5 books for « medina de pedro »Edit

‎L'art de naviguer de Maistre Pierre de Medine, Espaignol: contenant toutes les reigles, secrets, et enseignemens necessaires, à la bonne navigation.‎

‎<p>Facsimilé de «L'art de naviguer« 1554.</p> Milan, 1974 115 p., relié sous emboîtage. 21,5 x 33,5‎

‎Occasion‎

‎Fragmenta Musicae Contemporary Perspectives‎

‎, Brepols - Harvey Miller, 2025 Paperback, Pages: 542 p. Size:178 x 254 mm, Illustrations:10 b/w, 67 col., 33 tables b/w., 2 tables col., 90 musical examples, Language English. nEW. ISBN 9782503613000.‎

‎Summary This volume stems from a research project on medieval and sixteenth-century fragments with music carried out at CESEM?Centre for the Study of the Sociology and Aesthetics of Music, Lisbon Nova University, between 2021 and 2024, as well as from an international colloquium on fragmentology held in Cascais, Portugal, in July 2023. It brings together twenty studies that address a varied range of disjecta membra, including loose folios from dismembered manuscripts, mutilated musical-liturgical codices, incomplete sets of part-books, truncated musical settings, and even the remains of a historic organ. The aim is to invest these materials with significance beyond their condition as fragmented cultural artefacts by exploring their texts, contexts, meanings, trajectories and, when appropriate, proposing methods for their reconstitution. TABLE OF CONTENTS Introduction I. Fragments in Collections Fragments at a Crossroad of Disciplines: The Case of the Liber Demetrii de Lasko Zsuzsa Czag ny Reflected and Refracted: A Fragment Collection from Trier Anna de Bakker Eighteenth-Century Musical Fragmentology and Early-Modern Musical Historiography Giovanni Varelli II. Fragments and Contexts Fragments and Places: Establishing Connections Manuel Pedro Ferreira Vestiges from the Time Before the Reformation of Subiaco-Melk David Merlin Contextualising a Polyphonic Fragment: The Salve regina by Dom Bento in Coimbra MM 12 Bernadette Nelson III. Wandering Fragments The Journey of Liturgical Fragments from England, France, Germany, and Italy to Coimbra: A Contribution to Book History in Portugal Oc ane Boudeau and Kristin Hoefener Lost, Then Found in Canada: Stories Behind Some Medieval Manuscript Fragments that Have Journeyed Across the Ocean Debra Lacoste IV. Studies on Fragments The Earliest Plainchant Fragments of Hungarian Provenance? Interpreting Two Twelfth-Century Troper-Proser Leaves from ?ibenik Gabriella Gil nyi New Insights into a Thirteenth-Century Fragmentary Breviary: The Case of MS Porto 1151 Diogo Alte da Veiga Fragments on the Margins of an Antiphoner Kathleen Nelson and Nathan Cox Fragmentary Motets in Coimbra Sources from the 1570s Jo o Pedro d?Alvarenga V. Studies with Fragments The Pentecost Responsory Erant omnes apostoli, its Borrowed Melismas, a Rare Prosula, and Portuguese Fragments Containing It Jo o Pedro d?Alvarenga Some Rare Responsory Verses in Portuguese Fragments: A CANTUS-based Assessment Giulio Minniti From London to Portugal: Musical Notation as a Marker of Identity Susan Rankin Iberian Liturgical Offices Celebrating Military Successes: Echoes of Victory in a Plainchant Fragment (Coimbra, Arquivo Hist rico Municipal, B60/36) Alberto Medina de Sei a Extrapolating from Fragments: A Portuguese Case Study Owen Rees VI. Reconstructing from Fragments A Data-Based Approach to the Reconstruction of Missing Voice-Parts in Seventeenth-Century Polyphony Ana Silva Sousa and Nuno de Mendon a Raimundo The Collection of Latin Sacred Music in P-BRad MS 964: Identification and Reconstitution of its Contents Andrew Woolley In Search of a Lost Sound: Intervention Options Towards the Fragmented Material of a Historic Organ Jo o Vaz and Andr Ferreira Contributors List of Manuscript and Archival Sources Bibliography Index‎

‎Fragmenta Musicae Contemporary Perspectives‎

‎, Brepols - Harvey Miller, 2025 paperback, 542 pages, Size:178 x 254 mm,Illustrations:10 b/w, 67 col., 33 tables b/w., 2 tables col., 90 musical examples, Language: English. *new. ISBN 9782503613000.‎

