2804 books for « otto e »Edit

‎Le nu international.‎

‎ Paris, Braun & Cie., 1954 ; in-folio ((31 x 26 cm). 8 ff. non chiffrés - 78 photographies en noir. Pleine toile écrue de l'éditeur, jaquette illustrée. Légers frottements et petites déchirures sans manque à la jaquette.‎

‎Longue préface de Pierre Mac Orlan, suivie d'un texte d'Otto Steinert sur le nu en photographie, et de 78 photos de 36 photographes internationaux. Des notices biographiques renseignent sur chacun d'entre eux. ‎

‎Imago Zeitschrift für Anwendung der Psychoanalyse auf die Geisteswissenschaften band III 1914‎

‎Leipzig und Wien 1914 Hugo Heller Cloth ‎

‎Imago Zeitschrift für Anwendung der Psychoanalyse auf die Geisteswissenschaften band III 1914 The name goes back to Carl Spitteler's autobiographical novel Imago, published in 1906. By publishing the magazine, Freud wanted to establish psychoanalysis as a way of seeing and thinking that also plays a role outside of medicine in understanding culture and society and in the arts. The magazine achieved this goal through both the choice of topics and the selection of authors. In addition to doctors, psychologists and lay analysts, these also included theologians, sociologists, anthropologists, philosophers, cultural scientists and writers.[3] The magazine was aimed at both specialist audiences and interested laypeople and became the publisher's most successful medium until the publisher was dissolved due to the influence of the National Socialists. The magazine was continued in 1939 by Hanns Sachs and with the collaboration of Anna Freud in the USA under the name American Imago and by merging it with the International Journal of Psychoanalysis, which is still published quarterly today.[4] The changing subtitles show the shift in the focus or interest of the editors: the years up to 1926 had the addition of Journal for the Application of Psychoanalysis to the Humanities, and from 1927 to 1932 the subtitle was: Journal for the Application of Psychoanalysis to the Natural and Natural Sciences Humanities and, from 1933, journal for psychoanalytic psychology, its border areas and applications. From 1933 onwards there was a section of literature reviews in which, in addition to psychoanalytic specialist literature, a wide range of works from the border areas were also included. In addition to the three editors themselves, the international authors included Karl Abraham, Alice and Michael, Willy Bardas, Marie Bonaparte, Max Deri, Helene Deutsch, Sándor Ferenczi, Otto Fenichel, Eduard Hitschmann, Hermine Hug-Hellmuth, Ernest Jones, Ernst Kris, René Laforgue, Thomas Mann, Oskar Pfister, Hans Prinzhorn, Theodor Reik, Lou Andreas-Salomé, Herbert Silberer, Sabina Spielrein, René Spitz, Dorothy Tiffany Burlingham, Nelly Wolffheim, Hans Zulliger and Stefan Zweig. bimonthly magazine, complete volume of year 1914, six parts hard cover With gilded titles on the spine, 24,5 x 18 cm,544 pp lightly faded spines, minor shelf wear, all are in fine condition, no internal markings, pages clean, binding firm Overall a very good complete set ‎

‎Imago Zeitschrift für Anwendung der Psychoanalyse auf die Geisteswissenschaften band IX 1923‎

