77 books for « michela »Edit

‎Music and the Identity Process: The National Churches of Rome and their Networks in the Early Modern Period‎

‎, Brepols, 2020 Paperback, 436 pages, Size:190 x 290 mm, Illustrations:67 b/w, 75 col., 10 tables b/w., 1 maps b/w, Languages: English, German. ISBN 9782503588384.‎

‎Summary Important centres of charity, hospitality and representation, the national churches of Rome were also major hubs of musical production. This collective work is the fruit of several years of largely unpublished research on the musical life of these institutions, considered for the first time as a whole. What it primarily brings to light is the common model which emerged from the interactions between the national churches, as well as between these and other Roman churches, in musical matters - eloquent example of a unifying cultural paradigm. The repertories used by these churches, the ceremonies and celebrations they orchestrated in the teatro del mondo which Rome constituted at the time, their role in the placing of musicians within the city's professional networks are just some of the themes explored in this work. The cultural exchanges between the national churches and the "nations" that they represented in the pontifical city form another important area of investigation: whether musical or devotional, connecting places of worship and private palaces or extending from one side of the Alps to the other, these exchanges reveal the permeability that characterised many national traditions. At the heart of this richly illustrated study are two fundamental lines of inquiry: the first concerns the processes of identity construction developed by communities installed in foreign lands, the second line of inquiry is cultural hybridity. In pursuing these, we aim to further understanding of the dialectics of exchange at work in Rome during the modern period. * The preparation of this publication has benefitted greatly from the collaboration of Jorge Morales. TABLE OF CONTENTS Foreword by Bernard Ardura Introduction by Michela Berti and milie Corswarem I. The Musical Model of National Churches in Rome ? 2. NOEL O'REGAN Cappella fissa-Cappella mobile: the Organisation of Musicians for Major Feastdays at Rome's National Churches ? 3. CRISTINA FERNANDES A Close Look at S. Antonio dei Portoghesi and Roman Life: The Testimony of Father Manuel de Campos ? 4. KLAUS PIETSCHMANN Music Cultivation in Roman National Churches before the Council of Trent ? 5. TOBIAS DANIELS A New Organ for the Anima. The Notarial Contract of 1546 and the History of the "German National Church" in Rome in the Middle of the Sixteenth Century ? 6. FRANCESCA FANTAPPI -JOS MAR A DOM NGUEZ Alessandro Scarlatti and the Spanish National Church of S. Giacomo degli Spagnoli ? 7. ESTEBAN HERN NDEZ CASTELL The Musical Archive of the Spanish National Church of S. Maria in Monserrato in Rome II. Music and the Identity Process Identity and Repertory ? 8. BERNARD DOMPNIER Identity Affirmation and Roman Conformity: the Festive Calendars of the National Churches ? 9. CRISTINA FERNANDES Daily Liturgy and 'Internal' Musical Practices in S. Antonio dei Portoghesi ? 10. GALLIANO CILIBERTI S. Luigi dei Francesi in the Seventeenth Century: a Laboratory for Music, Liturgy and Identity ? 11. ESTEBAN HERN NDEZ CASTELL : Evidence of a 'More Hispano' Polyphonic Passion at the Spanish National Church of S. Maria in Monserrato in Rome ? 12. MILIE CORSWAREM S. Luigi dei Francesci's Volume of Masses dating from 1557: an Example of French Polyphony ? 13. MICHELA BERTI The musical collection of San Luigi dei Francesi: on the trail of national character The Construction of National Identity from Self-Representation and Conflict ? 14. JOS MAR A DOM NGUEZ To Obey the Pope and to Serve the King: Cardinals, Identity and Ceremony in the National Churches c. 1700 ? 15. BRUNO BOUTE Liturgy and Bureaucracy-Bureaucracy as Liturgy ? 16. DIANA CARRI -INVERNIZZI Political Images and the National Churches of Rome c. 1640 ? 17. JORGE MORALES Musical Practices and Identity. The Story of the Roman Sojourn (1623-27) of Maurice of Savoy, Crown-Cardinal of France ? 18. ANNE-MADELEINE GOULET Self-Fashioning a French Cultural Persona in Rome: Marie-Anne de la Tr moille (1683-1686) ? 14. CRISTINA FERNANDES : Portuguese Celebrations in Rome, between the Embassy and the National Church: Sacred and Secular Music for the Glory of the King III. National Churches : Network in Rome and Cultural Transfer ? 20. DOMENICO ROCCIOLO 'Inhabitants of Various Nations' in Rome from the Sixteenth to the Eighteenth Century ? 21. ANNE PI JUS Foreign Musicians and Musical Networks in Late Sixteenth-Century Rome: Spanish Composers between the Oratory and the National Churches ? 22. CRISTINA FERNANDES Oratorio Musical Traditions in Rome: Portuguese connections ? 23. FRANCESCO PEZZI The Musical Patronage of a Cardinal Protector: Otto Truchsess von Waldburg in Rome ? 24. CRISTINA FERNANDES Portuguese Young Musicians under Royal Patronage in Rome and their Relations with the National Church: some Pieces of the Puzzle ? 25. CRISTINA FERNANDES The Role of the National Church of S. Antonio dei Portoghesi in the 'Romanisation' of the Lisbon Royal and Patriarchal Chapel Afterword by Kate van Orden Illustration Credits Translators Index of Persons Index of Places‎

