47985 books for « marie i v »Edit

‎Gilles Marie Oppenord. Carnet De Dessins Faits a Rome, 1692-1699. 2 Vols.‎

‎Oppenort, Gilles Marie; Peter Fuhring, Jean-Gerald Castex: Gilles Marie Oppenord. Carnet De Dessins Faits a Rome, 1692-1699. 2 Vols. 2018. Facsimile volume is unpaginated and accompanied by a commentary (92 pages, with colour illustrations). Hardback in a slipcase. 22.7x16.1cms. Oppenord's sketchbook was acquired by the Louvre Museum in 1972, and it remains in the museum's collection. The notebook is fully reproduced in a facsimile edition, accompanied by a critical study of Oppenord's Roman years, dedicated to the study and consideration of local monuments and architectures. The commentary also provides a detailed description of the original tome. Text in French.‎

‎Oppenord's sketchbook was acquired by the Louvre Museum in 1972, and it remains in the museum's collection. The notebook is fully reproduced in a facsimile edition, accompanied by a critical study of Oppenord's Roman years, dedicated to the study and consideration of local monuments and architectures. The commentary also provides a detailed description of the original tome. Text in French‎

‎La Peinture En Provence Au XVIe Siecle‎

‎Leonelli, Marie Claude, Marie Paule Vial and Helene Pichou: La Peinture En Provence Au XVIe Siecle. Exhibition: Marseilles, MusÃes de Marseille, 1987. 226 pp. Fully illustrated in colour. Dust Jacket. Very good condition. Hardback. Text in French.‎

‎Text in French‎

‎The Drawings of Peter Paul Rubens, A Critical Catalogue, Volume Three, 1621-1640. 2 Volumes‎

‎Logan, Anne-Marie., Kristin Lohse Belkin: The Drawings of Peter Paul Rubens, A Critical Catalogue, Volume Three, 1621-1640. 2 Volumes. 2025. 555 pages, 172 black & white and 342 colour illustrations. Hardback. 28 x 21.6cms.‎

‎Dictionnaire des PoinÃons de l'OrfÚvrerie FranÃaise. PoinÃons des Fabricants d'Ouvrages d'Or et d'Argent. Lyon 1798-1940. Dictionnaire des poinÃons de l'orfÚvrerie franÃais‎

‎Chalabi, Maryannick and Marie-Reine JazÃ-Charvolin: Dictionnaire des PoinÃons de l'OrfÚvrerie FranÃaise. PoinÃons des Fabricants d'Ouvrages d'Or et d'Argent. Lyon 1798-1940. Paris: Imprimerie Nationale, 1993. Series: Dictionnaire des poinÃons de l'orfÚvrerie franÃais. 326 pages with 1372 marks, 8 colour plates and 58 monochrome figures. Paperback. 27x21cms. Good reference work, divided into three main sections: The Lyons Assay Office and makers 1798-1940; list of makers' marks; list of manufacturing and trading goldsmiths and jewellers without marks. For each mark, biography of maker supplied along with details of profession, address, active dates, predecessors, successors. With glossary, bibliography, indices: names, symbols, professions, Lyons street names, towns. Text in French. . Text in French.‎

‎Good reference work, divided into three main sections: The Lyons Assay Office and makers 1798-1940; list of makers' marks; list of manufacturing and trading goldsmiths and jewellers without marks. For each mark, biography of maker supplied along with details of profession, address, active dates, predecessors, successors. With glossary, bibliography, indices: names, symbols, professions, Lyons street names, towns. Text in French. . Text in French‎

‎Melanges. Pierre Leveque‎

‎Mactoux, Marie-Madeleine (Ed.), Evelyne Geny (Ed.): Melanges. Pierre Leveque. 1989. 470 pages, illustrated in black & white. Paperback. 24 x 20cms. Text in English and French.‎

‎Text in English and French‎

‎The Art and Ritual of Childbirth in Renaissance Italy‎

‎Musacchio, Jacqueline Marie: The Art and Ritual of Childbirth in Renaissance Italy. London: Yale University Press, 1999. 224pp with 40 colour plates and 150 monochrome illustrations. Cloth. 28x22cms. Symbols of fertility, birth objects, ranging from wooden trays and bowls to maiolica wares, paintings and sculpture, are the focus of this study of their appearance, meaning and function. The author also outlines the social and cultural context in which they were created, purchased and bestowed.‎

