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‎José Carlos Martín-Iglesias, Salvador Iranzo Abellán (eds)‎

Reference : 68053

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‎Hagiographica Wisigothica Iusti ep. Vrgellensis Sermo de sancto Vincentio, Sisebuti regis Toletani Vita uel passio sancti Desiderii ep. Viennensis, Braulionis ep. Caesaraugustani Vita sancti Aemiliani et Hymnus de sancto Aemiliano, Vitae II sancti Fructuosi‎

‎, Brepols - Harvey Miller, 2025 Hardback, cccxcviii + 210 Pages, Size:155 x 245 mm, Language:Latin, *new. ISBN 9782503612652.‎

‎L?Espagne wisigothique n?a pas beaucoup cultivé le genre hagiographique. Le Corpus Christianorum a déjà publié quelques ?uvres hagiographiques de cette époque, comme les Vitas ss. patrum Emeretensium (BHL 2530), les notices consacrées à plusieurs célèbres évêques du VIIe siècle, comme Isidore de Séville (BHL 4482-4483), Ildefonse de Tolède (BHL 3917) et Julien de Tolède (BHL 4554), ou les passions hispaniques incluses dans le soi-disant Passionarium Hispanicum. Ce volume comprend les autres ?uvres hagiographiques composées sans aucun doute dans l?Espagne wisigothique, à l?exception des écrits de Valère du Bierzo, qui mériteront un volume monographique : une composition de la première moitié du VIe siècle, le Sermo de s. Vincentio (CPL 1092) de Juste de Urgell ; et quatre autres datées entre le premier quart et le dernier tiers du VIIe siècle, la Vita uel passio s. Desiderii ep. Viennensis (CPL 1298) du roi Sisebut, la Vita s. Aemiliani (CPL 1231) et l?Hymnus de s. Aemiliano (CPL 1232) de Braulion de Saragosse ? qui complètent ainsi l?édition des ?uvres de cet auteur dans le Corpus Christianorum ? et l?anonyme Vita s. Fructuosi (CPL 1293). TABLE OF CONTENTS Introducciones I. El Sermo de s. Vincentio (CPL 1092) atribuido a Justo de Urgel (J. C. Martín-Iglesias, S. Iranzo Abellán) 1. El Sermo de s. Vincentio (CPL 1092) y su autor 2. La producción literaria de Justo de Urgel 3. La tradición manuscrita 4. Las ediciones precedentes 5. Criterios de esta edición II. La Vita uel passio s. Desiderii ep. Viennensis (CPL 1298, BHL 2148) de Sisebuto de Toledo (J. C. Martín-Iglesias, S. Iranzo Abellán) 1. El santo: Desiderio de Vienne 2. Sisebuto de Toledo (612-621) 3. La Vita uel passio s. Desiderii (BHL 2148) 4. La Vita uel passio s. Desiderii ep. Viennensis (BHL 2148) y los restantes escritos de Sisebuto 5. Las fuentes literarias de la Vita uel passio s. Desiderii (BHL 2148) 6. El expediente hagiográfico de san Desiderio de Vienne 7. La tradición manuscrita de la Vita uel passio s. Desiderii (BHL 2148) 8. Las ediciones precedentes de la Vita uel passio s. Desiderii (BHL 2148) 9. Criterios de esta edición III. Braulio de Zaragoza, Vita s. Aemiliani (CPL 1231, BHL 100) e Hymnus de s. Aemiliano (CPL 1232) (J. C. Martín-Iglesias) 1. La obra literaria de Braulio de Zaragoza 2. La Vita s. Aemiliani (CPL 1231): estudio literario 3. El Hymnus de s. Aemiliano (CPL 1232): estudio literario 4. Datación de la Vita s. Aemiliani y del Hymnus de s. Aemiliano 5. Las fuentes de Braulio de Zaragoza 6. La tradición manuscrita de la Vita s. Aemiliani 7. Las ediciones precedentes de la Vita s. Aemiliani 8. La tradición manuscrita del Hymnus de s. Aemiliano 9. Las ediciones precedentes del Hymnus de s. Aemiliano 10. Criterios de estas ediciones ediciones IV. Vitae s. Fructuosi ep. Bracarensis: Vita s. Fructuosi prima seu breuior (BHL 3194a) y Vita s. Fructuosi altera seu longior (CPL 1293, BHL 3194) (J. C. Martín-Iglesias) 1. El problema de las dos Vitae s. Fructuosi 2. Fructuoso de Braga: entre la historia y la hagiografía 3. Autoría, datación y finalidad de la VSF II 4. La tradición manuscrita de las Vitae s. Fructuosi I-II 5. Estudio de la transmisión manuscrita de las Vitae s. Fructuosi I-II 6. Las ediciones precedentes de las Vitae s. Fructuosi I-II 7. Criterios de la presente edición Bibliografía Ediciones críticas Iusti Vrgellensis episcopi Sermo de sancto Vincentio (CPL 1092) (J. C. Martín-Iglesias, S. Iranzo Abellán) Sisebuti regis Visigothorum Vita uel passio sancti Desiderii episcopi Viennensis (CPL 1298) (J. C. Martín-Iglesias, S. Iranzo Abellán) Braulionis Caesaraugustani episcopi Vita sancti Aemiliani (CPL 1231) (J. C. Martín-Iglesias) Braulionis Caesaraugustani episcopi Hymnus in diem sancti Aemiliani (CPL 1232) (J. C. Martín-Iglesias) Vita sancti Fructuosi episcopi Bracarensis prima seu breuior (BHL 3194a) (J. C. Martín-Iglesias) Vita sancti Fructuosi episcopi Bracarensis altera seu longior (CPL 1293, BHL 3194) (J. C. Martín-Iglesias) Additamenta III codicis O ad Vitam sancti Fructuosi episcopi Bracarensis alteram seu longiorem (J. C. Martín-Iglesias) Indices Index locorum Sacrae Scripturae Index fontium Index codicum manuscriptorum‎

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EUR430.00 (€430.00 )

‎Ebretmo de Cluny, Rodolfo de Casa Dei, Grimaldo de San Millán, Fernando Ibáñez de San Millán, Juan Diácono, José Carlos Martín-Iglesias, Patrick Henriet, Carmen Esteban Martínez‎

Reference : 63329

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‎Hagiografía hispana de los siglos IX-XIII en los Reinos de Aragón y Castilla y León. Vidas de santos, hallazgos y traslaciones de reliquias, libros de milagros, Himnos‎

‎, Brepols, 2024 Paperback, 320 pages, Size:156 x 234 mm, Language: Spanish. ISBN 9782503609324.‎

