Santarelli Editore, Roma, 1 volume de 315x230x10 mm environ (format oblong), 38 planches de Cottafavi et Marchi, broché. Couverture un peu salie, rousseurs, petites mouillures et quelques fentes sur les bordures des planches, bon état pour le reste.
Merci de nous contacter à l'avance si vous souhaitez consulter une référence au sein de notre librairie.
Paul montel 1969 164 pages in8. 1969. Broché. 164 pages. avant propos de Marchi nombtreux schémas en noir et blanc
Etat Correct bords frottés intérieur propre
SESTO SAN GIOVANNI CASA EDITRICE MADELLA
In 8. Dim. 19,5x13,5 cm. Pp. 285+(3). Edizione del 1916, del romanzo dello scrittore milanese Emilio de Marchi (1851-1901). La prima edizione del romanzo è del 1892. Firma al frontespizio datata 1918. Brossura editoriale originale in buone condizioni generali con lievi usure ai margini. Legatura in discrete condizioni con lievi rotture e qualche pagina staccata. All'interno le pagine si presentano in buone condizioni con rare fioriture. Edition of 1916, of this novel by the writer from Milan Emilio de Marchi (1851-1901). The first edition of the novel is of 1892. Signature in the title page dated 1918. Editorial original cover in good general conditions with worn edges. Binding in fair conditions with slight cracksa nd some page detached. Inside pages are in good conditions with foxings.
Testo di Orio Vergani. Ceschina, Milano, s.d. (1960 ca.). In-8 gr., cartoncino edit., sovrac., pp. (18), con una pregevole raccolta di 52 tavole a piena pagina, in b.n., in tinta e a colori, che riproducono i delicati disegni e acquarelli del pittore Mario Vellani Marchi, così legato alla sua Burano. Ben conservato.
, Brepols, 2006 XIV 458 p., 27 b/w ill., 178 x 254 mm, Languages: English, Paperback. ISBN 9782503518305.
Over the course of the fifteenth century easel paintings edged out tapestries, frescoes and wood inlay pictures on the walls of private dwellings. Millions of such paintings were produced in the period 1450-1800, in all shapes and sizes, and across the whole range of prices. Who bought them? How were they distributed? What place did they occupy among other "luxury" possessions? Such questions seem to require that visual culture be treated as an integral part of family spending and commercial pursuits. This volume is the outcome of a four-year collaboration between art historians, economists, social historians and museum professionals from the US, Australia and Europe; its aim was to map the new ground identified by these and related questions, in local contexts, but with comparative and longitudinal concerns constantly in mind. The result is an entirely new matrix of the business and artistic interactions through which visual cultures in early modern Europe were formed. The editors, Neil De Marchi and Hans J. Van Miegroet, an economist and an art historian, have collaborated across their disciplines for ten years. Here they have interspersed participants' essays with brief connecting observations, to produce a text that respects disciplinary expertise while making connections across locations and across time. Much has been written about European paintings; but how markets in paintings emerged, who they served, what roles and institutions were developed that enabled them to function effectively, and how exchange affected visual preferences, have not been studied in such a deliberately wide-angled, comparative way. Mapping Markets is not only a book about paintings, but a compendium of cross-disciplinary methods and insights. It charts the state of research in this trans-disciplinary field, identifies gaps, and poses questions for scholars and students wishing to pursue further the issues raised here.
Silvana Editoriale, Milan/Musée des Beaux-Arts de Tours, 2005. In-4, broché sous couverture rempliée et illustrée en couleurs, 127 pp. Avant-propos, par Michel Laclotte - Polyptyques vénitiens. Anamnèse d'une identité méconnue, par Andrea De Marchi - Contributions des examens radiographiques à la reconstitution de retables vénitiens, par Elisabeth Ravaud - Le polyptyque pour l'église San Giacomo Maggiore de Bologne dans ...
Avec 108 figures en noir et blanc in texte et planches couleurs en hors texte. --- Plus d'informations sur le site archivesdunord.com
Phone number : 01 42 73 13 41
Milano, Casa editrice Ceschina, 1956. Format 10x16 cm, broche, 73 pages. Avec en page de garde un envoi autographe de Riccardo Marchi a l'ecrivain Roger Clerici, auteur de nombreuses traductions d'auteurs italiens. Ouvrage en langue italienne. Couverture legerement salie. Bon etat.
Brussels, privately printed (by Monnom), 1937, 26 x 20 cm, 75 pp, b/w ills., sewn, orig. wrappers.printed in 300 copies. Contains anectodical jottings on Bastien A.,BARTHELEMY Camille,BROUWERS Jules,COURTENS Alfred,DELAUNOIS Alfred,Raymond de MEESTER,Marie HOWET,Willy KREINTZ,Baron Eugéne LAERMANS,Jean LANDT,Charles LEBON,Jacques MAES
envoi autographe auteur,couvertures rempliées défraichies,texte frais, Remise de 20% pour toutes commandes supérieures à 200 €
Cambridge University Press 1988 292 pages 15 494x2 032x23 114cm. 1988. Cartonné jaquette. 292 pages.
proche du neuf intérieur propre bonne tenue
Edward Elgar Publishing Ltd 1991 592 pages in8. 1991. Cartonné jaquette. 592 pages.
très bon état de conservation intérieur propre
Springer 1992 392 pages 15 75x3 05x23 62cm. 1992. Cartonné. 392 pages.
