2258 books for « morris r d morris »Edit

‎Des serpents et des hommes.‎

‎1965 224 p., 172 figs & photographs, paperbound.‎

‎Des serpents et des hommes.‎

‎1965 Paris, Stock, 1965 : In-8 Cavalier, Broché. vii, 224 pp., nombreuses photos N&B et illustrations in-texte, un excellent ouvrage sur les rapports de l'homme et des serpents Très bon état, Couv. fraîche, Dos plié, Intérieur frais.‎

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‎Un pour tous... tous pourris‎

‎Fleuve noir / anticipation n°1165 1982 182 pages poche. 1982. broché. 182 pages. FLEUVE NOIR Anticipation 5 (SF) n° 1165 (1982) - Gilles MORRIS Un pour tous... tous pourris‎

‎Couv usagée-texte jauni‎

‎Un pour tous... tous pourris‎

‎Fleuve noir / anticipation n°1165 1982 182 pages in12. 1982. broché. 182 pages. FLEUVE NOIR Anticipation 5 (SF) n° 1165 (1982) - Gilles MORRIS Un pour tous... tous pourris‎

‎Etat Correct‎

‎World of David Morris The London Jeweler‎

‎, Rizzoli, 2024 Hardback with dust jacket, s 304 x 228 mm,200 Illustrations col.ill. ,256 Pages, Language; English ed *new. ISBN 9780847833955.‎

‎by Annabel Davidson, Phoebe Morris, Cecily Morris, Jeremy Morris Specializing in the most-prized gemstones, from Colombian emeralds to sapphires found in the remote hills of Kashmir, David Morris celebrates color, flawless craftsmanship, and unique creativity in jewelry design. This is the jewelry house's first major book. This monograph debuts some of the house's latest, most innovative designs as well as a large selection of its most famous pieces, and beautifully showcases the sophistication and creativity of one of the most masterful jewelers working today.‎

‎Box with the Sound of Its Own Making 1 und 2. - 2 Silber Gelatine Vintage Prints. rückseitig vom Künstler jeweils handschriftlich bezeichnet, signiert und mit seiner New Yorker Adresse versehen.‎

‎2 s/w Fotos. (ca. 1967). 19,5 x 22 cm. und 19,5 x 24,3 cm.‎

‎Die Aufnahme 1 wurde in "et3" abgedruckt. Die 1961 hergestellte Kiste gilt als eines der frühen wichtigen amerikanischen Werke der Minimal Art. Der Holzkasten enthält ein Tonband mit den Aufnahmen der Geräusche bei der Herstellung des Objektes. Die Aufzeichnung dauert 3 1/2 Stunden, gleich lang wie die Herstellung der Box und verbindet erstmals den Prozess der Herstellung des Kunstwerkes mit dem Objekt selbst. Robert Morris hatte sich in den späten 50er Jahren intensiv mit den Werken von Marcel Duchamp auseinandergesetzt. Der erste, dem Morris das Werk präsentierte, war John Cage, dessen 1952 entstandene Komposition 4'33" Morris zum Vorbild nahm. "Morris’s far more famous—and concretely realized—work from the same year, The Box with the Sound of its Own Making, would become the public structure that would generate, in Morris’s account, all the subsequent work" (Lis Kotz, in Make an object to be lost" 2012). - Die Originalarbeit steht heute im Seattle Art Museum. - Ein Blatt rückseitig leicht fleckig und mit einer Knickfalte an der äussersten unteren Ecke.‎

