19128 books for « m l christian »Edit

‎GOETHE die ganze wahrheit. ‎

‎Hambourg, Carlsen verlag, 2007 ; in-8, 144 pp., br. Broché en très bon état - dramatisiert & illustriert von Christian MoserZum 175. Todestag des Dichters Christian Moser hat bereits die ganze Wahrheit über Sigmund Freud enthüllt und sich damit eine stetig wachsende Leserschaft erobert. Nun wendet er sich dem deutschen Dichter schlechthin zu: Johann Wolfgang von Goethe. Leicht und fundiert zugleich gewährt er amüsante Einblicke in das Leben Goethes. Dank Christian Moser erfahren wir, dass Goethe sein dichterisches Genie einem Pakt mit Mephisto zu verdanken hat. Sein Stück FAUST war nichts anderes als Enthüllungsjournalismus, doch alle Welt hielt es für reine Fiktion. Bis heute! CARLSEN COMICS legt nun eine überarbeitete und erweiterte Ausgabe dieses Buches vor. 143 pp. Deutsch.‎

‎Broché en très bon état - dramatisiert & illustriert von Christian MoserZum 175. Todestag des Dichters Christian Moser hat bereits die ganze Wahrheit über Sigmund Freud enthüllt und sich damit eine stetig wachsende Leserschaft erobert. Nun wendet er sich dem deutschen Dichter schlechthin zu: Johann Wolfgang von Goethe. Leicht und fundiert zugleich gewährt er amüsante Einblicke in das Leben Goethes. Dank Christian Moser erfahren wir, dass Goethe sein dichterisches Genie einem Pakt mit Mephisto zu verdanken hat. Sein Stück FAUST war nichts anderes als Enthüllungsjournalismus, doch alle Welt hielt es für reine Fiktion. Bis heute! CARLSEN COMICS legt nun eine überarbeitete und erweiterte Ausgabe dieses Buches vor. 143 pp. Deutsch.‎

‎COLETTE DE MARCILLAC Illustre Jean Christian. ‎

‎Strasbourg, Editions de la Nuee Bleue, 1986 ; in-4, br. Broché en très bon état exemplaie dédicacé de Jean Christian.‎

‎Broché en très bon état exemplaie dédicacé de Jean Christian.‎

‎Colmar-la jeunesse dusiècle 1900-1930. ‎

‎Colmar, Roser éditeur, 1994 ; petit in-4, 77 pp., cartonnage de l'éditeur (couleur gris). Présenté par J.M. Schmitt photographié par Christian Kempf - très bon état -.‎

‎Présenté par J.M. Schmitt photographié par Christian Kempf - très bon état -.‎

‎Colmar - colmar. ‎

‎Colmar, Roser éditeur, 1994 ; petit in-4, 77 pp., cartonnage de l'éditeur (couleur noir). Présenté par J.M. Schmitt photographié par Christian Kempf - très bon état - exemplaire dédicacé de l'auteur.‎

‎Présenté par J.M. Schmitt photographié par Christian Kempf - très bon état - exemplaire dédicacé de l'auteur.‎

‎Entre montagnes mers et glaces du grand nord. ‎

‎Ingersheim, Saep, 1984 ; petit in-4, 130 pp., cartonnage de l'éditeur . Christian Kempf et le groupe de recherche en ecologie arctique préface de Paul-Emile Victor - rare en très bon état.‎

‎Christian Kempf et le groupe de recherche en ecologie arctique préface de Paul-Emile Victor - rare en très bon état.‎

‎Soixante années d'activité scientifique et littéraire 1864-1924. ‎

‎Strasbourg, Publications de la faculté des lettres de l'université de strasbourg, 1926 ; in-8, 150 pp., broché. En bon état - broché fascicule n°31 - (tirage de 400 exemplaires (mes debuts littéraires et bibliographie de mes travaux avec une étude biographique par Christian Pfister.‎

‎En bon état - broché fascicule n°31 - (tirage de 400 exemplaires (mes debuts littéraires et bibliographie de mes travaux avec une étude biographique par Christian Pfister.‎

‎Entre montagnes mers et glaces du grand nord. ‎

‎Ingersheim, Saep, 1984 ; petit in-4, 130 pp., cartonnage de l'éditeur (ptes usures). Christian Kempf et le groupe de recherche en ecologie arctique préface de Paul-Emile Victor - rare.‎

‎Christian Kempf et le groupe de recherche en ecologie arctique préface de Paul-Emile Victor - rare.‎

‎KARL MAY - Die ganze wahrheit. ‎

‎Hambourg, Carlsen verlag, 2012 ; in-8, 160 pp., br. Très bon état broché - Old Shatterhand erzahlt - aufgezeichnet und illustriert von Christian MoserDie illustrierte, humorvolle Biografie erzählt aus Old Shatterhands Sicht die ganze Wahrheit über das Leben seines Autors. In Armut aufgewachsen, entwickelte der sich zum tolldreisten Hochstapler und Trickbetrüger, mit Namen wie Dr. med. Heilig oder Hermes Kupferstecher - und verbrachte deshalb 8 Jahre seines Lebens im Gefängnis. Seine 33 (!) Romane, verbunden mit der Behauptung, er selbst habe die Abenteuer erlebt, sowie den "Beweisfotos" mit Trapperkostüm und Henrystutzen, machten ihn zum Popstar. Auf seinen Vortragsreisen legten hysterische Fans Innenstädte lahm. 159 pp. Deutsch.‎

