336 books for « nielsen e »Edit

‎Legacies of the Crusades. Proceedings of the Ninth Conference of the Society for the Study of the Crusades and the Latin East, Odense, 27 June - 1 July 2016. Volume 1‎

‎, Brepols, 2021 Hardback, 304 pages, Size:156 x 234 mm, Language: English. ISBN 9782503587882.‎

‎Summary When war ended, the hard work began. Crusader warfare was only the beginning, for after peace came huge and often fundamental changes for individuals and societies. First it was necessary to establish firm and secure agreements between enemies, and take care of prisoners of war and refugees. Soon followed new legal systems, and new social groups emerged as old and new families intermarried, or entire segments of the population became subordinates under new rulers. And in a longer time perspective, the entire physical landscape was changed to conform to and express the beliefs and values of the conquerors. The military expeditions of the medieval crusades are well studied, at different times and in many diverse areas, but the consequences for individuals and societies much less. This book opens up a new research area, and contributes with 11 studies covering the Middle Eastern crusader states, the Mediterranean, and the Baltic Sea. TABLE OF CONTENTS Introduction. Legacies of the Crusades Torben Kjersgaard Nielsen and Kurt Villads Jensen I. The Diversity of Crusading From Jerusalem to Mexico. Unity and Diversity in Crusading, Eleventh to Sixteenth Centuries Alan V. Murray II. Crusades to the Holy Land Between the Downfall of Edessa and the Capture of Damietta. How the Glamour of the Prester John Legend Influenced the Crusader-Muslim Conflict, (539-618 AH / 1144-1221 AD) Ahmed M. Sheir Give me Three Good Reasons for a Muslim to end a crusade. Saladin and the Third Crusade Betty Binysh On the Role of Roman law in the Crusader States. Allocation of Risk and the Ransom of Captives Tomislav Karlovi? Refugees in the Latin East before and during the Third Crusade (1168-1192) Jochen Burgtorf III. Societies in the Eastern Mediterranean Desire, Myth, and Necessity. Latin Attempts at Integrating Nubians into the Orbis Christianorum of the Holy Land During the Twelfth to Fifteenth Centuries Adam Simmons Unknown Leaders. The Contribution of the Teutonic Grand Master's Deputies to the Order's Status and Position in the Latin Kingdom of Jerusalem Shlomo Lotan The Formation and Evolution of the Class of Burgesses in the Lusignan Kingdom of Cyprus 1192-1474 Nicholas Coureas The Knight Hospitaller Slave system and its Variety of Enslaved Groups on Cyprus, Rhodes and Malta Nicholas McDermott IV. New Polities and Societies in the Baltic Region Agreements on the Acceptance of Christianity between Crusaders and Pagans in Thirteenth-Century Livonia Mihkel M esalu A Crusader and the Chieftain's Daughter. Connubium between Conquerors and Natives during the Baltic Crusades Anti Selart The Inclusion of Indigenous Western Baltic People in the Teutonic Order's Prussian and Curonian Land Administration in the Thirteenth and Fourteenth Centuries Raitis Simsons The Teutonic Order and the Origins of its State as an Example of a Crusading Landscape in Fourteenth-Century Prussia Gregory Leighton‎

‎The Crusades: History and Memory. Proceedings of the Ninth Conference of the Society for the Study of the Crusades and the Latin East, Odense, 27 June - 1 July 2016. Volume 2‎

‎, Brepols, 2021 Hardback, 222 pages, Size:156 x 234 mm, Illustrations:10 b/w, 6 maps b/w, Language: English. ISBN 9782503587868.‎

