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Prometeo e Pandora. - Andromeda, Perseo, Fineo. Due ciste descritte ed illustrate. Estratto dagli Annali dell' Instituto archeologico [Prométhée et Pandore. Andromède, Persée, Phinée. Deux cistes décrites et illustrées. Extrait des Annales de lInstitut archéologique]
Tipografia Tiberina | Roma [Rome] 1860 | 14.5 x 22.7 cm | Broché
Rare édition originale illustrée, en fin de volume, de 2 planches dépliantes. Seulement deux exemplaires au CCF (BnF et Strasbourg). Backer & Sommervogel III, 1242 (59). Notre exemplaire est présenté sous couverture d'attente de papier jaune, Quelques petites rousseurs sur les planches dépliantes. Le Jésuite napolitain Raffaele Garrucci (1811-1885) se consacra à l'étude des Pères de l'Église ainsi qu'aux antiquités païennes et chrétiennes. Il est devenu un des principaux disciples du père Giuseppe Marchi avec le célèbre Giovanni Battista De Rossi. - Photographies et détails sur www.Edition-Originale.com -
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Vetri ornati di figure in oro trovati nei cimiteri cristiani primitivi di Roma raccolti e spiegati
Garrucci, Raffaele: Vetri ornati di figure in oro trovati nei cimiteri cristiani primitivi di Roma raccolti e spiegati. Rome: 1858. xxiv, 111 pages 43 steel engraved plates. Half red morocco. 41x30cms. The first significant publication on paleo-christian gold glass was by Filippo Buonarroti in 1716, Osservazioni sopra alcuni frammenti di vasi antichi di vetro ornate di figure trovati nei cimiteri di Roma, in which he made the extraordinary assertion that the aesthetic crudity of early Christian art, often remarked by connoisseurs of Roman arts, had served to intensify the piety of the worshipper, an early expression of feeling for primitive art. After other studies, the Italian Jesuit Raffaele Garrucci published the first illustrated survey in 1858, with an expanded second edition in 1864. In the 19th century a number of imitations, copies and downright forgeries of Roman pieces were made, mostly in Murano off Venice, by firms such as Salviati. Text in Italian.
The first significant publication on paleo-christian gold glass was by Filippo Buonarroti in 1716, Osservazioni sopra alcuni frammenti di vasi antichi di vetro ornate di figure trovati nei cimiteri di Roma, in which he made the extraordinary assertion that the aesthetic crudity of early Christian art, often remarked by connoisseurs of Roman arts, had served to intensify the piety of the worshipper, an early expression of feeling for primitive art. After other studies, the Italian Jesuit Raffaele Garrucci published the first illustrated survey in 1858, with an expanded second edition in 1864. In the 19th century a number of imitations, copies and downright forgeries of Roman pieces were made, mostly in Murano off Venice, by firms such as Salviati. Text in Italian
Tavole Fotografiche delle PITTURE VULCENTI staccate da un ipogeo etrusco preso Ponte della Badia... esposte in ROMA dal Principe D.Alessandro Torlonia nel suo Museo a Porta Settimiana, dichiara te Da Raffaele Garrucci
2. S.l.s.d. (Rome , Tip. della S.C. de Propaganda Fide, 1866), oblong in-folio, 59 x 43 cm, 8 leaves (16 nn pp) with 23 tipped in photographs. orig. printed blue wrapper (back wrapper gone, front wrapper frayed, with some loss of paper, no loss of text). Early photographs of Roman ( Etruskian) archeological paintings. De Backer-Sommervogel Vol. III col. 1244..
