[Michelangelo Buonarroti] - Botke, Klazina (ed.), Terry van Druten (ed.), Martin Gayford (ed.)
Reference : 125534
(2025)
ISBN : 9789464941975
Botke, Klazina (ed.), Terry van Druten (ed.), Martin Gayford (ed.): Michelangelo and Men. The Male Body in the Life and Work of Michelangelo. Exhibition: Haarlem, Teyler Museum, 2025. 224 pages, illustrated. Hardback. 29.2 x 24.5cms. Teylers Museum exhibition catalogue of 48 works on paper, 4 sculptures and 1 painting, examining Michelangelo's depictions of the male from through his Neoplatonic ideas of perfection, drawn from his letters and poems.
Teylers Museum exhibition catalogue of 48 works on paper, 4 sculptures and 1 painting, examining Michelangelo's depictions of the male from through his Neoplatonic ideas of perfection, drawn from his letters and poems
Minnesänger. Vierundzwanzig farbige Wiedergaben aus der Manessischen Liederhandschrift. (=Zweiter Band). Mit einer Einleitung von Kurt Martin. Relié sous jaquette bon état . Jaquette jaunie . Contenu propre . 1964. Minnesanger: Vierundzwanzig Farbige Wiedergaben Aus Der Manessischen Liederhandschrift. Band II .PHOTOS SUR DEMANDE
Merci de nous contacter à l'avance si vous souhaitez consulter une référence dans notre boutique à Authon-du-Perche.
Turnhout, Brepols 1982 52pp.+ 5 microfiches, 24cm., very good condition, in the series "Corpus Christianorum. Instrumenta lexicologica latina" Fasc.1 (CCSL 32) series A: Formae, ISBN 978-2-503-60322-3, [Please note: this is not a text edition, but yet a lexicological study], R67964
, Brepols, 2020 Hardback, 417 pages, Size:156 x 234 mm, Illustrations:10 col., Languages: English, Latin. ISBN 9782503585116.
Summary This is the first translation in any language of John of Garland's poem about the historical events of his lifetime (c. 1195- c. 1258), together with revised Latin text, introduction and notes. This work gives a vivid picture of Anglo-French relations, of studies in Toulouse after the Albigensian Crusade, and of the need for faith following Louis' catastrophic defeat in the Seventh Crusade. John gives us insights into his own life, and a stream of stories, holy and profane. The translation and notes bring to life for a wide range of medievalists this eye-witness account by an Englishman in France of major events of the age, especially 1242-52. They make clear John's debts to classical authors and to contemporaries, especially Alan of Lille and Matthew Paris. Through re-ordering the lines, this edition now generates clarity from the single manuscript. It also offers fresh insights and a new perspective on John of Garland himself. TABLE OF CONTENTS Introduction Chapter 1. Life and Works of John of Garland Chapter 2. The Manuscript Tradition and Previous Scholarship Chapter 3. De triumphis Ecclesie Chapter 4. Literary Influences and Sources Chapter 5. John's Teaching and Preaching Chapter 6. 'Arma crucemque cano': Church and Crusade Chapter 7. The Main Political Sub-Plots Chapter 8. Countering the 'Other': Heretics, Mongols, Jews, and Muslims Chapter 9. The Seenth Crusade (1248-54) Chapter 10. Conclusions Critical Edition (with translation on facing pages) Guide to the text Preface Prologue Book 1-8 Bibliography
London / New York, Routledge 1988 [6] + 201pp., 22cm., previous owner's name on first page, softcover, VG, ISBN 0-415-00296-6
Turnhout, Brepols 1982 26pp.+ 3 microfiches, 24cm., fine condition, in the series "Corpus Christianorum. Instrumenta lexicologica latina" Fasc.1 (CCSL 32) series B: Lemmata, ISBN 978-2-503-70322-4, [Please note: this is not a text edition, but yet a lexicological study], R59455
Amsterdam, Elsevier 1998 432pp., cloth, 23cm., signed with dedication by the editor, in the series "Contributions to economic analysis" vol. 239, VG
Toronto, Pontifical Institute of Mediaeval Studies 1965 x + 427pp., 25cm., softcover (few traces of use), very small stamp, text clean and bright, [Introduction in English, critical text edition in Latin], F106977
<p>D’un côté, on trouverait les citadins, le monde marchand et l’économie monétaire ; de l’autre, des campagnards autarciques pratiquant le troc, n’utilisant la monnaie qu’en de rares occasions. Encore répandue, cette vision de l’économie antique est pourtant mise à mal depuis quelques décennies par les progrès de la recherche archéologique. En se fondant sur ces données récentes, dont certaines inédites, cet ouvrage cherche à comprendre comment la monnaie circulait dans le monde rural de la Gaule du Nord. Le problème est abordé dans une série d’études de cas couvrant largement la moitié nord de la France, la Suisse, la Belgique, ainsi que le Luxembourg, l’Allemagne et les Pays-Bas. L’étude est menée sur la longue durée, depuis le IIe s. a.C. jusqu’au Ve s. p.C., afin d’évaluer au mieux les effets de la conquête romaine, puis du passage du Principat à l’Antiquité tardive. Contributions en français et en anglais.</p> Bordeaux, 2016 220 p., broché. 17 x 24
Neuf
McGill-Queen's University Press Softcover Montreal / Kingston 2013
Fine Quarto. 483 pages. Essays by artist and architect Melvin Charney (1935-2012). Numerous illustrations.