‎Summary Este libro reúne las traducciones anotadas de las obras hagiográficas latinas publicadas en el volumen CC CM 310: Hagiographica hispana regnorum Aragonum et Castellae Legionisque saeculorum IX-XIII, publicado en 2022. Se trata de las más importantes Vidas, traslados de reliquias y colecciones de milagros compuestas en la Edad Media en los monasterios de San Juan de la Peña, San Millán de la Cogolla y San Zoilo de Carrión en honor de san Indalecio (uno de los siete míticos evangelizadores de Hispania); dos santos de época visigoda, san Felices de Bilibio (maestro de San Millán) y el propio san Millán; y dos santos medievales: san Voto y san Félix de Zaragoza (fundadores de lo que más tarde sería San Juan de la Peña). Los otros dos escritos del volumen son dos Vidas dedicadas a san Urbez (eremita aragonés de posible origen francés) y, sobre todo, al famoso patrón de la ciudad de Madrid, san Isidro Labrador. La mayoría de estas traducciones son las primeras que se han realizado en una lengua moderna. TABLE OF CONTENTS Presentación (J. C. Martín-Iglesias) Introducciones I. La Vida de san Urbez, confesor de Cristo (BHL 8408m) (J. C. Martín-Iglesias) II. El expediente hagiográfico de san Indalecio (P. Henriet) III. El expediente hagiográfico sobre los santos Voto y Félix de Zaragoza (J. C. Martín-Iglesias) IV. La Traslación y milagros del presbítero san Felices (BHL 2861-2862) (J. C. Martín-Iglesias) V. La Traslación de san Millán de la Cogolla en el año 1030 (BHL 102) y el Libro de los milagros de san Millán de la Cogolla (BHL 103-104) (J. C. Martín-Iglesias) Apéndice de Patrick Henriet: Nota sobre Fernando, autor de la Traslación de san Millán de la Cogolla (BHL 102) y del Libro de los milagros de san Millán de la Cogolla (BHL 103-104) VI. El expediente hagiográfico en honor de san Zoilo de Córdoba reunido en el monasterio de San Zoilo de Carrión (P. Henriet) VII. El Libro de la vida y milagros de san Isidro Labrador (BHL 4494-4495) (J. C. Martín-Iglesias) Bibliografía Traducciones (J. C. Martín-Iglesias, P. Henriet, C. Esteban Martínez) Vida de san Urbez (BHL 8408m) Himno en honor de santa Eulalia de Mérida Obras hagiográficas en honor de san Indalecio, obispo de Urci Traslación de san Indalecio, obispo de Urci, (BHL 4270) compuesta por Ebretmo, monje cluniacense Lecciones para la traslación de san Indalecio, ampliadas con dos milagros por Ebretmo, monje cluniacense Himnos de san Indalecio Obras hagiográficas en honor de los Santos Voto y Félix, hermanos Zaragozanos Vida de los santos Voto y Félix, hermanos Zaragozanos (BHL 8733) Vida de los santos Voto y Félix, hermanos Zaragozanos (BHL 8734: recensión I, original) Vida de los santos Voto y Félix, hermanos Zaragozanos (BHL 8734/8734b: recensión IIa) Vida de los santos Voto y Félix, hermanos Zaragozanos (BHL 8732) Himno de los santos Voto y Félix, hermanos Zaragozanos (Díaz 1499) e Himno de la Santa Casa Pinatense Traslación y milagros del presbítero san Felices (BHL 2861-2862), obra de Grimaldo, monje emilianense Traslación y libro de los milagros de san Millán de la Cogolla (BHL 102-104), obra de Fernando Ibáñez, monje emilianense Traslación de san Millán de la Cogolla (BHL 102) Libro de los milagros de san Millán de la Cogolla: redacción breve (BHL 103) Libro de los milagros de san Millán de la Cogolla: redacción larga (BHL 103-104) Obras hagiográficas en honor de san Zoilo Mártir Tres milagros de san Zoilo de Córdoba conservados en el códice Madrid, Biblioteca Nacional, 11556 Pasión, traslación y milagros de san Zoilo de Córdoba, obra de Rodolfo, monje de Casa-Dei, llamado también Rodolfo de Carrión Himnos para la festividad del bienaventurado mártir Zoilo Milagro de san Zoilo de Córdoba mutilado por el final, según se conserva en el códice Madrid, Biblioteca Nacional, 11556 Libro de la vida y milagros de san Isidro Labrador (BHL 4494-4495) Índices Nombres de Personas y Gentilicios Nombres de Lugar‎

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‎Martin McNamara MSC, Caoimhín Breatnach, Pádraig A. Breatnach, John Carey, Uáitéar Mac Gearailt, Máire Herbert, Caitríona Ó Dochartaigh, Erich Poppe, Charles D. Wright (eds)‎

Reference : 65916

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‎Apocrypha Hiberniae II, Apocalyptica 2‎

‎, Brepols, 2019 Hardback, xxiv + 589 pages, Size:155 x 245 mm, Illustrations:3 b/w, 3 tables b/w., Languages: Latin, English. ISBN 9782503585352.‎

‎Summary The present volume comprises editions, by several of the major scholars now working in the field of medieval Irish apocrypha, of a selection of important eschatological texts. Two of these, edited by John Carey, are works original to Ireland: The Vision of Adomnán, an account of the afterworld notable for its vividness and complexity; and The Two Sorrows of the Kingdom of Heaven, a shorter text which describes the judgement of souls and the end of the world with reference to the destinies of Enoch and Elijah. Caoimhín Breatnach provides editions of the Irish versions of some of the fundamental texts of Christian apocalyptic: The Assumption of Mary (supplemented by a closely related Latin variant, edited by Joseph Flahive), and one of the Redactions of The Vision of Saint Paul. Professor Breatnach also contributes a series of accounts of Antichrist: these belong to a type that has long been regarded as typically Irish, but for which Charles D. Wright here supplies a broader context in an innovative and important study. Fr Martin McNamara MSC introduces the collection with a discussion of "Some Aspects of Medieval Irish Eschatology". This is the first volume of a two-part collection: the texts edited in the sequel (CCSA 22) are concerned with the events of the end time, and in particular with the theme of the signs before the Day of Judgement. TABLE OF CONTENTS General Introduction: Some Aspects of Medieval Irish Eschatology by Martin McNamara Fís Adomnáin - The Vision of Adomnán Introduction, Edition, Translation, and Commentary John Carey Dá Brón Flatha Nime - The Two Sorrows of the Kingdom of Heaven Introduction, Edition, Translation, and Commentary John Carey TRANSITUS MARIAE General Introduction Martin McNamara Udhacht Mhuire - The Testament of Mary Introduction, Edition, Translation, and Commentary Caoimhín Breatnach Trinity College Latin Version Introduction by Martin McNamara and Joseph Flahive Edition and Translation by Joseph Flahive VISIO SANCTI PAULI Introduction Martin McNamara Aisling Phóil - Recension IV of The Vision of Paul Introduction, Edition and Translation Caoimhín Breatnach THE IRISH LEGENDS OF ANTICHRIST Introduction Martin McNamara A Revelation of John about Antichrist Introduction, Edition, Translation, and Commentary Charles D. Wright Three Irish Texts of A Revelation of John about Antichrist: "Sgél Ainntecrísd" - The Story of Antichrist Do thoighiocht an bhreitheamhnais déanaidh - Concerning the Coming of the Final Judgement Do theacht Anticríosd - Concerning the Coming of Antichrist Introduction, Edition, Translation, and Commentary Caoimhín Breatnach‎

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‎Kris Martin, Volker Adolphs, Susanne Figner, Madeleine Schuppli‎

Reference : 66165

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‎Kris Martin:Every Day of the Weak (Signed)‎

‎, Distanz, 2012 Hardcover, 182 pages, ****signed by Kris Martin, 30.5 x 21.5 cm. ISBN 978942405676.‎

‎The art of Kris Martin (b. Kortrijk, 1997s; lives and works in Ghent) conveys an intense experience of the finitude of life. Time is essential to this artist, whose relentless engagement with mortality and the evanescent qualities of art has defined his rising career. His works, which include installations, sculptures, photographs, drawings, writing, and sound, also inquire into the possibility of spirituality, eternity, religion, and God. Despite their melancholy and romantic aspects, they often also display flashes of skeptical humor. Martin uses found items that always bring their own history with them; or he commissions lavishly produced objects in formats ranging from the very small to the expansive. Opulently designed in collaboration with the artist, this book presents recent works as well as images of earlier works for reference purposes. With essays by Volker Adolphs, Susanne Figner, and Madeleine Schuppli, and a preface by Veit Görner.‎