‎This volume stems from a research project on medieval and sixteenth-century fragments with music carried out at CESEM?Centre for the Study of the Sociology and Aesthetics of Music, Lisbon Nova University, between 2021 and 2024, as well as from an international colloquium on fragmentology held in Cascais, Portugal, in July 2023. It brings together twenty studies that address a varied range of disjecta membra, including loose folios from dismembered manuscripts, mutilated musical-liturgical codices, incomplete sets of part-books, truncated musical settings, and even the remains of a historic organ. The aim is to invest these materials with significance beyond their condition as fragmented cultural artefacts by exploring their texts, contexts, meanings, trajectories and, when appropriate, proposing methods for their reconstitution. TABLE OF CONTENTS Introduction I. Fragments in Collections Fragments at a Crossroad of Disciplines: The Case of the Liber Demetrii de Lasko Zsuzsa Czag ny Reflected and Refracted: A Fragment Collection from Trier Anna de Bakker Eighteenth-Century Musical Fragmentology and Early-Modern Musical Historiography Giovanni Varelli II. Fragments and Contexts Fragments and Places: Establishing Connections Manuel Pedro Ferreira Vestiges from the Time Before the Reformation of Subiaco-Melk David Merlin Contextualising a Polyphonic Fragment: The Salve regina by Dom Bento in Coimbra MM 12 Bernadette Nelson III. Wandering Fragments The Journey of Liturgical Fragments from England, France, Germany, and Italy to Coimbra: A Contribution to Book History in Portugal Oc ane Boudeau and Kristin Hoefener Lost, Then Found in Canada: Stories Behind Some Medieval Manuscript Fragments that Have Journeyed Across the Ocean Debra Lacoste IV. Studies on Fragments The Earliest Plainchant Fragments of Hungarian Provenance? Interpreting Two Twelfth-Century Troper-Proser Leaves from ?ibenik Gabriella Gil nyi New Insights into a Thirteenth-Century Fragmentary Breviary: The Case of MS Porto 1151 Diogo Alte da Veiga Fragments on the Margins of an Antiphoner Kathleen Nelson and Nathan Cox Fragmentary Motets in Coimbra Sources from the 1570s Jo o Pedro d?Alvarenga V. Studies with Fragments The Pentecost Responsory Erant omnes apostoli, its Borrowed Melismas, a Rare Prosula, and Portuguese Fragments Containing It Jo o Pedro d?Alvarenga Some Rare Responsory Verses in Portuguese Fragments: A CANTUS-based Assessment Giulio Minniti From London to Portugal: Musical Notation as a Marker of Identity Susan Rankin Iberian Liturgical Offices Celebrating Military Successes: Echoes of Victory in a Plainchant Fragment (Coimbra, Arquivo Hist rico Municipal, B60/36) Alberto Medina de Sei a Extrapolating from Fragments: A Portuguese Case Study Owen Rees VI. Reconstructing from Fragments A Data-Based Approach to the Reconstruction of Missing Voice-Parts in Seventeenth-Century Polyphony Ana Silva Sousa and Nuno de Mendon a Raimundo The Collection of Latin Sacred Music in P-BRad MS 964: Identification and Reconstitution of its Contents Andrew Woolley In Search of a Lost Sound: Intervention Options Towards the Fragmented Material of a Historic Organ Jo o Vaz and Andr Ferreira Contributors List of Manuscript and Archival Sources Bibliography Index‎

‎Doctrina cristiana para instruccion de los indios, redactada por Fr. Pedro de Cordoba O.P. y otros religiosos doctos de la misma orden. Impresa en Mexico, 1544 y 1548‎

‎Salamanca, Editorial San Esteban 1987 443pp., 21cm., softcover, in the series "Los Dominicos y America" volume 2, good condition, [Contains a.o. the two texts in facsimile edition, together with modern translation in Spanish], R105847‎

‎Cisterciensium seu verius Ecclesiasticorum Annalium a condito Cistercio, tomus secondus : Continens ab Anno M.C.XLV. usque ad M.C.LXXIII.‎

‎Lyon, héritiers de G. Boissart et Laurent Anisson, 1642. 1 vol. in-folio, maroquin La Vallière, dos à nerfs orné de caissons dorés aux petits fers, plats richement ornés d'un décor en trompe d'oeil composé de filets dorés droits et courbes et de spirales délimitant des compartiments polylobés comprenant des écailles stylisées, des bouquets de fleurs, des vases et des rameaux d'olivier, armoiries dorées au centre entourées des initiales S.B., tranches jaspées de rouge. Reliure de l'époque. Des listels spiralés ont été rehaussés postérieurement à la cire vieux rose, coins légèrement émoussés, petit accroc avec manque à la coiffe de queue. Titre-frontispice hors-texte gravé en taille-douce par Audran, (18) ff., 550 pp., (1) f. blanc; 52 pp., (60) ff. de table. Rousseurs, mouillures marginales aux feuillets de table.‎

‎Edition originale du second volume des Annales cisterciennes composées par Angel Manrique (Burgos 1577 - 1649), abbé du collège San Bernardo de Salamanque de 1626 à 1645, abbé général de l'ordre de Cîteaux, puis évêque de Badajoz jusqu'à sa mort. La publication des quatre volumes de ces Annales cisterciennes s'étala entre 1642 et 1659. Cet ouvrage est sans conteste l'une des meilleures historiographies des premiers temps de l'ordre de Cîteaux, même si on a reproché à son auteur d'avoir parfois consulté des sources peu fiables. Manrique a puisé dans les riches archives de Salamanque et avait fait venir de nombreux documents de France, des Flandres, d'Allemagne et d'Italie. Ce second volume couvre la période de 1145 à 1173. Exceptionnelle reliure baroque italienne, attribuable à un atelier romain de l'entourage de l'atelier des Rospigliosi. Les fers utilisés sont différents mais la source iconographique au décor architectural en trompe l'oeil en est très proche. Un premier volume du Cisterciensium Annalium, recouvert de la même reliure, fut présenté au Palazzo Braschi à Rome en 1991 lors de l'exposition consacrée à la reliure baroque romaine. Exemplaire de dédicace, probablement aux armes de l'auteur, abbé du collège San Bernardo de Salamanque. Les armoiries non identifiées lors de l'exposition de 1991 sont très vraisemblablement les siennes, les initiales S.B. portées de part et d'autre du blason désignant San Bernardo dont il était l'abbé. Graesse IV, 368; Legatura Romana Barocca, Rome, 1991, n°46.‎