8 books for « p f alberto ed »Edit

‎Il giornale dell'anima. Soliloqui, note e diari spirituali. Edizione critica e annotazione‎

‎Bologna, Istituto per le scienze religiose 1987 xlviii + 545pp.with ills., 25cm., in the series "Edizione nazionale dei diari di Angelo Giuseppe Roncalli - Giovanni XXIII" vol.1, cart.cover, dustwrapper, very good condition, R75392‎

‎Geometrie d'Oriente, Stefano Bardini e il tappeto antico. Oriental Geometries, Stefano Bardini and the Antique Carpet‎

‎Livorno, Sillabe 1999 128pp., with colour illustrations, 30cm., bilingual: English-Italian, illustrated softcover, very good, ISBN 88-8347-010-9, S96964‎

‎Lasers and their Applications‎

‎Gordon and Breach Malicorne sur Sarthe, 72, Pays de la Loire, France 1976 Book condition, Etat : Bon hardcover, under dust-jacket grand In-8 1 vol. - 643 pages‎

‎ 1st edition Contents, Chapitres : Introduction, Contributors, Contents, xiv, Text, 629 pages - 1. Laser sources : Interaction of radiation with matter - Theory of open resonators - Semiconductor lasers - Liquid lasers - Gaseous lasers - Q-switching and mode-locking - Solid state lasers - 2. Applications : Theory of holography - Application of holography - Information processing with optical methods - Atmospheric propagation - Effects of atmosphere on the propagation of laser beams - Transmission of information with laser beams - Beam modulation theory - Machining with laser beams - The actual state of laser surgery - Quantum optics and photon statistics - Laser light scattering from turbulent fluid - Non linear optics - Self-focusing and self-trapping of intense laser beams - Plasma generation and diagnostics by lasers - Light scattering from simple fluids and binary mixtures near the critical point some very small parts of the jacket are torn, without missings, otherwise near fine copy‎

‎Corpus Christianorum. Eugenius Toletanus Opera omnia ‎

‎Turnhout, Brepols, 2006 Hardback, 480 pages ., 155 x 245 mm. *NEW ISBN 9782503011417.‎

‎Eugenius, bishop of Toledo (probably around 657), was a leading figure in the Visigothic kingdom, and is considered one of the major poets of the seventh century. His poetic work, covering both religious and circumstantial themes, and his edition of the African poet Dracontius were widely read and imitated in Carolingian and Mozarabic circles, and some of his poems achieved an immense circulation throughout the Middle Ages. The present edition, which appears one hundred years after the last important edition (F. Vollmer, Berlin, 1905), covers Eugenius' complete works (carmina, the recensio of Dracontius' religious poems, the letters). It is based on a fresh and thorough study of the textual tradition. A good number of new manuscripts have been identified, ten of which are relevant for establishing and improving the text. The result is an enhanced text and a better and more accurate critical apparatus, expunged from superfluous material. The identification of new testimonia (mainly grammatical treatises and scholia) and imitatores (namely epigraphy) brings further elements to the history of Eugenius of Toledo's textual tradition. Languages: Latin, English.‎

‎Lâarte e la tecnica delle decorazioni a stucco in Europa. Dalla fine del XV alla meta del XVIII secolo. The Art and Industry of Stucco Decoration in Europe from the Late 16th to the Early 18th Century‎

‎Jean, Giacinta (ed.), Alberto Felici (ed.), Letiziz Tedeschi (ed.), : L'arte e la tecnica delle decorazioni a stucco in Europa. Dalla fine del XV alla meta del XVIII secolo. The Art and Industry of Stucco Decoration in Europe from the Late 16th to the Early 18th Century. 2025. 416 pages, illustrated. Paperback. 25 x 20cms. A study of the professional role of stucco makers and their technical skills. Looking at the use of stucco in late fifteenth to early sixteenth century Milan, Domenico Fontana, the diffusion of stucco decoration in sixteenth and seventeenth century Genoa, Salzburg as an early centre of Ticino stucco work, sixteenth and seventeenth century German stucco masters and interior stucco work in the Netherlands, Danish stucco decoration from the sixteenth to eighteenth centuries, seventeenth century Polish stucco work, sculpture and stucco at Santa Cecilia in San Carlo ai Catinari, stucco decoration in L'Aquila in the late seventeenth century, the use of drawing in Lombard and Lugano plaster workshops, archival sources on stucco workers in Basso Ceresio, and eighteenth century Portuguese plasterers. Text in English and Italian.‎