‎Leipzig Wien Zurich 1923 Internationaler Psychoanalytischer Verlag Cloth ‎

‎Imago Zeitschrift für Anwendung der Psychoanalyse auf die Geisteswissenschaften band IX 1923 The name goes back to Carl Spitteler's autobiographical novel Imago, published in 1906. By publishing the magazine, Freud wanted to establish psychoanalysis as a way of seeing and thinking that also plays a role outside of medicine in understanding culture and society and in the arts. The magazine achieved this goal through both the choice of topics and the selection of authors. In addition to doctors, psychologists and lay analysts, these also included theologians, sociologists, anthropologists, philosophers, cultural scientists and writers.[3] The magazine was aimed at both specialist audiences and interested laypeople and became the publisher's most successful medium until the publisher was dissolved due to the influence of the National Socialists. The magazine was continued in 1939 by Hanns Sachs and with the collaboration of Anna Freud in the USA under the name American Imago and by merging it with the International Journal of Psychoanalysis, which is still published quarterly today.[4] The changing subtitles show the shift in the focus or interest of the editors: the years up to 1926 had the addition of Journal for the Application of Psychoanalysis to the Humanities, and from 1927 to 1932 the subtitle was: Journal for the Application of Psychoanalysis to the Natural and Natural Sciences Humanities and, from 1933, journal for psychoanalytic psychology, its border areas and applications. From 1933 onwards there was a section of literature reviews in which, in addition to psychoanalytic specialist literature, a wide range of works from the border areas were also included. In addition to the three editors themselves, the international authors included Karl Abraham, Alice and Michael, Willy Bardas, Marie Bonaparte, Max Deri, Helene Deutsch, Sándor Ferenczi, Otto Fenichel, Eduard Hitschmann, Hermine Hug-Hellmuth, Ernest Jones, Ernst Kris, René Laforgue, Thomas Mann, Oskar Pfister, Hans Prinzhorn, Theodor Reik, Lou Andreas-Salomé, Herbert Silberer, Sabina Spielrein, René Spitz, Dorothy Tiffany Burlingham, Nelly Wolffheim, Hans Zulliger and Stefan Zweig. bimonthly magazine, complete volume of year 1923, six parts hard cover With gilded titles on the spine, 24,5 x 18 cm,360 pp lightly faded spines, minor shelf wear, all are in fine condition, no internal markings, pages clean, binding firm Overall a very good complete set ‎

‎Imago Zeitschrift für Anwendung der Psychoanalyse auf die Geisteswissenschaften band X 1924‎

‎Leipzig Wien Zurich 1924 Internationaler Psychoanalytischer Verlag Cloth ‎

‎Imago Zeitschrift für Anwendung der Psychoanalyse auf die Geisteswissenschaften band X 1924 The name goes back to Carl Spitteler's autobiographical novel Imago, published in 1906. By publishing the magazine, Freud wanted to establish psychoanalysis as a way of seeing and thinking that also plays a role outside of medicine in understanding culture and society and in the arts. The magazine achieved this goal through both the choice of topics and the selection of authors. In addition to doctors, psychologists and lay analysts, these also included theologians, sociologists, anthropologists, philosophers, cultural scientists and writers.[3] The magazine was aimed at both specialist audiences and interested laypeople and became the publisher's most successful medium until the publisher was dissolved due to the influence of the National Socialists. The magazine was continued in 1939 by Hanns Sachs and with the collaboration of Anna Freud in the USA under the name American Imago and by merging it with the International Journal of Psychoanalysis, which is still published quarterly today.[4] The changing subtitles show the shift in the focus or interest of the editors: the years up to 1926 had the addition of Journal for the Application of Psychoanalysis to the Humanities, and from 1927 to 1932 the subtitle was: Journal for the Application of Psychoanalysis to the Natural and Natural Sciences Humanities and, from 1933, journal for psychoanalytic psychology, its border areas and applications. From 1933 onwards there was a section of literature reviews in which, in addition to psychoanalytic specialist literature, a wide range of works from the border areas were also included. In addition to the three editors themselves, the international authors included Karl Abraham, Alice and Michael, Willy Bardas, Marie Bonaparte, Max Deri, Helene Deutsch, Sándor Ferenczi, Otto Fenichel, Eduard Hitschmann, Hermine Hug-Hellmuth, Ernest Jones, Ernst Kris, René Laforgue, Thomas Mann, Oskar Pfister, Hans Prinzhorn, Theodor Reik, Lou Andreas-Salomé, Herbert Silberer, Sabina Spielrein, René Spitz, Dorothy Tiffany Burlingham, Nelly Wolffheim, Hans Zulliger and Stefan Zweig. bimonthly magazine, complete volume of year 1924, six parts hard cover With gilded titles on the spine, 24,5 x 18 cm,447 pp lightly faded spines, minor shelf wear, all are in fine condition, no internal markings, pages clean, binding firm Overall a very good complete set ‎

‎Imago Zeitschrift für Anwendung der Psychoanalyse auf die Geisteswissenschaften band XI 1925‎

