11 books for « martin gregory »Edit

‎Peinture Hollandaise - National Gallery de Londres‎

‎ Knorr & Hurth 18 x 18 Münich 1971 In-4, reliure pleine toile de l'éditeur, 80 pp. Index. 36 reproductions couleurs. Très bon exemplaire.(C71) ‎

‎NATIONAL GALLERY DE LONDRES - PEINTURE HOLLANDAISE‎

‎KNORR & HIRTH VERLAG GMBH. 1971. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 79 pages - nombreuses illustrations en couleurs hors texte - jaquette illustrée en couleur - 1 annotation sur la page de garde.. Avec Jaquette. . . Classification Dewey : 708-Galeries, musées, collections d'art‎

‎TRADUIT DE L'ANGLAIS PAR MARIANNE ET FREDERIC MARX AVEC 36 PLANCHES EN COULEUR Classification Dewey : 708-Galeries, musées, collections d'art‎

‎Bruegel‎

‎Chêne Broché 1978 In-4, (29.4x22 cm), broché, couverture illustrée, non paginé, iconographie en couleurs et en pleine page ; petites traces sur les plats jaunis, assez bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.‎

‎The Flemish School circa 1600- circa 1900. National Gallery Catalogue.‎

‎2. London, National Gallery, 1970, in-8°, 303 pp, indices, sewn, orig. wrappers. Scientific catalogue of the paintings by artists born or active in the Southern Low Countries.‎

‎Les mathématiques aujourd'hui , (Les formes - La Topologie des mirages - Les variétés à trois dimensions - Les surfaces minimales - Le retournement de la sphère - Les empilements de sphères - La théorie des noeuds - Le mouvement brownien et la théorie du potentiel - Nombres et structures - La recherche des nombres premiers - Une théorie géométrique des ordinaux - Les nombres transcendants - Les mathématiques de la cryptographie à clef révélée - Le théorème géant - Logique et calcul - Les suites aléatoires et les démonstrations mathématiques - Le calcul parallèle - Les machines de Turing - L'efficacité des algorithmes - Les problèmes intraséquement difficiles - Le paradoxe de Stein - Mathématiques constructives)‎

‎Belin , Bibliothèque Pour la Science Malicorne sur Sarthe, 72, Pays de la Loire, France 1986 Book condition, Etat : Bon relié, cartonnage éditeur blanc, illustré par quatres surfaces minimales In-4 1 vol. - 215 pages‎

‎très nombreuses illustrations dans le texte en noir et blanc, quelques-unes en couleurs nouvelle édition française, 1986 Contents, Chapitres : Marcel Berger : Préface - 1. Les formes : Walter Tape : La Topologie des mirages - William Thurston et Jeffrey Weeks : Les variétés à trois dimensions - J. P. Bourguignon, H. B. Lawson et C. Margerin : Les surfaces minimales - Bernard Morin et Jean-Pierre Petit : Le retournement de la sphère - N. Sloane : Les empilements de sphères - E. Belaga : La théorie des noeuds - Reuben Hersh et Richard Griego : Le mouvement brownien et la théorie du potentiel - 2. Nombres et structures : Carl Pomerance : La recherche des nombres premiers - Jean-Yves Girard : Une théorie géométrique des ordinaux - François Gramain : Les nombres transcendants - Martin Hellman : Les mathématiques de la cryptographie à clef révélée - Daniel Gorenstein : Le théorème géant - 3. Logique et calcul : Gregory Chaitin : Les suites aléatoires et les démonstrations mathématiques - G. Ruggiu, F. Boussinot, H. Alaiwan et Tran Van Khai : Le calcul parallèle - John Hopcroft : Les machines de Turing - Harry Lewis et Christos Papadimitriou : L'efficacité des algorithmes - Larry Stockmeyer et Ashok Chandra : Les problèmes intraséquement difficiles - Bradley Efron et Carl Morris : Le paradoxe de Stein - Allan Calder : Mathématiques constructives - Index - Auteurs et Bibliographie cartonnage à peine jauni, coins du plat inférieur à peine émoussés, légère petite déchirure sans manque sur le coin inférieur gauche du plat supérieur, sinon en bon état, intérieur propre, papier à peine jauni‎