Aperture Hardcover New York 2006
Fine Quarto. 203 pages. Well-documented exhibition catalogue on this Brazilian photographer.
Editions Joelle Losfeld (Contes cruels) 1994 359 pages in8. 1994. Broché. 359 pages.
Bon Etat Dos un peu sali
HORRICKS RAYMOND, FOX CHARLES, GREEN BENNY, HARRISON MAX, HENTOFF NAT, MICHEL ED, MORGAN ALUN, WILLIAMS MARTIN
Reference : 21798
Paris, Buchet/Chastel. 1960. Couverture Souple Glacee Ill, 15 x 23 Cm. 336 pages. '' Recueil de célèbres études sur la vie et l'oeuvre de : Thelonius Monk, J.J. Johnson, Bud Powell, Milt Jackson, Max Roach, Art Blakey, Dave Brubeck, Gigi Gryce, Quincy Jones, Miles Davis, Gerry Mulligan, Gil Evans, John Lewis, Jimmy Giuffre, Charlie Mingus et Sonny Rollins, les neuf premières par l'auteur, et les suivantes par (dans l'ordre) Alan Morgan, Max Harisson, Charles Fox, Benny Green, Ed Michel, Nat Hentoff et Martin Williams.''. Tres Bon. non coupéen partie,bon etat
Remise de 20% pour toutes commandes supérieures à 200 €
, Brepols - Harvey Miller, 2022 Hardback, 168 pages, Size:220 x 280 mm, Illustrations:84 col., Language: English. ISBN 9781912554812.
Summary In September 1739 at the ch teau de Morville near Paris, a group of elite amateur artists staged a ballet pantomime known as the ?Ballet des Porcelaines,? and sometimes also as ?The Teapot Prince.? Written by the comte de Caylus, with music by Grandval, it tells the story of a prince who searches for his beloved on a faraway island ruled by an evil magician. The magician has turned the island's inhabitants into porcelain, an event the audience witnesses in the form of a male and female singer who spin around on stage until they transform into vases. Aside from the libretto and the score, nothing survives of the Ballet des Porcelaines. The costumes and choreography are unknown. Although it inspired later famous ballets featuring sleeping beauties and porcelain princesses, it seems to have been staged only twice: first in 1739 and again two years later on the grounds of the estate, next to a lake encircled by vases and an illuminated arch suggesting a nighttime performance. The ch teau's owner served as France's foreign minister and promoted trade with Asia. We can assume some kind of chinoiserie imagery and context for the ballet, which can be interpreted both as a standard fairy tale love story and as an allegory for the intense European desire to know and steal the secrets of porcelain manufacture. The ballet is an example of the deep intertwining of visual and performing arts in eighteenth-century France, and to an enchantment with Asia embodied on stage and in life by porcelain goods. The plot's animation of porcelain also relates to a period understanding of the permeable boundary between persons and things manifested in a variety of cultural forms. The ballet exemplifies the profound sense of magic, mystery, and desire that porcelain instilled in European viewers (who referred to it as ?white gold?), an effect that is lost on many museumgoers today. TABLE OF CONTENTS Preface and Acknowledgments Meredith Martin Contributors I HISTORICAL REIMAGININGS Once Upon a Time at the Ch teau de Morville: Commerce, Colonialism, and Chinoiserie in the Ballet des Porcelaines Meredith Martin My Porcelain Sickness Phil Chan Conjuring 1740: A Tale of Europe's Obsession with Porcelain Charlotte Vignon II ARTISTIC INTERVENTIONS Costume Design: Q&A with Harriet Jung Meredith Martin Choreography: Q&A with Xin Ying Meredith Martin Entering the Ivory Tower of Baroque Ballet Patricia Beaman Musically Steeping a Pot of Tea Leah Nelson Finding the Sound in Between Sugar Vendil III THE LOST BALLET The Manuscript: Libretto and Score Le Prince Pot- -Th : Ballet Pantomime French Transcription Dominique Qu ro The Teapot Prince: A Pantomime Ballet Annotated English Translation Christine Jones IV CONTEMPORARY RESTAGINGS Photographs of the MET Peformance, December 6, 2021 Making the Porcelain Dance Wolf Burchard, The Metropolitan Museum of Art, New York Chinese Fantasies of Porcelain on the Cusp Between Life and Death Judith T. Zeitlin, The University of Chicago Living Things or the Collector as Audience:Animate Porcelain Dancers Elizabeth Rouget, Princeton University A Smash Hit in the Making Mia Jackson and Kate Tunstall, Waddesdon Manor and University of Oxford A Teapot Prince and His Enchanted Palace: The Royal Pavilion, Brighton Alexandra Loske, The Royal Pavilion and Museums Trust Brighton & Hove A Porcelain Room and a Teapot Prince:Maria Amalia's Salottino di porcellana and Le Prince Pot- -Th in Naples Sarah K. Kozlowski and Sylvain Bellenger, The Museum and Royal Park of Capodimonte, Naples Palazzo Grassi or the Past Revisited Bruno Racine, Palazzo Grassi, Venice The S vres Manufactory: Three Centuries of a Ballet of Porcelain Romane Sarfati and Charlotte Vignon, S vres-Manufacture et mus e nationaux Works Cited
