16 books for « morabito »Edit

‎Travaux et recherches, série Faculté des sciences juridiques de Rennes. La Révolution et les juristes à Rennes. Études coordonnées par Marcel Morabito. Préface de Emmanuel Du Rusquec‎

‎Paris, Economica, 1989 in-8, VIII pp., un f. n. ch., 217 pp., un f. n. ch. de table, broché. ‎

‎Porte essentiellement sur la carrière des juristes rennais acteurs de la Révolution jusqu'en 1815.Professeur à la Faculté de droit et de science politique de l'université de Rennes I et directeur du centre régional de préparation à l’École nationale d'administration, Marcel Morabito (né en 1951) devint en 1991 le fondateur et le premier directeur de Sciences Po Rennes. - - ACTUELLEMENT EN CONGÉS, DE RETOUR LE 17 AOÛT - VENTE PAR CORRESPONDANCE UNIQUEMENT - LIEN DE PAIEMENT, NOUS CONSULTER.‎

‎Music and the Figurative Arts in the Baroque Era‎

‎, Brepols, 2026 Hardback, Pages: xvi + 448, Size:210 x 270 mm, Illustrations:192 b/w, 16 col., 9 tables b/w., 1 music example, Languages: English, Italian, French. ISBN 9782503621845.‎

‎Summary The figurative arts - or the arts that transcribe the visible - are interested in music in many ways. If we consider the hierarchy of genres, particularly formalised at the end of the 17th century with the advent of the academies, music is present in religious subjects, historical and mythological themes, the performing arts, genre scenes, portraits and still lifes. Artists offered musical motifs using a wide variety of techniques, including painting of course, but also the graphic arts (drawing, engraving) and the plastic arts (sculpture, objets d'art and textiles in particular). This multiplicity of themes, media and techniques gives us the opportunity to discover common or rarer musical instruments that can be remarkably observed, but also musical notations that are sometimes perfectly identifiable, particular playing techniques that refer to theoretical treatises or learning tutors, and musical ensembles appropriate to a wide variety of circumstances (religious rituals, festivals, urban or court entertainments, the performing arts, domestic practices). All these visual traces of music raise questions about the place of music among the other arts, and about its social and symbolic importance, since it suggests or even provokes the affirmation of a status, of a terrestrial or spiritual power, of an aesthetic or even philosophical choice. The contributions gathered here reflect this diversity during the seventeenth and eighteenth centuries in Italy, France, Germany, Spain and Austria. TABLE OF CONTENTS Florence G treau and Fulvia Morabito Preface Spiritual Inspiration Maria Luisa Baldassari Chi era il maestro di Santa Cecilia? Dipinti di S. Cecilia e trattati tastieristici nel primo Barocco Galliano Ciliberti Un caso di musica picta: il mottetto In te Domine spes mea attribuito a Giacomo Carissimi Ga tan Naulleau Le choeur polyphonique dans les planches illustr es du C remoniale Episcoporum (1600-1779) : caract ristiques, circulation et signification d'un th me iconographique Scenography and Theatrical Art Silvia Bier Le propre de ce spectacle? : Early French Opera and the Idea of a Synthesis of Arts Adriana De Feo Pietro Pariati and Apostolo Zeno at the Viennese Court: Baroque Spectacle and the Representation of Power Portraits of Musicians Nicola Usula Musica nei ritratti e ritratti nella musica: il caso di Leopoldo i Asburgo (1640-1705) Florence G treau The Musical Assembly with Reincken, Buxtehude and Theile Painted in 1674 by Johannes Voorhout: Reassessing Its Historiography and Interpretation Vincent Robin Quelques portraits de musettes et de musettistes aux XVIIe et XVIIIe si cles Court Music Images Florence G treau Pr sence de la musique dans l'iconographie du salon de la Paix Versailles : les peintures et les troph es des bas-reliefs de m tal dor Michael Latcham All the World's a Stage: Farinelli at the Royal Court of Spain, 1737 to 1760 Cristina Bordas Visual Memory of Farinelli in 21st Century Madrid Iconographic Appendix Abstract and Biographies Index of Names‎