Comme neuf encore sous son plastique d'emballage dos insolé cependant
Imprimerie Veuve Monnom 1934 71 - 75 pages in8. 1934. broché. 2 volume(s). 71 - 75 pages.
Bon état (BE) légeres usures de la couverture intérieur bon. Exemplaire tiré sur papier anglais Kingsway de luxe (n°247)
Hachette et cie 1901 in12. 1901. Broché.
dos recollé; couverture défraîchie intérieur propre tranche fanée mouillure sur le pourtour de nombreuses pages
Fayard Fayard, 1973, 534 p., cartonnage éditeur sous jaquette, des défauts sur la jaquette (insolée, bords frottés avec quelques petites fentes), bon état pour le reste et intérieur bien propre.
Merci de nous contacter à l'avance si vous souhaitez consulter une référence au sein de notre librairie.
Fayard Fayard, Coll. le Monde sans Frontières, 1973, 534 p., cartonnage éditeur sous jaquette, jaquette insolée, bords de la jaquette frottés par endroits, bon état pour le reste.
Merci de nous contacter à l'avance si vous souhaitez consulter une référence au sein de notre librairie.
Photo-cinéma paul montel 1963 in8. 1963. Broché.
Bon Etat sous papier de soie intérieur propre
Payot 1981 258 pages 14x22x2cm. 1981. Broché. 258 pages.
Bon état sous papier de soie intérieur frais une tâche sur la tranche du bas
Gemsberg-verlag 1958 205 pages in8. 1958. Relié. 205 pages.
Bon Etat
La Marge d. Broch D'occasion bon tat 01/01/2000 110 pages
Prefazione di Orio Vergani. Ceschina, Milano, 1933. In-8 gr., brossura figurata (piccolo spacco al dorso), 26 pp.nn., con 30 tavv. f.t. dedicate a nudi femminili, disegnati da Vellani-Marchi. Edizione originale. Tiratura di 700 esempl. numerati. Testo in buono stato (text in good condition).
Pirola, Milano, 1828-1841. In-4 p. (mm. 291x200), 3 volumi (di cui 1 di Supplemento), mezza tela coeva, titolo oro al dorso, tagli a spruzzo rossi, pp. XXIV, 619; 748; (6),302; con ritratto dell'A. inc. in rame da Caporali. "Dizionario di tutti i vocaboli usati nelle Arti e Mestieri, che traggono origine dal greco, ecc.". Il primo di tal genere fu compilato da Aquilino Bonavilla ma portato a termine, causa la sua morte, dall'Abate Marchi e stampato da Pirola nel 1819-21. Questa ediz. è quindi più diligente e piu' copiosa della precedente, e tutta di pugno dell'Abate. Cfr. Gamba,2825: "preziosa compilazione" - Graesse,IV,384. Esempl. ben conservato.
, Bruxelles, Veuve Monnom, 1934., Broche, in-8? , 71pp.+ 75pp.
Deux volumes, tirage limite, 1/300 ex. papier anglais kingsway, Avec plussieurs planches {blanc et noir}
Fayard ,1973, in-8 de 534 pages ,Relié, jaquette illustrée ,Bon état ,jaquette défraîchie .(2 photos du livre sur mon site https://www.vieuxlivre.fr) .Les frais de port pour la France sont offerts à partir de 20 euros d'achat (Mondial relay )et 30 d'achat (colissimo suivi ).
[Lorenzo Veneziano] - Marchi, Andrea de and Cristina Guarnieri
Reference : 084699
(2005)
ISBN : 8882159876
Marchi, Andrea de and Cristina Guarnieri: Autour de Lorenzo Veneziano. Fragments de Polyptyques VÃnitiens du XIVe siÚcle. Exhibition: Tours, MusÃe des Beaux-Arts, 2005. 128 pages. 36 colour and 117 monochrome illustrations. Paperback. 30x24cms. Reunites for the first time the panels of the great polyptych painted in 1368 by Lorenzo Veneziano for the altar of San Giacomo in Bologna. The altarpiece was dismembered in the 17th century, parts now in public collections in Tours, Bologna, Syracuse and Philadelphia. The altarpiece is displayed alongside other works by both Paolo and Lorenzo Veneziano, allowing us to examine the flourishing of the 14th century Venetian school of painting. Text in French.
Reunites for the first time the panels of the great polyptych painted in 1368 by Lorenzo Veneziano for the altar of San Giacomo in Bologna. The altarpiece was dismembered in the 17th century, parts now in public collections in Tours, Bologna, Syracuse and Philadelphia. The altarpiece is displayed alongside other works by both Paolo and Lorenzo Veneziano, allowing us to examine the flourishing of the 14th century Venetian school of painting. Text in French