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‎Meredith Martin (ed)‎

Reference : 64896

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‎Reimagining the Ballet des Porcelaines. A Tale of Magic, Desire, and Exotic Entanglement‎

‎, Brepols - Harvey Miller, 2022 Hardback, 168 pages, Size:220 x 280 mm, Illustrations:84 col., Language: English. ISBN 9781912554812.‎

‎Summary In September 1739 at the château de Morville near Paris, a group of elite amateur artists staged a ballet pantomime known as the ?Ballet des Porcelaines,? and sometimes also as ?The Teapot Prince.? Written by the comte de Caylus, with music by Grandval, it tells the story of a prince who searches for his beloved on a faraway island ruled by an evil magician. The magician has turned the island's inhabitants into porcelain, an event the audience witnesses in the form of a male and female singer who spin around on stage until they transform into vases. Aside from the libretto and the score, nothing survives of the Ballet des Porcelaines. The costumes and choreography are unknown. Although it inspired later famous ballets featuring sleeping beauties and porcelain princesses, it seems to have been staged only twice: first in 1739 and again two years later on the grounds of the estate, next to a lake encircled by vases and an illuminated arch suggesting a nighttime performance. The château's owner served as France's foreign minister and promoted trade with Asia. We can assume some kind of chinoiserie imagery and context for the ballet, which can be interpreted both as a standard fairy tale love story and as an allegory for the intense European desire to know and steal the secrets of porcelain manufacture. The ballet is an example of the deep intertwining of visual and performing arts in eighteenth-century France, and to an enchantment with Asia embodied on stage and in life by porcelain goods. The plot's animation of porcelain also relates to a period understanding of the permeable boundary between persons and things manifested in a variety of cultural forms. The ballet exemplifies the profound sense of magic, mystery, and desire that porcelain instilled in European viewers (who referred to it as ?white gold?), an effect that is lost on many museumgoers today. TABLE OF CONTENTS Preface and Acknowledgments Meredith Martin Contributors I HISTORICAL REIMAGININGS Once Upon a Time at the Château de Morville: Commerce, Colonialism, and Chinoiserie in the Ballet des Porcelaines Meredith Martin My Porcelain Sickness Phil Chan Conjuring 1740: A Tale of Europe's Obsession with Porcelain Charlotte Vignon II ARTISTIC INTERVENTIONS Costume Design: Q&A with Harriet Jung Meredith Martin Choreography: Q&A with Xin Ying Meredith Martin Entering the Ivory Tower of Baroque Ballet Patricia Beaman Musically Steeping a Pot of Tea Leah Nelson Finding the Sound in Between Sugar Vendil III THE LOST BALLET The Manuscript: Libretto and Score Le Prince Pot-à-Thé: Ballet Pantomime French Transcription Dominique Quéro The Teapot Prince: A Pantomime Ballet Annotated English Translation Christine Jones IV CONTEMPORARY RESTAGINGS Photographs of the MET Peformance, December 6, 2021 Making the Porcelain Dance Wolf Burchard, The Metropolitan Museum of Art, New York Chinese Fantasies of Porcelain on the Cusp Between Life and Death Judith T. Zeitlin, The University of Chicago Living Things or the Collector as Audience:Animate Porcelain Dancers Elizabeth Rouget, Princeton University A Smash Hit in the Making Mia Jackson and Kate Tunstall, Waddesdon Manor and University of Oxford A Teapot Prince and His Enchanted Palace: The Royal Pavilion, Brighton Alexandra Loske, The Royal Pavilion and Museums Trust Brighton & Hove A Porcelain Room and a Teapot Prince:Maria Amalia's Salottino di porcellana and Le Prince Pot-à-Thé in Naples Sarah K. Kozlowski and Sylvain Bellenger, The Museum and Royal Park of Capodimonte, Naples Palazzo Grassi or the Past Revisited Bruno Racine, Palazzo Grassi, Venice The Sèvres Manufactory: Three Centuries of a Ballet of Porcelain Romane Sarfati and Charlotte Vignon, Sèvres-Manufacture et musée nationaux Works Cited‎

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‎Martin McNamara MSC, Caoimhín Breatnach, Pádraig A. Breatnach, John Carey, Joseph Flahive, Uáitéar Mac Gearailt, Máire Herbert, Caitríona Ó Dochartaigh, Erich Poppe, Charles D. Wright (eds)‎

Reference : 63432

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‎Apocrypha Hiberniae II, Apocalyptica 3‎

‎, Brepols, 2024 Hardback, iv + 471 pages, Size:155 x 245 mm, Language: English. ISBN 9782503600819.‎

‎Summary The present volume, the continuation of volume CCSA 21, comprises further editions, by several of the major scholars now working in the field of medieval Irish apocrypha, of a selection of important eschatological texts. The first of these, Bráth, níba bec a breisim, edited by Erich Poppe, concerns the events which will occur on the Day of Judgement. Caitríona Ó Dochartaigh provides edition, translation and a commentary of Poems 153-162 of Saltair na Rann, an independent eschatological composition. Prof. Uáitéar Mac Gearailt publishes a study and a commented edition of Scéla Laí Brátha, Tidings of the Day of Judgement. Prof. Caoimhín Breatnach publishes Garbh éirghid iodhain bhrátha, Harshly do the pangs of Doomsday, as well as two short Irish texts on the Fifteen Signs Before Doomsday and on Doomsday. Prof. Pádraig A. Breatnach provides the edition of A Tract on the Fifteen Signs of Doomsday. Fr Martin McNamara MSC publishes two short studies in Appendices: the first one on the duration of the Day of Doom (The Day of Doom a Thousand Years, in Appendix 1); the second one concerns a quotation in the Fifteen Signs text edited by Caoimhín Breatnach from the 15th-century Latin theologian Pelbartus (Passage from Pelbartus, Advent Sermon IV: Appendix 2). Fr McNamara also introduces the collection with a discussion of ?The Signs before Doomsday?. TABLE OF CONTENTS General Introduction: The Signs before Doomsday Martin McNamara Bráth, níba bec a breisim - A Poem on the Day of Judgement Erich Poppe Poems 153-162 of Saltair na Rann Caitríona Ó Dochartaigh Scéla Laí Brátha - Tidings of the Day of Judgement Uáitéar Mac Gearailt Garbh éirghid iodhain bhrátha - Harshly do the pangs of Doomsday approach Caoimhín Breatnach Texts on the Fifteen Signs Before Doomsday and on Doomsday Caoimhín Breatnach A Tract on the Fifteen Signs of Doomsday with Account of Hells Torments and the Joys of Heaven Pádraig A. Breatnach Appendix 1: The Day of Doom a Thousand Years Martin McNamara Appendix 2: Passage from Pelbartus, Advent Sermon IV Martin McNamara Indexes for volumes CC SA 21-22 (Apocrypha Hiberniae II, 2-3: Apocalyptica) Index of Biblical References Index of Persons and Places Index of Authors and Texts Index of Themes Index of Manuscripts Index of Noteworthy Words and Phrases‎

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‎APULEE, LUCE. / Martin Van Maele‎

Reference : 10900

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‎métamorphoses ou l'asne d'or de Luce Apulée philosophe platonique‎

‎, Paris, Charles Carrington, 1905, Relie de l'epoque, plats marbre, couverture d' editeur, XLVIII + 328 pp, In-8 (15 x 23 cm) illustre n/b. Martin Van Maele‎