‎Symbols of fertility, birth objects, ranging from wooden trays and bowls to maiolica wares, paintings and sculpture, are the focus of this study of their appearance, meaning and function. The author also outlines the social and cultural context in which they were created, purchased and bestowed. Text in English‎

‎L'Ornament Precieux 2‎

‎Solinas, Francesco, Marie Laure Cassius-Duranton, and Giullaume Glorieux: L'Ornament Precieux 2. 2025. 197 pages, 183 colour illustrations. Paperback. 29 x 21cms. A study of the sumptuary arts in Europe since the late Middle Ages, looking at oriental fabric and carpets, glasswork, enamels, and jewelry. 12 essays explore the jewels of the House of Burgundy and Habsburg, the contents of the Tudor treasury, perfume at the European courts, Catherine de Medici's Valois tapestry, precious ornaments for Jewish merchants in Venice, jewelry in sixteenth century Florence, commissions for Eleonora and Margherita Gonzaga, and Cardinal Mazarin's gem collection. Text in French.‎

‎A study of the sumptuary arts in Europe since the late Middle Ages, looking at oriental fabric and carpets, glasswork, enamels, and jewelry. 12 essays explore the jewels of the House of Burgundy and Habsburg, the contents of the Tudor treasury, perfume at the European courts, Catherine de Medici's Valois tapestry, precious ornaments for Jewish merchants in Venice, jewelry in sixteenth century Florence, commissions for Eleonora and Margherita Gonzaga, and Cardinal Mazarin's gem collection. Text in French‎

‎Chefs-d'oeuvre inconnus. Estampes du musÃe de Grenoble.‎

‎Alsberghe, Marie., et al.: Chefs-d'oeuvre inconnus. Estampes du musÃe de Grenoble. Exhibition: Grenoble, MusÃe de Grenoble, 2025. 272 pages, 173 colour illustrations. Paperback. 28 x 22cms. A catalogue of 115 prints in the exhibition at the musee de Grenoble. 4 essays discuss the history of European art through engraving, the collection of prints at the musee de Grenoble, Jean Jacques de Boissieu's body of work at the musee de Grenoble, and the engravers Henri Leriche and Charles Dupont. Text in French.‎

‎A catalogue of 115 prints in the exhibition at the musee de Grenoble. 4 essays discuss the history of European art through engraving, the collection of prints at the musee de Grenoble, Jean Jacques de Boissieu's body of work at the musee de Grenoble, and the engravers Henri Leriche and Charles Dupont. Text in French‎

‎Pierre et FranÃois Puget, peintres baroques‎

‎Gloton, Marie-Christine: Pierre et FranÃois Puget, peintres baroques. Aix-en-Provence: Edisud, 1985. 158pp with 24 colour and 50 monochrome illustrations. Cloth. 32x25cms. With catalogue of extant and lost works, selected criticism, bibliography. From an edition limited to 2,900 copies only. Text in French.‎

‎With catalogue of extant and lost works, selected criticism, bibliography. From an edition limited to 2,900 copies only. Text in French‎

‎Emaux mÃridionaux. Catalogue international de l'oeuvre de Limoges. Tome I: L'Ãpoque romane‎

‎Gauthier, Marie-Madeleine and GeneviÚve FranÃois: Emaux mÃridionaux. Catalogue international de l'oeuvre de Limoges. Tome I: L'Ãpoque romane. Paris: Centre National de la Recherche Scientifique, 1987. 316pp plus 138 colour and 732 monochrome illustrations. Hardback. 36 x 27cms. Fully illustrated corpus and history. With extensive documentation, bibliography, indices. Text in French.‎

‎Fully illustrated corpus and history. With extensive documentation, bibliography, indices. Text in French‎

‎Dans le Sillage de Rubens. Les Peintres d'Histoire anversois au XVIIe SiÚcle‎

‎Hairs, Marie-Louise: Dans le Sillage de Rubens. Les Peintres d'Histoire anversois au XVIIe SiÚcle. LiÚge: Universite de LiÚge, 1977. 312 pages with 10 colour plates and 91 monochrome illustrations. Cloth. 32.5 x 24cms. Well researched and richly documented publication on history painting in 17th century Antwerp. Text in French. Text in French.‎

‎Well researched and richly documented publication on history painting in 17th century Antwerp. Text in French. Text in French‎