‎Très bon état broché - Old Shatterhand erzahlt - aufgezeichnet und illustriert von Christian MoserDie illustrierte, humorvolle Biografie erzählt aus Old Shatterhands Sicht die ganze Wahrheit über das Leben seines Autors. In Armut aufgewachsen, entwickelte der sich zum tolldreisten Hochstapler und Trickbetrüger, mit Namen wie Dr. med. Heilig oder Hermes Kupferstecher - und verbrachte deshalb 8 Jahre seines Lebens im Gefängnis. Seine 33 (!) Romane, verbunden mit der Behauptung, er selbst habe die Abenteuer erlebt, sowie den "Beweisfotos" mit Trapperkostüm und Henrystutzen, machten ihn zum Popstar. Auf seinen Vortragsreisen legten hysterische Fans Innenstädte lahm. 159 pp. Deutsch.‎

‎JACQUES CHIRAC une passion pour la france. ‎

‎Paris, Editions Prestige de france, 1987 ; in-4, 288 pp., cartonnage d'éditeur avec jaquette. Tres bon état - avec sa jaquette celle ci a le péliculage qui s'en va - exemplaire dédicacé de Christian Boyer.‎

‎Tres bon état - avec sa jaquette celle ci a le péliculage qui s'en va - exemplaire dédicacé de Christian Boyer.‎

‎Les Journalistes en France (1880-1950) - Naissance et construction d'une profession.‎

‎Paris, Éditions du Seuil, "XXe siècle", 1999 1 volume 14 x 20,4cm Encollé sous couverture au 1er plat orné d'une photo. 449p., 3 feuillets. ‎

‎Où l'historien Christian DELPORTE voulait "étudier le processus d'émergence, d'édification et de légitimation de la profession de journalste [...] et contribuer ainsi [...] à l'histoire politique et socioculturelle de la France de la fin du XIXè siècle et de la première moitié du XXè siècle" (l'auteur); notes et références; index; bibliographie. Bon état. ‎

‎L'Equateur au milieu du monde.‎

‎Paris, Société Continentale d'Editions Modernes Illustrées, "Bibliophiles de l'aventure", [s.d., 1972] 1 volume 17 x 23cm Reliure éditeur sous jaquette illustrée couleurs. 366p., 1feuillet; 24 cartes et croquis in texte, planches comprises dans la pagination, 8 planches couleurs hors texte. Bon état (jaquette un peu frottée, aux marges légèrement fendillées).‎

‎Visages de l'Equateur; grandes étapes de l'époque précolombienne; 3 siècles de colonie; groupes ethniques de la Sierra Sud; folklore de la cordillère centrale, les Otavalenos du Nord; contes et légendes; populations de la région occidentale; les Galapagos; par Jean-Christian SPAHNI, historien, ethnologue et photographe suisse (1923-1992); 24 croquis et 114 photos (dont 8 en couleurs). Volume de la collection "Connaissance des Amériques", en tirage hors commerce; exemplaire bien complet de sa jaquette. ‎

‎La Péninsule ibérique au XVIIe siècle.‎

‎Paris, SEDES, "Regards sur l'histoire - Histoire moderne", [s.d., d.l. 1989] 1 volume 11,5 x 18,5cm Broché sous couverture au 1er plat illustré. 348p., 2 feuillets; cartes. Bon état sauf passages surlignés à l'encre sur 14 pages de la fin.‎

‎La génèse de "l'identité nationale moderne" de l'Espagne et du Portugal "au cours d'un triste XVIIè siècle" (4è de couverture), par les historiens Christian HERMANN et Jacques MARCADE; bibliographie. Dans la collection dirigée par André Corvisier. ‎

‎L'Art océanien.‎

‎Paris, Citadelles & Mazenod, "L'Art et les grandes civilisations", 1993 1 volume 24,7 x 31cm Reliure éditeur pleine toile blanche au 1er plat orné d'une vignette couleurs contrecollée, gardes illustrées couleurs; sous jaquette illustrée couleurs et étui. 637p., 2 feuillets; nombreuses illustrations, vignettes en noir et planches couleurs. Très bon état. ‎

‎Texte sur la Polynésie et la Micronésie par Adrienne L. KAEPPLER, conservatrice d'ethnologie océanienne à la Smithsonian institution de Washington, traduit de l'anglais par Christiane THIOLLIER, et sur la Mélanésie par Christian KAUFMANN, conservateur spécialiste de l'art océanien au Museum für Völkerkunde de Bâle, traduit de l'allemand par Léa MARCOU; introduction de l'historien d'art états-unien Douglas NEWTON traduite de l'anglais par Philippe PELTIER; suivis d'une documentation sur les principaux groupes culturels d'Océanie; carte; index; bibliographie. "Si un grand nombre de publications spécialisées, techniques ou anthropologiques existent, principalement sous forme d'articles, aucune synthèse d'ampleur n'a été publiée depuis trente ans. Et cela en dépit des nombreuses découvertes importantes et des études approfondies sur l'art de ces communautés passées et présentes". L'art océanien est ici présenté par des spécialistes "à partir des recherches et des théories contemporaines sur cet ensemble complexe de sociétés et de cultures", une riche iconographie (955 illustrations dont nombreuses planches couleurs) en présentant les chefs-d'oeuvre "dont un bon tiers d'oeuvres inédites" (rabat de jaquette). 1ère édition; exemplaire bien complet de ses jaquette et étui. ‎