‎Blank Form. - Typoskript namentlich bezeichnet. 1 Blatt.‎

‎(Ca. 1967). 21,5 x 27,5 cm.‎

‎Vgl. Cherix, Estampes et multiples V1 - Typoskript des ursprünglich um 1960 geschriebenen Textes "From the subjective point of view there is no such thing as nothing - Blank Form shows this, as well as might any other situation of deprivation". Auf der Basis des 2. Thermodynamischen Satzes beschreibt Morris die Interaktion von Kunst/Künstler/Werk "Art is primarily a situation in which one assumes an attitude of reacting to some of one's awareness as art". Am Ende des Textes gibt der Künstler 3 Beispiele (mit genauen Massangaben) für "Blank Form) Skulpturen. - Der Text sollte 1963 in "An Anthology of Chance Operations", herausgegeben von La Monte Young, erscheinen. Morris zog den Beitrag, der schon gedruckt vorlag, zurück. Der Text wurde erst 1984 in "Blam! The Explosion of Pop, Minimalism, and Performeance 1958-1964", New York 1984 S. 100-101 abgedruckt. Doch bereits 1967 versuchte Morris den Text in der geplanten Anthologie "Spielpläne" der edition et zu veröffentlichen, was leider nicht gelang. - Das Blatt mit wenigen Korrekturen und mit Mittelfalz. GUYTON: Are you always involved in the making of reproductions? Or do you see some of these works more as instructions that can be carried out by someone else? A score or script? MORRIS: I am usually involved in the remaking of the large earlier works, but sometimes others draw up the plans or "score" from my instructions. I have purposely left definitive dimensions and surface color of the larger works open to variations, so a certain "indeterminate" aspect belies the definitive "original." (Wade Guyton interview with Robert Morris in "Interview" 1.6.2014‎

‎William Morris 1834-1896 (Text in English, German and French - Design) , ((Vitraux - Mobilier - Carreaux - Papiers peints - Broderie - Tissus imprimés - Etoffes tissées - Tapisserie - Tapis - Calligraphie)‎

‎Taschen Malicorne sur Sarthe, 72, Pays de la Loire, France 1999 Book condition, Etat : Très Bon hardcover, editor's binding, under editor's illustrated dark green dust-jacket (Tapestry with green plants and orange fruits, a bird) In-4 1 vol. - 176 pages‎

‎numerous colour illustrations, photographies, few black and white old photographies, a very nice iconography 1999's edition Contents, Chapitres : Biographie - Le début (Oxford Union Library) - William Morris chez lui - Décoration d'intérieurs - Commandes publiques - Arts décoratifs (Vitraux - Mobilier - Carreaux - Papiers peints - Broderie - Tissus imprimés - Etoffes tissées - Tapisserie - Tapis - Calligraphie - Kelmscott Press) - Appendice : Carte des oeuvres les plus importantes - Chronologie - Notes - Bibliographie - William Morris, né le 24 mars 1834 à Walthamstow, Essex (aujourd'hui dans le borough londonien de Waltham Forest) et mort le 3 octobre 1896 à Hammersmith, Londres, est un fabricant, designer textile, imprimeur, écrivain, poète, conférencier, peintre, dessinateur et architecte britannique, célèbre à la fois pour ses uvres littéraires, son engagement politique libertaire, son travail d'édition et ses créations dans le domaine des arts décoratifs, en tant que membre de la Confrérie préraphaélite, qui comptent parmi les sources du mouvement Arts & Crafts qui eut, dans ce domaine, l'une des influences les plus importantes en Grande-Bretagne au xxe siècle. Tout au long de sa vie, William Morris écrit et publie des uvres de poésie et des romans et traduit des textes anciens du Moyen Âge et de l'Antiquité. Son travail littéraire le plus connu en français est l'utopie Nouvelles de nulle part (News from Nowhere), écrite en 1890. En contribuant à la fondation de la Socialist League en 1884, William Morris joue un rôle clé dans l'émergence du courant socialiste britannique, bien qu'il ait renié ce mouvement à la fin de la même décennie. Il consacre la fin de sa vie aux travaux de l'imprimerie et maison dédition Kelmscott Press, qu'il a fondée en 1891. L'édition Kelmscott de 1896 des uvres de Geoffrey Chaucer est aujourd'hui considérée comme un chef-d'uvre de conception éditoriale. minor folding tracks on the top of the spine of the dust-jacket which remains complete and fine, else fine copy, no markings, a very nice copy, profusingly illustrated, text in English, German and French‎

‎Rare Lot Daisy Town, composé du Livre-Disque le Petit Ménestrel " Jolly Jumper, Jean-Marc Thibault raconte Lucky Luke, le Grand Film de Morris et Goscinny " + la bande dessinée en édition spéciale exclusive, le Film de Lucky Luke : Daisy Town, en tirage hors commerce, spécialement réalisé pour le réseau Total. ‎