‎LumiÚre et TÃnÚbres. Art et Civilisation du Baroque en Bohême‎

‎Ducreux, Marie-Ãlizabeth et al: LumiÚre et TÃnÚbres. Art et Civilisation du Baroque en Bohême. Exhibition: Lille, Palais des Beaux-Arts, 2002. 215pp with 99 colour and 68 monochrome illustrations. Paperback. 28x22cms. Light and shadow, Baroque art and civilisation in Bohemia, includes paintings, drawings, glassware, furniture and sculpture. Wenceslaus Hollar, Peter Johann Brandl and Matthias Braun are amongst the artists featured. Text in French.‎

‎Light and shadow, Baroque art and civilisation in Bohemia, includes paintings, drawings, glassware, furniture and sculpture. Wenceslaus Hollar, Peter Johann Brandl and Matthias Braun are amongst the artists featured. Text in French‎

‎Tout Feu Tout Sable: Mille Ans de Verre Antique dans le Midi de la France‎

‎Foy, DaniÚle and Marie-Dominique Nenna: Tout Feu Tout Sable: Mille Ans de Verre Antique dans le Midi de la France. Musee de Marseille, 2001. 255 pages, illustrated in colour throughout. Paperback. 30 x 21cms. Text in French.‎

‎Text in French‎

‎La Corse au coeur de l'Europe des LumiÚres - Pasquale de Paoli (1725-1807)‎

‎Binet, Clarysse, Jean-Marie Arighi, Lucien BÃly et. al.: La Corse au coeur de l'Europe des LumiÚres - Pasquale de Paoli (1725-1807). 2007. 419 pages, fully illustrated in colour throughout. Paperback. 32 x 24cms. Catalogue accompanying an exhibition around the 18th century Corsican patriot and statesman Pasquale de Paoli at the MusÃe RÃgional d'Anthropologie in Corsica. Text in French.‎

‎Catalogue accompanying an exhibition around the 18th century Corsican patriot and statesman Pasquale de Paoli at the MusÃe RÃgional d'Anthropologie in Corsica. Text in French‎

‎L'OrfÚvrerie Religieuse Bretonne‎

‎Auzas Pierre-Marie: L'OrfÚvrerie Religieuse Bretonne. Picard, 1955. 156 pages, 28 black and white plates. Paperback. 28.5 x 22.5cms.‎

‎Jean Fautrier. Critical Catalogue of Paintings.‎

‎Lefort, Marie-JosÃ, Konstantina Minou: Jean Fautrier. Critical Catalogue of Paintings. Paris: 2023. 628 pages, illustrated in colour throughout. Hardback. 30x25cms. First comprehensive annotated catalogue of Jean Fautrier's paintings, discussing the technique, origin, exhibition history and bibliography of each listed work. Supplemented with a detailed biography, technical analyses and transcriptions of interviews and radio broadcasts. Trained at the Royal Academy of Arts and initially influenced by Turner, Fautrier turned to abstraction in the 1940s, launching the art informel movement which branched out into Tachisme. His interaction with the intellectual figures of his time, including Jean Paulhan, Paul Ãluard, Francis Ponge, Renà Char and Andrà Malraux, resulted in politically resonant works such as his series Otages (1943-1945), Objets (1947-1948) and Partisans (1956), here presented in detail. Text in English and French.‎

‎First comprehensive annotated catalogue of Jean Fautrierâs paintings, discussing the technique, origin, exhibition history and bibliography of each listed work. Supplemented with a detailed biography, technical analyses and transcriptions of interviews and radio broadcasts. Trained at the Royal Academy of Arts and initially influenced by Turner, Fautrier turned to abstraction in the 1940s, launching the art informel movement which branched out into Tachisme. His interaction with the intellectual figures of his time, including Jean Paulhan, Paul Ãluard, Francis Ponge, Renà Char and Andrà Malraux, resulted in politically resonant works such as his series Otages (1943-1945), Objets (1947-1948) and Partisans (1956), here presented in detail. Text in English and French‎

‎Les vanitÃs dans la peinture au XVIIe siÚcle. MÃditations sur la richesse, le dÃnuement et la rÃdemption‎

‎Tapie, Alain; Jean-Marie Dautel; Philippe Rouillard: Les vanitÃs dans la peinture au XVIIe siÚcle. MÃditations sur la richesse, le dÃnuement et la rÃdemption. Exhibition: Caen, MusÃe des Beaux-Arts and Paris, Petit Palais, 1991. 351 pages. Paperback. 29 x 24.5cms. Text in French.‎