‎Noble Magnificence. Culture of the Performing Arts in Rome 1644-1740‎

‎, Brepols, 2024 Paperback, 619 pages, Size:230 x 280 mm, Illustrations:16 b/w, 154 col., 6 maps color, 5 musical examples, Language: English. ISBN 9782503613123.‎

‎Summary The thirty chapters in this book are based on the work of an international, multidisciplinary team of researchers and archivists brought together for the PerformArt project, funded by the European Research Council from 2016 to 2022. This project investigated the artistic patronage of the great Roman aristocratic families of the seventeenth and eighteenth centuries through research in the extant archives. After the accession to the papal throne of Innocent X in 1644, and more so after the Peace of the Pyrenees in 1659 - which led to a greater loss of power for the pope in his relations with other European states - the Roman families stepped up their efforts to assert their social preeminence not only through architecture and the fine arts, but also through the ephemeral performing arts: music, theatre, and dance, which were omnipresent throughout the year and especially during the intense period of artistic production that was the Roman Carnival. The search for traces of these spectacles in the archives of these families reveals that their desire to display their magnificence - an ideal well documented in the literature of the period - gave rise to lavish expenditure on a scale that could only be justified by the benefits (if not tangible, then at least symbolic) they hoped to gain. The essays in this book, which draw on social economic history, the history of ideas, and the evolving artistic practices of the time, make a major contribution to our knowledge of courtly societies in Ancien R gime Europe by integrating the performing arts into their analyses in innovative ways. TABLE OF CONTENTS Overture Anne-Madeleine GOULET, Introduction - Prologue: The Roman Context Isabella CECCHINI and Anne-Madeleine GOULET, Some Thoughts about the Roman Context Irene FOSI, Magnificence and the Roman Nobility between the Papacy and Europe I. The Economy of Magnificence Beno t MAR CHAUX, Patrons, Aristocratic Patrimonies and Finance: Reconsidering the Economic Foundations of Private Magnificence in Rome (c. 1650-1700) Isabella CECCHINI, Instruments of Magnificence. Finance and Credit in Early Modern Rome Maurizio PEGRARI, The Costs of Magnificence, the Magnificence of Costs: Nobility, Economics, and Status in Seventeenth and Eighteenth-Century Rome Isabella CECCHINI and Anne-Madeleine GOULET, Celebrating a Wedding in the Lante della Rovere Family: An Exercise in Magnificence (1682-83) Cristina FERNANDES, Portuguese Patronage in Rome and the Economics of Magnificence: La Virt negl'amori by Alessandro Scarlatti at the Teatro Capranica (1721) - Intermezzo I. Into the Family Archives Marco CAVIETTI, Portraying the Family in Household Archives in the Seventeenth and Eighteenth Centuries Orsetta BARONCELLI, The Computista and the Archivista: Two Key Figures in the Management of Roman Family Archives in the Seventeenth and Eighteenth Centuries Letizia LELI, Reordering a Family Archive in the Seventeenth Century: The Case of the Lante della Rovere Archive II. Social Values and Moral Principles Aldo ROMA, Education to Magnificence: Aristocratic Schooling and College Academies in Seventeenth- and Eighteenth-Century Rome Sarah MALFATTI, Patronage and Pastoral Simplicity in Arcadia: Patronus nullus esto - the Case of Francesco Maria Ruspoli (1707-21) Diana BLICHMANN, Sumptuousness versus Sobriety: Magnificence in the Musical Productions at Cardinal Pietro Ottoboni's Teatro della Cancelleria (1710-12) Valeria DE LUCCA, Ars moriendi in Seventeenth-Century Rome: Staging Lorenzo Onofrio Colonna's Death - Intermezzo II. Some Thoughts on Method Manuela GRILLO and Michela BERTI, Magnificenza as a Paradigm in the Development of a Thesaurus: From Scientific Research to a Difficult Definition, and Back Again III. Conquering and Asserting Magnificence Sara Elisa STANGALINO, Lorenzo Onofrio Colonna 'L'Africano': Military and Artistic 'Campaigns' in Rome and Spain Barbara NESTOLA, 'Donna regale in auree scene t'apre il mondo in teatro': Maria Camilla Pallavicini Rospigliosi and Opera in Rome at the End of the Seventeenth Century Michela BERTI, The Conquest of Magnificence: The Performing Arts and the Social Ascent of the Vaini Family Huub VAN DER LINDEN, Boxes at the Teatro Capranica in 1732: Occupants, Financial Dealings, and Social Visibility - Intermezzo III. Brokers of Magnificence in the Noble Household Natalia GOZZANO, Maestri di casa: Masters of Roman Magnificence in the Old Regime Alexandra NIGITO, The Christmas Cantata in Rome: Papal Munificence and Self-promotion by the Majordomo (1676-1740) milie CORSWAREM, The Art of Appropriation: Girolamo Colonna and the Festivities Held at Rome for the Coronation of Ferdinand IV as King of the Romans (1653) IV. Magnificence on Stage Gloria GIORDANO, 'Si fatto di nuovo ma impiegandovi molte cose del vecchio': The Artifice of Magnificence in the Choreographic Episodes at the Seminario Romano Valentina PANZANARO, Monumentality and Magnificence: Dance and Dramaturgy in Seventeenth century Roman Visual and Musical Sources Jos Mar a DOM NGUEZ, Gloria GIORDANO, Chiara PELLICCIA, Beyond Magnificence: The Caduta and its Imagery in the Performing Arts in Seventeenth-Century Rome Teresa CHIRICO, Magnificence in Miniature: The Puppet Theatre of Cardinal Pietro Ottoboni in the Palazzo della Cancelleria (1694-c. 1712) - Intermezzo IV. The City as a Stage. The Roman Scene in the Early Eighteenth Century Antonella FABRIANI ROJAS, Nobility, Spectacle, and Competition: Reflections on Francesco Valesio's Diario (1700-42) V. The Glories of Fame: Reputation, Circulation, Market Chiara PELLICCIA, The Colonna Family and the Performing Arts in Villeggiatura at Marino lodie ORIOL, From the Reputation of the Artist to the Magnificence of the Prince: The Borghese Family and its Musicians in the Eighteenth Century Giulia VENEZIANO and Margaret MURATA, Rome, Naples, Opera and the 1720s in Rome Glossary Maps General Bibliography Sources and Archival Documents Names of Individuals and Communities Titles of Works Place Names‎