‎Genius of the China Coast. George Chinnery and China trade Painting‎

‎Gregory, Martin: Genius of the China Coast. George Chinnery and China trade Painting. 1993. 67 pages. Paperback. 20 x 21cms.‎

‎Text in English‎

‎Ceiling Decoration of the Banqueting Hall / Corpus Rubenianum Ludwig Burchard, vol. 15‎

‎, Brepols - Harvey Miller, 2006 hardcover, 2 vols, 524 pages,Size:180 x 265 mm, Illustrations:220 b/w, 12 col. Language(s):English. ISBN 9780905203720.‎

‎Rubens?s nine paintings in the ceiling of the Banqueting Hall, in Whitehall, London, provided the main decoration of this magnificent room, which was the focal point of Stuart Court ceremonial. Commissioned by King James I and his son, the future Charles I, following the destruction of the early Jacobean Banqueting Hall, their role in enhancing court spectacle came to an end with the fire that destroyed the rest of Whitehall Palace in 1598. The delay in executing the commission was due to matters of state, in which Rubens was involved as a diplomat. His stay in London in this capacity in 1629/30 made possible the realization of this commission. Rubens would have been aware that the Stuarts owed their position to the regal union of the crowns of England and Scotland, that his royal patron had now embraced his father?s pacific policy and that he was the more determined to impose an absolute rule, which his father had eloquently expounded in speeches ad treatises. These three themes form the central core of the cycle which glorified the reign of the late king, James I. The cycle presented Rubens with a great challenge, not only because of the novelty of the subject matter, but also because of the formal problems presented by the huge scale of the work. This volume of the Corpus Rubenianum Ludwig Burchard provides the fullest review to date of the history of the commission, it also unravels the complex preparatory work and places the subject matter in the context of early Stuart political and ethical aspirations.‎

‎Hercules to Olympus Part XI, 2: Mythological Subjects Hercules to Olympus / 2 volumes.‎

‎, Brepols - Harvey Miller, 2023 hardcover with dusjacket, 2 vols, 946 pages.Size:175 x 260 mm Illustrations:450 b/w. Language(s):English. ISBN 9781912554867.‎

‎One remarkable feature of European culture as it developed in the Renaissance was the accommodation it made with ancient paganism. The classical gods and their legends were allegorised, transformed into symbolic figures or emblematic scenes that might accord with Christian morality. At the same time a secular space was created in art for the depiction of the most popular myths, above all the love stories recounted by the ancient poets. These stories were not only attractive in themselves; they offered the opportunity to depict nude figures in narrative action, which the example of antiquity held forth as the highest goal for painting. Rubens was one of the greatest creators of classical allegory; he was also a supreme interpreter of the classical stories. No painter was so at home in the literature of the Greeks and Romans. When he painted for pleasure, which, increasingly in the course of his life, he felt able to do, he used pagan myth to express and celebrate themes of love, beauty and the creative forces of nature, often in wonderfully idiosyncratic ways. At the same time, as a Christian committed to the ideals of the Catholic Reformation, Rubens respected the restrictions generally placed on the depiction of pagan tales. Most of his mythological paintings were made for private settings, for display within houses (including his own) or in the galleries of princes, noblemen and prelates. It is happy accident of history that these splendid paintings are now widely visible in the great museums of the world.‎

‎LES PROGRES DES MATHEMATIQUES.‎

‎Paris, Belin (Pour la science), 1981. In-4, cartonnage illustré.‎

‎[9285]‎

‎A China voyage. Historical Pictures by Chinese and Western Artists 1780 -1950. Catalogue 79 ( 2003 ).‎

‎ London, Martyn Gregory, 2003, in-8°, square format, 110 pp, 95 items, nearly all illustrated in colour. Original softcover.‎

‎Gregory Crewdson, 1985-2005‎

‎Hatje Cantz Publishers, 2005, 30 x 26, 248 pages sous cartonnage éditeur et jaquette illustré. Photographies noir & blanc et couleurs. Exhibition catalogue - BILINGUE allemand-anglais.‎