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‎Scultori Fiamminghi. Artistic Exchange in Sculpture between the Low Countries and Italy 1500-1620‎

‎, Brepols - Harvey Miller, 2026 Hardback, 432 pages, Size:240 x 300 mm, Illustrations:20 b/w, 330 col., 10 tables b/w., Language: English. *new ISBN 9781912554973.‎

‎Summary From the late medieval period onwards, an interplay of different factors stimulated sculptors from the Low Countries to work abroad. From the first half of the sixteenth century, artists increasingly travelled to Italy. These so-called Scultori Fiamminghi crossed the Alps to study classical monuments and sculptures firsthand, to draw inspiration from the new Renaissance style and, as a result, to both develop their own artistic expression and seek commissions from new patrons. The dynamic exchange between the Northern and Southern Renaissance gave rise to fascinating stylistic cross-pollination. This book contains not only a wide range of essays that address multiple aspects of the sculptural relationship between the Low Countries and Italy in the sixteenth and early seventeenth centuries, but also detailed catalogue entries on all exhibition loans. The catalogue follows a chronological structure, highlighting early precursors and transitional figures, as well as the first and second generation of Flemish sculptors active in Italy, culminating in the Early Baroque period. In addition to bringing together and synthesizing previously published research, the present volume presents a significant body of new information. This material is the result of in-depth research conducted by leading specialists across various disciplines and offers an overview of the most recent discoveries in the field, including the papers presented at the tenth ards Colloquium on Medieval and Renaissance Art (Rome, 2023). With essays by Marjan Debaene, Harula Economopoulos, Gr goire Extermann, Tancredi Farina, Stefano Farinelli, Valerie Herremans & Joris Snaet, Alain Jacobs, Arie Pappot, Frits Scholten, Max Wiringa. TABLE OF CONTENTS Introduction Marjan Debaene From Gothicism to Mannerism in the Low Countries The Development of a New Style in the Low Countries in the First Half of the Sixteenth Century Marjan Debaene Jacques Dubroeucq: A Connection Between Genoa and Rome Gr goire Extermann catalogue nos 1-32 Shaping Connections: Giambologna and Artistic Exchange between Italy and the Low Countries Sculptors from the Low Countries in Italy in the Late Sixteenth and Early Seventeenth Centuries Harula Economopoulos and Alain Jacobs Giambologna: Between Florence and the Low Countries Max Wiringa Casting a New Light on Giambologna's Time in Rome Max Wiringa On Goldsmiths and Sculptors Frits Scholten Copies of Michelangelo's Phases of Time Shared between Italy and Northern Europe: The Role of Niccol Tribolo's Terracottas Stefano Farinelli catalogue nos 33-90 Fiamminghi Sculptors' Presence and Activity in Rome Fiamminghi Sculptors in a Roman Context: Work Organization, Patronage, and Religious Affiliations Harula Economopoulos Piper, Van den Vliete, and La Motte as Restorers, Antiquarians, and Collectors Harula Economopoulos Some Thoughts on Nicolas Piper, Gillis van den Vliete, and Portraiture in Late Sixteenth-Century Rome Tancredi Farina Jacob Cobart: An Update of Our Knowledge Alain Jacobs Pierre de la Motte and Guglielmo Mido: Two Sculptors from the Southern Netherlands Active in Post-Tridentine Rome Alain Jacobs catalogue nos 91-102 The Triumph of Catholicism and Early Flemish Baroque Sculpture in the Southern Netherlands From Mannerism to Baroque in the Southern Netherlands Alain Jacobs The De Nole Workshop's Sculptural Programme at the Basilica of Our Lady of Scherpenheuvel Valerie Herremans and Joris Snaet catalogue nos 103-113 Epilogue catalogue no. 114 Dating Bronzes: Two Case Studies from the Exhibition Arie Pappot Bibliography Index Lenders to the Exhibition Photographic Acknowledgements‎