‎Leipzig Wien Zurich 1925 Internationaler Psychoanalytischer Verlag Cloth ‎

‎Imago Zeitschrift für Anwendung der Psychoanalyse auf die Geisteswissenschaften band XI 1925 The name goes back to Carl Spitteler's autobiographical novel Imago, published in 1906. By publishing the magazine, Freud wanted to establish psychoanalysis as a way of seeing and thinking that also plays a role outside of medicine in understanding culture and society and in the arts. The magazine achieved this goal through both the choice of topics and the selection of authors. In addition to doctors, psychologists and lay analysts, these also included theologians, sociologists, anthropologists, philosophers, cultural scientists and writers.[3] The magazine was aimed at both specialist audiences and interested laypeople and became the publisher's most successful medium until the publisher was dissolved due to the influence of the National Socialists. The magazine was continued in 1939 by Hanns Sachs and with the collaboration of Anna Freud in the USA under the name American Imago and by merging it with the International Journal of Psychoanalysis, which is still published quarterly today.[4] The changing subtitles show the shift in the focus or interest of the editors: the years up to 1926 had the addition of Journal for the Application of Psychoanalysis to the Humanities, and from 1927 to 1932 the subtitle was: Journal for the Application of Psychoanalysis to the Natural and Natural Sciences Humanities and, from 1933, journal for psychoanalytic psychology, its border areas and applications. From 1933 onwards there was a section of literature reviews in which, in addition to psychoanalytic specialist literature, a wide range of works from the border areas were also included. In addition to the three editors themselves, the international authors included Karl Abraham, Alice and Michael, Willy Bardas, Marie Bonaparte, Max Deri, Helene Deutsch, Sándor Ferenczi, Otto Fenichel, Eduard Hitschmann, Hermine Hug-Hellmuth, Ernest Jones, Ernst Kris, René Laforgue, Thomas Mann, Oskar Pfister, Hans Prinzhorn, Theodor Reik, Lou Andreas-Salomé, Herbert Silberer, Sabina Spielrein, René Spitz, Dorothy Tiffany Burlingham, Nelly Wolffheim, Hans Zulliger and Stefan Zweig. bimonthly magazine, complete volume of year 1925, six parts hard cover With gilded titles on the spine, 24,5 x 18 cm,498 pp lightly faded spines, minor shelf wear, all are in fine condition, no internal markings, pages clean, binding firm Overall a very good complete set ‎

‎Imago Zeitschrift für Anwendung der Psychoanalyse auf die Geisteswissenschaften band XII 1926‎

‎Leipzig Wien Zurich 1926 Internationaler Psychoanalytischer Verlag Cloth ‎

‎Imago Zeitschrift für Anwendung der Psychoanalyse auf die Geisteswissenschaften band XII 1926 The name goes back to Carl Spitteler's autobiographical novel Imago, published in 1906. By publishing the magazine, Freud wanted to establish psychoanalysis as a way of seeing and thinking that also plays a role outside of medicine in understanding culture and society and in the arts. The magazine achieved this goal through both the choice of topics and the selection of authors. In addition to doctors, psychologists and lay analysts, these also included theologians, sociologists, anthropologists, philosophers, cultural scientists and writers.[3] The magazine was aimed at both specialist audiences and interested laypeople and became the publisher's most successful medium until the publisher was dissolved due to the influence of the National Socialists. The magazine was continued in 1939 by Hanns Sachs and with the collaboration of Anna Freud in the USA under the name American Imago and by merging it with the International Journal of Psychoanalysis, which is still published quarterly today.[4] The changing subtitles show the shift in the focus or interest of the editors: the years up to 1926 had the addition of Journal for the Application of Psychoanalysis to the Humanities, and from 1927 to 1932 the subtitle was: Journal for the Application of Psychoanalysis to the Natural and Natural Sciences Humanities and, from 1933, journal for psychoanalytic psychology, its border areas and applications. From 1933 onwards there was a section of literature reviews in which, in addition to psychoanalytic specialist literature, a wide range of works from the border areas were also included. In addition to the three editors themselves, the international authors included Karl Abraham, Alice and Michael, Willy Bardas, Marie Bonaparte, Max Deri, Helene Deutsch, Sándor Ferenczi, Otto Fenichel, Eduard Hitschmann, Hermine Hug-Hellmuth, Ernest Jones, Ernst Kris, René Laforgue, Thomas Mann, Oskar Pfister, Hans Prinzhorn, Theodor Reik, Lou Andreas-Salomé, Herbert Silberer, Sabina Spielrein, René Spitz, Dorothy Tiffany Burlingham, Nelly Wolffheim, Hans Zulliger and Stefan Zweig. bimonthly magazine, complete volume of year 1926, six parts hard cover With gilded titles on the spine, 24,5 x 18 cm,534 pp lightly faded spines, minor shelf wear, all are in fine condition, no internal markings, pages clean, binding firm Overall a very good complete set ‎