‎Accabadora. ‎

‎ Seuil, 2011. In-8 broché, couverture imprimée, jaquette. A l'état de neuf. ‎

‎"Dans un petit village sarde des années cinquante, la vieille couturière, Tzia Bonaria, décide d'accueillir chez elle Maria, quatrième fille d’une veuve d’humbles origines. Ce sera sa « fille d’âme », à laquelle elle va apprendre son métier, offrir un avenir, tout en l’obligeant à s’appliquer à l’école, ce qui n'est guère courant pour une fille à l'époque. Maria grandit donc entourée de soins et de tendresse; mais certains aspects de la vie de la couturière la troublent, en particulier ses mystérieuses absences nocturnes. En réalité, Maria est la seule du village à ignorer la fonction de Tzia Bonaria, qui consiste à abréger la vie des mourants. La découverte de ce secret ne sera pas sans conséquence et il faudra bien des années pour que la fille d'âme arrive enfin à pardonner à sa mère adoptive. Dans une langue à la fois poétique et essentielle, Michela Murgia décrit merveilleusement les plis et replis les plus intimes du rapport très singulier qui unit la vieille Tzia Bonaria et la jeune Maria, dans une Sardaigne archaïque, aux us et coutumes fascinants. " Suite à un accident immobilisant votre libraire pour quelques semaines, le traitement des commandes est bien assuré, mais momentanément ralenti. Merci de votre patience et de votre compréhension.‎