‎ Un Livre-Disque Le Petit Ménestrel– Disques Adès – ALB 344, Copyright Dargaud Edi-teur 1971. Disque vinyle, 33 tours, 25 cm. Couvertures illustrées. Dos car-ré. Format 26 x 26 cm. Contient un livret de 24 pages avec texte et il-lustrations extraites du film d’animation écrit par Morris et René Gos-cinny. Adaptation de Pierre Tchernia. Musique de Claude Bolling. Narration de Jean-Marc Thibault. Personnages avec les voix de Claude Bozzufi, Pierre Tornade, Denise Bosc, Claude Dasset, Jacques Bodoin, Roger Carel, Jacques Legras, Georges Atlas, Jacques Jouanneau, Pierre Trabaud, Jacques Fabbri, Jacques Balutin. Pochette et disque en parfait état. On joint l'album, publié aux éditions PEG / Total en 1972. In-4 broché de 48 pages au format 29 x 20 cm. Couvertures illustrées. Dos carré blanc, muet. Plats et intérieur frais. Couverture et illustrations extraites du film d'animation franco-belge réalisé par René Goscinny et Morris aux Studios Belvision en 1971 avec scénario de René Goscinny, Morris et Pierre Tchernia, accompagné d'une bande son de Claude Bolling. Lucky Luke hors série, en tirage hors commerce, spécialement réalisé pour le réseau Total. Edition originale. Bel ensemble, rare dans un tel état de fraicheur, proche du parfait.‎

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‎ Vente exclusivement par correspondance. Le libraire ne reçoit, exceptionnellement que sur rendez-vous. Il est préférable de téléphoner avant tout déplacement.Forfait de port pour un livre 8,50 €, sauf si épaisseur supérieure à 3 cm ou valeur supérieure ou égale à 100 €, dans ce cas expédition obligatoire au tarif Colissimo en vigueur. A partir de 2 livres envoi en colissimo obligatoire. Port à la charge de l'acheteur pour le reste du monde.Les Chèques ne sont plus acceptés.Pour destinations extra-planétaire s'adresser à la NASA.Membre du Syndicat Lusitanien Amateurs Morues‎

‎Bob Marley. Rebel with a cause. A Photographic recor of the visions and the message of the king of Reggae from natty dread to Exodus, by Dennis Morris. ( Tirage unique à 1000 exemplaires numérotés avec dédicace de Dennis Morris ). ‎

‎ Royaume Uni, Londres, Editions D.M.M.P 1991. In-8 broché carré, non paginé, d'environ 90 pages au format 29,5 x 29,5 cm. Couvertures illustrées par une photographie de Dennis Morris. Dos carré avec titre. Plats et intérieur frais avec infimes frottis et tassements aux coins. Livre produit et réalisé par Susanna Frye. Recueil des meilleures photos de Bob Marley, en noir et en couleurs, prises par Dennis Morris, qui fut le photographe officiel de l'artiste. Tirage unique à 1000 exemplaires numérotés avec belle dédicace autographe, signée et datée de Dennis Morris. Superbe état général. Rarissime deuxième édition, de ce livre dont l'originale fut publiée en 1986.‎

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‎ Vente exclusivement par correspondance. Le libraire ne reçoit, exceptionnellement que sur rendez-vous. Il est préférable de téléphoner avant tout déplacement.Forfait de port pour un livre 8,50 €, sauf si épaisseur supérieure à 3 cm ou valeur supérieure ou égale à 100 €, dans ce cas expédition obligatoire au tarif Colissimo en vigueur. A partir de 2 livres envoi en colissimo obligatoire. Port à la charge de l'acheteur pour le reste du monde.Les Chèques ne sont plus acceptés.Pour destinations extra-planétaire s'adresser à la NASA.Membre du Syndicat Lusitanien Amateurs Morues‎