‎Text in French‎

‎Die Steinschneidekunst und Ihre Kunstler in Spatrepublikanischer und Augusteischer Zeit‎

‎Vollenweider, Marie-Louise: Die Steinschneidekunst und Ihre Kunstler in Spatrepublikanischer und Augusteischer Zeit. 1966. 249 pages, 577 black & white illustrations. Hardback. 29 x 21cms. Ex libris Professor Sir John Boardman. Text in German.‎

‎Ex libris Professor Sir John Boardman. Text in German‎

‎Marcel Broodthaers‎

‎Broodthaers, Marie-Puck: Marcel Broodthaers. Munich: 2013. 320 pages, with 350 colour illustrations. Hardback. 30.7 x 25.6cms.‎

‎Text in English‎

‎Spectaculaire Second Empire‎

‎Cogeval, Guy; Paul Perrin, Yves Badetz, Marie-Claude Vial: Spectaculaire Second Empire. Exhibition: Paris, MusÃe d'Orsay, 2016. 320 pages; 350 illustrations. Hardback. 28 x 24cms. To celebrate its 30th anniversary in autumn 2016, the MusÃe d'Orsay is looking at the entertainments and festivities of the Second Empire and at the different 'stages' on which our modernity was invented. The exhibition's thematic lay-out, with paintings, sculptures, photographs, architectural drawings, objets d'art and jewellery side by side, creates a portrait of this prolific and brilliant era, so rich in contradictions. Text in French.‎

‎To celebrate its 30th anniversary in autumn 2016, the MusÃe dâOrsay is looking at the entertainments and festivities of the Second Empire and at the different 'stages' on which our modernity was invented. The exhibitionâs thematic lay-out, with paintings, sculptures, photographs, architectural drawings, objets dâart and jewellery side by side, creates a portrait of this prolific and brilliant era, so rich in contradictions. Text in French‎

‎De Zeventiende Eeuw. De Gouden Eeuw. Van de Vlaamse Schilderkunst.‎

‎Greindl, Edith; Hairs, Marie-Louise: De Zeventiende Eeuw. De Gouden Eeuw. Van de Vlaamse Schilderkunst. Antwerp: Standaard Uitgeverij, 1990. 336 pages, colour illustrations throughout. Hardback. 32x24cms. Text in Dutch.‎

‎Text in Dutch‎

‎Sounding Forms. African Musical Instruments‎

‎Brincard, Marie-Therese ed.: Sounding Forms. African Musical Instruments. Exhibition: Washington, National Museum of African Art, 1989. 207pp with 29 colour plates and 151 monochrome illustrations. Wrappers. 30.5x23cms. Very slight water damage to the back top corner.‎

‎Very slight water damage to the back top corner.‎

‎L'Art Copte en Egypte 2000 ans de Christianisme‎

‎Benazeth, Dominique and Marie-Helene Rutschowscaya: L'Art Copte en Egypte 2000 ans de Christianisme. Exhibition: Paris, Institut du Monde Arabe, 2000. 256 pageswith 340 colour illustrations. Cloth. 31.7x23.6cms. A wide-ranging exhibition on the history, language, religion, art and daily life of the Copts in Egypt from the Roman era to the present. Text in French.‎

‎A wide-ranging exhibition on the history, language, religion, art and daily life of the Copts in Egypt from the Roman era to the present. Text in French‎

‎Louis Hersent (1777-1860). Peintre d'Histoire et Portraitiste.‎

‎Brem, Anne-Marie:: Louis Hersent (1777-1860). Peintre d'Histoire et Portraitiste. Exhibition: Paris, MusÃe de la Vie Romantique, 1993. 168pp with 15 colour and 110 monochrome illustrations. Soft covers. 27x21cms. Catalogue of the works of this historical and portrait painter, and pupil of Jean-Baptiste Regnault. With biographical outline, index of artists' names. Text in French.‎

‎Catalogue of the works of this historical and portrait painter, and pupil of Jean-Baptiste Regnault. With biographical outline, index of artists' names. Text in French‎