Zlatohlavek, Martin ed.: <bf 7>Nevesta v uzavrenâ zahrade</bf>. Exhibition: Prague, National Gallery, 1995. 119pp with 25 colour and 12 monochrome illustrations. Wrappers, 24x20cms.<it 7>The old testament in the arts eg. manuscripts, architectural fragments, stained glass and icons. Text in Czech</it>.
The old testament in the arts eg. manuscripts, architectural fragments, stained glass and icons. Text in Czech
JALOUX, Ed. - RAMUZ, C. F. - LANDRY, C. F. - SIMOND, Daniel. - MARTIN, Germaine.
Reference : 85308
Lausanne, Mermod 1946, 190x120mm, 67pages, broché. Tirage à 2000 exemplaires. Bel exemplaire.
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David McKay Company Reli D'occasion bon tat 01/07/1985 121 pages
Calmann Levy Broch D'occasion bon tat 01/01/1888 150 pages
, brepols, 2026 Hardback, Pages: 357 pages, Size:156 x 234 mm,Illustrations:42 b/w, 79 col. Language:English. NEW. ISBN 9782503605463.
Summary The four-volume sub-series ?Petrifying Wealth? explores the sudden ubiquity of masonry construction between 1050 and 1300 in Southern Europe and its profound effect on the European landscape. New questions about wealth, society, and medieval building are explored, which highlight the link between construction in durable materials and the shaping of individual, collective, and territorial identities: the birth of a new, long-lasting panorama, epitomising the way we see the space and territory of Europe today. Volume 4 investigates the ?petrification of wealth? during the central Middle Ages across the lands of present-day Spain, Italy, and France from perspectives of art history, visual and material culture, and history. Through both focused case studies and broad-ranging comparative surveys, the book explores innovative approaches to existing works in stone as well as architectural imagery. Some of the foundational ideas on which this volume builds are individual and collective investment in significant stone undertakings; memory and identity within networks of patronage, gender, and power; implications of spaces and topographies ? real or imagined ? for works in stone; impacts of violence on construction, deconstruction, and reconstruction; and representations of stone monuments through other forms of cultural manifestations, whether visual, material, or textual. TABLE OF CONTENTS The Turn to Stone in the Central Middle Ages THERESE MARTIN Writing the Memory of Church Reform in Stone: Inscriptions and Consecrations in Northwestern Iberia (Eleventh?Twelfth Centuries) ANA RODR GUEZ and ALEJANDRO PI EL BORDALLO Petrification and Power in Northern Italian Cities: Palaces, Bishops, and Communes, 1000-1350 MAUREEN C. MILLER Petrified Power: An Initial Report on the Use of Hard-Stone Spolia in Norman Sicily (Twelfth?Thirteenth Centuries) ELISE MORERO, RUGGERO LONGO, ROSA BACILE, HARA PROCIPIOU, ROBERTO VARGIOLU, HASSAN ZAHOUANI, and JEREMY JOHNS Project, Design, and Preparatory Works for Eleventh- and Twelfth-Century Cathedrals CARLES S NCHEZ Identity through Death: What Arcosolia in Zamora Reveal about Medieval Society TERESA MART NEZ MART NEZ Choice and Reuse: Materials of vila?s Monumental Landscape (Twelfth?Thirteenth Centuries) HANNAH MARYAN THOMSON Plausible Patronage: Petrifying the Female Patrons Whose Memory Was Worth Perpetuating VER NICA ABENZA Monumentalized Authority: Town Depiction on Wax Seals in the Kingdom of Italy and Southern France (Twelfth?Thirteenth Centuries) CL MENT BLANC-RIEHL and AMBRE VILAIN Behind the Stones: The Phenomenon of Wealth Petrification through the History of Medieval Art ANTONIO LEDESMA Index of People Index of Places Index of Subjects
TROST Martin [TROSTIUS Martinus], ed. (& TREMELLIUS Joannes Immanuel, transl. & MARTINI Jacob, pref.)