‎Lettres De Léopold Ier‎

‎Liège 1973 Vaillant Carmanne Cloth Good 1° Edition ‎

‎Lettres De Léopold Ier, Jean Puraye Hans Otto Lang, Leopold I, percaline beige, jacquette illustre, 25 x 32 cm,477 pp, tres bon état‎

‎Die Naundorff-Legende. Darstellung und Kritik. Mit einem Nachtrag des Verfassers.‎

‎ München, R. Oldenbourg, 1911 ; in-8. 72 pp. Pleine toile rouge, pièce de titre rouge en long. De la bibliothèque Naundorf : supra-ex-lbris doré sur le premier plat "Prince René Louis-Charles de Bourbon (Naundorf)". ‎

‎Études et polémiques historiques sur Louis XVII. Brelan d'adversaires : Georges Montorgueil, Henri Rochefort, Ernest Daudet, Paul Gaulot.‎

‎ Paris, H. Darangon, 1911 ; in-8. Frontispice sous serpente légendée - 407 pp.-2 ff. Pleine toile rouge, pièce de titre rouge. De la bibliothèque Naundorf : supra-ex-lbris doré sur le premier plat "Prince René Louis-Charles de Bourbon (Naundorf)". Très bon état. ‎

‎Edition originale, exemplaire N°2 sur papier vergé d'Ecosse. ‎

‎Transformation de la philosophie 1‎

‎Cerf, Passages, 2007, 434 pp., broché, très bon état.‎

‎L'eau‎

‎Librairie Hachette 1934 189 pages collection Bibliothèque des merveilles. in-12. 1934. broché. 189 pages. Avec 108 gravures en noir / Envoi non signé de l'auteur‎

‎Etat correct. Dos un peu bruni avec une coupure à un mors‎

‎Book Illumination in the Middle Ages (Studies in Medieval and Early Renaissance Art History)‎

‎Oxford 1987 Oxford University Press Hardcover 1st Edition ‎

‎Book Illumination in the Middle Ages (Studies in Medieval and Early Renaissance Art History) 285 x 205 mm, hardcover with dustwrapper , 224 pp , illustrated, good condition‎

‎La vallée des rois‎

‎Genève Editions Famot 1974 374 pages in-8. 1974. relié. 374 pages. In-8 (201x132 mm) 374 pages Livre relié Simili-Cuir décoré Nombreuses illustrations en noir Très bon état Poids : 490 gr‎

‎L'Art de l'Islam‎

‎Albin Michel 1967 in8. 1967. Cartonné. Paris Editions Albin Michel (Coll. "L'Art dans le monde") 1967. In-8 (232x183 mm) 277 pages. Cartonnage toilé sous étui illustré. Nombreuses illustrations en noir et en couleurs. A noter une odeur de renfermé sinon bon état. Poids : 940 gr‎

‎Bon Etat‎

‎Le musée imaginaire de Vasarely‎

‎Duculot 1978 77 pages in4. 1978. Relié. 77 pages. Cartonnage éditeur sous jaquette illustrée. Illustrations en noir et en couleurs‎

‎Etat Correct Des rousseurs aux contre-plats et pages de garde avec une odeur de renfermé‎

‎Rembrandt‎

‎Albert Skira 1957 153 pages collection Le goût de notre temps. In-8 carré. 1957. Cartonné/Jaquette. 153 pages. Illustrations en couleurs contre-collées‎

‎Très Bon Etat‎

‎Le fer forgé dans le jardin et la maison (ARCHITECTURE URBANISME)‎

‎ 1995 Mardaga Hardcover As New ‎

‎Le fer forgé dans le jardin et la maison (ARCHITECTURE URBANISME) Broché, reliure noire avec jaquette, 300 x 255 mm, 260 pages, très bon état‎

‎SEXUAL LIFE IN ANCIENT ROME‎

‎London 1934 GEORGE ROUTLEDGE & SONS LTD Cloth First Edition ‎

‎TRANSLATED BY GILBERT AND HELEN HIGHET p 379 FIRST EDITION GOOD COPY RED CLOTH WORN‎

‎Die Wappen des bayerischen Adels. J. Siebmacher's großes Wappenbuch. Band 22.‎

‎ 1996 Bauer und Raspe - Geßner Hardcover As New ‎

‎Die Wappen des bayerischen Adels. J. Siebmacher's großes Wappenbuch. Band 22. 280 x 190 mm, hard cover,132-206-183-207-21 pp, more than 600 b/w illustrations, very good condition‎