‎L'Individu saisi par l'Etat - Lien social et volonté chez Hegel.‎

‎Paris, Editions du Félin, 1991 1 volume 15 x 23cm Encollé. 222p., 1feuillet. Bon état.‎

‎L'individu et l'Etat moderne: étude du philosophe Christian RUBY qui "répond au projet de relire, à la faveur des débats contemporains concernant l'Etat et les individus, leurs relations et leurs oppositions, une partie de l'oeuvre de Hegel: les "Principes de philosophie du droit" (1821)"; références et bibliographie. ‎

‎Roger de La Fresnaye.‎

‎Saint-Tropez / Troyes, Musée de l'Annonciade (Saint-Tropez) / Musée d'Art Moderne (Troyes), [1983] 1 volume 19,8 x 20cm Broché sous couverture au 1er plat orné d'une vignette couleurs. Non paginé: 62 feuillets (= 124 pages) dont 67 planches en noir et 12 en couleurs; fac-similés; 1 dépliant tiré à part (8p.; 34 vignettes). Bon état.‎

‎Catalogue de l'exposition présentée en 1983 au Musée de l'Annonciade de Saint-Tropez et au Musée d'Art Moderne de Troyes: 69 notices de peintures (huiles et gouaches) de Roger de La Fresnaye (1885-1925) précédées de 79 reproductions à pleine page dont 12 en couleurs et de textes des conservateurs Eric HILD (Musée de l'Annonciade), Philippe CHABERT (Musée d'Art Moderne de Troyes), Christian DEROUET (Musée National d'Art Moderne de Paris) et de Bernard DORIVAL; fac-similés d'écritures; notes et références. Exemplaire bien complet du supplément: catalogue des 33 oeuvres supplémentaires (encres de Chine, bronze, aquarelles, etc) présentées à Troyes et non à Saint-Tropez, avec notices et 34 vignettes en noir. ‎

‎Cheminements écrits offerts à Georges Condominas.‎

‎Paris, Asie du Sud-Est et Monde Insulindien / Ecole des Hautes Etudes en Sciences Sociales, 1981 1 volume 16 x 24cm Broché sous couverture au 1er plat orné d'une vignette, sous jaquette au 1er plat orné de 3 vignettes. 550p., 1feuilet; cartes et quelques illustrations in texte, 16 planches hors texte. Bon état.‎

‎n°1-4, volume XI, 1980, d' "ASEMI": n°spécial coordonné par Jacqueline MATRAS-TROUBETZKOY et Christian TAILLARD, rassemblant des écrits offerts à Georges Condominas, ethnologue de l'Asie du Sud-Est et du Monde Insulindien (1921-2011): textes sur l'enjeu stratégique de la région, sur le Vietnam, Bali, Madagascar, le Cambodge, la Thaïlande, la Birmanie, la Chine, le Laos, Singapour, les Comores, la Malaisie, Taïwan, les Philippines, Java, etc (sociétés et littératures: citations de contes, devinettes vietnamiennes, etc); notes; bibliographies et bibliographie des uvres de Georges Condominas; cartes, croquis, photos. Exemplaire bien complet de sa jaquette. ‎

‎L'Encre et la couleur.‎

‎[s.l., Paris], Gallimard, "L'un et l'autre", 1997 1 volume 11,9 x 20,6cm Broché sous couverture à rabats ornée d'une vignette. 1feuillet, 133p., 4 feuillets. Bon état.‎

‎Recueil de textes de Christian GARCIN, où l'écrivain et photographe évoque librement des peintres de la Renaissance italienne (Masaccio, Fiorenzo di Lorenzo, Pisanello, Piero della Francesca) et chinois (Ma Yuan, Wu Daozi, Shitao). 1ère édition, dans la collection dirigée par J.-B. Pontalis; exemplaire avec dédicace manuscrite de l'auteur. ‎

‎Le Dossier Vercingétorix.‎

‎Arles, Actes Sud / Errance, 2001 1 volume 13 x 24cm Broché sous couverture au 1er plat orné d'une vignette. 345p., 3 feuillets; illustrations en noir in texte. Bon état (ex-libris manuscrit).‎

‎Qui était, ou plutôt que savons-nous réellement du chef gaulois Vercingétorix (72?-46 av. J.-C.), héros des manuels scolaires, invoqué depuis 2 siècles "pour la défense de causes souvent contradictoires, mais avant tout symbole du patriote, de celui qui se sacrifie après avoir lutté les armes à la main pour la liberté de la Gaule" (4è de couverture) ?: l'archéologue, historien et philologue Christian GOUDINEAU retrace ici les "naissance, vie et crépuscule" du mythe depuis les débuts du XIXe siècle (avec citations de textes), puis étudie la documentation laissée par les textes antiques et les données de l'archéologie, avec citations et commentaires d'extraits de textes, suivis d'échanges avec des spécialistes: Brigitte FISCHER (numismatique), Vincent CHARPENTIER (pilosité), Vincent GUICHARD (les Arvernes), André RAPIN (armement), Patrice MENIEL et Véronique MATTERNE (alimentation), Fanette LAUBENHEIMER (boissons), Jean-Louis BRUNAUX (religion), pour donner in fine les "éléments d'une biographie lacunaire"; bibliographie; schémas, photos, reproductions de gravures anciennes. 1ère édition (et non livre de poche) ‎

