madrid: de la escenograf a iluminada a la creaci n de una po tica de la luz escenogr fica (1896-1907) Francesc Cort s Los proyectos para una renovaci n esc nica del G. T. del Liceu en el cambio de siglo (xix-xx): mirando al futuro J rgen Maehder The Early History of Laser Rays on the Opera Stage: Munich - London - Geneva - (Paris) - Bayreuth Scenography and Costumes Design Rapha l Bortolotti Les d cors et machines originaux du th tre de Feltre: Enjeux techniques d'une sc ne de province dans l'Italie du xix me si cle Valeriya Zharkova Principles of Creating a Scenic Image in the Op ra-Comique. Theatre in the Last Quarter of the Nineteenth Century Federico Gon ?I am satisfied that what is written will be done simply and exactely : Reflections on inventing the truth in Rigoletto's Staging Petra Dotla?ilov Visible and Invisible Hands: Costume-Making Practices of Italian Music Theatre in the Early Modern Era Staging Simone Ciolfi 'Verisimilitude', 'Simplicity', 'Naturalness': Cultural Background and Performance Strategies of Eighteenth-century Cantata Recitatives Michael Burden Put upon the stage as no opera I have ever seen for truth : The London Staging of Pacini's Saffo in 1843 Manuela Rita Le disposizioni sceniche per Il re di Lahore ed Erodiade: La prassi della messinscena teatrale nel contesto delle relazioni Italia-Francia nella Terza Repubblica Maria Birbili Multimediality, Special Effects, and Precursory Film Techniques in the Staging of French grand op ra: The Composer as a Stage Director Abstracts and Biographies Appendix Index of Names‎

‎Music and the Figurative Arts in the Nineteenth Century‎

‎, Brepols 2020, 2020 Hardcover, .xiv + 527 p., 0 b/w ill., 20 col. ills 210 x 270 mm , English, ISBN 9782503589510.‎

‎This book explores the relationship between music and the figurative arts in the XIX century. In 1795 Friedrich Schiller wrote: Die bildende Kunst in ihrer h chsten Vollendung muss Musik werden und uns durch unmittelbare sinnliche Gegenwart r hren (Schiller, ber die sthetische Erziehung des Menschen, Letter XXII, 1795). This sentence underlines the fundamental aesthetic change that coincided at the onset of the nineteenth century. According to ut musica pictura , music becomes the model for an art able to express and communicate feelings. Even as music no longer necessarily has to embody order, so does painting move away from pure imitation to encompass emotional affect. Music and painting thus converge in embodying a sensual conception of the arts: music is capable of expressing emotions and arousing them in the audience; painting can do the same through visual perception. The present volume, which brings together 21 essays, focuses on encounters between composers and painters, but also on the relationship between music, literature and the figurative arts, as well as on the concurrence of musical and artistic aesthetics. Sections of the book are devoted to iconography, to the relationship with the theatrical arts (in particular the scenic aspect) and in one instance, to Franz Liszt. ROBERTO ILLIANO is General Secretary of the Centro Studi Opera Omnia Luigi Boccherini (Lucca) and President of the Italian National Edition of Muzio Clementi?s Complete Works. He is also a member of the scholarly committee of the Italian National Edition of Luigi Boccherini?s Complete Works. A founder of the journal Ad Parnassum , he has published a variety of writings on 19th- and 20th-century music, in particular on Luigi Dallapiccola and Italian music under Italian fascism.‎