‎La peinture Allemande de Dürer à Holbein‎

‎ 1966 Skira Hardcover As New ‎

‎La peinture Allemande de Dürer à Holbein cartonnage avec jacquette sous etui, 33,5 x 25,5 cm, 197 pp, etat superieur ‎

‎Das Heroon Von Gjölbaschi-Trysa. Tafeln‎

‎Wien 1889 A. Holzhausen Hardcover ‎

‎Das Heroon Von Gjölbaschi-Trysa. Tafeln Hardcover, oblong, 38 x 56,5 cm, 1 page ubersicht der tafeln, 34 heliogravures, very good condition‎

‎Die Passion in 60 Bildern‎

‎ 1992 Wienand Verlag Hardcover Fine ‎

‎Die Passion in 60 Bildern Hardcover , witte band met zwarte opdruk, stofwikkel 320 x 255 mm, 166 blz, talloze illustraties, zeer goede staat‎

‎Relation circonstanciée de la campagne de 1813, en Saxe.‎

‎Paris, Plancher, Delaunay, 1817. 2 vol. in-8 de 308 pp. 334 pp., cuir de Russie vert à coins, dos lisse orné, pièce de titre en veau noir (reliure de l'époque). ‎

4 Images

‎Première édition française établie par Aubert de Vitry (1765-1849) sur la seconde édition allemande (1816). Témoignage oculaire d'un officier allemand, hessois au service de la Saxe, attaché à l'état-major de Napoléon. Reliure de l'époque entièrement remontée avec gardes renouvelées. L'exemplaire de la B.N.F. est suivi de 10 feuillets de catalogue non paginés. Tulard, 1102. ‎

‎Plainte et Complaisance de l'Amour divin. //- Emblèmes de l'Amour divin.‎

‎ A Rennes, chez Nicolas Devaux, sans date, 2 textes reliés ensemble en 1 volume in-12 de : 1. 74 pages (pages découpées et collées sur des feuillets bleus - manque la page 39), pour le premier texte, - 2. Second texte : se vend à Paris, chez N.J.B. P. Poilly, 1 page de titre gravée et 59 emblèmes à pleine page légendés en latin avec quatrain explicatif en français, dans une reliure plein veau marbré fauve, dos lisse portant titres dorés sur pièce ce titre bordeaux, orné de caissons à motifs dorés, gardes marbrées, tranches rouges. Cuir abimé sur le dos, coins émoussés, mors fragiles et en partie fendus, mouillure dans la marge interne sur le second texte. ‎

10 Images

‎Otto van Veen, dit Otto Venius ou Otto Vaenius, est un peintre maniériste et un théoricien d'art flamand, né en 1556 à Leiden (Leyde) et mort le 6 mai 1629 à Bruxelles (Emblèmes de l'Amour divin). Merci de nous contacter à l'avance si vous souhaitez consulter une référence au sein de notre librairie.‎

‎Emblemata Horatiana, Imaginibus in aes Incisis atque Latino, Germanico, Gallico et Belgico carmine illustrata ‎