‎BESSER ESSEN & REISEN - OSTERREICH 93. ‎

‎DALLAU, MBM-EDITION - CHRISTIAN MEYER, 1993 ; in-8, 620 pp., broché, couverture illustr.‎

‎.‎

‎Le Languedoc-Roussillon.‎

‎Paris, Presses Universitaires de France, "La Question régionale", 1987 1 volume 17,5 x 24cm Broché. 184p., 4 feuillets; 24 cartes et 28 tableaux in texte. Bon état (couverture légèrement cornée).‎

‎Etude des conditions économiques du Languedoc-Roussillon par Christian VERLAQUE; index; 24 cartes, 28 tableaux; bibliographie. 1ère édition, dans la collection dirigée par Paul Claval. ‎

‎CHRISTIAN EGENOLFF 1502-1555 ein frankfurter meister des fruhen buchdrucks aus Hadamar. ‎

‎Limburg, GLAUKOS - Herausgeber Kulturvereinigung Hadamar, 2002 ; in-4, 100 pp., cartonnage de l'éditeur. Très bon état.‎

‎Très bon état.‎

‎Les Montagnes du soleil.‎

‎Paris, Robert Laffont, "Ailleurs et demain", 1972 1 volume 13,5 x 21,5cm Broché sous couverture gris métallisé. 221p., 1 feuillet. Bon état.‎

‎1ère édition de ce roman de science fiction de Christian LEOURIER, où les Terriens, colons martiens du XXIVe siècle, retrouvent leur planète: "La tribu vit paisiblement, confinée dans les limites de la vallée. Elle préserve dans ses contes la trace confuse des exploits des Ancêtres. Ces Ancêtres, que Cal le chasseur, l'audacieux, l'astucieux, voudrait mieux connaître pour percer le secret de leurs magies. Mais pour cela, il faut braver les tabous, quitter la vallée, passer les Montagnes du Soleil et affronter une terre qui porte encore les marques d'un terrible cataclysme. Il faut changer l'ordre des choses en commençant par celui de la tribu. Il faut être prêt à rencontrer Ceux Qui Descendent du Ciel et qui sont peut-être les Ancêtres revenus." (4è de couverture); dans la collection dirigée par Gérard Klein. Exemplaire avec dédicace manuscrite de l'auteur au nom du destinataire effacé. ‎

‎A truly splendid and unique collection of 23 Hans Christian Andersen-items that together tell the true story of Andersen's life and sheds light on all aspects of his life and work. The collection is divided into the following (full descriptions belo... - [MAGNIFICENT HANS CHRISTIAN ANDERSEN-COLLECTION]‎