‎Philosophe Platonique. Traduction Francaise de Jean De Montlyard. Preface de Jules De Marthold. Ouvrage orne de Exemplaire n° 304 d'un tirage à 750 sur Hollande. 21 eaux-fortes, dont un frontispice, de Martin Van MAËLE. En-têtes, culs-de-lampe et lettres ornées tirés en 2 couleurs.‎

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‎ Guillaume Houze , Chris Dercon , Balthazar Laury , Rebecca Lamarche-vadel , Martin Margiela , Friedrich Meschede ,Francois Quintin‎

Reference : 57712

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‎Martin Margiela at Lafayette Anticipations‎

‎, Walter Koenig Verlag 2022, 2022 Paperback, 346 pages, English, 315 x 230 mm, with 207 coloured illustrations, .*New! ISBN 9783753301013.‎

‎The catalogue presents over forty works: installations, sculptures, collages, paintings and films. It also puts forward a hypothesis: that Martin Margiela has always been an artist. Internationally renowned in the fashion world since the late 1980s, throughout his career as a designer, he deliberately upended the conventions of fashion one by one, through runway shows, materials and forms that became conceptual and aesthetic revolutions. Most of these works return to the artist's obsessions. The body is very much in evidence: anatomies inspired by the academic tradition; hair and skin in almost abstract form, signs of the passing of time. The catalogue has been designed by Irma Boom in close collaboration with Martin Margiela. It is thought as a "making of" of the show at Lafayette Anticipations and present both final and "in progress" pictures of the works.‎

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‎Martin Bentz; Norbert Eschbach‎

Reference : 66409

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‎Panathenaika. Symposion zu den Panathenäischen Preisamphoren, Rauischholzhausen 25.11. - 29.11.1998 ‎

‎Darmstadt, Philipp von Zabern Verlag, 2001 Leinen, 205 Seiten mit 23 Textabb. und 45 Tafeln, 30 x 21 cm. German. ISBN 9783805327084.‎

‎Symposion zu den Panathenäischen Preisamphoren, Rauischholzhausen 25.11. - 29.11.1998. Hrsg. von Martin Bentz und Norbert Eschbach. 22 Beiträge (darunter sieben in englischer, zwei in französischer und einer in italienischer Sprache) widmen sich den drei Themenfeldern: Neufunde und Verbreitung; Maler und Ikonographie; Rezeption und Imitation. Aus dem Inhalt: Peter Siewert: Zum historischen Hintergrund der frühen Panathenäen und Preisamphoren. - Jacques Chamay: Fragments d'amphore panathénaïque avec signature de potier. - Eurydike Kephalidou: New Panathenaic Prize-Amphoras from Aiani in Upper Macedonia. - Bettina Kreuzer: Die panathenäischen Preisamphoren aus dem Heraion von Samos: Ein Vorbericht. - Jean-Jacques Maffre: Amphores panathénaïques découvertes en Cyrénaïque. - Despoina Tsouklidou: New Panathenaic Amphorae of the Hellenistic Period. - Michalis Tiverios: Panathenäen und Makedonen. Panathenäische Preisamphoren aus dem nordgriechischen Raum. - Haritini Kotsidu: Zur Verbreitung der Preisamphoren. - Laura Venuti: Anfore panatenaiche del Pittore di Kleophrades e della sua Cerchia nel Museo Archeologico di Firenze. - Martin Bentz/Bettina Kratzmüller: Eine neue Apene-Darstellung. - Elizabeth Langridge-Noti: Pondering the Painter: The Panathenaic Amphorae attributed to the Eucharides Painter. - Norbert Eschbach: Rotfigurig - Schwarzfigurig. Panathenäische Preisamphoren und Vasenmaler des späten 5. und des frühen 4. Jhs. v. Chr. - Robert Cromey: Athena's Panathenaic Episema and Democracy's Return in 403. - Bettina Kratzmüller: Rabdoûchoi auf Panathenäischen Preisamphoren. - Martin Bentz: Schwarzfigurige Amphoren panathenäischer Form. Typologie, Funktion und Verbreitung. - H. Alan Shapiro: Red-Figure Panathenaic Amphoras: Some Iconographical Problems. - Jenifer Neils: Panathenaics in the West. - Adrienne Lezzi-Hafter: L'Anfora Dimezzata oder der Boreas-Maler am Kreuzweg. - John H. Oakley: Charon on an Attic Red-figure Amphora of Panathenaic Shape: A Masterpiece by the Kleophon Painter in Quebec. - Herbert A. Cahn: Amphoren auf frühen attischen Münzen. - Heide Frielinghaus: Darstellungen Panathenäischer Preisamphoren in der attischen Vasenmalerei. - Panos Valavanis: Panathenäische Amphoren auf Monumenten spätklassischer, hellenistischer und römischer Zeit. - Appendix 1: Liste der schwarzfigurigen Pseudo-Panathenäischen Preisamphoren. - Appendix 2: Schwarzfigurige Miniatur-Preisamphoren. - Appendix 3: List of Attic Red-Figured Amphorae of Panathenaic Form. - Appendix 4: Museumsregister der im Text behandelten Panathenäischen Preisamphoren‎

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‎Martin Gayford, David Hockney‎

Reference : 63558

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‎ A History of Pictures : From the Cave to the Computer Screen David Hockney & Martin Gayford -‎

‎, Abrams, 2020 Paperback, 370 pages, ENG. edition, 240 x 165 mm, NEW, richly illustrated in color / b/w. ISBN 9781419750281.‎

‎A compact edition of Hockney and Gayford?s brilliantly original book, with updated material and brand-new pieces of art Informed and energized by a lifetime of painting, drawing, and making images with cameras, David Hockney, in collaboration with art critic Martin Gayford, explores how and why pictures have been made across the millennia. Juxtaposing a rich variety of images?a still from a Disney cartoon with a Japanese woodblock print by Hiroshige, a scene from an Eisenstein film with a Velazquez painting?the authors cross the normal boundaries between high culture and popular entertainment, and argue that film, photography, painting, and drawing are deeply interconnected. Featuring a revised final chapter with some of Hockney?s latest works, this new, compact edition of A History of Pictures remains a significant contribution to the discussion of how artists represent reality. David Hockney is one of the world?s most popular painters and the author of the bestselling Secret Knowledge: Rediscovering the Lost Techniques of the Old Masters (2001). Martin Gayford is an art critic and the author of many books, including Man with a Blue Scarf: On Sitting for a Portrait by Lucian Freud (2013) and Rendez-vous with Art, with Philippe de Montebello (2014).‎

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‎Bachiarius monachus, Jose Carlos Martín-Iglesias (ed)‎

Reference : 65934

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‎fide, Epistula ad Ianuarium, Epistulae II‎

‎, Brepols, 2019 Hardback, cxc + 140 pages, Size:155 x 245 mm, Illustrations:2 tables b/w., Language: Latin. ISBN 9782503585383.‎