‎Summary The crusades have been remembered and commemorated in many ways, from the late eleventh century until today. Soon after the conquest of Jerusalem in 1099, the fate of the First Crusade inspired literary, historiographical and artistic traditions. Participants in the subsequent crusades would look to the first Crusade for inspiration and spiritual guidance, while playing out their own ideas of crusading. Since then the crusades have been put to use in very divers ways and for different purposes. This volume explores how the crusades have been remembered, revered and ridiculed by those who participated in them and by those who in later periods made use of the crusades as an historical phenomenon. The volume thus traces the memory and legacy of the crusades by putting together essays that focus on the specific ways in which the crusades have been memorized, evoked and exploited from the eleventh century until today. TABLE OF CONTENTS The Crusades. History and Memory: Introduction Kurt Villads Jensen & Torben Kjersgaard Nielsen When Was the First History of the Crusades Written? Christoph T. Maier The Memory of Saladin and the Crusades in the Near East from the Fifteenth to the Late Nineteenth Centuries Jonathan Phillips When the Saints go Marching in. The Memory of the Miraculous in the Sources for the First Crusade Carol Sweetenham Once and Future Crusades. Past and projected plans of Emperor Frederick II and King Valdemar II of Denmark, c. 1214-1227 Kurt Villads Jensen The Circulation of the Eracles in Italy and Galeotto del Carretto's Chronicle(s) Massimiliano Gaggero From 'Superstitious Veneration' to 'War to Defend Christendom'. The Crusades in the Encyclopaedia Britannica (1771-2018) Mike Horswell Has Emperor Henry of Constantinople's Legend Survived in Greek Folk Poetry? Aphrodite Papayianni Paradigms for Understanding Modern Crusading Adam KnoblerMemorials to Crusaders. The Use of Crusade Imagery in British First World War Memorials Elizabeth Siberry When and Where did the Word 'Crusade' Appear in the Middle Ages? And Why? Benjamin Weber‎

‎GYLDENDAL GENNEM 175 AAR.‎

‎, Kobenhavn, Gyldendalske Boghandel Nordisk forlag, 1945., Gebonden, uitgeversplatten, met foedraal, 24,5x17cm, 204pp, geillustreerd z/w.‎

‎Sous le signe du Rossignol.‎

‎L'Edition D'Art H. Piazza Paris 1923 In-4 de 102 pages, broché sous couverture beige illustrée. 39 ravissantes compositions de Kay NIELSEN, dont 19 imprimées en couleurs sur papier couché contrecollé en planches hors texte dans de larges encadrements et sous serpentes légendées, et 20 gravures dont une sur la couverture, une page de titre, 6 hors-texte, 6 en-têtes et 6 lettres ornées. Texte imprimé dans un encadrement de 3 filets verts. 1 des 1500 exemplaires numérotés sur papier japon, seul tirage. Très bel exemplaire.Cet ouvrage contient les contes suivants : L'Enfant boréal - L'oiseau de feu - Le Vase d'or - L'Enchanteur - La Petite Maison au jardin de choux - Vers la Croix d'Etoiles.‎

‎Egenhændigt manuskript med underskrift til avisartiklen ""Kolisch-Kvartetten"", trykt i Politiken den 28.11.1927.‎

‎Dateret (med stempel) ""25 NOV 1927"". 28 x 22. 3 sider. Med tilføjelser og ændringer i Nielsens hånd. Alle tre ark foldet på midten og har et mærke efter en papirklips i øverste venstre hjørne. Tredje ark signeret af Nielsen selv.Three leaves. Original handwritten and signed manuscript in with additions and corrections in Carl Nielsen's own hand. All three leaves folded once in the middle. Third leaf signed by Nielsen. ‎