‎(1822) - 1872. ‎

‎With the present Hans Christian Andersen-collection, we have aimed not at an exhaustive collection of ALL of his many writings nor at a LARGE collection, but at an exquisite, chosen collection that tells us the true story of Andersen's life. A collection that enlightens us about both the author and the man Hans Christian Andersen and that sheds light on all aspects of his life and work. A collection that epitomizes quality, scope, and importance, not merely numbers of items nor works that are not particularly important in his life's work. Every one of the 23 items in the present collection has been carefully chosen to represent a certain Aspect of Hans Christian Andersen at a certain time of his life, in an attempt to get as close to the great fairy tale author as possible. The items basically span his entire career - from his first book, published at the age of 17 (and only known in about 10 copies) to an original manuscript poem by the ageing author at the age of 67. The 23 carefully chosen and unique items cover his earliest publications that are of extreme scarcity, his three seminal fairy tale cycles that catapulted him into fame and created the genre of the fairy tale, for which he is now famous world-wide, five magnificent presentation-copies (among them an absolutely magnificent copy of his very first fairy tale, one of the best presentation-copies known) that each give us an insight into the poet Andersen and into his circle of friends, six splendid original letters that are all different in style and content and written from all over the world (among them one of the extremely rare letters known by him written in English, in Latin hand), an original manuscript, which is an extreme scarcity on private hands and something one may never come by again, two books from Andersen's own library, which is extremely rare to find, as only 75 such books are known and almost all of them are in institutional holdings, and finally the three main translations that ensured his fame in the rest of the world: the most important translations into German, English, and French respectively. The collection is divided into the following seven categories, and below follows a short preview and introduction to each. Upon request, a document with full, elaborate descriptions of each item will be provided. 1. Debuts/earliest publications (see also 3.1.)2. The three fairy tale collections/cycles3. Presentation-copies (see also: 2.3.)4. Letters5. Manuscript6. Books from Andersen's library7. The three main translations1. Debuts/earliest publications1.1. Ungdoms-Forsøg / Gjenfærdet ved Palnatokes Grav, en Original Fortælling" og Alfsol, en original Tragoedie. Ungdoms=Forsøg. Kjöbenhavn, [1822]. The extremely rare first printing of Hans Christian Andersen's first book - with facsimiles of the title-page, the contents-leaf and a further four leaves. The book is exceedingly rare. A title-issue appeared in 1827. No more than about ten copies in all of both the first issue and the title-issue are known to exist - only a couple of them are known in private collections, and less than a handful of copies are known outside of Denmark. The present publication, his first book, is of immense importance to Andersen's life and work and is arguably THE most important piece of Anderseniana. 1.2. Ved min Velgører Provst Gutfelds Død. Slagelse, 1823.The extremely rare first printing of the 1823-issues of this slightly obscure newspaper, which contains Hans Christian Andersen's third publication. This exceedingly rare piece of Anderseniana was published when the master of the fairy tale genre was merely 17 years old, namely in February 1823. The present publication constitutes one of the two pieces of publication that are at the epicentre of the coming-to-be of the greatest poet and author to emerge from Danish soil. This little piece is a heartfelt, almost perfectly stylized poem that constitutes an obituary of Hans Christian Andersen's early benefactor, Gutfeld, who was responsible for Collin accepting to be Andersen's benefactor. It was due to Gutfeld and his belief in Andersen that he made it on into the world and was taken seriously enough - at the mere age of 17 - to later be allowed to follow his heart and his life dream - that of writing.1.3. Fodreise fra Holmens Canal til Østpynten af Amager i Aarene 1828 og 1829. Kjöbenhavn, 1829. The rare first edition of Hans Christian Andersen's debut novel, ""Journey on Foot"", here in the extremely scarce original printed wrappers. Andersen himself considered this book his debut and refers to it as ""my first publication"". It came to play a tremendous role in the development of his writing and constitutes one of his most important works. It is the first piece of Andersen that yields any success and the first work for which he gained any recognition. ""It is a well-known fact that Hans Christian Andersen made his début as a writer three times during his youth. The first time he published a book was in 1822, when ""Youthful Attempts"" came out... He was 17 years old, penniless and in need for help, but the main part of the circulation ended up in the paper mill... The second time he made his début was in 1829, when he published ""Journey on Foot from Holmen's Canal to the Eastern Point of Amager"", a book which can hardly be classified as a travel book.. it seems a subtle and humorous arabesque and a literary satire. This book was published in the year after he had left grammar-school and was qualifying for the entrance examination to academic studies at the university. It can rightly be regarded as a key, which enables us to understand the entire development of his later production...2. The three fairy tale-collections2.1. Eventyr fortalte for Børn. (1.-3. Hefte) + Eventyr fortalte for Børn. Ny Samling (1.-3. Hefte). 2 Bind. Kjöbenhavn, 1835-1847. A lovely set of this exceedingly rare collection of Andersen's earliest fairy tales. This legendary fairy tale-collection that created the fairy tale-genre and brought Andersen international fame, consists in six parts that together make up two volumes. As with most of the other few existing copies, the present set is a mixture of issues and likewise has certain wants concerning title-pages, half-titles and tables of contents. ""During Andersen's lifetime 162 of his Fairy Tales were published, but the scarcest and most difficult to obtain are these six little pamphlets. We do not know exactly how many, or how few, copies were printed, but we do know that no copy with all the title pages and tables of contents has ever been offered for sale.""2.2. Nye Eventyr. 