‎Three-toed woodpecker (Picoides tridactylus) Picchio tridattilo‎

‎Bella incisione acquarellata a mano coeva della fine del 1800, inizi 1900 tratta dall'importante opera di ornitologia "A history of British Birds" di Morris. L'opera venne pubblicata in diverse edizioni dal 1851 al 1903. Morris è noto per aver scritto opere di storia naturale e in particolare di ornitologia. L'incisione rappresenta il picchio tridattilo. Testo in lingua inglese. L'incisione è montata su un elegante passepartout In buone condizioni. TECNICA: incisione COLORE: acquarellatura a mano coeva DIMENSIONI PASSEPARTOUT: cm 20x26 DIMENSIONI INCISIONE: cm 11x17 EPOCA: fine XIX secolo, inizi XX secolo. Beautiful print coloured by hand with aquarello of the end of 1800, first years of 1900 taken from the important work of ornythology "A history of British Birds" by Morris. The work was published in different editions from 1851 until 1903. Morris is famous because he wrote different works of natural history in particular of ornythology. The engraving represents the three-toed woodpecker. Text in english language The engraving is mounted in an elegant passepartout In good conditions. TECHNIQUE: Engraving COLOUR: coeval colouring with aquarello by hand PASSEPARTOUT SIZE: cm 20x26 PRINT'S SIZE: cm 11x17 PERIOD: end of XIX century, first years of XX century‎

‎Honey Buzzard (Pernis apivorus) Falco Pennacchiolo occidentale‎

‎Bella incisione acquarellata a mano coeva della fine del 1800, inizi 1900 tratta dall'importante opera di ornitologia "A history of British Birds" di Morris. L'opera venne pubblicata in diverse edizioni dal 1851 al 1903. Morris è noto per aver scritto opere di storia naturale e in particolare di ornitologia. L'incisione rappresenta il falco pennacchiolo occidentale. Testo in lingua inglese. L'incisione è montata su un elegante passepartout In buone condizioni. TECNICA: incisione COLORE: acquarellatura a mano coeva DIMENSIONI PASSEPARTOUT: cm 24x31 DIMENSIONI INCISIONE: cm 13,5x21 EPOCA: fine XIX secolo, inizi XX secolo. Beautiful print coloured by hand with aquarello of the end of 1800, first years of 1900 taken from the important work of ornythology "A history of British Birds" by Morris. The work was published in different editions from 1851 until 1903. Morris is famous because he wrote different works of natural history in particular of ornythology. The engraving represents the Honey buzzard. Text in english language. The engraving is mounted in an elegant passepartout. In good conditions. TECHNIQUE: Engraving COLOUR: coeval colouring with aquarello by hand PASSEPARTOUT SIZE: cm 26x19 PRINT'S SIZE: cm 15x9 PERIOD: end of XIX century, first years of XX century‎

‎Courser (Cursorius cursor)‎

‎Bella incisione acquarellata a mano coeva della fine del 1800, inizi 1900 tratta dall'importante opera di ornitologia "A history of British Birds" di Morris. L'opera venne pubblicata in diverse edizioni dal 1851 al 1903. Morris è noto per aver scritto opere di storia naturale e in particolare di ornitologia. L'incisione rappresenta il Cursorius cursor. Testo in lingua inglese. L'incisione è montata su un elegante passepartout In buone condizioni. TECNICA: incisione COLORE: acquarellatura a mano coeva DIMENSIONI PASSEPARTOUT: cm 19x26 DIMENSIONI INCISIONE: cm 11x17 EPOCA: fine XIX secolo, inizi XX secolo. Beautiful print coloured by hand with aquarello of the end of 1800, first years of 1900 taken from the important work of ornythology "A history of British Birds" by Morris. The work was published in different editions from 1851 until 1903. Morris is famous because he wrote different works of natural history in particular of ornythology. The engraving represents the Courser. Text in english language. The engraving is mounted in an elegant passepartout. In good conditions. TECHNIQUE: Engraving COLOUR: coeval colouring with aquarello by hand PASSEPARTOUT SIZE: cm 19x26 PRINT'S SIZE: cm 11x17 PERIOD: end of XIX century, first years of XX century‎