‎TOUT CE QUE JE SAIS DE L AMOUR [Paperback] Marzano, Michela‎

‎ Stock BROCHE ENVOI DE L AUTEUR A UNE JOURNALISTE CONNUE ‎

‎ Merci de nous contacter à l'avance si vous souhaitez consulter une référence dans notre boutique à Authon-du-Perche.‎

‎Gravures de Hui: Etudes sur le livre illustr chinois de la fin du XVIe si¿cle á la premi¿re moiti du XVIIe si¿cle‎

‎Ecole franºaise d'Extr¬me-Orient Broch D'occasion bon tat 01/05/2005 600 pages ‎

‎Le Contrat de défiance‎

‎ 2010 Paris, Grasset, 2010 13 x 20,5 cm, 312 pp Neuf car service de presse ‎

‎Manque page de garde. ‎

‎Accabadora‎

‎ 2011 Paris, Seuil, 2011 14 x 20,5 cm, 212 pp Neuf car service de presse ‎

‎Roman traduit de l'italien par Nathalie Bauer. ‎

‎Légère comme un papillon‎

‎ 2012 Paris, Grasset, 2012 13 x 20,5 cm, 351 pp Neuf car service de presse ‎

‎. ‎

‎Malaise dans la sexualité Le piège de la pornographie‎

‎ 2006 Paris, Editions Jean-Claude Lattès, 2006 13 x 20,5 cm, 184 pp, broché, couverture souple, état neuf, ‎

‎dédicace de l'auteur en page 3. ‎

‎Latin in Byzantium I. Late Antiquity and Beyond‎

‎, Brepols, 2019 Hardback, 564 pages, Size:155 x 245 mm, Illustrations:22 b/w, Languages: English, French, Italian. ISBN 9782503584928.‎

‎Summary 'Latin in Byzantium' explores the linguistic competence, cultural identity, and transmission of Latin texts in the 'noua Roma' between the fourth and the ninth centuries. Drawing together texts from a number of fields (e.g., law, grammar, religion, and tactics) and across a range of different forms (e.g., palaeographic, epigraphic, and papyrological), this important project provides scholars for the first time with an in-depth knowledge of both the Latin-speaking milieux in Byzantium, and of the contexts in which Latin was used. Crucially, the ancient sources studied in this volume are also analysed in their broader political and sociological context, providing rich material for study across different disciplines and making this volume an important resource for closing the gaps between literary and non-literary texts, history, and philology. TABLE OF CONTENTS Preface Rhomaika: Una introduzione - Guglielmo Cavallo General Framework Desuetudine longa? subeunt verba latina : The Transition From Late Antique to Medieval Byzantium and the Fall of Latin - Luigi Silvano Latin in Byzantium: Different Forms of Linguistic Contact - Alessandro Garcea Latin in the Empire: Texts and People La pratique du latin dans l' gypte de l'Antiquit tardive - Jean-Luc Fournet The Use of Latin in the Context of Multilingual Monastic Communities in the East - Claudia Rapp Writing Latin in Late Antique Constantinople - Gabriel Nocchi Macedo The Laws of the Language and the Language of the Laws La lingua degli ??????. Conoscenza e uso del latino nell'Oriente greco di iv secolo attraverso l'opera di Libanio - Andrea Pellizzari Asymmetric Exchange: Latin Speakers Learning Greek and Greek Speakers Learning Latin in Late Antiquity. On the Evidence of Grammars and Bilingual Texts - Juan Signes Codo er L'insegnamento di Prisciano - Michela Rosellini - Elena Spangenberg Yanes Sur un silence de Jean le Lydien - Marc Baratin Justinianus Latinograecus. Language and Law during the Reign of Justinian - Thomas Ernst van Bochove Latin as a Medium at the Service of the Power Le rituel des acclamations : de Rome "Byzance" - Fr d rique Biville L'univers grec et latin d'un po te africain : Corippe et Byzance - Vincent Zarini Latin Inscriptions in (Early) Byzantium - Andreas Rhoby Latin Texts as Sources La traduction du latin en grec Byzance : un aper u g n ral - Bruno Rochette Modelli latini per poemi greci? Sulla possibile influenza di autori latini sulla poesia epica tardoantica - Gianfranco Agosti Latin and the Chronicon Paschale - Christian Gastgeber Sulla conoscenza del latino nell'Oriente romano nel periodo tra Maurizio ed Eraclio (582-641): il caso degli storici-funzionari e di Giovanni di Antiochia - Umberto Roberto Latinismi e cultura letteraria nei frammenti di Pietro Patrizio: per un'indagine sul De cerimoniis e sugli Excerpta Historica Constantiniana - Laura Mecella Latin Literature in Johannes Malalas's Chronicle - Olivier Gengler Appunti per un lessico grecolatino tardoantico: la traduzione latina di Gregorio di Nazianzo trasmessa dal Laur. S. Marco 584 - Alessandro CaponeLatin Vocabulary Transmitted across Space and Time On the Use of Latin Legal Terminology in the Byzantine Legal Treatise De actionibus - Jos -Domingo Rodr guez Mart n Per lo studio dei rapporti tra istituzioni di giustiniano e libri basilici - Massimo Miglietta Latinit cach e Constantinople (VIe - moiti XIIIe si cles) - Peter Schreiner I latinismi nella lingua greca moderna - Johannes Niehoff-Panagiotidis Index of Names Index of Places‎