‎Musical Improvisation in the Baroque Era‎

‎, Brepols, 2019 Hardback, xvi + 405 pages, Size:210 x 260 mm, Illustrations:15 b/w, 110 musical examples, Languages: English, Italian, Spanish.*new ISBN 9782503583693.‎

‎Summary In the Baroque period there is a large discrepancy between sound entity and musical notation. In a context where the musical tradition, handwritten and printed, at times suggests the possible execution of a passage, at times indicates a specific mode of execution often adapted by the ability of the performer or the musical occasion, the margin for improvisation is wide. The in-depth and possibly comparative study of musical sources, their historical contextualization, their evaluation on the basis of documentary and theoretical testimonies, allows us to shed light on the real aural rendering of the synthetic written page. This volume aims to investigate the role and forms of improvisation in Baroque music under many of its multifaceted aspects, in a study that will define the links between creative process and executive practice. TABLE OF CONTENTS Fulvia Morabito Introduction Improvisation into Composition David Chung, French Harpsichord doubles and the Creative Art of the 17th-Century Clavecinistes Massimiliano Guido, Sounding Theory and Theoretical Notes Bernardo Pasquini's Pedagogy at the Keyboard: A Case of Composition in Performance? Javier Lupia ez - Fabrizio Ammetto, Las anotaciones de Pisendel en el Concierto para dos violines RV 507 de Vivaldi: una ventana abierta a la improvisaci n en la obra del 'Cura rojo' Josu Mel ndez Pel ez, Cadenze per ?nali: Exuberant and Extended Cadences in the 16th and 17th Centuries Marina Toffetti, Written Outlines of Improvisation Procedures in Music Publications of the Early 17th Century: The Second (1611-1623) and Third (1615-1623) Book of Concerti By G. Ghizzolo and the Motet Iesu Rex Admirabilis (1625-1627) by G. Frescobaldi Issues of Performance Practice Giovanna Barbati , Il n'ex cute jamais la Basse telle qu'elle est crite : The Use of Improvisation in Teaching Low Strings Anthony Pryer, On the Borderlines of Improvisation: Caccini, Monteverdi and the Freedoms of the Performer Laura Toffetti, Sostener si pu la battuta, etiandio in aria . Testi e contesti per comprendere l'invenzione e la disposizione del discorso musicale nel repertorio strumentale italiano fra Seicento e Settecento Rudolf Rasch, Improvised Cadenzas in the Cello Sonatas Op. 5 by Francesco Geminiani Contemporary Treatises, Pedagogical Works, and Aesthetics Valentina Anzani, Il mito della competizione tra virtuosi: quando Farinelli s?d Bernacchi (Bologna 1727) John Lutterman, Re-Creating Historical Improvisatory Solo Practices on the Cello: C. Simpson, F. Niedt, and J. S. Bach on the Pedagogy of Contrapunctis Extemporalis Francesca Mignogna, Accompagnamento e basso continuo alla chitarra spagnola. Una cartogra?a della diffusione dei sistemi di notazione stenogra?ci in Italia, Spagna e Francia tra xvi e xvii secolo e loro implicazioni teoriche Guido Olivieri, Naturalezza o arti?cio: ri?essioni su improvvisazione e virtuosismo italiani in Francia nel Settecento Neal Zaslaw, Adagio de Mr. Tartini. Vari de plusieurs fa ons diff rentes, tr s utiles aux personnes qui veulent apprendre faire des traits sous chaque notte de l'Harmonie? The Art of Partimento Simone Ciolfi, Cantata da camera e arte del partimento in Alessandro Scarlatti. An Historical Link between Baroque Recitatives and Development Section of the Sonata-Form Movements? Marco Pollaci, Two New Sources for the Study of Early Eighteenth-Century Composition and Improvisation Giorgio Sanguinetti, On the Origin of Partimento: A Recently Discovered Manuscript of Toccate (1695) by Francesco Mancini Peter van Tour, Taking a Walk at the Molo : Partimento and the Improvised Fugue Abstracts Biographies Index of Names‎

