Write to the booksellers6 books for « meyers jean »Edit
Sara De Bondt / De Baerdemaeker, Jo Ceuleers, Jan Van Haute, Katrien Hollis, Richard Meyers, Jean-Michel Pauwels, Hilde Puttaert, Hugo Serulus, Katarina
Reference : 62317
Off the Grid: Histories of Belgian Graphic Design.
, Occasional Papers , 2022 Softcover, 272 pages , kleur illustraties, 24 x 17 cm, English Text. ISBN 9780995473089.
In Off the Grid onderzoekt grafisch ontwerpster Sara De Bondt de beginselen van grafisch ontwerp in Belgi in de jaren ?60 en ?70, een geschiedenis die tot op heden weinig aandacht heeft gekregen. De tentoonstelling presenteert een brede waaier van drukwerk, logo-objecten, boekobjecten en posters ? velen nooit eerder tentoongesteld ? van ontwerpers zoals Paul Ibou, Corneille Hannoset, Boudewijn Delaere, Sofie Alouf, Rob Buytaert, Herman Lampaert en Jeanine Behaeghel. ----- This book offers a collaborative panorama of Belgian graphic design history from a multiplicity of perspectives, with essays on type design, colonisation and labour relations among other subjects. Contributors include historians, practicing designers, teachers and first-hand accounts. With hundreds of previously unpublished illustrations such as posters, signage, typography, book design, logos and archival photographs. Interviews with Sophie Alouf-Bertot, Rob Buytaert, Boudewijn Delaere, Paul Ibou, and Herman Lampaert. Essays by Jo De Baerdemaeker, Pia Jacques and Leroy Meyer (Belgian Institute Graphic Design), Sara De Bondt, Jan Ceuleers, Katrien Van Haute, Richard Hollis, Jean-Michel Meyers, Hilde Pauwels, Hugo Puttaert, and Katarina Serulus.
L’art de l’emprunt dans la poésie de Sedulius Scottus
Belles Lettres 1986, in-8 relié éditeur, 220pp; collection bibliothèque de la faculté de philosophie et lettres de Liège n° 245; envoi de l’auteur - très bon état
Lucien De Roeck : Tournai, dessins la plume et croquis de paysages, 1987-1988
, Fonds Lucien De Roeck, 2011 Gebonden, Hardcover met stofomslag compleet.50 pag. volblad illustraties. ISBN 9782960104226.
tekenkunst de Roeck, Lucien Plaatwerk. Prentenboek. Fotoboek
L'art de l'emprunt dans la poésie de sedulius scottus
Les belles lettres 1986 in8. 1986. Broché.
Très bon état intérieur très frais
Le classicisme lexical dans la poésie de Sedulius Scottus. Bibliothèque de la Faculté de Philosophie et Lettres de l'Univ. de Liège. Fasc. CCLIX.
Genève, Droz, 1994. In-8, br., jaquette ill., 327-11 pp., bibliogr.
Bonne condition. - Frais de port : -France 4,95 € -U.E. 9 € -Monde (z B : 15 €) (z C : 25 €)
Jutten, / beachcombing on the banks of the river Schelde.
Antwerpen , Stockmans, 2021 Softcover, 128 pages, illustrations in color, 26,5 x 22 cm, paperback, English text: The book has an introduction by mathieu and annelies of goodcopy.ink and a work by Rinus van de Velde. 1/250 numberd copies Signed. ISBN 9789464363142.
Between March 2020 and November 2021 Bram Van Meervelde and Jan Lemaire went beachcombing on the banks of the river Schelde. The treasures and trouvailles were compounded in the book Jutten designed by Jean-Michel Meyers. . Why is it two men in boots keep trudging the mud in search of shards of the past? But a year has passed and on it goes, the larking, the scouring, the scavenging. One tea towel after another filled with coins, marbles, pipes. Finds have a strange hold over us. There?s a magic to them that shines on a lot longer than the soon fading glimmer of things we intentionally choose. That purposefulness is probably what kills our enthusiasm after a week or so. Because when we make a choice, there?s too much of ourselves in the object already. We don?t deem a consciously picked item deserving of a tea towel display. The more trash we?ve dug through to get to our treasure, the more it becomes. Hence the mud-crusted trouvailles. We?ve had to make our hands dirty and?like any good romance?half the pleasure lies in the hunt. So we go hunting for crap that?s out of place. Crap that becomes a find, simply because it was lost. A diamond is nothing very special in a jewellery store, but it?s everything when found among discarded fish. Yet maybe the real reason for this endless trawlings for trinkets is another story altogether. Not that of a seventeenth-century mariner tossing a coin into the Scheldt to buy a safe passage, but the belief that we?re not the ones that find the perfectly rounded rock, it?s the pebble that finds us. For all its muteness, it speaks to us.
