Clarke, Michael; Penny Nicholas: The Arrogant Connoisseur: Richard Payne Kinight, 1751-1824. 190 pages; black and white and colour illustrations. Paperback. 20 x 26cms.
Text in English
Catalogue Réunion des Musées Nationaux, 1985. Petit in/4 carré (24 x 22 cm) broché, couverture illustrée en couleurs, illustrations en noir et en couleurs, 269 pages.
Catalogue d'expositions à Paris et à Londres. Joshua Reynolds est un peintre britannique spécialiste du portrait. Il fut le premier président de la Royal Academy
BORMAND (Marc), PAOLOZZI STROZZI (Béatrice), PENNY (Nicholas) [ss. la dir.]
Reference : 603784
(2006)
ISBN : 9782350310862
Paris, Musée du Louvre édition, 2006. In-4 broché, couv. rempliée ill.; 287 pp., très nb. ill. photogr. en n/b. et en coul., glossaire, index.
Exposition présentée à Paris, Florence et Washington entre le 27 octobre 2006 et le 8 octobre 2007. Très bon ex. - Frais de port : -France 6,9 € -U.E. 11 € -Monde (z B : 18 €) (z C : 31 €)
Yale University Press 1977 NO DUST JACKET / Pas de jaquette. Livre en anglais. In-4 reliure toile grise. 25 cm sur 20. 236 pages. Bon état d’occasion.
Bon état d’occasion
Collectif, Rosenberg Pierre, Penny Nicholas
Reference : 58167
(1992)
ISBN : 2711820173
RMN 1992 In-4 broché 24 cm sur 21,5. Bon état d’occasion.
Bon état d’occasion
Ministère de la culture/Editions de la Réunion des musées nationaux. 1985. In-8. Broché. Etat passable, Couv. convenable, Coiffe en pied abîmée, Intérieur frais. 269 pages augmentées de nombreuses illustrations en couleurs et en noir et blanc dans et hors texte. Texte sur une ou deux colonnes.. . . . Classification Dewey : 750-La peinture et les peintres
Classification Dewey : 750-La peinture et les peintres
(SETTIGNANO (da) Desiderio) / BORMAND Marc, PAOLOZZI STROZZI Beatrice, PENNY Nicholas & al.
Reference : SCULPTURE9130322
(2006)
ISBN : 9788874393565
Paris, Musée du Louvre / 5 Continents Editions, 2006, 21 x 28, 287 pages cousues sous couverture rempliée illustrée. Iconographie noir & blanc et couleurs. Ouvrage qui accompagne l'exposition présentée à Paris, Florence et Washington entre le 27 octobre 2006 et le 8 octobre 2007.
Très bon état.
Editions de la R.M.N., Paris, 1985. In-8, broché sous couverture illustrée en couleur, 269 pp. Avant-propos - Reynolds est-il un grand peintre?, par Pierre Rosenberg - "Un homme ambitieux" : la carrière et l'œuvre de Sir Joshua Reynolds, par Nicholas Penny - "L'emprunt ne saurait être traité de plagiat". Reynolds et le contexte international, par ...
Nombreuses illustrations en noir et en couleur. --- Plus d'informations sur le site archivesdunord.com
Phone number : 01 42 73 13 41
Haskell, Francis & Nicholas Penny: Most Beautiful Statues: Taste for Antique Sculpture, 1500-1900. Exhibition: Oxford, Ashmolean Museum, 1981. xiv 82 pages. 15 black and white illustrations. Wrappers. 23.5x18.5cms.
Text in English
Editions Hachette, Paris, 1988. In-4, reliure pleine toile éditeur sous jaquette illustrée en noir, 415 pp. Préface à l'édition française - Introduction - I. Une nouvelle Rome. - II. Les collections publiques et privées de Rome. - III. Moulages et gravures. - IV. Contrôle et codification. - V. Moulages et copies dans les cours du XVIIe ...
Avec 182 illustrations en noir & blanc.Editions revue et augmentée traduite de l'anglais par François Lissarague. --- Plus d'informations sur le site archivesdunord.com
Phone number : 01 42 73 13 41
National gallery publications limited 1999 317 pages IN4. 1999. Reliure Editeur avec jaquette. 317 pages.