‎Summary Les quatre oeuvres attribuées à Bachiarius (IVe-Ve siècle) ont en commun une exégèse très originale et des expressions qu'on a voulu mettre en relation soit avec le priscillianisme, soit avec l'origénisme. Le De fide est une profession de foi dans laquelle l'auteur se défend d'une accusation d'hérésie et expose ses idées sur la Trinité, l'incarnation, la virginité de Marie, la résurrection, l'âme humaine, le diable, les aliments, le mariage ou l'importance des deux Testaments. L'Epistula ad Ianuarium est un traité sur le péché, la pénitence et la rédemption, divisée en deux parties: la première dirigée à Januarius, le supérieur d'une communauté ascétique, en faveur d'un frère qui a commis un péché grave en ayant des relations sexuelles avec une vierge consacrée; et la seconde, au pécheur lui-même, qui, après avoir été expulsé de la communeauté, doit s'efforcer d'éviter le désespoir et de se faire pardonner au moyen de la pénitence. Les deux autres lettres qu'on attribue à Bachiarius présentent un style et une exégèse similaires: la première est dirigée à une vénérable soeur pleine de sagesse; la seconde, à une femme mariée qui souhaite se consacrer dans la solitude à des pratiques ascétiques pendant les trois semaines qui précèdent l'Épiphanie. TABLE OF CONTENTS Bachiarius Monachus - De fide ( CPL 568 ) - ed. J.C. Martín Bachiarius Monachus - Epistula ad Ianuarium seu De lapso ( CPL 569 ) - ed. J.C. Martín Bachiarius Monachus - Epistulae II ( CPL 570 ) - ed. J.C. Martín‎

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‎GERMANN, Martin.‎

Reference : 21302

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‎MICHAEL BORREMANS. AUTOMAT.‎

‎Hannover , Hatje Cantz /Kestnergesellschaft,, 2009 Hardback, original editor's jacket/originale Abdeckung Verlag, 22x17 cm., 72 pp./72 S., 40 colour illustrations/40 farbige Abbildungen, English/Deutsch.*NEW condition! ISBN 9783775724418.‎

‎The films, paintings, and drawings by Belgian artist Michael Borremans (*1963 in Geraardsbergen) overwhelm the viewer through the use of deceleration, precision, and vortex. His seductive works contain timeless images of internal drive and external force, of the latent pressure involved in being human. Behind a veil of stylistic perfection, the artist simulates common rituals of interpretation and meaning by deliberately inserting mistakes and vagaries. His intensely atmospheric images are puzzles involving political and psychological patterns of perceiving the world, which oscillate in a camouflaging, fragile way between inexorable realism and nebulous distance.With texts by Martin Germann and Hans Rudolf Reust and a foreword by Veit Gorner, the volume presents a selection of drawings and excerpts from Borremans's filmic oeuvre. It also includes a series of new paintings.‎

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‎Gregory Lippiatt, Laurent Mace, Martin Aurell (eds)‎

Reference : 65836

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‎Simon de Montfort (c. 1170-1218). Le croisé, son lignage et son temps‎

‎, Brepols, 2020 Hardback, 286 pages, Size:156 x 234 mm, Illustrations:2 b/w, 2 tables b/w., 3 maps b/w, Languages: French, English. ISBN 9782503582245.‎

‎Summary La carrière de Simon de Montfort - seigneur français, earl anglais, croisé en Terre sainte et dans le Midi de la France - n'a pas cessé de marquer ses contemporains et sa postérité. Bien de ses compagnons d'armes ont vu en lui le plus pieux et le plus courageux des héros, le modèle du chevalier du Christ (miles Christi). Cette image prestigieuse a cours de son vivant et après son prétendu martyre au service du combat contre la dépravation hérétique. Cependant, dans les contrées occitanophones et dans la péninsule Ibérique, sa réputation devient aussi celle d'un brigand, d'un barbare, d'un intrus étranger, cupide et sans scrupules. Les actes du colloque tenu à Poitiers en 2018 reviennent sur sa vie et sur son lignage afin de comprendre l'homme dans toutes ses contradictions : le croisé incorruptible en Terre sainte, mutilant toute une garnison en Languedoc, le vainqueur du roi d'Aragon, soumettant toutes ses conquêtes au roi de France, le spoliateur des seigneurs légitimes du Midi, protégeant les veuves et le clergé local, le membre d'un puissant lignage franco-normand dont son héritage se perpétue dans toute l'Europe. Simon est à la fois le produit de son temps et l'agent de son devenir, un conquérant et un perdant. Caractère sombre et puissant, il semble être à l'image de son emblème héraldique: un lion à la queue fourchée. TABLE OF CONTENTS Gregory Lippiatt, Introduction Simon et la croisade Albigeoise Jean-Louis Biget, Tenir la pays : Montfort entre villes et châteaux d'Occitanie Gregory Lippiatt, Reform and Custom. The Statutes of Pamiers in Early Thirteenth-Century Christendom Martín Alvira, Simon et Pierre II d'Aragon : Faits et mémoire Damian J. Smith, Simon of Montfort and the Orphan King Simon : le baron, ses hommes et ses représentations Nicholas Vincent, Exiled Hero or Absconding Alien? Simon V de Montfort in England Laurent Macé, Le sceau de majesté de Simon V de Montfort, comte de Toulouse, princeps et monarcha (1216-1218) Daniel Power, The Albigensian Crusade after Simon of Montfort (1218-1224) Lindy Grant, The Montforts and the Capetian Court. Amaury V and His Family Le lignage de Simon et sa culture Sophie T. Ambler, Simon of Montfort (d.1265) and Montfortian Family Memory Amicie Pélissié du Rausas, Un croisé en Gascogne. Simon VI et la Gascogne Plantagenêt (1248-1252) Rodolphe Billaud, Simon VI et l'occupation du comté de Chester (1264-1265) Catalina Girbea, Les Montfort et l'héraldique imaginaire Conclusions Martin Aurell, Conclusions‎

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‎Eef Overgaauw, Martin Schubert (eds)‎

Reference : 66001

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‎Change in Medieval and Renaissance Scripts and Manuscripts. Proceedings of the 19th Colloquium of the Comité international de paléographie latine (Berlin, 16-18 September, 2015)‎

‎, Brepols, 2019 Paperback, 340 pages, Size:216 x 280 mm, Illustrations:94 b/w, 8 col., 17 tables b/w., Languages: English, French, German. ISBN 9782503578750.‎

‎Summary Palaeographers and codicologists have gradually developed concepts and terms to analyse change in medieval and Renaissance scripts and manuscripts. Some of these endeavour to offer explanatory models, either for specific phenomena or for general trends. Others are essentially descriptive, typological and chronological, referring to implicit (traditional) theories of historical evolution. The papers in this book offer a wide range of palaeographical and codicological case-studies describing and analysing "change". Several papers offer the outlines of a theoretical framework, bringing out the conditions for the evolution of scripts as well as for progress in the production and distribution of texts and manuscripts. TABLE OF CONTENTS Preface Teresa De Robertis, Nicoletta Giovè, Come cambia la scrittura Ainoa Castro Correa, The Regional Study of Visigothic Script: Visigothic Script vs. Caroline Minuscule in Galicia Peter A. Stokes, Change and Variation in Eleventh-Century English Script Walter Koch, Schriftwandel bei Notaren in der hochmittelalterlichen Reichskanzlei Irene Ceccherini, Cursivité et institutions. L'écriture de la chancellerie de France entre la fin du XIIe et la fin du XIIIe siècle Elena E. Rodríguez Díaz, El origen del libro gótico en los reinos de Castilla y León. La diferente ubicación de las iniciales secundarias y mayúsculas Vladimir I. Mazhuga, Le changement d'aspect de la page dans les manuscrits juridiques italiens à la période préaccursienne (d'après les manuscrits et les fragments conservés à Saint-Pétersbourg) Dominique Stutzmann, Résistance au changement ? Les écritures des livres d'heures dans l'espace français (1200-1600) Martin Schubert, The Invention of Space. Verses and the Line Break in Medieval German Manuscripts Nata?a Golob, Painted Key-Words: Accessing Contents by Images Laura Albiero, Le bréviaire, de l'autel à la poche. Quelques considérations à propos des bréviaires portatifs Chiara Ruzzier, Les changements dans la fabrication du livre aux XIVe et XVe siècles d'après les manuscrits des abbayes bénédictines des Pays-Bas méridionaux Laura Regnicoli, David Speranzi, Mutamenti, continuità e interazioni delle scritture distintive librarie latine e greche nel Quattrocento fiorentino Martin Wagendorfer, Universitätsakten anders gelesen. Kulturtransfer, Transformation und die Humanistica nördlich der Alpen Francisco M. Gimeno Blay, Muestrario gráfico del otoño medieval: Ars litteraria y Ars alphabetica de Hartmann Schedel. De Núremberg a Padua Session APICES Colleen M. Curran, Standardization Through Hybridization: The Morphology of English Caroline Script Matilde Silla Sgarbi, Codicologia d'archivio. I più antichi registri di imbreviature dell'Archivio di Stato di Firenze Renáta Modráková, The Change of Historical Periods. Manuscripts and Scribes from St George's Convent at Prague Castle in the Thirteenth and Fourteenth Centuries Marco Antonio Siciliani, Scritture di frontiera. Alcune riflessioni su cultura grafica, luoghi e sistemi di produzione libraria ad Avignone nel XIV secolo Elisabetta Sciarra, Codici e libri stampati postillati: note di possesso, note di lettura, note di studio nella base dati dei possessori della Biblioteca Nazionale Marciana di Venezia‎