‎Pelé 70 [signé par Pelé / signed by Pelé]‎

‎São Paulo/Santos, Editora Brasileira et Realejo, 2010. Livre bilingue anglais-portugais publié en hommage à Pelé. Envoi autographe de Pedro Saad, avocat et partenaire de l'éditeur, signé par le légendaire joueur de football à la page suivante. Grand volume in-folio, 38 x 30 cm, 160 pages. Relié éditeur avec jaquette. Imprimé sur papier couché. Tranchefile. Nombreuses photos noir et blanc de Pelé, dont 84 peu ou pas parues jusque-là et republiées ici spécialement pour son 70e anniversaire. Textes de Vincent Defourny, Orlando Silva, Xico Sá, Laurence Michel, Xiemar Zarazúa, Roberto Muylaert, José Roberto Torero et Gilda Stuart. Après la garde noire, la première page de garde argentée contient un long mot de Pedro Saad : "Prezada Denise, Estou lhe enviando este exemplar de presente para sua apreciação. Temos vários outros projetos já aprovados na lei Rouanet, todos com 100% de abatimento fiscal. Para conhecê-los, acesse portfolio ponto editorabrasileira ponto com ponto br. Um abraço, Pedro Saad" (Chère Denise, je vous envoie cet exemplaire en cadeau pour que vous puissiez l'apprécier. Nous avons d'autres projets déjà approuvés selon la loi Rouanet, tous avec abattement fiscal de 100%, découvrez-les sur notre site. Chaleureusement, Pedro Saad). La page suivante présente la première photo en noir et blanc de l'intérieur du livre et, en revers, un P géant sous lequel Pelé a inscrit sa signature. "Edson Arantes do Nascimento, dit Pelé, né le 23 octobre 1940 à Três Corações et mort le 29 décembre 2022 à São Paulo, est un footballeur international brésilien évoluant au poste d'attaquant et de meneur de jeu du milieu des années 1950 jusqu'en 1977. Surnommé le roi du football, beaucoup le considèrent comme le meilleur joueur de tous les temps. En comptant les buts officiels, Pelé est le deuxième meilleur buteur de l'histoire de l'équipe nationale brésilienne avec 77 buts en 92 matchs ; en club, il est le meilleur buteur de l'histoire de l'équipe de Santos." (Wikipédia) Livre en très bon état. Menue déchirure sur la chasse en haut à droite de la jaquette de couverture, légers chocs au bas de la même jaquette, légers frottements et traces de touché en transparence sur les plats de la jaquette, un très léger pli à la page de signature. Intérieur en excellent état, photographies éclatantes, papier propre et bien complet. ******************************************************************************** São Paulo/Santos, Editora Brasileira and Realejo, 2010. Bilingual book in English and Portuguese published in tribute to Pelé. Autographed dedication by Pedro Saad, lawyer and partner of the publisher, and signed by the legendary football player on the following page. A large folio volume, 38 x 30 cm, 160 pages. Publisher's hardcover with dust jacket. Printed on coated paper. Headband. Numerous black and white photos of Pelé, including 84 rarely or never published before and republished here especially for his 70th birthday. Texts by Vincent Defourny, Orlando Silva, Xico Sá, Laurence Michel, Xiemar Zarazúa, Roberto Muylaert, José Roberto Torero and Gilda Stuart. After the black free endpaper, the first silver paper has been written on by Pedro Saad: "Prezada Denise, Estou lhe enviando este exemplar de presente para sua apreciação. Temos vários outros projetos já aprovados na lei Rouanet, todos com 100% de abatimento fiscal. Para conhecê-los, acesse portfolio ponto editorabrasileira ponto com ponto br. Um abraço, Pedro Saad" (Dear Denise, I am sending you this copy as a gift so that you can appreciate it. We have other projects already approved under the Rouanet law, all with 100% tax abatement, discover them on our website. Warmly, Pedro Saad). The next page shows the first black and white photo of the inside of the book and, facing it, a giant "P" under which Pelé has written his signature. "Edson Arantes do Nascimento, known as Pelé, born October 23, 1940 in Três Corações and died December 29, 2022 in São Paulo, is a Brazilian international footballer playing as a striker and playmaker from the mid-1950s until 1977. Nicknamed the King of Football, many consider him the best player of all time. Counting official goals, Pelé is the second highest scorer in the history of the Brazilian national team with 77 goals in 92 matches; at club level, he is the highest scorer in the history of the Santos team." (Wikipedia) Book in very good condition. Small tear on the top right of the cover jacket, slight shocks at the bottom of the same jacket, slight rubbing and traces of touch in transparency on the covers of the jacket, a very slight fold on the signature page. Interior in excellent condition, bright photographs, clean and very complete paper.‎

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‎Très bel ouvrage en hommage à l'un des meilleurs joueurs de la Seleção, signé de sa main. ***************** A very beautiful monograph paying homage to one of the best players of the Seleção, autographed by him.‎

‎Ernest Hemingway retrouvé‎

‎ 1987 Paris, Gallimard ,1987, In quarto, 192 pp, reliure d'éditeur avec jaquette, bon état, ‎

‎photographies de roberto Herrera Sotolongo. ‎

‎VERCORS. Images intimes.‎

‎ Grenoble, Glénat, 2006. cartonnage éditeur illustrée avec jaquette illustrée. Album de photos d'art, in-4 carré de 1 feuillet blanc avec un bel ex-dono autographe, signé et illustré, faux-titre, titre, photo de dédicace en frontispice, 11 pages de texte illustrées, 80 pages de photos en noir et blanc du photographe Roberto Neumiller, dont certaines en double-pages, 10 pages de table, illustrées. ‎