2 Bind (5 samlinger). Kjøbenhavn, 1844 - 48.First edition of Hans Christian Andersen's seminal second collection of fairy tales - the publication that made him internationally famous - with all five collections in first issue, also the first, which is of the utmost rarity. It is in this legendary first collection that we find the first printing of ""The Ugly Duckling""(not as is indicated in PMM in his first). The rarity of the first issue of volume 1, collection 1 is legendary. It was published on November 11th 1843 (dated 1844 on the title-page) in a very small number, probably due to the poor sales of Andersen's first fairy tale collection. Against all belief, this first collection sold out within a few days, catapulting Andersen into worldwide fame, and a second issue was published already on December 21st 1843. Thus, only very few copies of the first issue exist, and almost all collections of the ""New fairy Tales"" are bound with the second issue or the third of 1847, meaning that they do not contain the actual first printing of ""The Ugly Duckling"", ""The Nightingale"", ""The Angel"", and ""The Sweethearts"". 2.3. Nye Eventyr og Historier. 3 Series, 10 collections. Kjøbenhavn, 1858-1872.A splendid fully complete copy of Andersen's third fairy tale collection, WITH ALL 10 ISSUES IN FIRST EDITIONS, FIRST ISSUES, ALL IN THE ORIGINAL PRINTED WRAPPERS, AND ONE OF THEM WITH A SIGNED PRESENTATION-INSCRIPTION BY ANDERSEN - WITH 39 FAIRY TALES IN THEIR FIRST PRINTINGS. It is highly uncommon to find all ten issues of the series together, let alone in the original printed wrappers, each of which is a scarcity on their own. To our knowledge, only one other such set exists in a private collection, and that is in far from as fine condition as the present, where all but one of the issues (which does not have the back wrapper) are fully complete with the spines, exactly as issued. 3. Presentation-copies3.1. Digte. Kjöbenhavn, 1830.THE RARE FIRST EDITION - PRESENTATION-COPY, IN THE EXCEEDINGLY SCARCE ORIGINAL PRINTED WRAPPERS - OF ANDERSEN'S THIRD BOOK, CONTAINING HIS FIRST FAIRY TALE. The magnificent presentation-inscription - hitherto unknown and unregistered - is arguably one of the most important Andersen-presentations known to exist. It is inscribed to Henriette Collin, the then fiancée, later wife, of his closest and most important friend, who was more like a brother to him, Edvard Collin. It is one of the very early Andersen-presentations known. This first published collection of Andersen's poetry constitutes Andersen's third published book (at the age of 24) and contains, at the end, the first printing of any of his fairy tales, being also his very first fairy tale ""The Ghost"" (or ""The Spectre""). This is the first time that Andersen uses the term ""Eventyr"" (fairy tale), the term which came to denote the genre for which he received world-wide fame as one of the most important writers of all time. 3.2. Nye Eventyr. Tredie Samling. Kjøbenhavn, 1845.An excellent presentation-copy of the first edition of the third ""collection"" of Andersen's second fairy tale-collection, containing five of his best fairy tales in the first printing - among them the cherished tales ""The Red Shoes"" and ""The Shepherdess and the Chimney-Sweep "". Inscribed copies of Andersen's fairy tales are very rare and extremely sought-after. But the present presentation-copy is even more interesting, as it is inscribed to a fellow author of tales for children - ""The poet Kaalund/ in kind remembrance/ of our first meeting/ the 29th of April 1845/ from the [NEW FAIRY TALES] (the printed half title) 's author."" -in the collection of Andersen's fairy tales that appeared almost simultaneously with Kaalund's renowned ""Tales for Children"" (""Fabler for Børn""). 3.3. Historier. Anden Samling. Kjøbenhavn, 1853.First edition, in splendid condition, with the original printed wrappers, of the second part of Andersen's ""Story""-collection, containing first printings of four of his famous fairy-tales. With a lovely, poetical presentation-inscription to Frederikke Larcher, signed ""H.C. Andersen"", translated as thus: ""I put my bouquet on the board of the stage/ you yourself make the impression of a fresh bouquet"". Frederikke Larcher was a stage actress, and Andersen might have given the little book as a gift upon her last performance.3.4. Nye Eventyr og Historier. Anden Række (første samling). Kjøbenhavn, 1861.An excellent copy, in the original printed, illustrated wrappers, of the separately published first part of the second series of ""Nye Eventyr og Historier"", with a lovely presentation-inscription to the title-page, translating thus ""The splendid, the spirited,/ Mrs. Agentinde Renck/ send this bouquet of stories/ from my garden of poetry this spring/ Most heartfelt and respectfully/ H.C. Andersen."" This splendid volume contains first printings of one of Andersen's most famous, most beloved and most frequently recounted fairy-tales/stories: ""What the Old Man does is Always Right"". Apart from that masterpiece of moral story-telling, the present publication contains five other of Andersen's great stories in first printings.3.5. Da Spanierne var her. Originalt romantisk Lystspil i tre Acter. Kjøbenhavn (Copenhagen), 1865. An excellent copy of the first edition of Andersen's famed play, in the scarce original binding and with a magnificent presentation-inscription to Rudolph Kranold, who at the time was director of the Royal Theatre in Copenhagen. His short reign here (until 1866) coincides exactly with the work on and premiere of one of the plays that was very closest to Andersen's heart, namely ""When the Spanish were Here"", which premiered at the Royal Theatre on April 6, 1865. Reading Andersen's diaries allows us to actually follow the play the entire way through to the stage. It is evident, both from his diaries and from the present presentation-inscription, that the play meant a lot to Andersen. As the inscription indicates, he's anxious that the play not be taken down again and he clearly asks Kranold to take good care of this play that is close to his heart. 4. Letters4.1. Autographed letter, signed in full (""Hans Christian Andersen""), in English, for the Scottish author William Hurton. Dated ""Copenhagen 2 October 1851"".The present letter is of the utmost interest, as it is written in English (in Andersen's own hand!) and also in Latin letters, as opposed the gothic handwriting that Andersen usually uses. Letters and inscriptions in Andersen's Latin hand are of the utmost scarcity. Out of the few known letters in Andersen's hand, we have even fewer letters by him written in English. He made an exception for William Hurton, to whom a few letters have been preserved, demonstrating his reverence for this Scottishman so fascinated by Andersen himself. Almost all of these letters are in institutional holdings, and the present one on private hands is a true scarcity. 4.2. Autographed letter, signed ""H. C. Andersen"", for Frederik Bøgh. Dated ""Basnæs ved Skjelskjør/ den 3 Juli 1862"". 