‎SABINE'S GULL (Gabbiano di Sabine)‎

‎Bella incisione acquarellata a mano coeva della fine del 1870 circa tratta dall'importante opera di ornitologia "A history of British Birds" di Morris. Morris è noto per aver scritto opere di storia naturale e in particolare di ornitologia. Testo in lingua inglese. In buone condizioni. TECNICA: Litografia COLORE: acquarellatura a mano coeva DIMENSIONI FOGLIO: cm 24x15 DIMENSIONI INCISIONE: cm 18x11,5 EPOCA: 1870 circa Beautiful print coloured by hand with aquarello of 1870 circa taken from the important work of ornythology "A history of British Birds" by Morris.<BR>Morris is famous because he wrote different works of natural history in particular of ornythology.<BR>Text in english language. In good conditions TECHNIQUE: Lithography COLOUR: coeval colouring with aquarello by hand PAGE SIZE: cm 24x15 PRINT'S SIZE: cm 18x11,5 PERIOD: 1870 circa‎

‎WHITE-WINGED BLACK TERN (Mignattino alibianche)‎

‎ Bella incisione acquarellata a mano coeva della fine del 1870 circa tratta dall'importante opera di ornitologia "A history of British Birds" di Morris. Morris è noto per aver scritto opere di storia naturale e in particolare di ornitologia. Testo in lingua inglese. In buone condizioni. TECNICA: Litografia COLORE: acquarellatura a mano coeva DIMENSIONI FOGLIO: cm 24x15 DIMENSIONI INCISIONE: cm 18x11,5 EPOCA: 1870 circaBeautiful print coloured by hand with aquarello of 1870 circa taken from the important work of ornythology "A history of British Birds" by Morris.<BR>Morris is famous because he wrote different works of natural history in particular of ornythology.<BR>Text in english language. In good conditions. TECHNIQUE: Lithography COLOUR: coeval colouring with aquarello by hand PAGE SIZE: cm 24x15 PRINT'S SIZE: cm 18x11,5 PERIOD: 1870 circa‎

‎WHITE-WINGED BLACK TERN (Mignattino alibianche)‎

‎Bella incisione acquarellata a mano coeva della fine del 1870 circa tratta dall'importante opera di ornitologia "A history of British Birds" di Morris. Morris è noto per aver scritto opere di storia naturale e in particolare di ornitologia. Testo in lingua inglese. In buone condizioni. TECNICA: Litografia COLORE: acquarellatura a mano coeva DIMENSIONI FOGLIO: cm 24x15 DIMENSIONI INCISIONE: cm 18x11,5 EPOCA: 1870 circaBeautiful print coloured by hand with aquarello of 1870 circa taken from the important work of ornythology "A history of British Birds" by Morris.<BR>Morris is famous because he wrote different works of natural history in particular of ornythology.<BR>Text in english language. In good conditions TECHNIQUE: Lithography COLOUR: coeval colouring with aquarello by hand<BR>PAGE SIZE: cm 24x15 PRINT'S SIZE: cm 18x11,5 PERIOD: 1870 circa‎

‎HOBBY (Lodolaio eurasiatico)‎

‎Bella incisione acquarellata a mano coeva della fine del 1870 circa tratta dall'importante opera di ornitologia "A history of British Birds" di Morris. Morris è noto per aver scritto opere di storia naturale e in particolare di ornitologia. Testo in lingua inglese. In buone condizioni. TECNICA: Litografia COLORE: acquarellatura a mano coeva DIMENSIONI FOGLIO: cm 24x15 DIMENSIONI INCISIONE: cm 18x11,5 EPOCA: 1870 circaBeautiful print coloured by hand with aquarello of 1870 circa taken from the important work of ornythology "A history of British Birds" by Morris.<BR>Morris is famous because he wrote different works of natural history in particular of ornythology.<BR>Text in english language. In good conditions TECHNIQUE: Lithography COLOUR: coeval colouring with aquarello by hand PAGE SIZE: cm 24x15 PRINT'S SIZE: cm 18x11,5 PERIOD: 1870 circa‎