‎POETI FRANCESI D'OGGI. ‎

‎Milan, Studio Letterario Milanese, 1952; grand in-8, 183 pp., br. Broché en très bon état - scelti e tradotti da Carlotta Mandel prefazione di Roberto Mandel - PRIMO VOLUME -illustrano questo volume XILOGRAFIE DI RAYMONDE BOUQUET , P.A. GALLIEN, GABRIEL MANDELEdition des poètes français d"aujourd"hui ( 1952) traduits en Italien par Carlotta Mandel , avec préface de Roberto Mandel, et illustrés dans le texte ou à pleine page de nombreux bois gravés en noir par Raymonde Bouquet, P.-A. Gallien et Gabriel Mandel.Edition originale.‎

‎Broché en très bon état - scelti e tradotti da Carlotta Mandel prefazione di Roberto Mandel - PRIMO VOLUME -illustrano questo volume XILOGRAFIE DI RAYMONDE BOUQUET , P.A. GALLIEN, GABRIEL MANDELEdition des poètes français d"aujourd"hui ( 1952) traduits en Italien par Carlotta Mandel , avec préface de Roberto Mandel, et illustrés dans le texte ou à pleine page de nombreux bois gravés en noir par Raymonde Bouquet, P.-A. Gallien et Gabriel Mandel.Edition originale.‎

‎Ballets Ciselants Polythanasiques, Hypergraphiques et Infinitesimaux (signé)‎

‎ 1977 Paris, Roberto Altmann et Isidore Isou, 1965, 195x246mm, 61 pp. , broché sous couverture imprimée. ‎

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‎Édition en partie originale de ces ballets d'Isidore Isou. La totalité d'entre eux ont été représenté lors de la soirée du 4 février 1965 à la Maison du spectateurÉdition originale du second ouvrage paru dans la collection Avant-Garde dirigée par l'artiste Roberto Altmann.Un des 18 exemplaires sur vélin blanc de Lana, signés de l'auteur et de l'artiste, contenant une gravure à l'eau-forte signée de Roberto Altmann et un dessin original à l'encre signé d'Isidore Isou.Exemplaire tel que paru parfaitement conservé. (105493) ‎

‎Roberto Fernandez Retamar. Circunstancia de poesia, Havana, 1977.‎

‎In Spanish. Short description: Roberto Fernandez Retamar. Circunstancia de poesia, Havana, 1977. Autograph of Roberto Fernandez Retamar. He was a Cuban poet, essayist, literary critic and President of the Casa de las Am?ricas. In his role as President of the organization, Fernandez also served on the Council of State of Cuba. An early close confidant of Che Guevara and Fidel Castro, he was a central figure in Cuba from the 1959 Revolution until his death in 2019. Fernandez also wrote over a dozen major collections of verse and founded the Casa de las Americas cultural magazine. In 1989, he was awarded the National Prize for Literature, Cuba's national literary award and most important award of its type. Please feel free to contact us for a detailed description of the copies available. SKUZLO000005‎

‎Roberto Fernandez Retamar. A quien pueda interesar, Mexico, 1970.‎

‎"In Spanish. Short description: Roberto Fernandez Retamar. A quien pueda interesar, Mexico, 1970. Autograph of Roberto Fernandez Retamar. He was a Cuban poet, essayist, literary critic and President of the Casa de las Americas. In his role as President of the organization, Fernandez also served on the Council of State of Cuba. An early close confidant of Che Guevara and Fidel Castro, he was a central figure in Cuba from the 1959 Revolution until his death in 2019. Fernandez also wrote over a dozen major collections of verse and founded the Casa de las Americas cultural magazine. Professor Joao Cesar Castro de Rocha, at the University of Manchester has described Retamar as ""one of the most distinguished Latin American intellectuals of the twentieth century."" In 1989, he was awarded the National Prize for Literature, Cuba's national literary award and most important award of its type. Please feel free to contact us for a detailed description of the copies available. SKUZLO000047"‎

‎Plages n° 40 (mai 1988). Les dix ans de Plages.‎

‎Boulogne Plages 1988 1 vol. broché gr. in-8, agrafé, couverture illustrée, 66 pp., nombreuses illustrations en noir et en couleurs, et créations originales d'artistes sur différents supports, brochés ou volants. Tirage limité à 1000 exemplaires numérotés à la main. Contributions de Claude Jouault, Piero Bruno, Genta-Laury, Henry Mouvant, Roberto Gutierrez, Uar Bounzip, etc.Numéro spécial publié à l'occasion des 10 ans de cette revue d'artistes fondée et dirigée par Roberto Gutierrez de 1978 à sa mort en 2011 : "Plages est un espace de création, d'expression et de communication où les créateurs informent eux-mêmes sur leurs travaux. Le papier devient matière d'expérimentation individuelle et collective, et de communication. Il est peint, découpé, gratté, plié, froissé, transpercé, déchiré, collé, saupoudré, ... Des objets naturels, récupérés ou fabriqués pour l'occasion, sont incorporés... Chaque exemplaire est unique et une œuvre en soi". En parfaite condition.‎