‎Singing Speech and Speaking Melodies. Minor Forms of Musical Theatre in the 18th and 19th Century‎

‎, Brepols, 2021 Hardback, xiv + 562 pages, Size:210 x 270 mm, Illustrations:25 b/w, Language(s):English, Spanish, French. ISBN 9782503595436.‎

‎Summary This volume addresses the complex variety of stage works with sung and spoken sections, such as vaudeville , singspiel , op ra-comique , zarzuela or operetta in different European countries from the eighteenth century to the beginning of the Twenties. Beyond a multifaceted perspective, twenty-one essays investigate the nature of these musical theatre forms, attending their origins, literary sources, relationships, vocality or cultural transfers, features that in some cases have made them become a mass phenomenon. The dissemination and adaptation of these genres through different national contexts, confirms the significance of the long-standing relationship between them and the contemporary dramatical and musical repertoire, revealing significant synergies, always conditioned by the market evolution. TABLE OF CONTENTS Mar a Encina Cortizo - Michela Niccolai Preface VAUDEVILLE and OP RA-COMIQUE Danielle L. Herrington Sensibilit , Self-Sacrifice, and the Sentimental: Examining Jacques-Marie Boutet de Monvel and Nicolas Dalayrac's Ideological Diversion Philippe et Georgette (1791) at the Salle Favart Bertrand Porot Un petit r citatif sans accompagnement : les vaudevilles l'op ra-comique, nouvelles perspectives Roberto Scoccimarro L'op ra-comique come creazione collettiva: La Prisonni re (1799),Bayard M zi res (1814), La Marquise de Brinvilliers (1831) William Osmond En Hollandais, s'il vous pla t! : Singing and Reciting French com die-vaudeville in Amsterdam (1830s) SINGSPIEL and Operetta Andrea Horz Johann Adam Hiller's Lottchen am Hofe: Contextualising Singspiel in French Traditions Marijana Kokanovic Markovic - Lada Durakovic The Place and Significance of the Opera Kuku?ka (Tatjana) in Franz Leh r's Opus Angeliki Kordellou The Contribution of Spiridon-Filiskos Samaras (1861-1917) to the Greek Operetta ZARZUELA and Vocality in Spain Luis Antonio Gonz lez Mar n Actrices o cantantes? Aspectos de la vocalidad en el teatro musical de Jos de Nebra Mar a Encina Cortizo The Spanish zarzuela in the 19th Century: French Patterns, Italian Harmonies and Theatrical Hispanic Tradition Ram n Sobrino The Emergence of the revista de actualidades and the sainete l rico: Main Patterns of the g nero chico in the teatro por horas in Spain (1868-1901) Andrea Garc a Torres Discursos literarios sobre el g nero chico: funcionamiento, recepci n y controversias ideol gicas entre el contexto local e internacional Zoila Mart nez Beltr n The Music of Spain (1918) by Carl Van Vechten.Focusing on Spanish Coloratura Singers Portuguese Musical Theatre Catarina Ribeiro Braga The Role of Amateur Societies in the Dissemination of Operetta and Music Theatre in Portugal in the Late Nineteenth Century David Cranmer Musical Theatre in Portugal and Brazil of the Ancien r gime Questions of Genre Jana Frankov From a Comedy to an op ra-comique: The Clandestine Marriage (1766) by Colman and Garrick and Its Adaptations in the 18th-Century Musical Theatre Adela Presas Zarzuela y opereta: formatos dram tico-musicales en un acto en la frontera cr tica del siglo xviii al xix Trevor Penoyer-Kulin Op rette, op ra-comique, and the Field of Operatic Production Francesc Cort s De Barcelona al Parnaso: traducciones y adaptaciones de peras bufas y operetas francesas en Barcelona V ctor S nchez S nchez La zarzuela en las compa as de opereta italiana Jos Ignacio Su rez Garc a Parodias espa olas sobre Tannha ser (1890) Sylvie Douche L'entre-deux d clamatoire ou le m lodrame fran ais du xixe si cle Abstracts and Biographies Index of Names‎