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‎ Andrew Graham-Dixon , Martin Herbert , Charlotte Mullins ‎

Reference : 66141

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‎Jan Vanriet, the music boy‎

‎Brussel, Roberto Polo Gallery, 2016 Hardback, 168 pages, 29.5 x 24 cm, EN. ISBN 9781907363108.‎

‎The Music Boy exhibition at the New Art Gallery Walsall is the artist's first in the United Kingdom. A 168-page hardback, illustrated catalogue featuring extensive essays by Andrew Graham-Dixon and Martin Herbert, as well as a foreword by Charlotte Mullins was published on the occasion. The exhibition is titled after a quadriptych of paintings depicting the artist's grandmother and his uncle playing an accordion.Jan Vanriet's work mainly concerns the memory of history and the construction of pictorial surface. As Martin Herbert writes: "Vanriet builds up his paintings in layers, and the strata of underpainting have, in his case, a polyvalent quality. In some cases they form glazes that gift the paintings with an internal glow; in others, the half-visible ghosts of earlier paintings both reaffirm the idea that something is being held back, and situate Vanriet's paintings as a carefully wrought, crafted statement that has gone through stages in order to reach a conclusive point, like a phrase honed through multiple careful edits." Jan Vanriet's mother, father and uncle participated in the Resistance movement and were deported by the Nazis. His parents met in the Mauthausen concentration camp and their stories and memories of the Second World War and its aftermath continue to permeate his paintings. Themes of love, loss, identity, destiny and disappearance pervade his work. And yet Vanriet says: "The starting point may be my family, but I see it as a universal story. I don't want the themes to be too narrow, too close to me, because they should go wider than that. If not, it is only anecdote and I have not painted well enough."‎

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‎Matthias Maser, Jesús Lorenzo Jiménez, Geoffrey K. Martin (eds)‎

Reference : 64549

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‎Canon Law and Christian Societies Between Christianity and Islam. An Arabic Canon Collection From al-Andalus and its Transcultural Contexts‎

‎, Brepols, 2024 Hardback, 434 pages, Size:156 x 234 mm, Illustrations:2 tables b/w., Language: English. ISBN 9782503607269.‎

‎Summary The unique Arabic version of the Iberian canon law code 'Collectio Hispana', preserved in a mid-eleventh-century manuscript of the Royal Library of El Escorial, has been deemed ?the most distinguished and characteristic? work of medieval Andalusi Christian writing. It represents an exceptional source witness to the internal legal organisation of Christian communities in Muslim-dominated al-Andalus as well as to their acculturation to Islamicate environments. Yet, the Arabic collection has received only little scholarly attention so far. This volume presents the results of a recent interdisciplinary research project on the Arabic canon law manuscript, flanked by contributions from neigbouring fields of research that allow for a comparative assessment of the substantial new findings. The individual chapters in this volume address issues such as the origins of the Arabic law code and its sole transmitting manuscript, its language and translation strategies, its source value for both the persistence and transformation of ecclesiastical institutions after the Muslim conquest, or the law code's position in the judicial practice of al-Andalus. The volume brings together the scholarly expertise of distinguished specialists in a broad range of disciplines, e.g. history, Arabic and Latin philology, medieval palaeography and codicology, archaeology, coptology, theology and history of law. TABLE OF CONTENTS I. Introductory Essays Jesús LORENZO JIMÉNEZ, Geoffrey K. MARTIN, and Matthias MASER: ?Introduction: Canon Law and Christian Societies, Between Christianity and Islam. The Arabic Canon Collection From al-Andalus and its Transcultural Contexts? Matthias MASER: ?Whens and Whereabouts?Old and New Lights on the Genesis of al-Q?n?n al-Muqaddas (El Escorial, ms. árabe 1623)? II. The CCAEA's Interrelations With Other Variants of the Latin Hispana Collection Pieter S. Van Koningsveld (?): ?The Date of al-Q?n?n al-Muqaddas: The Lisbon Fragments and the Islamic Sources? Matthias M. TISCHLER: ?Carolingian Canon Law Collections in Early Medieval Catalonia. Complementing or Replacing the Hispano-Visigothic Legal Tradition?? Cornelia SCHERER: ?Looking Over the Editor's Shoulder. Strategies and Processes Applied to the Systematic Arrangement of the Collectio Hispana? Matthias MASER: ?Papal Decretals in the Arabic Canon Law Collection from al-Andalus. Patterns of Selection, Arrangement, and Indexing? III. Language and Lexis of Christian-Arabic (Canon) Law Juan Pedro MONFERRER-SALA: ?Notes on the Lexicon of the Tenth Book of al-Q?n?n al-Muqaddas (Mid-11th Century CE)? Ariana D'OTTONE and Matthijs WIBIER: ?Visigothic Law and Canon Law in al-Andalus: Reconsidering the Leiden Glossary and the Vocabulista in Arabico? IV. Judicial Systems and Court Procedures From a Transcultural Perspective Lev WEITZ: ?Canon Law and Q??? Court Documents in Medieval Egypt? Francisco CINTRON MATTEI: ?Insights Into the Judicial Organization and Social Authority of an Ecclesiastical Judiciary in al-Andalus? Delfina SERANO-RUANO: ?Legal Interactions Between Christians and Muslims in al-Andalus According to the Collection of Legal Cases by Ibn Sahl (d. 486/1093)? V. Persistence and Transformations of Ecclesiastical Structures in al-Andalus Jesús LORENZO JIMÉNEZ: ?When God Does Not Rule the City of God. Bishops and Episcopal Sees in al-Andalus? Ana ECHEVARRÍA ARSUAGA: ?The Survival of Female Monasticism in al-Andalus? María de los Ángeles UTRERO AGUDO: ?Archaeology on the Construction and Connections of the So-Called Mozarabic Churches? VI. Orthodoxy, Discipline, and Law in 'Mozarabic' Societies Geoffrey K. MARTIN: ?Translation and Theology in the Arabic Version of Pope Leo I's Letter against Priscillian? María Magdalena MARTÍNEZ ALMIRA: ?The Marriage of Cordovan Mozarabs in al-Q?n?n al-Muqaddas? VII. Conclusions Thomas BURMAN: ?Conclusion?‎

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‎Cosmas Presbyter, Martin Illert‎