‎Brevet er en opfordring til københavnske musikelskere til at høre den berømte Wiener kvartet Kolisch-Kvartetten der skulle spille i byen den 29. november 1927. Nielsen skriver blandt andet: ""Der forestaar det Kjøbenhavnske Musikpublikum en / sjælden Begivenhed! Det er virkelig lykkedes at faa / denne berømte Wiener-Kvartet til at optræde her / i byen."" Nielsen er yderst begejstret for kvartettens musik og musikere, og om dem skriver han: ""[...], så er det her fire besynderligt fanta= /stiske moderne Sjæle der usynligt farer ud og ind og ægger, kærtegner, bider og klapper vort Øre og / vort Sind, saa vi bestandigt er midt i en hel ny / Virkelighed"".Kvartetten opførte blandt andet Nielsens egen Opus 44 (for stryger-kvartet). (Fellow, Carl Nielsen til sin samtid, P 140).Carl August Nielsen (1865 - 1931) er den mest betydelige og internationalt anerkendt danske komponist, og han er i dag bedst kendt for sine seks symfonier. Han var 62 da han skrev nærværende artikel, og havde på dette tidspunkt skåret kraftigt ned på sin musikalske aktivitet, som følge af et alvorligt hjerteanfald to år tidligere. Han forsatte dog med at komponere musik frem til sin død, og i 1927 udgav han sin selvbiografi Min Fynske Barndom, hvilket sammen med Kolisch-Kvartetten opførelse af sin strygekvartet i F-dur var det der optog ham mest i denne period. (brev fra Carl Nielsen til Emil Telmányi, 30.11.1927, (DK-Kk, C II, 10)).Kolisch-Kvartetten var i 1920erne en af de største og mest anerkendte ensembler på den klassiske musikscene især i Europa og USA men også i Asien, og de indspillede en lang rækker plader med hovedsageligt Schubert og Mozart.Et af kvartettens særtræk var at de ofte spillede koncerter uden brug af noder. Dette var ikke et forsøg på at fremstå overlegen men derimod et produkt af yderst ihærdig øvelse, hvilket overflødiggjorde noderne. Dette bevirkede at musikken i langt højere grad kom til at fremstå levende og dynamisk, hvilket også Carl Nielsen bemærker.___________________Carl Nielsen encourages the Danish music society to attend a concert with the famous Viennese quartet Kolisch Quartet. Carl Nielsen is today widely recognised as Denmark's greatest composer. ‎

‎Hans Arp & Sophie Taeuber-Arp Friends, Lovers, Partners‎

‎, Mercatorfonds, 2024 HB+, 290 x 230 mm, 288 p, 280 Color illustrations, ENG edi. ISBN 9789462303782.‎

‎Hans (Jean) Arp (1886-1966) and Sophie Taeuber-Arp (1889-1943) are probably the best-known artist couple in modern art of the 20th century, alongside Robert Delaunay and Sonia Delaunay-Terk. Both were highly gifted and worked in many different genres. Arp was a painter, poet, sculptor and made collages, drawings, reliefs, textiles, woodcuts and much more. TaeuberArp was a textile artist, dancer, designer, editor of an art magazine, painter, sculptor and teacher. They were both pioneers of abstract art, Arp in a biomorphic way, Taeuber-Arp in a more geometric way. As pioneers of abstract art. they created a unique body of work. When they met in Zurich in 1915, shortly before Dada began, it was the beginning of a lifelong, fruitful artistic exchange and collaboration. From drawing to construction, from textile to wall paintings, Sophie Taeuber-Arp and Hans (Jean) Arp gave rhythm to their lives, opening up geometric and organic abstraction to dance. decor, architecture, sculpture and the applied arts. Like other artist couples. they developed not only an emotional but also an artistic intimacy, as they closely followed the creation of their partner's work and discussed their aspirations almost daily. Each partner implicitly regarded the other as both disciple and guide, even when the two were working on the same project. They interacted alternately as producers and critics. performers and spectators, and considered their joint efforts not so much in the light of individual works or even a series of works in progress, but in terms of an ideal community in which other artists would eventually participate. From 1926 to 1928, they worked together on several interior design projects in Strasbourg, which allowed them to move trom Zurich to Clamart on the outskirts ot Paris in an atelier-house designed by Sophie Taeuber-Arp. The French years - from spring 1929 to autumn 1942, when they left France tor a temporary stay in Switzerland, where Taeuber-Arp accidentally died in 1943 in Zurich - were their most successful years as artists and as a couple.‎

‎Théorie des fonctions metasphériques. Cours professé à l'Université de Copenhague‎

‎Paris, Gauthier-Villars et Cie, 1911, in-4, VII-212 pp, Broché, couverture imprimée de l'éditeur, Édition originale. Niels Nielsen (1865-1931), né dans une modeste famille de fermiers, étudia à l'Université de Copenhague : il obtint son doctorat en 1895. Il succéda à Julius Petersen comme professeur de mathématiques dans cette même université. Il est l'auteur de nombreux ouvrages sur les fonctions spéciales. Bon exemplaire, malgré des rousseurs sur tranches. Petits accroc en pied du dos. Couverture rigide‎