‎L'ECAILLE. Photographies de Joannes vo Saurna.‎

‎ Dourdan, Editions Vial, 1997 ; petit in-4 (25,7 x 21 cm). 84 pp. Illustrations couleurs. Cartonnage d'éditeur illustré, jaquette couleurs. Très bon état. ‎

‎Le travail de l'écaille de tortue caret, les objets usuels et la production de luxe pour la joaillerie, l'orfèvrerie, l'ameublement, l'horlogerie... ‎

‎Rome‎

‎Jonglez (11/2025)‎

‎LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9782361958893‎

‎Réduire la vulnérabilité des infrastructures essentielles‎

‎Tec & Doc (5/2009)‎

‎LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9782743011642‎

‎Rome‎

‎Jonglez (5/2025)‎

‎LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9782361959142‎

‎La vida ordenada - Coleccion Andanzas n°495.‎

‎Tusquets editores. 2002. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 195 pages - couverture contrepliée - livre en espagnol.. . . . Classification Dewey : 460-Langues espagnole et portugaise‎

‎Coleccion Andanzas n°495. Classification Dewey : 460-Langues espagnole et portugaise‎

‎Nouvelles du Mexique‎

‎Magellan & Cie; miniatures édition (5 mars 2009)‎

‎Livre neuf, jamais ouvert.‎

‎Le papillon rouge ‎

‎Hachette ,1996, in-8 de 216 pages , br. ,Bon état , .Isbn : 9782012370487.(1 photo sur mon site https://www.vieuxlivre.fr .Les frais de port pour la France sont offerts à partir de 25 euros d'achat (Mondial relay ). (colissimo suivi +6,90 ).‎

‎La Marina Italiana in guerra 1915-1918.‎

‎ Milano. Marangoni, 1933. Petit in-4, 396 pages. Broché. (Petit manque de papier sur le haut du dos).‎

‎50 reproductions en hors texte. Exemplaire numéroté sur vergé.‎

‎Histoire constitutionnelle et politique de la France (1789-1958) - 5eme - domat droit publicedition‎

‎MONTCHRESTIEN. 1998. In-8. Broché. Etat d'usage, Coins frottés, Dos satisfaisant, Intérieur frais. 495 pages.. . . . Classification Dewey : 340-Droit‎

‎ Classification Dewey : 340-Droit‎

‎PSYCHANALYSE-TOI TOI-MÊME EN PRIANT‎

‎Une plaquette de 31 pages, format 115 x 165 mm, brochée, publiée en 2012, Editions du Parvis, bon état‎

‎HISTOIRE CONSTITUTIONNELLE DE LA FRANCE (1789-1958) / 7e EDITION / COLLECTION DOMAT, DROIT PUBLIC.‎

‎MONTCHRESTIEN. 012002. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 431 pages.. . . . Classification Dewey : 342-Droit administratif, constitutionnel, public‎

‎ Classification Dewey : 342-Droit administratif, constitutionnel, public‎

‎LA REVOLUTION ET LES JURISTES A RENNES‎

‎COLLECTION TRAVAUX ET RECHERCHES SERIE FACULTE DES SCIENCES JURIDIQUES DE RENNES-PREFACE DE EMMANUEL DU RUSQUEC-220 PAGES-IN 8-(11D)‎

‎ECONOMICA COUVERTURE SOUPLE ETAT NEUF‎

‎Les Mots croisés‎

‎Paris, José Corti, "Ibériques", 2008, 13,5 x 18, 235 pages cousues sous couverture imprimée. Traduit de l'espagnol (Mexique) par Marianne Millon.‎