Reference : 65164

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‎Presbyter Kozma, Gegen die Bogomilen. Orthodoxie und Häresie auf dem mittelalterlichen Balkan‎

‎, Brepols, 2021 Paperback, 155 pages, Size:156 x 234 mm, Language(s):German, English. ISBN 9782503596259.‎

‎Summary The Homily of the Unworthy Priest Cosmas Against the Newly-Appeared Heresy of Bogomil (10th century) is a key source for the religious history of the Balkan peninsula. It is one of the earliest and richest sources for the rise of the dualistic religious movement of Bogomilism in the early Middle Ages. Written in a period of war and crisis of the Bulgarian Empire Cosmas sermon is also an important work of Eastern Christian Theology, calling for a thorough reform of clergy and monasticism. During the subsequent centuries Cosmas' work was copied and excerpted by Bulgarian, Serbian and Russian churchmen who were seeking inspiration in their struggle for ecclesial reform and against religious dissent of various heretical movements. In the processes of national identity construction on the Balkans during the nineteenth and twentieth centuries Cosmas' Homily again played a remarkable role. The present study provides the first complete translation into a western language of Begunov's 1973 critical edition. The German translation is accompanied by an introduction and a commentary. Kozmas Predigt zählt zu den bedeutendsten Quellen zum christlichen Dualismus in der Ostkirche und ist ein faszinierender theologischer Text. Die ?Rede des unwürdigen Priesters Kozma gegen die neuerschienene Häresie Bogomils? (10. Jh.) ist ein Schlüsseldokument zur Religionsgeschichte des Balkans und eine der frühesten und gehaltvollsten Quellen zur Entstehung der dualistischen religiösen Bewegung der Bogomilen im Frühmittelalter. Zugleich ist Kozmas Predigt, die in einer Zeit des Krieges und der staatlichen Krise im bulgarischen Reich verfasst wurde, ein bedeutendes Werk ostkirchlicher Theologie, das auf eine gründliche Reform des Klerus und des Mönchtums abzielt. In den nachfolgenden Jahrhunderten kopierten und exzerpierten bulgarische, serbische und russische Kirchenleute das Werk des Kozma auf der Suche nach Inspiration in ihrem Kampf um Kirchenreform und gegen unterschiedliche häretische Bewegungen. In den Prozessen nationaler Identitätskonstruktionen der Balkanländer während des 19. und 20. Jahrhunderts spielte Kozmas Text erneut eine beachtenswerte Rolle. Die vorliegende Arbeit bietet die erste vollständige Übersetzung der kritischen Ausgabe Begunovs von 1973 in eine westliche Sprache. Eine Einleitung und ein Kommentar begleiten die Übersetzung. Martin Illert (1967) ist außerplanmäßiger Professor für Ostkirchenkunde an der Martin-Luther-Universität Halle-Wittenberg. TABLE OF CONTENTS Abkürzungen Einleitung Überlieferung, Ausgaben und Vorgehen Aufbau und literarische Gattung Historische Kontexte Kozma als Schriftsteller Biblische, kirchenrechtliche und homiletische Quellen Kozmas ?Beseda? im Kontext der byzantinischen Häresiologie Die ?Beseda? als sozialgeschichtliche Quelle Kozmas Pneumatologie als Schlüssel zum Verständnis der ?Beseda? Quellen und Sekundärliteratur Rede des unwürdigen Priesters Kozma gegen die neu erschienene Häresie Bogumils Index Bibelstellen Personen, biblische, antike und mittelalterliche Personen, neuzeitliche Begriffe und Sachen‎

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‎Anne P. Alwis, Martin Hinterberger, Elisabeth Schiffer (eds)‎

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‎Metaphrasis in Byzantine Literature‎

‎, Brepols, 2021 Paperback, 179 pages, Size:156 x 234 mm, Language(s):English, Greek. ISBN 9782503593449.‎

‎Summary Throughout the centuries Byzantium's ambitious authors were conscious of the significance of literary registers for the reception of their texts. They deliberately made use of stylistic elements or refrained from using certain features in order to reach their target audience. There are certain groups of texts dating from various periods where these stylistic elements can be tracked precisely by comparison of two or even more versions with their model text. Such examples of rewriting can be found particularly within genres with a broader audience appeal, namely hagiography and historiography. It is in both genres that we encounter metaphrastic processes, in terms of stylistic elaboration and in terms of stylistic simplification. As well as stylistic reshaping, metaphrasis may also encompass the addition or removal of literary and/or thematic aspects. All these processes signify intent as well as authorial interpretation. Frequently, the ideological orientation of a text is refurbished through rewriting. Teasing out these strands for exploration helps to supply a potential wealth of information on the author (if known), cultural (social, religious, historical) context, and creative ability, as well as levels of education and literacy. TABLE OF CONTENTS Anne P. Alwis, Martin Hinterberger & Elisabeth Schiffer, Introduction Christian Høgel, Rewriting in Byzantium: Standardization and Metaphrasis Daria Resh, The First Metaphrast: John, Bishop of Sardis Laura Franco, Observations on the Methods of Metaphrastic Rewriting: The Case of the Passio of St James (BHG 773) Elisabeth Schiffer, Rewriting the Life of St John Chrysostom in Tenth-Century Byzantium Martin Hinterberger, Metaphraseis as a Key for the Understanding of Different Levels in Byzantine Vocabulary Staffan Wahlgren, Byzantine Chronicles and Metaphrasis Corinne Jouanno, The Alexander Romance and Metaphrasis. A Case Study: Alexander's Encounter with the Persian Ambassadors Lev Lukhovitskiy, Emotions, Miracles, and the Mechanics of Psychology in Nikephoros Gregoras' Lives of Empress Theophano and Patriarch Anthony II Kauleas‎

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‎Pierre-Emmanuel Martin-Vivier ; Bruno Foucart‎

Reference : 24402

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‎Jean - Michel Frank : L'etrange luxe du rien.‎

‎, Norma Editions , 2006 Hardcover, 400 pages ; FR. edition, 310 x 240 x 35 mm, NOUVEAU !, richement illustré en couleurs et n/b ; jaquette illustreé, Bibliography, Index. ISBN 9782915542042.‎