Très bon état
, Brepols - Harvey Miller, 2024 hardcovers, 3 vols, 1684 pages, Size:220 x 280 mm, Illustrations:186 b/w, 1592 col. Language(s): English . ** new condition. ISBN 9781909400252.
For several hundred years, until about 1900, a limited number of antique sculptures were as much admired as are the Mona Lisa, Botticelli's Birth of Venus or Michelangelo's David today. They were reproduced in marble, bronze and lead, as plaster casts in academies and art schools, as porcelain figurines for chimneypieces and as cameos for bracelets and snuffboxes. They were celebrated by poets from Du Bellay and Marino to Byron and D?Annunzio, and memorably evoked by novelists as diverse as Marcel Proust and Nathaniel Hawthorne, George Eliot and Charles Dickens. Copies of some of these statues can be seen at Pavlosk and Madrid, at Stourhead, Charlottenburg, Malibu and Versailles, and in countless gardens, houses and museums throughout the world. How and when did these particular sculptures achieve such a special status? Who were the collectors, restorers, dealers, artists, dilettanti, scholars and archaeologists who created their reputations? Under what names (often wildly fanciful) did they first become famous? How were they interpreted, and how and when and why did their glamour begin to wane? These are some of the problems that are confronted in Taste and the Antique. Taste and the Antique has become a classic of art history since its original publication in 1981. This revised and amplified edition significantly updates the information based on new research undertaken in the last several decades, as well as expanding examples of the reception and influence of these works by artists and collectors from the Renaissance through to contemporary art. The original edition has been expanded into three volumes: Volume 1 is a revised and amplified version of the 1981 edition. Fifteen chapters trace in narrative form, with the support of a wide variety of plates, the rise and decline of this highly important episode in the history of taste. These chapters are followed by catalogue entries for 95 of the most celebrated sculptures, all of them illustrated, which provide information on when and where they were discovered, changes of ownership and nomenclature, as well as a record of varying critical fortunes designed to complement the more general discussion in the earlier chapters. Volume 2 contains especially commissioned new photography of over 90 statues catalogued in Volume 1. Volume 3 is entirely devoted to a visual survey of the full range of replicas and adaptations of the works catalogued and illustrated in the previous volumes. The book is indispensable for historians of taste, and to art historians concerned with the debt owed by numerous artists from the Renaissance onwards to the art of ancient Greece and Rome; and it is also of great value to students and collectors of the many surviving copies of the sculptures discussed. TABLE OF CONTENTS Volume I: Text Preface to the Revised and Amplified Edition An Updated Note on the Presentation of the Essay and Catalogue Introduction I. ?A New Rome? II. The Public and Private Collections of Rome III. Plaster Casts and Prints IV. Control and Codification V. Casts and Copies in Seventeenth-Century Courts VI. ?Tout ce qu?il y a de beau en Italie? VII. Erudite Interests VIII. Florence: The Impact of the Tribuna IX. Museums in Eighteenth-Century Rome X. The New Importance of Naples XI. The Proliferation of Casts and Copies XII. New Fashions in the Copying of Antiquities XIII. Reinterpretations of Antiquity XIV. The Last Dispersals XV. Epilogue Notes to the Text Updated Bibliography Catalogue Appendix Bibliography Index Volume II: Originals Volume III:Replicas and Adaptations
Raffaele de GRADA - Marc LE CANNU - Anton HENZE - Nicholas B. PENNY
Reference : 7724
(1985)
1985 Bramante editrice -1985 - In-4 cartonnage éditeur avec jaquette illustrée en couleurs - 34 + 101 reproductions certaines en couleurs - 182 pages - très propre
Bilingue Français-italien pour la partie française - Bilingue anglais-italien pour la partie anglaiseBilingue allemand-italien pour la partie allemande
[REYNOLDS] Pierre Rosenberg, Nicholas Penny, Robert Rosenblum, Kirby Talley, David Mannings.
Reference : 7601
Paris, Éditions de la réunion des musées nationaux, 1985. Catalogue in-8 carré, broché, reproductions.
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