‎Bon VII-212 pp.‎

‎Original handwritten and signed letter addressed to 'Hr Harder'.‎

‎27 - 12 - [19]07. 1 page, 8vo. ""Kjære Hr Harder! / Kunde De ikke se op til mig / imorgen (Lørdag) Kl 12 1/2. / Imorgen Aften/eller Søndag Morgen rejser / jeg til Skodsborg Sanatorium, der / kunde De ogsaa glæde mig med / et Besøg i næste Uge engang, / men foreløbig haaber jeg at se / Dem imorgen. Med venlig Hilsen / Deres hengivne / Carl Nielsen.""‎

‎Original handwritten letter from the most prominent Danish composer, Carl Nielsen (1865-1931), addressed to his friend and colleague Knud Harder (1885-1967). Letters from Nielsen's hand are of utmost rarity.‎

‎Original handwritten and signed letter addressed to 'Hr Harder'.‎

‎30 - 5 - 1907 1 page, 8vo. ""Kjære Hr Harder! / Det er mig desværre ikke muligt at / modtage Dem imorgen. Hvis De vil / gaa videre selv og skrive saameget De / kan til paa Lørdag samme Tid, skal / jeg være til Tjeneste. Hilsen / Deres / Carl Nielsen"".‎

‎Original handwritten letter from the most prominent Danish composer, Carl Nielsen (1865-1931), addressed to his friend and colleague Knud Harder (1885-1967). Letters from Nielsen's hand are of utmost rarity.‎

‎Original handwritten and signed letter addressed to 'Hr Harder'.‎

‎14 - 4 - [19]07. 1 page, 8vo. ""Kjære Hr Harder! - De skal meget snart / høre fra mig. Jeg har ikke kunnet skrive / før. Min Hustru har været meget syg / de sidste Tre Uger, er bleven opereret / flere Gange. Desuden har vi af andre / Grunde ikke kunnet faa Tid at se ordentlig / paa Deres Ting. Paa Gensyn Deres / Carl Nielsen.""‎

‎Original handwritten letter from the most prominent Danish composer, Carl Nielsen (1865-1931), addressed to his friend and colleague Knud Harder (1885-1967). Letters from Nielsen's hand are of utmost rarity.‎

‎Beschreibung der berühmten Haupts und Handelsstadt Bergen in Norwegen. II. Theile‎

‎Copenhagen und Leipzig, Rothischen Buchhandlung, 1753. Samtidigt papbd. med rygforgyldning og forgyldt titelfelt. Noget slid i rygkanter, hvor noget af rygforgyldningen er forsvundet. (8),248,136 pp. Indvendig velbevaret. Med egenhændig dedikation på fribladet fra den danske komponist Carl Nielsen ""Til Th. A. Müller/ venskabeligst fra/ Carl Nielsen"". Nederst på fribladet har Th. A. Müller tilføjet ""Denne bog fik jeg foræret af Komponisten Carl Nielsen da vi i Sommeren 1918 sammen søgte Holberg udg. og da han tænkte paa en ny Holberg opera. Th. A. Müller."" - Th. A. Müller var historiker og pædagog, men mest kendt som Holbergforsker, f.eks. med bogen ""Den unge Ludvig Holberg""‎

‎Første tyske oversættelse af Holbergs ""Den Berømmelige Norske Handel-Stad Bergens Beskrivelse"", 1737.Ehr.-M. X, p. 258-59.‎

‎Invitation au vernissage de l'exposition du peintre danois Jens Nielsen à la Galerie Furstenberg‎

‎Galerie Furstenberg | Paris 1956 | 10.50 x 13.50 cm | une feuille‎

‎Edition originale de ce carton d'invitation au vernissage de l'exposition du peintre Jens Nielsen à la Galerie Furstenberg (Paris), le 6 novembre 1956. Bel exemplaire. - Photographies et détails sur www.Edition-Originale.com -‎