4 pages.This very lengthy letter from Andersen to Frederik Bøgh is interesting in several respects. First of all, Andersen here mentions several of his works: new songs for the revised version of his opera ""The Raven"", proofreading and numerous comments for the ""new edition of Fairy Tales and Stories"", and a brand new fairy tale: ""Finally, I have written a new fairy tale: ""Snowdrop""."" Furthermore, Andersen talks about his health and problems he has with his eye as well as the weather and his impending travel plans. It is clear from the letter that he is very close to his young student friend Bøgh. 4.3. Autographed letter, signed ""H. C. Andersen"", for Frederik Bøgh. Dated ""Tanger I Marokko/ den 8 Nov: 1862."".An absolutely splendid letter with rare observations about Moroccan culture, the people, how they dress and behave, the food, the landscape, etc. It is clear that Tanger, with its ""wild, romantic nature"", its palm trees, its wilderness, the wild boars and hyenas, is very far from the coldness of the North. Andersen's fascination with the ""half naked men"" and women in horrible dress, with the bare headed Moorish Jews in kaftans, ""the naked brown kids that screamed and roared"", and the slaves that carry goods, leaps from the pages of the letter and paint a picture of a place that to a Dane in 1862 must seem oddly fascinating and so different. There is no doubt that this rich culture served as direct inspiration for Andersen's story-writing. 4.4. Autographed letter, signed ""H. C. Andersen"", for Frederik Bøgh. Dated ""Toledo den 6 December 1862"".A splendid letter from Toledo, which Andersen paints so clearly as only he can. ""Toledo is a dead city, but with the life of poetry"", he writes, after having described in detail, to his dear friend back home, the ruins and the melancholy that is Toledo. 4.5. Autographed letter, signed ""H. C. Andersen"", for ""Kjære William"" (i.e. William Melchior). Dated "" Frijsenborg den 27 August/ 1868. "". A lovely, cheerful birthday letter for the young birthday boy William Melchior, who was turning 7 years old. The letter is utterly charming and describes the journey of the birthday letter itself, flying over land and sea, from Jutland to Copenhagen. The letter not only portrays the ease with which Andersen communicates with children, it also constitutes a miniature version of beloved Andersen-stories such as ""Little Tuk"" and ""A Piece of Pearl String"". 4.6. Autographed letter, signed ""H. C. Andersen"", for Frederik Bøgh. Dated "" den 9 Maj 1873"".This Beautiful little letter for Nicolai Bøgh bears witness to the heartfelt bond that Andersen felt towards his young friend. This little gem of a letter is very poetical - most of it is almost like a poem, describing the sun coming through the clouds and liking the clouds to snow and the heaven to Paradise. Furthermore, Andersen mentions his friends' illness, liking him to a bird that needs to be free. Bøgh had fallen ill the previous year, from an illness that would eventually kill him 9 years later, at the mere age of 45. 5. Manuscript5.1. Original handwritten and signed manuscript for a poem entitled ""Stormfloden"" (i.e. The Storm or The Storm Surge). November (22nd), 1872. 1 1/2 handwritten pp.Original manuscripts by Andersen are of the utmost scarcity, and only very few are known on private hands. The present is the manuscript for a poem that Andersen wrote just a couple of years before he died and which was published as the preface to a ""Christmas Present"" by Vilhelm Gregersen in December 1872, just a few weeks after Andersen wrote it. The poem is very dramatic and doomsday-like, but has an uplifting an upbuilding ending. It is inspired by the dramatic storm or storm surge that hit Copenhagen on November 13th, 1872.6. Books from Andersen's Library6.1. F. ANDERSEN, C.J. HANSEN, J.P.E. HARTMANN, P. HEISE and A. WINDING. Ni Fleerstemmige Mandssange. Udgivne af Foreningen ""Fremtiden"". Kjöbenhavn, 1866.Hans Christian Andersen's own copy, with his ownership signature to the bottom of the front wrapper, of this pamphlet of ""Nine Polyphonic Male Songs"". The pamphlet contains nine lovely songs written by the greatest Danish authors of the period, set to music by the most famous Danish musicians of the period. Andersen's contribution is the song ""Hun har mig glemt"" (She Has me Forgotten), which he had printed for the first time in 1854, but in a different version, with different wording. Here, it is set to music by F. Andersen. 6.2. G.h. [GEORG EMIL BETZONICH]. En Kjærligheds-Historie. Fortælling. Kjøbenhavn, 1862.A truly rare example of a book that has belonged to Andersen, with a long presentation-inscription from the author to Hans Christian Andersen to front free end-paper, dated on Andersen's 58th birthday. The author of the novel Georg Emil Betzonich (1829 - 1901) is not a famous author today, nor was he very famous at the time. It is interesting, however, that Andersen kept his book in his library. The book passed to Edvard Collin, who inherited Andersen's entire estate, when Andersen died in 1875, and also Collin kept it. It was sold at the auction of his belongings in 1886.7. The three main Translations7.1. Jugendleben und Träume eines Italienischen Dichters. Nacch H.C. Andersens Dänischen Original: Improvisatoren. Ins Deutsche übertragen von L. Kruse. 2 Theile. Hamburg, August Campe, 1835.The very rare first edition of the first German translation of Andersen's first novel, ""Improvisatoren"", being the first of Andersen's books to be translated into any foreign language. It is fair to say that no other translation before or after was as important to Andersen as the present. Before the work even appeared, Andersen had a list of recipients for the German translation. Among these was Adalbert Chamisso, to whom he wrote in April 1835: ""Here I send you my Italian son" he speaks the German language, so your family can also understand him. I wish that in the great Germany people will be aware of my book and that I may deserve that awareness. That Kruse is introducing me as an author of novels should be somewhat of a recommendation"… For making such an effort of being known outside of little Denmark, I think, I cannot be blamed."" 7.2. Danish Fairy Legends and Tales. (Translated by Caroline Peachey). London, William Pickering (Chiswick), 1846.The very rare first edition - ANDERSEN'S CLOSE FRIEND HENRIETTE SCAVENIUS' (BORN MOLTKE) COPY - of this highly important Andersen-translation, which contains the very first appearance in English of some of Andersen's most famous and beloved fairy tales: ""The Emperor's New Clothes, ""The Nightingale"", ""The Wild Swans"", ""The Buck-Wheat"" and ""The Dustman"", and for the first time we here find the titles ""The Ugly Duckling"" (previously called ""The Ugly Duck"") and ""The Real Princess"" (previously called ""The Princess and the Peas"").7.3. Contes pour les enfants. Traduit du Danois par V. Caralp. Illustrations à deux teintes par Derancourt. Paris, Morizot, (1848).Extremely scarce first edition of the first translations of any of Hans Christian Andersen's fairy tales to appear in French. This first French Andersen-collection constitutes the introduction of Hans Christian Andersen's works in French literature, the introduction of the fairy-tale-genre in France, and a cornerstone in the history French children's literature. ‎