‎Papa maman le genre et moi‎

‎Albin Michel Broch D'occasion bon tat 04/10/2017 216 pages ‎

‎Une strategie diabolique - Collection Nous Deux - Roman photo N°3‎

‎LANCIO. 2015. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 114 pages de roman photo en couleur. . . . Classification Dewey : 850-Littératures italienne, roumaine, rhéto-romane‎

‎MUZZARELLI AGNESE- LIBERTI CORINNA- ROC MICHELA- CALVANI LUCA- NARDI SAMUELE- PARIS DANIELE- ROSS JERRY- DE NIGRO MAX- BERTACCHINI DAVIDE- MARCHETTI PIERPAOLO Classification Dewey : 850-Littératures italienne, roumaine, rhéto-romane‎

‎Renoir. Rococo Revival‎

‎Eiling, Alexander, Juliane Betz, Fabienne Ruppen and Michela Bassu: Renoir. Rococo Revival. Exhibition: Frankfurt, Staedel Museum, 2022. 328 pages, fully illustrated in colour. Hardback. 28 x 25cms. Catalogue of 126 works in the exhibition, exploring the influence of French Rococo painting on Renoir's oeuvre in particular and Impressionism in general. Essays discuss works by Boucher, Watteau, Fragonard and Hubert Robert in relation to Renoir and his interest in eighteenth century genre painting and portraiture.‎

‎Catalogue of 126 works in the exhibition, exploring the influence of French Rococo painting on Renoir's oeuvre in particular and Impressionism in general. Essays discuss works by Boucher, Watteau, Fragonard and Hubert Robert in relation to Renoir and his interest in eighteenth century genre painting and portraiture. Text in English‎

‎Troilo Malvezzi. Opusculum comicum. Edizione critica, traduzione e commento a cura di Michela Mele. Teatro Umanistico 18.‎

‎ Firenze, Sismel, Edizioni del Galluzzo 2019, 235x155mm, LXV - 97pagine, in brossura. Copertine con alette. Nuovo stato. ‎

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‎SOLEB. ‎

‎ Firenze, Sansoni, puis Le Caire, IFAO, 1965-2003. 5 forts vol. in-4, les 2 premiers reliés, pleine-toile éd. sous jaquette et les 3 autres brochés ; figures dans le texte, très nombr. planches, certaines dépliantes. ‎

‎Rare ensemble complet. Avec la collaboration de Clément Robichon et Jean Leclant. Jaquette du T. I brunie, bonne condition par ailleurs. - Frais de port : -France 20 € -U.E. 17 € -Monde (z B : 48 €) (z C : 130 €) ‎

‎Regalità e forme di potere nel Mediterraneo antico.‎

‎ Padova, S.A.R.G.O.N., ed. Libreria, 2007. In-4 broché, couv. ill. en coul., 252 pp., nb. fig. en n/b. et en coul. in-t., 12 contributions en italien, 1 en française, bibliographie. ‎

‎ Très bon ex. - Frais de port : -France 7,15 € -U.E. 9 € -Monde (z B : 14 €) (z C : 24 €) ‎

‎Emergence of Grammars‎

‎NOVA SCIENCE PUBLISHERS INC (9/2021)‎

‎LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9781536198881‎

‎Psychology of Rewards‎

‎NOVA SCIENCE PUBLISHERS INC (1/2013)‎

‎LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9781622574797‎

‎Neuromanagement‎

‎NOVA SCIENCE PUBLISHERS INC (6/2021)‎

‎LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9781536195620‎

‎La passeuse de mots : le roman graphique‎

‎Hachette Romans (9/2025)‎

‎LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9782017232186‎

‎Blanche-Neige et les sept nains‎

‎Sassi Editore (3/2024)‎

‎LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9788830380899‎

‎La petite sirène‎

‎Sassi Editore (3/2024)‎

‎LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9788830355712‎

‎God save the queer : catéchisme féministe‎

‎Plon (1/2025)‎

‎LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9782259320597‎

‎Devenir fasciste : mode d'emploi‎

‎Plon (9/2024)‎

‎LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9782259319126‎