, Brepols, 2026 Paperback, Pages: x + 366, Size:210 x 297 mm, Illustrations:122 col., Language: English. ISBN 9782503602516.
Summary At the turn of the nineteenth century, British landscape painting had evolved from the literal or idealised rendering of a view into the expression of a sensitive perception of a scene that would 'tell its story'. To achieve this evolution, certain late eighteenth-century landscape artists synthesized aesthetical, educational, and practical approaches. For many, a sojourn in Italy, where their practice was largely devoted to the exercise of plein-air sketching, became a laboratory to experiment with processes and deal with issues of materiality in a particularly innovative manner. This book investigates the roots of this renewal, explores technical and material innovations, and examines their diffusion through engraving and publishing. TABLE OF CONTENTS Introduction I: A Prospect of Landscape Portrayal II: The Mastery of Landscape Portrayal III: The 'Learned Eye' on Nature IV: 'Capturing Nature': Exploring Sketching from Nature V: 'Conveying an Impression of Nature': Exploring Materiality VI: 'Expressing Nature's Essence': Exploring Colour Techniques VII: Reinventing Modes of Disseminating Skills VIII: Sharing Travel Experiences IX: Sharing Practices: Artistic Emulation on the Grand Tour Conclusion Addendum: Characteristics and Details of Sketchbooks and Albums Sources and Select Bibliography Index