‎L'Immédiate (Du numéro 1 de novembre 1974 au numéro double 28-29 été-automne 1981 : Complet des 29 parus) [ Détail des 29 numéros ] N° 1, novembre 1974 : Philippe Soupault, Angèle Vannier, Marcel Jacno, Evelyn Ortlieb, Daniel Grojnowski, Jean-Pierre Ghysels, Anne-Marie Christin, Jean-Pierre Jasz, Philippe Clerc, Jacqueline Sublet, Danièle Lazarevsky, Monique Boucher, Georges Couroupos, Marie-Noëlle de Torhout, Ernesto Lopez-Pino, Georgette Simon ; N° 2, hiver 1974-1975 : Elbio Mazet, Julio Moncada, Santenac, Christiane Raiga, Michel Chaudière, Léon Zack, Michel Auphan, André Vigneau, Michelle Thirion, Francine Van Hove, Louis Simon, Abdallah Benanteur, Danièle Lazarevsky, Jean-Marie Durand, Morio Taouroumi, Anne Spiteri, Georges Robert ; N° 3 : printemps 1975 : Dussaut, Jean B. Delahaye, Carlo Berte, Giuliano Modesti, Werner Lambersy, Danièle Lazarevsky, Monique Boucher, Enrique Chifflet, Georges Robert, Jeanne Bessière, Marie-Noëlle de Torhout, Ernesto Lopez-Pino, Marcel Jacno, Angèle Vannier, Georgette Simon, Anna Shanon ; N° 4, été 1975 : L'écriture et l’image dans le monde arabe. Par Jacqueline Sublet. Choix de textes et traduction : Georges Douillet. Calligraphies originales : Ghani Alani ; N° 5, automne 1975 : Les passages de Paris. Daniel Mauroc, Philippe Soupault, Jean-Vincent Verdonnet, Daniel Grojnowski, Geneviève Fourcade, Michelle Bloch, Denise Borias, Anne-Marie Christin, Gaëtan Picon. Danièle Lazarevsky, Photographies ; N° 6, hiver 1975-1976 : Typo-graphies. Guy Lévis-Mano, Adrian Frutiger, Michel Butor, Raymond Gid, René Lamoureux, Marcel Jacno, Jean Larcher, Pierre Duplan, Henri Pichette, Gérard Blanchard, Maximilien Vox, Massin, Jacques Garamond. Réalisation : Marcel Jacno ; N° 7, printemps 1976 : Bertrand Halff, Evelyn Ortlieb, Werner Lambersy, Francine Van Hove, Salbris, Pierre Maillard, Roger Cornaille, Simone Le Bret, Jean-Paul Hameury, Georgette Simon, Paolo Pozzo, Marfaing, Garicia Mulet, Béatrix Balteg, Marie-Noëlle de Torhout, Françoise Mairey, Osolin, Pierre Daboval, Jacques Lepage, Danièle Lazarevsky : N° 8, été 1976 : Sumer. Choix de textes et traductions : Jean-Marie Durand. François Sagnes, Photographies ; N° 9, automne 1976 : Marc Soriano, Bestiaire. Danièle Lazarevsky, Photographies ; N° 10, hiver 1976-1977 :Agnès Vannier, L’écharpe rouge et les chiens bleus ; N° 11-12, printemps-été 1977 : Manifesti. Affiches italiennes. Les élections de juin 1976. Marcel Jacno, Paul-Michel Villa, Enrico Fulchignoni, Boni de Torhout. Paul-Michel Villa, Photographies ; N° 13, automne 1977: Assemblages. Pietro Vanni, Liliane Giraudon, Agathe Eristov Gengis Khan, Alexandre Chem, Françoise Rando, Anne-Marie Christin, Pierre Cordier, Philippe Clerc, André Stas, Françoise Mairey, Lariega, Marcel Bénabou, Paul Fournel, Harry Mathews, Marie-Nöelle de Torhout, Daniel Giffar ; N° 14, hiver 18977-1978: Victor Segalen. Claudine Bouretz, Eliane Formentelli, Photographies et montage ; N° 15-16, printemps-été 1978 : Raymond Gid. Rencontres d’art-thérapie. Avec linogravure et dessin en milieu psychiatrique, présentation et réalisation de Raymond Gid ; N° 17, automne 1978 : Toughra. Paraphes des souverains ottomans. Réalisation Jacqueline ; N° 18, hiver 1978-1979 : Philippe Clerc, Journal mai-décembre 77 ; N° 19, printemps 1979 : Tentativa de Vida y muerte de un espantapajaros [Vie et mort d’un épouvantail] Réalisation Antonio García-Múlet ; N° 20, été 1979 : Chiffres : Roger Excoffon, Jose Mendoza y Almeida, Adrian Frutiger, Jacques Garamond, Claude Mediavilla, Marcel Jacno, Jean Larcher. Réalisation Marcel Jacn ; N° 21, automne 1979 : Denise Borias, Poèmes. Réalisation Evelyn Ortlieb ; N° 22, hiver 1979-1980 : Marc Soriano, Le Doppelgänger. Nouvelle. Danièle Lazarevsky. Photographies. ; N° 23-24, printemps-été 1980 : Fragments d’une musique immédiate de la Modern Art Agency. Milada Cerny, Hermine Vogl-Sernheim, Emmy Stihl, Heidi Wenzel, Andréa Camenisch, Margrit Wyss, Rosalba di Lorenzo, Myriam Seele, Yolanda Myers, Roberto Altmann. Partitions mises en lumière par Brigitte Bürki à la demande de Anne-Marie Christin ; N° 25, automne 1980 : Philippe Treuschel, Écrits-Photos ; N° 26, hiver 1980-1981 : Calligraphie japonaise. Réalisation Elisabeth Frolet ; N° 27, printemps 1981 : Jean Laude, Le dernier mot. Poème. Mechtilt. Noirs ; N° 28-29, été-automne 1981 ; Daniel Giffard, Yves Mairot, Michel Arouimi, Evlyn Ortlieb, Philippe Treuschel, Anne-Marie Christin, Gabrielle di Falco, Antonio García-Múlet, Francine Van Hove, Lucette Pelillo, Hélène Garcia Léon, Georgette Simon, Anne Spiteri, Mechtilt, Jean Laude, Philippe Clerc, Bernard Dubourg, Danièle Lazarevsky, Jean-Pierre Jasz.‎