‎A study of the professional role of stucco makers and their technical skills. Looking at the use of stucco in late fifteenth to early sixteenth century Milan, Domenico Fontana, the diffusion of stucco decoration in sixteenth and seventeenth century Genoa, Salzburg as an early centre of Ticino stucco work, sixteenth and seventeenth century German stucco masters and interior stucco work in the Netherlands, Danish stucco decoration from the sixteenth to eighteenth centuries, seventeenth century Polish stucco work, sculpture and stucco at Santa Cecilia in San Carlo ai Catinari, stucco decoration in L'Aquila in the late seventeenth century, the use of drawing in Lombard and Lugano plaster workshops, archival sources on stucco workers in Basso Ceresio, and eighteenth century Portuguese plasterers. Text in English and Italian‎

‎Synods of the Churches of and after the Reformation. Ecclesia semper reformanda (17th-19th Centuries)‎

‎, Brepols, 2025 Hardback, vi + 675 pages, Size:155 x 245 mm, Language(s):Latin, German, English.* *new ISBN 9782503596136.‎

‎Summary This volume includes the critical editions - in some cases the very first critical editions - of a selection of synods of the Churches of and after the Reformation from 1618 to 1820. This collection of synodal decrees represents different confessional families and covers a wide linguistic and geographical spectrum between Europe and North America. TABLE OF CONTENTS Synodus Dordrechtana (1618/1619) (ed. Herman J. Selderhuis) Concilium Westmonasteriense (1643/1652) (ed. Torrance Kirby) Concilium Cantabrigense (in Nova Britannia) (1646/1648) (ed. Jonathan Arnold) Concilium Hengroniae (1655) (ed. Antonio Gerace) Concilium Danecastrense (1656) (ed. Francesca Cadeddu) Concilium Londinense (Savoy Declaration) (1658) (ed. Torrance Kirby) Concilium Bostoniense (1679/1680) (ed. Torrance Kirby) Concilium Philadelphiense (1748) (ed. Wolfgang Splitter) Synodus Marienbornensis (1764) (ed. Olaf Nippe & Paul Peucker) Concilium Baltimorense (1784) (ed. Massimo Rubboli) Concilia Philadelphiensia (1785/1789) (ed. Massimo Rubboli) Concilium Terrae Mariae (1820) (ed. Kim-Eric Williams)‎

‎QUENTIN TARANTINO‎

‎GREMESE EDITIONS‎

‎LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9782366771114‎

‎Il Codice Squarcialupi [Codex] Facsimile edition (Ms. Mediceo Palatino, Bibliotheca Medicea Laurenziana di Firenze, ms. Med. Pal. 87)‎

‎Firenze, Giunti Editore (Libr. Musicale Italiana) 1992 Complete facsimile edition in full-size and full-colour reproduction of the complete original manuscript, publisher's hardcover binding (29x41cm., facsimile of the original binding) with small defect on front board and on lower end of front joint, together with a text volume (290pp. containing studies and commentaries) printed on handcrafted paper and bound in Fabriano paper, Limited edition of 998 numbered copies only ; this is nr. 528/998, protected by a publisher's box (46x32cm., cloth boards with gilt stamping, spine in leather), good condition, interior and texts in very good condition, rare, weight: 12kg., [This 'Squarcialupi Codex' is most probably the finest produced and most refined facsimile of a music manuscript ever. The codex contains an anthology of Italian music compiled in Florence (Firenze) during the first twenty years of the 15th century, with over 300 songs from the 14th till early 15th cy. by famous composers such as Francesco Landini, Andrea dei Servi, Gherardello da Firenze, Donato da Firenze, Niccolo da Perugia, and others. Its name is derived from the previous owner's name Antonio Squarcialupi, Florentine organist 1417-1480, attested by an inscription on the opening leaf. Later on it passed to Giuliano de Medici, then it passed to the Palatine Library and at the end of the 18th cy. it went to the Laurentian Library where it is kept up till present. The magnificent miniatures and illuminations in colour and gold - reproduced in the facsimile as well - were produced in the Florentine scriptorium of Santa Maria degli Angeli around 1410-'15. An indispensable source of early Renaissance music in Italy], M95241‎