‎ROTCHE (Alle alle)‎

‎ Bella incisione acquarellata a mano coeva della fine del 1870 circa tratta dall'importante opera di ornitologia "A history of British Birds" di Morris. Morris è noto per aver scritto opere di storia naturale e in particolare di ornitologia. Testo in lingua inglese. In buone condizioni. TECNICA: Litografia COLORE: acquarellatura a mano coeva DIMENSIONI FOGLIO: cm 24,5x14,5 DIMENSIONI INCISIONE: cm 18x12 EPOCA: 1870 circaBeautiful print coloured by hand with aquarello of 1870 circa taken from the important work of ornythology "A history of British Birds" by Morris.<BR>Morris is famous because he wrote different works of natural history in particular of ornythology.<BR>Text in english language. In good conditions TECHNIQUE: Lithography COLOUR: coeval colouring with aquarello by hand<BR>PAGE SIZE: cm 24,5x14,5 PRINT'S SIZE: cm 18x12 PERIOD: 1870 circa‎

‎TEMMINCK'S STINT (Gambecchio nano)‎

‎Bella incisione acquarellata a mano coeva della fine del 1870 circa tratta dall'importante opera di ornitologia "A history of British Birds" di Morris. Morris è noto per aver scritto opere di storia naturale e in particolare di ornitologia. Testo in lingua inglese. In buone condizioni. TECNICA: Litografia COLORE: acquarellatura a mano coeva DIMENSIONI FOGLIO: cm 24,5x14,5 DIMENSIONI INCISIONE: cm 18x12 EPOCA: 1870 circaBeautiful print coloured by hand with aquarello of 1870 circa taken from the important work of ornythology "A history of British Birds" by Morris.<BR>Morris is famous because he wrote different works of natural history in particular of ornythology.<BR>Text in english language. In good conditions TECHNIQUE: Lithography COLOUR: coeval colouring with aquarello by hand<BR>PAGE SIZE: cm 24,5x14,5 PRINT'S SIZE: cm 18x12 PERIOD: 1870 circa‎

‎HEN HARRIER (Albanella reale)‎

‎ Bella incisione acquarellata a mano coeva della fine del 1870 circa tratta dall'importante opera di ornitologia "A history of British Birds" di Morris. Morris è noto per aver scritto opere di storia naturale e in particolare di ornitologia. Testo in lingua inglese. In buone condizioni. TECNICA: Litografia COLORE: acquarellatura a mano coeva DIMENSIONI FOGLIO: cm 24x15 DIMENSIONI INCISIONE: cm 18x11,5 EPOCA: 1870 circa Beautiful print coloured by hand with aquarello of 1870 circa taken from the important work of ornythology "A history of British Birds" by Morris.<BR>Morris is famous because he wrote different works of natural history in particular of ornythology.<BR>Text in english language.<BR>In good condition TECHNIQUE: Lithography COLOUR: coeval colouring with aquarello by hand<BR>PAGE SIZE: cm 24x15 PRINT'S SIZE: cm 18x11,5 PERIOD: 1870 circa<BR><BR> ‎

‎BUFF-BREASTED SANDPIPER (Piro-piro fulvo)‎

‎Bella incisione acquarellata a mano coeva della fine del 1870 circa tratta dall'importante opera di ornitologia "A history of British Birds" di Morris. Morris è noto per aver scritto opere di storia naturale e in particolare di ornitologia. Testo in lingua inglese. In buone condizioni. TECNICA: Litografia COLORE: acquarellatura a mano coeva DIMENSIONI FOGLIO: cm 24x15 DIMENSIONI INCISIONE: cm 18x11,5 EPOCA: 1870 circaBeautiful print coloured by hand with aquarello of 1870 circa taken from the important work of ornythology "A history of British Birds" by Morris.<BR>Morris is famous because he wrote different works of natural history in particular of ornythology.<BR>Text in english language. In good conditions TECHNIQUE: Lithography COLOUR: coeval colouring with aquarello by hand PAGE SIZE: cm 24x15 PRINT'S SIZE: cm 18x12 PERIOD: 1870 circa‎