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‎Plages n° 49 (août 1990). La gourmandise‎

‎Boulogne Plages 1990 1 vol. broché gr. in-8, agrafé, couverture illustrée, 51 pp., nombreuses illustrations en noir et en couleurs, et créations originales d'artistes sur différents supports, brochés ou volants. Tirage limité à 1136 exemplaires numérotés à la main. Contributions de Roberto Gutierrez, Francis de Moya, Claire Feuillet, Rudolf Deertz, Lucien Bouvier, Simone Faif, etc.Numéro 49 de cette revue d'artistes fondée et dirigée par Roberto Gutierrez de 1978 à sa mort en 2011 : "Plages est un espace de création, d'expression et de communication où les créateurs informent eux-mêmes sur leurs travaux. Le papier devient matière d'expérimentation individuelle et collective, et de communication. Il est peint, découpé, gratté, plié, froissé, transpercé, déchiré, collé, saupoudré, ... Des objets naturels, récupérés ou fabriqués pour l'occasion, sont incorporés... Chaque exemplaire est unique et une œuvre en soi". En parfaite condition.‎

‎Plages n° 88 (mai 2000). Les 7 désirs capitaux.‎

‎Boulogne Plages 2000 1 vol. broché gr. in-8, agrafé, couverture illustrée, 47 pp., nombreuses illustrations en noir et en couleurs, et créations originales d'artistes sur différents supports, brochés ou volants. Tirage limité à 800 exemplaires numérotés à la main. Contributions de Roberto Gutierrez, Ben ("Je vais où je veux"), Eric Le Meudec, André Chabot, Mata-Carlos, etc.Numéro 88 de cette revue d'artistes fondée et dirigée par Roberto Gutierrez de 1978 à sa mort en 2011 : "Plages est un espace de création, d'expression et de communication où les créateurs informent eux-mêmes sur leurs travaux. Le papier devient matière d'expérimentation individuelle et collective, et de communication. Il est peint, découpé, gratté, plié, froissé, transpercé, déchiré, collé, saupoudré, ... Des objets naturels, récupérés ou fabriqués pour l'occasion, sont incorporés... Chaque exemplaire est unique et une œuvre en soi". En parfaite condition.‎

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‎Plages n° 75 (février 1997). La mémoire, le fragment.‎

‎Boulogne Plages 1997 1 vol. broché gr. in-8, agrafé, couverture illustrée, 31 pp., nombreuses illustrations en noir et en couleurs, et créations originales d'artistes sur différents supports, brochés ou volants. Tirage limité à 800 exemplaires numérotés à la main. Contributions de Roberto Gutierrez, Soundie Sexe, Eleni Theofilaktou, Andreas Voussouras, André Chabot, Sonia Gerber, etc.Numéro 75 de cette revue d'artistes fondée et dirigée par Roberto Gutierrez de 1978 à sa mort en 2011 : "Plages est un espace de création, d'expression et de communication où les créateurs informent eux-mêmes sur leurs travaux. Le papier devient matière d'expérimentation individuelle et collective, et de communication. Il est peint, découpé, gratté, plié, froissé, transpercé, déchiré, collé, saupoudré, ... Des objets naturels, récupérés ou fabriqués pour l'occasion, sont incorporés... Chaque exemplaire est unique et une œuvre en soi". En parfaite condition.‎

‎Vingt dessins de Roberto MONTENEGRO.‎

‎ SOCIETE GENERALE D IMPRESSION 1910 1 Préface d'Henri de Régnier. Paris, R. Montenegro, Société Générale d'Impression, 1910, in-4, en feuilles, sous portefeuille orné à rabats, plats illustrés en noir. ‎

‎Première oeuvre de Roberto MONTENEGRO (1885 Guadalajara- 1968 Mexico) réunissant vingt dessins, en noir et blanc, au caractère particulier. Une atmosphère mystérieuse et volupteuse se dégage de cet album où fourmillent les souvenirs poétiques et les rêveries. Tirage limité. Exemplaire justifié N°98. Roberto MONTENEGRO peintre et illustrateur mexicain qui étudia, grâce à une bourse, à l'Académie de San Fernando à Madrid en 1907 il s'installa à Paris où il cotoya Cocteau, Juan Gris, Picasso, Braque. Contraint de quitter la France lors de la première guerre mondiale il s'installa à Majorque puis retourna dans son pays d'origine. Petites taches, mouilllures, salissures et usures. ‎