Reference : R119850
(1621)
Köthen, Cothenis Anhaltinorum 1621 [8] + 843 pp., printer's device of ornamental fleur-de-lis on title page, head pieces, 25x19cm., Text of the New Testament in old Syriac (Peshitta version) with parallel text of Latin translation by Tremellius at the foot of the page as well as a select list of various readings prepared by Martin Trost, The Syriac text is printed in large type, pagination and register read front to back, contemporary full vellum binding (intact except for a minor defect at spine, somewhat soiled), text is clean and bright except for few minor occasional foxing and stains, good condition, cfr. OCLC 247662296, weight: 1.5 kg., R119850
Paris, Presses Universitaires de France 1956 629pp., 23cm., exemplaire du savant belge Lucien Ceyssens O.F.M. (spécialiste en matière du jansénisme) avec sa signature et quelques notes bibliographiques de sa main, dans la série "Bibliothèque de philosophie contemporaine", reliure cart. solide (plats marbrés, dos en toile verte avec titre doré), brochure originale conservée et reliée, bon état, R118562
Paris, Presses Universitaires de France 1956 629pp., 23cm., dans la série "Bibliothèque de philosophie contemporaine", brochure originale, très bon état, R118661
Münster i.W., Aschendorff 1928 vii + 284pp., 25cm., published in the series "Beiträge zur Geschichte der Philosophie und Theologie des Mittelalters" Band XXV (25) Heft 1/2, original softcover, stamp on cover, pages still uncut, text is clean and bright, good condition, F116282
Turnhout , Brepols, 1999 Paperback, 172 p., 170 x 240 mm. ISBN 9788886609203.
Sans les travaux de Jean Gaulmier en France a partir de 1950 puis de Sergio Moravia en Italie un peu plus tard, Volney ne serait peut-etre pas sorti de l'oubli dans lequel le XIXe siecle a tenu les Ideologues d'une maniere generale et Volney en particulier. Son oeuvre a desormais trouve la faveur de nombreux specialistes de l'histoire des idees et des sciences humaines en Europe et aux Etats-Unis, comme en temoigne le recensement effectue dans cet ouvrage. Languages: French.
Turnhout, Brepols, 2006 Hardback, 454 p., 155 x 245 mm. ISBN 9782503011356.
Ce volume reunit trois textes dont les deux premiers sont les documents les plus importants conserves sur la figure d'Isidore de Seville (? 636), rediges peu apres sa mort: la Renotatio librorum domini Isidori de Braulion de Saragosse, une notice bio-bibliographique qui inclut le catalogue complet de la production litteraire du Sevillan, et l'Obitus beatissimi Isidori Hispalensis episcopi de Redemptus de Seville, un bref recit sur les derniers jours de la vie de l'auteur des Etymologiae, dans lequel l'auteur consacre une attention particuliere au rituel de la penitence in extremis. A ces documents suit l'edition d'une Vita sancti Isidori anonyme, inedite jusqu'a nos jours et sans numero de BHL. Cette Vita, elaboree sans doute dans la region de Leon vers la fin du XIe siecle, se revele une sorte de centon tire des deux oeuvres precedentes. L'edition de la Renotatio est une mise a jour de l'edition publiee aussi par M. Martin a Logrono en 2002, qui apporte, notamment, un nouveau temoin de l'oeuvre. L'Obitus, edite pour la derniere fois par F. Arevalo en 1797 dans l'edition romaine des Opera omnia d'Isidore de Seville, connait ici sa premiere edition critique sur la base de tous les exemplaires connus. Les trois editions critiques sont precedees d'etudes minutieuses sur leurs auteurs et contenus, tradition manuscrite et posterite litteraire. Languages: Latin, Spanish.