‎BARTRAM'S SANDPIPER<BR><BR>(Pira-pira codalunga)‎

‎ Bella incisione acquarellata a mano coeva della fine del 1870 circa tratta dall'importante opera di ornitologia "A history of British Birds" di Morris. Morris è noto per aver scritto opere di storia naturale e in particolare di ornitologia. Testo in lingua inglese. In buone condizioni. TECNICA: Litografia COLORE: acquarellatura a mano coeva DIMENSIONI FOGLIO: cm 24x15 DIMENSIONI INCISIONE: cm 18x11,5 EPOCA: 1870 circa Beautiful print coloured by hand with aquarello of 1870 circa taken from the important work of ornythology "A history of British Birds" by Morris.<BR>Morris is famous because he wrote different works of natural history in particular of ornythology.<BR>Text in english language. In good conditions TECHNIQUE: Lithography COLOUR: coeval colouring with aquarello by hand<BR>PAGE SIZE: cm 24x15 PRINT'S SIZE: cm 18x12 PERIOD: 1870 circa‎

‎RINGED GUILLEMOT (Uria aalge)‎

‎ Bella incisione acquarellata a mano coeva della fine del 1870 circa tratta dall'importante opera di ornitologia "A history of British Birds" di Morris. Morris è noto per aver scritto opere di storia naturale e in particolare di ornitologia. Testo in lingua inglese. In buone condizioni. TECNICA: Litografia COLORE: acquarellatura a mano coeva DIMENSIONI FOGLIO: cm 24x15 DIMENSIONI INCISIONE: cm 18x11,5 EPOCA: 1870 circaBeautiful print coloured by hand with aquarello of 1870 circa taken from the important work of ornythology "A history of British Birds" by Morris.<BR>Morris is famous because he wrote different works of natural history in particular of ornythology.<BR>Text in english language. In good conditions TECHNIQUE: Lithography COLOUR: coeval colouring with aquarello by hand<BR>PAGE SIZE: cm 24x15 PRINT'S SIZE: cm 18x12 PERIOD: 1870 circa‎

‎BROAD-BILLED SANDPIPER (Gambecchio frullino)‎

‎ Bella incisione acquarellata a mano coeva della fine del 1870 circa tratta dall'importante opera di ornitologia "A history of British Birds" di Morris. Morris è noto per aver scritto opere di storia naturale e in particolare di ornitologia. Testo in lingua inglese. In buone condizioni. TECNICA: Litografia COLORE: acquarellatura a mano coeva DIMENSIONI FOGLIO: cm 24x15 DIMENSIONI INCISIONE: cm 18x11,5 EPOCA: 1870 circaBeautiful print coloured by hand with aquarello of 1870 circa taken from the important work of ornythology "A history of British Birds" by Morris.<BR>Morris is famous because he wrote different works of natural history in particular of ornythology.<BR>Text in english language. In good condition TECHNIQUE: Lithography COLOUR: coeval colouring with aquarello by hand<BR>PAGE SIZE: cm 24x15 PRINT'S SIZE: cm 18x12 PERIOD: 1870 circa‎

‎GOLDEN EAGLE (Aquila reale)<BR><BR>‎

‎Bella incisione acquarellata a mano coeva della fine del 1870 circa tratta dall'importante opera di ornitologia "A history of British Birds" di Morris. Morris è noto per aver scritto opere di storia naturale e in particolare di ornitologia. Testo in lingua inglese. In buone condizioni. TECNICA: Litografia COLORE: acquarellatura a mano coeva DIMENSIONI FOGLIO: cm 24x15 DIMENSIONI INCISIONE: cm 18x11,5 EPOCA: 1870 circaBeautiful print coloured by hand with aquarello of 1870 circa taken from the important work of ornythology "A history of British Birds" by Morris.<BR>Morris is famous because he wrote different works of natural history in particular of ornythology.<BR>Text in english language. In good conditions. TECHNIQUE: Lithography COLOUR: coeval colouring with aquarello by hand PAGE SIZE: cm 24x15 PRINT'S SIZE: cm 18x12 PERIOD: 1870 circa‎