‎Série Jan Karta, la Fin d'un Monde, tome 4 : Barcelone 1937. ( Tirage spécial à 149 exemplaires numérotés, signé par Roberto Dal Pra' et Rodolfo Torti, avec ex-libris inédit, lui aussi numéroté et signé par les auteurs ).‎

‎ Editions Fordis Book & Pictures / Collection Fordis " Hors Champ " 2024. In-4 cartonnage éditeur au format 30,5 x 22,5 cm, de 130 pages, dont 2 dossiers historiques par Pier Renato Gaita et Pierre Tomblaine, ainsi qu'un carnet de croquis et d'illustrations. Couverture, pages de garde, jaquette et illustrations en couleurs par Rodolfo Torti, sur scénario de Roberto Dal Pra'. Tirage spécial de tête à 149 exemplaires numérotés, signé par Roberto Dal Pra' et Rodolfo Torti, avec ex-libris inédit, lui aussi numéroté et signé par les auteurs. Etat de neuf. Edition originale.‎

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‎ Vente exclusivement par correspondance. Le libraire ne reçoit, exceptionnellement que sur rendez-vous. Il est préférable de téléphoner avant tout déplacement.Forfait de port pour un livre 8,50 €, sauf si épaisseur supérieure à 3 cm ou valeur supérieure ou égale à 100 €, dans ce cas expédition obligatoire au tarif Colissimo en vigueur. A partir de 2 livres envoi en colissimo obligatoire. Port à la charge de l'acheteur pour le reste du monde.Les Chèques ne sont plus acceptés.Pour destinations extra-planétaire s'adresser à la NASA.Membre du Syndicat Lusitanien Amateurs Morues‎

‎Ojoser - l'Oeil-être.‎

‎Tirage à 800 exemplaires.Paris, Matta et Alexandre Iolas 1975.Ouvrage broché sous couverture repliée illustrée. Tampon. Très bon état. Format in-8°(23x23).‎

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‎MATTA Roberto ‎

‎Série Jan Karta, la Fin d'un Monde, tome 3 : Berlin 1936. ( Tirage spécial à 199 exemplaires numérotés, signé par Roberto Dal Pra' et Rodolfo Torti, avec ex-libris inédit, lui aussi numéroté et signé par les auteurs et enrichi d'un superbe dessin original de Rodolfo Torti ).‎

‎ Editions Fordis Book & Pictures / Collection Fordis " Hors Champ " 2023. In-4 cartonnage éditeur au format 30,5 x 22,5 cm, de 128 pages, dont un dossier historique par Pierre Tomblaine. Couverture, pages de garde, jaquette et illustrations en couleurs par Rodolfo Torti, sur scénario de Roberto Dal Pra'. Tirage spécial de tête à 199 exemplaires numérotés, signé par Roberto Dal Pra' et Rodolfo Torti, avec ex-libris inédit, lui aussi numéroté et signé par les auteurs et enrichi d'un superbe dessin original de Rodolfo Torti. Etat de neuf. Edition originale.‎

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‎ Vente exclusivement par correspondance. Le libraire ne reçoit, exceptionnellement que sur rendez-vous. Il est préférable de téléphoner avant tout déplacement.Forfait de port pour un livre 8,50 €, sauf si épaisseur supérieure à 3 cm ou valeur supérieure ou égale à 100 €, dans ce cas expédition obligatoire au tarif Colissimo en vigueur. A partir de 2 livres envoi en colissimo obligatoire. Port à la charge de l'acheteur pour le reste du monde.Les Chèques ne sont plus acceptés.Pour destinations extra-planétaire s'adresser à la NASA.Membre du Syndicat Lusitanien Amateurs Morues‎

‎Roberto Obregon Morales. Kodeksy/Morales. Codexes‎

‎In Russian. Short description: Roberto Obregon Morales. Kodeksy./Roberto Obregon Morales. Codexes, Moscow, 1968. Signed. Please feel free to contact us for a detailed description of the copies available. SKUZLO000203‎

‎Cinq poèmes d'amour‎

‎Luxembourg Origina 1971 In 12 broché, de 37 pages. Edition originale, un des 200 exemplaires enrichis d'une gravure signée de Roberto Bellucci. Envoi de l'auteur. ‎

‎Edition originale‎