‎Amstelaedami [Amsterdam] Apud Henricum Wetstenium [Wetstein] 1684 Reliure contemporaine (ou proche) en plein cuir avec décoration dorée au dos. Deuxième édition (après la première édition anversoise de 1608). Une note en anglais sur la première page de garde indique qu'il s'agit d'un exemplaire sur grand papier. Il y a certainement de bonnes marges, et les listes de Worldcat semblent suggérer un livre de 17 cm. Le nôtre mesure 21 cm. Cette indication est donc probablement correcte. Page de titre gravée du buste d'Horace par Lairesse. Page de titre en rouge et noir avec une vignette gravée sur bois. Feuilles de dédicace en latin. Avant-propos (en néerlandais) d'Antoni Jansen van TerGoss. Les emblèmes eux-mêmes se trouvent tous sur les pages recto, avec le texte néerlandais en dessous et le latin, l'allemand et le français en face de chaque gravure. [xvi], 207, [ix]. pages. 103 planches gravées (complètes). Conforme à WorldCat / OCLC: 9052973779. 210 by 115mm. État de conservation : La reliure est légèrement frottée. Les coins sont un peu abîmés. La charnière avant est fissurée. L'étiquette de titre est en grande partie perdue. L'ouvrage tient encore bien et constitue une reliure attrayante. Le papier de garde avant est quelque peu affaibli. Le papier de garde arrière présente un petit trou et une tache d'encre rouge. Il y a également une inscription à l'encre latine indiquant que le livre a été donné au propriétaire par son bon ami Coenraad van Beuningen. (1622-1693). Il fut le diplomate le plus expérimenté de la République néerlandaise, bourgmestre d'Amsterdam et, à partir de 1681, directeur de la Compagnie néerlandaise des Indes orientales. Il était probablement bipolaire, devenant instable après la perte de sa fortune en 1688. Les pages de l'ouvrage lui-même sont dans l'ensemble en bon état. Il y a un peu de noircissement et quelques petites réparations anciennes sur les pages. Il y a quelques déchirures fermées et quelques petites pertes. Aucun de ces problèmes n'affecte le texte ou les planches. Une page comporte des annotations qui ajoutent des vers de Virgile et de Juvénal. Un ouvrage rare d'Otto Van Veen représentant des scènes morales, des memento mori, des enseignements sur la nature et le destin de l'homme. Les planches ont été découpées par C. Boel, C. Galle et P. de Jode. Otto van Veen, également connu sous ses noms latinisés Otto Venius ou Octavius Vaenius (1556-1629), était un peintre, dessinateur et humaniste actif principalement à Anvers et à Bruxelles à la fin du XVIe siècle et au début du XVIIe siècle. Il est connu pour ses peintures de scènes religieuses et mythologiques, ses allégories et ses portraits. Il a également conçu plusieurs livres d'emblèmes et a été pendant plusieurs années le professeur de Rubens. Son rôle d'artiste humaniste ayant reçu une éducation classique (un pictor doctus) a eu une influence sur le jeune Rubens, qui allait lui-même endosser ce rôle. (Wikipedia).‎

‎Contemporary (or near) full leather binding with gilt decoration to the spine. Second edition (after the first Antwerp edition of 1608). A note to the front end paper in English states that this is a large paper copy. There are certainly good margins, and the Worldcat listings seem to suggest a book of 17cm. Ours is 21cm. So this is probably correct. Engraved title page with the bust of Horace by Lairesse. Title page in red and black with a woodcut vignette. Dedication leaves in Latin. Forward (In Dutch) by Antoni Jansen van TerGoss. The emblems themselves all on the recto pages, with Dutch text beneath and Latin, German and French facing each engraving. [xvi], 207, [ix]. pages. 103 engraved plates (complete). Conforms to WorldCat / OCLC: 905297377. 210 by 115mm (8Œ by 4œ inches). Condition: The binding is in slightly rubbed condition. A little bumping to the corners. Cracking to the front hinge. The title label is largely lost. Still holding well and an attractive binding. The front end paper is somewhat weak. The rear end paper has a small hole, and a red ink stain to it. There is also an ink inscription in Latin stating that the book was given to the owner by his good friend Coenraad van Beuningen. (1622-1693). He was the Dutch Republic's most experienced diplomat, burgomaster of Amsterdam, and from 1681 a Dutch East India Company director. He probably was bipolar, becoming unstable after the loss of his fortune in 1688. The pages of the work itself are overall in good, clean condition. There is a touch of darkening, and some small old repairs to the pages. There are a few closed tears and a couple of areas of small loss. None of these issues affect text or plates. One page has annotations which add verses from Virgil and Juvenal. A scarce work by Otto Van Veen depicting moral scenes, memento mori, teachings on nature and the destiny of man. plates were cut by C. Boel, C. Galle and P. de Jode. Otto van Veen, also known by his Latinized names Otto Venius or Octavius Vaenius (1556-1629), was a painter, draughtsman, and humanist active primarily in Antwerp and Brussels in the late 16th and early 17th centuries. He is known for his paintings of religious and mythological scenes, allegories and portraits, He also designed several emblem books, and was for several years the teacher of Rubens. His role as a classically educated humanist artist (a pictor doctus), was influential on the young Rubens, who would take on that role himself. (Wikipedia). .‎