‎ Jean-Michel Frank (1895-1941) est une figure mythique des arts décoratifs. Cousin d'Anne Frank, sa biographie fait de lui un personnage de roman noir, d'une guerre mondiale à l'autre, du suicide de son père à Paris au sien à New York en mars 1941. Son style qualifié de " luxe pauvre " est tout aussi paradoxal que sa vie, qui s'est déroulée dans une apparente futilité et un certain mystère, avec des amitiés fidèles pour ses collaborateurs artistes ou architectes Alberto Giacometti, Christian Bérard ou Emilio Terry mais aussi pour ses clients, gens du monde, de la mode ou intellectuels : Charles et Marie-Laure de Noailles, Nelson Rockefeller, Cole Porter, Francis Poulenc, François Mauriac, Pierre Drieu La Rochelle, Louis Aragon, Paul Eluard, Lucien Lelong, Elsa Schiaparelli ou Madeleine Vionnet. Les contraignant à se défaire de leurs objets, de leurs tableaux et de leurs tapis, Frank a inventé pour eux des lieux propices à la méditation et au rêve. Dans ces décors irréels, son mobilier n'a pas de place assignée. D'une simplicité parfaite, il présente des affinités avec un néoclassicisme français du XVIIIe siècle, mais dépouillé de ses ornements, habillé de cuir, de parchemin, de galuchat, marié au plâtre, à la paille, à la terre cuite, au graphite, à la toile de jute. Indifférent aux grands débats de la première moitié d'un XXe siècle, partagé entre les aspirations sociales du mouvement moderne et les tenants de la tradition, Jean-Michel Frank n'a cherché ni à construire un nouveau monde ni à se raccrocher à un passé nostalgique. Avec élégance, il a cassé les conventions, nettoyé les lieux de leur histoire. Peut-être est-ce ce mélange de légèreté et de rigueur, de rêve et de poésie, ce détournement très actuel des objets et des matériaux qui ont amené tant de décorateurs et de designers à se réclamer de lui, sans comprendre souvent qu'une telle ?uvre est indissociable de l'être. Si aujourd'hui ses créations sont recherchées par les antiquaires internationaux et figurent dans les plus grandes collections, certaines, comme le canapé Confortable ou le vase en verre cubique, sont entrées dans l'univers commun, vulgarisées sans que le nom de Jean-Michel Frank soit cité. La monographie de Pierre-Emmanuel Martin-Vivier replace l'?uvre du créateur dans le contexte artistique, intellectuel et politique de son époque, au-delà du personnage mondain auquel on l'a souvent réduit. L'étude de l'ensemble de la production, connue à ce jour, de Frank et de ses collaborateurs a permis d'établir un catalogue de modèles et de définir ses évolutions stylistiques, déterminant son apport unique dans l'histoire des arts décoratifs du XXe siècle. Des intérieurs anonymes sont identifiés, d'autres révélés. Des aspects peu connus de sa carrière, comme son association avec l'ébéniste Adolphe Chanaux ou ses collaborations avec Bérard, Giacometti, Laurens, Rodocanachi et Terry, déterminantes dans l'élaboration de son esthétique, sont enfin éclaircis.‎

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‎Jan Fabre ; Martin Köttering‎

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‎Jan Fabre: Engel und Krieger : Strategien und Taktiken ENG / GER‎

‎, Städtische Galerie Nordhorn, 1999 Hardcover, 132 pag. ENG / GER, 295 x 250 x 18 mm, In Very Good Condition, illustrated in colour / b/w. ISBN 9783922303329.‎

‎131 S. : überw. Ill., mit zahlr. farbigen Abbildungen / Fotos, Jan Fabre, Engel und Krieger : Strategien und Taktiken; [der Katalog erscheint anläßlich der Ausstellung Jan Fabre, Engel und Krieger - Strategien und Taktiken, Städtische Galerie Nordhorn vom 24. April bis 20. Juni 1999, Städtische Galerie Ravensburg vom 3. Juli bis 22. August 1999, Kunsthalle zu Kiel vom 13. September bis 7. November 1999] / Hrsg.: Martin Köttering. Städtische Galerie Nordhorn; Städtische Galerie Ravensburg; Kunsthalle zu Kiel , Hrsg.: Martin Köttering. [Katalog: Jan Fabre; Attilio Maranzano; Tijs Visser.‎

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‎ Martin Parr‎

Reference : 61051

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‎Martin Parr : Up and down Peachtree : Photographs of Atlanta‎

‎, Contrasto, 2012 Hardcover, 160 pages, ENG, 290 x 230 x 20 mm, as New , full page coloured photographs. ISBN 9788869653322.‎

‎In this book, published to accompany a massive exhibition scheduled for July 2012 at the High Museum of Art in Atlanta, Martin Parr turns his idiosyncratic eye on concepts such as leisure, consumption and communication, and how these themes play out in America.‎

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‎Rob Scholte, Martin Bril, Rudi Fuchs, Teun van de Keuken‎

Reference : 25279

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‎Rob Scholte Hot chocolate‎

‎BE, MER.paperkunsthalle, 2009 210x135mm, 84p, Dutch (NL) edition . ISBN 9789076979793.‎

‎Gebonden Gekartonneerd. als nieuw !! Language NL Authors Martin Bril, Rudi Fuchs, Teun van de Keuken, Rob Scholte, Roel Steenbeek Design Luc Derycke, Jeroen Wille‎

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‎HEYLEN, Martin;‎

Reference : 27474

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‎RAYMOND VAN HET GROENEWOUD. IN MIJN HOOFD,‎

‎Antwerpen, De Bezige Bij, 2010 Gebonden, geillustreerd hardcover onder foto-kartonomslag, 135 x 210mm., 257pp., gevolgd door een aantal z/w foto's, + CD. ISBN 9789085422730.‎

‎Televisiemaker Martin Heylen heeft een boek geschreven over het leven van zanger Raymond van het Groenewoud (60). Bij het boek "Raymond van het Groenewoud. In mijn hoofd" hoort ook een cd met toepasselijke liedjes. Heylen, die Van het Groenewoud ook volgde voor zijn programma "God en klein Pierke", heeft in 10 hoofdstukken over 10 belangrijke thema's in het leven van de singer-songwriter geschreven. Bij elk thema uit het boek koos Van het Groenewoud een toepasselijk lied. Op de cd, die bij het boek hoort, staan ook 2 nieuwe liedjes. Nieuw boek. ‎

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‎G. Martin‎

Reference : 31382

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‎Rubens in London. Art and Diplomacy ‎

‎, Brepols Publishers, 2011 hardcover, 205 p., 68 b/w ill. 22 colour ill., 210 x 280 mm, English. ISBN 9781905375042.‎

‎The Flemish artist Peter Paul Rubens is probably the most important foreign artist to have worked in England. The story of how this came to be, of what he did when he was in England and what he painted for King Charles I is the story of this book. Charles and his father, the first Stuart monarchs of Great Britain, led and promoted a great wave of interest in the arts, in particular the visual arts, that culminated in Rubens painting nine large canvases to decorate the ceiling of Inigo Jones?s Banqetting Hall, the ceremonial centre of the Court in Whitehall - a monument that is still intact today. It is this cycle, an hitherto unappreciated masterpiece of Baroque state art, that is the focus of this book. How Rubens came to obtain the commission is a tale of international politics and diplomacy in which the artist himself played a significant role. The author relates these complex political relationships and missions with great insight and clarity, and in doing so also describes the cultural and social setting in which Rubens found himself while in London. The illustrations that accompany the text include not only many of Rubens's own paintings and drawings made when he was in London, but also some of the now well-known works by the Italian and North European Renaissance masters that Rubens would have seen in the magnificent art collections of the King and the English aristocracy. Foremost however among the illustrations are the reproductions of the Banqueting Hall ceiling itself: these are mostly in colour, showing each of the three central scenes both complete and with striking details that would be difficult to see in the Hall itself. Also the corner oval painting as well as the long, celebratory, exuberant processions on either side are reproduced in colour and in detail, so that the reader, guided by the author's full descriptions and interpretations, can experience a unique viewing and understanding of Rubens's masterpiece. The Author, Gregory Martin, has been interested in the ceiling paintings of the Banquetting Hall ever since he worked at the National Gallery in the 1960s, when he wrote the catalogue of the Gallery's Flemish paintings. Towards the end of his subsequent career at Christie's, where he was a director concerned with old master paintings, he was commissioned to write the Corpus Rubenianum volume on the ceiling decoration of the Banquetting Hall which was published in 2005. In the present book he returns to the subject, treating it and the related matter of Rubens in London in a way designed to appeal to a wider readership. ‎

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‎Martin Waller, Belinda Buckley.‎

Reference : 41963

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‎Andrew Martin Interior Design Review. Volume 8‎

‎S.L., Andrew Martin, 2004 Hardcover with dustjacket, 399pp., 32.5x24cm., ills. in col., new. ISBN 9780953004560.‎

‎This title provides an eclectic mix of the best residential and commercial international interior design. ‎

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