‎29 numéros (dont 4 doubles) en 24 vol. in-4 br. (thermocollés), Librairie Le Minotaure, 1974-1981. Détail des numéros : N° 1, novembre 1974 : Philippe Soupault, Angèle Vannier, Marcel Jacno, Evelyn Ortlieb, Daniel Grojnowski, Jean-Pierre Ghysels, Anne-Marie Christin, Jean-Pierre Jasz, Philippe Clerc, Jacqueline Sublet, Danièle Lazarevsky, Monique Boucher, Georges Couroupos, Marie-Noëlle de Torhout, Ernesto Lopez-Pino, Georgette Simon ; N° 2, hiver 1974-1975 : Elbio Mazet, Julio Moncada, Santenac, Christiane Raiga, Michel Chaudière, Léon Zack, Michel Auphan, André Vigneau, Michelle Thirion, Francine Van Hove, Louis Simon, Abdallah Benanteur, Danièle Lazarevsky, Jean-Marie Durand, Morio Taouroumi, Anne Spiteri, Georges Robert ; N° 3 : printemps 1975 : Dussaut, Jean B. Delahaye, Carlo Berte, Giuliano Modesti, Werner Lambersy, Danièle Lazarevsky, Monique Boucher, Enrique Chifflet, Georges Robert, Jeanne Bessière, Marie-Noëlle de Torhout, Ernesto Lopez-Pino, Marcel Jacno, Angèle Vannier, Georgette Simon, Anna Shanon ; N° 4, été 1975 : L'écriture et l’image dans le monde arabe. Par Jacqueline Sublet. Choix de textes et traduction : Georges Douillet. Calligraphies originales : Ghani Alani ; N° 5, automne 1975 : Les passages de Paris. Daniel Mauroc, Philippe Soupault, Jean-Vincent Verdonnet, Daniel Grojnowski, Geneviève Fourcade, Michelle Bloch, Denise Borias, Anne-Marie Christin, Gaëtan Picon. Danièle Lazarevsky, Photographies ; N° 6, hiver 1975-1976 : Typo-graphies. Guy Lévis-Mano, Adrian Frutiger, Michel Butor, Raymond Gid, René Lamoureux, Marcel Jacno, Jean Larcher, Pierre Duplan, Henri Pichette, Gérard Blanchard, Maximilien Vox, Massin, Jacques Garamond. Réalisation : Marcel Jacno ; N° 7, printemps 1976 : Bertrand Halff, Evelyn Ortlieb, Werner Lambersy, Francine Van Hove, Salbris, Pierre Maillard, Roger Cornaille, Simone Le Bret, Jean-Paul Hameury, Georgette Simon, Paolo Pozzo, Marfaing, Garicia Mulet, Béatrix Balteg, Marie-Noëlle de Torhout, Françoise Mairey, Osolin, Pierre Daboval, Jacques Lepage, Danièle Lazarevsky : N° 8, été 1976 : Sumer. Choix de textes et traductions : Jean-Marie Durand. François Sagnes, Photographies ; N° 9, automne 1976 : Marc Soriano, Bestiaire. Danièle Lazarevsky, Photographies ; N° 10, hiver 1976-1977 :Agnès Vannier, L’écharpe rouge et les chiens bleus ; N° 11-12, printemps-été 1977 : Manifesti. Affiches italiennes. Les élections de juin 1976. Marcel Jacno, Paul-Michel Villa, Enrico Fulchignoni, Boni de Torhout. Paul-Michel Villa, Photographies ; N° 