‎Sous le signe du Rossignol‎

‎ L'édition d'art H Piazza Paris, l'Edition d'art H Piazza, 1923. In-4 carré broché, couverture illustrée rempliée de 102 pages. Texte encadré. Illustrations de Kay Nielsen en couleurs et hors texte, sous serpente légendées. Tirage à 1500 exemplaires sur papier Japon, celui-ci n°932. Kay Nielsen (1886-1957) était un illustrateur danois célèbre pour son travail dans le mouvement Art nouveau et l'Âge d'or de l'illustration de livres. Il est surtout connu pour ses illustrations de contes de fées, caractérisées par des lignes élégantes, des couleurs vibrantes et une atmosphère onirique. en très bel état. ‎

5 Images

‎ Toutes les expéditions sont faites en suivi au-dessus de 25 euros. Expédition quotidienne pour les envois simples, suivis, recommandés ou Colissimo. ‎

‎Fleur-de-Neige et d'autres Contes de Grimm‎

‎Illustrations de Kay Nielsen, un des 2000 exemplaires numérotés de 401 à 2400 (n° 1931), 1 vol. in-4 reliure de l'époque demi-basane rouge, dos à 4 nerfs doubles orné, couvertures et dos conservés, tête dorée, L'Edition d'Art, H. Piazza, Paris, s.d. [ 1929 ], 117 pp.‎

11 Images

‎Bon état pour cette belle édition illustrée par l'artiste danois Kay Nielsen (1886-1957), qui travailla notamment pour les studios Disney de 1939 à 1941 puis au début des années 1950. Bon état (rel. lég. frottée, rares rouss., très bon état par ailleurs, ex-libris en garde).‎

‎Basic‎

‎M6 Vidéo 2004 19x14x2cm. 2004. DVD.‎

‎FRENCH édition : zone 2 Europe - - en bon état de lecture - Expédition sous blister dans une enveloppe matelassée depuis la France‎

‎Hitchcock magazine, la revue du suspense 5e année n°54- Octobre 1965-Sommaire: 55° à l'ombre par Helen Nielsen- le pêcheur par Dennis Lynds-Une belle salade par jim thompson- premier arrivé, premier servi par Rog Phillips- Attention, homme dangereux! par‎

‎Opta. Non daté. In-12. Broché. Etat d'usage, Livré sans Couverture, Dos fané, Papier jauni. 216 pages. Accrocs au dos, frotté. Nombreuses illustrations en noir et blanc, in texte. Nombreuses rousseurs. Texte sur deux colonnes.. . . . Classification Dewey : 70.49-Presse illustrée, magazines, revues‎

‎Sommaire: 55° à l'ombre par Helen Nielsen- le pêcheur par Dennis Lynds-Une belle salade par jim thompson- premier arrivé, premier servi par Rog Phillips- Attention, homme dangereux! par C.B. Gilford- alibi au minutage par E.X. Ferrars- le commis-voyageur par Donald Honig- drôle de prise et gros poissons par Edwin P. Hicks. Classification Dewey : 70.49-Presse illustrée, magazines, revues‎

‎Iagttagelser over Entoparasitiske Muscidelarver hos Arthropoder. (Investigations on the life-history of some Muscoidean Flies parasitic on Insects).‎

‎1909 127 p., 4 (3 double) pls, paperbound. Published in: Entomologiske Meddeleser. With English abstract. Good copy. We Added: Nielsen, 1913. A correction concerning Tachina larvarum to ‘’Iagttagelser over....’’ (2 p.), and Nielsen, 1913. On some South-American species of the genus Mydaea, parasitic on birds (6 p., 4 figs).‎

‎Pauli Brev til Romerne udviklet af Lic. Rasmus Nielsen.‎

‎Kjøbenhavn, Forfatterens Forlag, 1841. 8vo. Indbundet i et pænt, samtidigt halvlæderbind med forgyldt rygtitel. Slid ved kapitæler, ydre false og kanter af permer. Hjørner stødte. Tidligere ejeres navnetræk på forsatbladet. Enkelte spredte marginalnoter og understregninger i blyant. Spredte brunpletter. (6),196,(1: errata) pp. ‎