13, automne 1977: Assemblages. Pietro Vanni, Liliane Giraudon, Agathe Eristov Gengis Khan, Alexandre Chem, Françoise Rando, Anne-Marie Christin, Pierre Cordier, Philippe Clerc, André Stas, Françoise Mairey, Lariega, Marcel Bénabou, Paul Fournel, Harry Mathews, Marie-Nöelle de Torhout, Daniel Giffar ; N° 14, hiver 18977-1978: Victor Segalen. Claudine Bouretz, Eliane Formentelli, Photographies et montage ; N° 15-16, printemps-été 1978 : Raymond Gid. Rencontres d’art-thérapie. Avec linogravure et dessin en milieu psychiatrique, présentation et réalisation de Raymond Gid ; N° 17, automne 1978 : Toughra. Paraphes des souverains ottomans. Réalisation Jacqueline ; N° 18, hiver 1978-1979 : Philippe Clerc, Journal mai-décembre 77 ; N° 19, printemps 1979 : Tentativa de Vida y muerte de un espantapajaros [Vie et mort d’un épouvantail] Réalisation Antonio García-Múlet ; N° 20, été 1979 : Chiffres : Roger Excoffon, Jose Mendoza y Almeida, Adrian Frutiger, Jacques Garamond, Claude Mediavilla, Marcel Jacno, Jean Larcher. Réalisation Marcel Jacn ; N° 21, automne 1979 : Denise Borias, Poèmes. Réalisation Evelyn Ortlieb ; N° 22, hiver 1979-1980 : Marc Soriano, Le Doppelgänger. Nouvelle. Danièle Lazarevsky. Photographies. ; N° 23-24, printemps-été 1980 : Fragments d’une musique immédiate de la Modern Art Agency. Milada Cerny, Hermine Vogl-Sernheim, Emmy Stihl, Heidi Wenzel, Andréa Camenisch, Margrit Wyss, Rosalba di Lorenzo, Myriam Seele, Yolanda Myers, Roberto Altmann. Partitions mises en lumière par Brigitte Bürki à la demande de Anne-Marie Christin ; N° 25, automne 1980 : Philippe Treuschel, Écrits-Photos ; N° 26, hiver 1980-1981 : Calligraphie japonaise. Réalisation Elisabeth Frolet ; N° 27, printemps 1981 : Jean Laude, Le dernier mot. Poème. Mechtilt. Noirs ; N° 28-29, été-automne 1981 ; Daniel Giffard, Yves Mairot, Michel Arouimi, Evlyn Ortlieb, Philippe Treuschel, Anne-Marie Christin, Gabrielle di Falco, Antonio García-Múlet, Francine Van Hove, Lucette Pelillo, Hélène Garcia Léon, Georgette Simon, Anne Spiteri, Mechtilt, Jean Laude, Philippe Clerc, Bernard Dubourg, Danièle Lazarevsky, Jean-Pierre Jasz.‎

14 Images

‎Très rare série parfaitement complète des 29 numéros (dont 4 doubles) publiés. Créée par le professeur Anne-Marie Christin (1942-2014), normalienne et agrégée de lettres classiques, cette revue interroge en profondeur les relations entre l'image et l'écriture. Bon ensemble (accroc en couv. du numéro 1, bel état par ailleurs) pour cette série introuvable ainsi bien complète.‎