‎Originaludgaven.‎

‎Quonam sensu Lutherus veræ humanitatis causam egisse dicendus sit. Oratio, quam in memoriam sacrorum emendatorum recolendam in aula academica die 16 Novembr. 1846.‎

‎Havniæ, P. G. Philipsen, 1847. 8vo. Ubeskåret i det originale bogtrykte omslag. Enkelte rifter i ryg og kanter. Egenhændig dedikation fra Nielsen på indersiden af foromslag: ""Høiærværdige / Hr Professor Martensen / venskabeligst / Forfatteren."" Ren indvendig. 16 pp.‎

‎Det særdeles ualmindelige originaltryk af Nielsens tale ved reformationsfesten 1846, her med dedikation til biskop Martensen. ‎

‎Sous le signe du rossignol‎

‎L'Edition d'art H. Piazza | Paris 1923 | 22 x 31 cm | broché‎

‎Edition illustrée de 39 compositions originales en couleurs de Kay Nielsen et imprimée à 1500 exemplaires numérotés sur Japon. Une petite insolation en pied du dos, sinon agréable exemplaire. - Photographies et détails sur www.Edition-Originale.com -‎

‎Den antike Skepticisme med særligt Hensyn til dens Oprindelse og videnskabelige Betydning. En Afhandling for den Philosophiske Doctorgrad. - [ERIK FRISENBERGS DOKTORAFHANDLING.]‎

‎Kjöbenhavn, Fr. Wøldike, 1862. 8vo. Indbundet i det særdeles nydelige originale helshirtbind med enkel stregforgyldning på ryg og forgyldt titel på forpermen. Blindtrykte rammer permer. Helt guldsnit. Med egenhændig dedikation fra forfatteren til G. Zachariae på fribladet. Ren og pæn indvendig. (4),206,(1: errata) pp.‎

‎Det ualmindelige originaltryk af Erik Frisenbergs doktordisputats. ""Hans Afhandling var nok meget tynd. Man mente at hans Doctorgrad skulde trumfes igennem og at Rasmus Nielsens ansete Navn var for godt til at bruges som Løftestang, for at en saadan Ubetydelighed som Erik Frisenberg skulde hæves op til Doctorværdigheden. En dengang vel kjendt yngre Dr. Phil. besluttede sig til at møde ved Disputatsen og afklæde Erik Frisenberg saa grundigt og tumle saaledes med ham, at det skulde blive en academisk Skandale, om han derefter fik Doctorgraden. - I de nærmeste Dage før Disputatsen var Erik Frisenberg meget forknyt. Man kunde have kjøbt hans Liv for fire Skilling. Men saa havde han det uhyre store og uventede Held, at den omtalte Dr. Phil., hvem man allerede havde tillagt navnet ""Eriksbane"", Dagen før Disputatsen blev heftig syg og var aldeles ude af Stand til at give Møde. Følgen blev, at Erik Frisenberg overstod Disputatsen, om end kun paa en meget tarvelig Maade og blev creeret til Dr. philosophiæ."" (Rasmus Nielsen, Regensen: Erindringer fra 1858-62, pp. 46-47)‎

‎Spravochnik kinooperatora. In Russian /Cinematographer's Guide ‎

‎"Short description: In Russian. Nielsen, Vladimir Semenovich. Cinematographer's Guide. Moscow; Leningrad: Art, 1936 (Leningrad: Lokhankov type and Volodarsky type). The image is provided for reference only. It may reflect condition of one of the available copies or only help in identifying the edition. Please feel free to contact us for a detailed description of the copies available. SKU5294856"‎

‎Izobrazitel'noe postroenie fil'ma. In Russian /Visual Building of a Film ‎

‎Short description: In Russian. Nielsen, Vladimir Semenovich. Visual Building of a Film. Moscow: Film and Photo Edition, 1936: Type. The Spark of the Revolution. The image is provided for reference only. It may reflect condition of one of the available copies or only help in identifying the edition. Please feel free to contact us for a detailed description of the copies available. SKU5294855‎