‎LE CIEL BLEU. "Hebdomadaire littéraire pour tous". Direction : Rose Capel. Comité de rédaction : Paul Colinet, Christian Dotremont, Marcel Mariën. ‎

‎ Bruxelles, 1945.Neuf In folio de quatre pages (36,5 x 27,5 cm.). Les numéros 8 et 9 sont imprimés sur papier vert. Pliure centrale à chaque numéro due à lenvoi postal. Quelques légères déchirures aux pliures sinon ensemble en bon état.Direction : Rose Capel. Comité de rédaction : Paul Colinet, Christian Dotremont, Marcel Mariën. Collection complète en 9 numéros, du 22 février au 19 avril 1945.N° 1 (22 février 1945) : André Breton, Pablo Picasso, Lewis Carroll Le Morse et le charpentier, traduit par Henri Parisot, Pierre Mabille, Marcel Mariën, Christian Dotremont Raymond Roussel, le poète extrème, Marcel et Gabriel Picqueray, Marcel Lecomte, Paul Colinet, Jean Pfeiffer, Georges Lambrichs.N° 2 (1er mars 1945): André Breton (sur Thomas de Quincey), Paul Colinet, Marcel Mariën, Christian Dotremont, Marcel Béalu, Marcel et Gabriel Picqueray, Georges Lambrichs, Scutenaire, Angèle Scaillet. Dessin de Robert Willems.N° 3 (8 mars 1945) : Marcel Mariën (sur René Magritte), Marcel et Gabriel Picqueray, Christian Dotremont, Paul Colinet, Scutenaire, Edmond Kinds. Illustration de Magritte.N° 4 (15 mars 1945) : Paul Colinet, Marcel Mariën, Christian Dotremont (sur Edgar Poe), Marcel et Gabriel Picqueray, Scutenaire, Edmond Kinds, Hubert Juin. Illustration de Robert Willems.N° 5 (22 mars 1945) : Christian Dotremont Comment traverser le miroir, Car Névisty, Marcel et Gabriel Picqueray, André Souris, Paul Colinet, Scutenaire, Jean Pfeiffer.N° 6 (29 mars 1945) : Jean Pfeiffer André Breton, René Magritte, Marcel et Gabriel Picqueray, Achille Chavée, André de Rache, Christian Dotremont, Scutenaire, Paul Colinet, Marcel Mariën.N° 7 (5 avril 1945) : Georges Henein, Jean Pfeiffer Paul Nougé, Franz Kafka Notule traduite par Marcel Lecomte et G. Laudier, Marcel et Gabriel Picqueray, Camille Goemans, Scutenaire, Paul Colinet, Marcel Broodhaerts, Christian Dotremont. Dessin de Suzanne Van Damme.N° 8 (12 avril 1945) : André de Rache, Car Névisty, Christian Dotremont, Scutenaire, Marcel Mariën, Fernand Dumont, Hubert Juin, Marcel et Gabriel Picqueray, Dessin de Robert Willems.N° 9 (19 avril 1945) : Angèle Scaillet, Irène Hamoir, Marcel et Gabriel Picqueray, André Souris, Paul Colinet, Christian Dotremont Prisme infini de la lenteur, Armand Permantier, Georges Roux. ‎

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‎Cahier de la Vierge Noire: Stèles. ‎

‎Gigondas :Atelier des Grames, 1980. Collection complète de 13 numéros, au format 23 x 15 cm, sous coffret cartonné et toilé. Tous les numéros sont tirés à 500 exemplaires numérotés sur vergé ivoire et signés par l'auteur, ornés d'une gravure typographique de Christian Gabrielle/Guez record. Premier cahier (1980): Journal de la profanation de l'hostie de Christian Gabriel Guez Ricord. Deuxième cahier (1980): Stèles de Dominique Leroux, Jean Juste, Bernard Noël, Albane Gabriel Tisler, Jean-Yves Casanova. Troisième cahier (1982): Stèles de François de Jassu, Léon-Gabriel Gros, Christian Gabriel Guez Ricord, Jean-Michel Alberola, Jean-Paul Guibbert. Quatrième cahier (1982): Stèles de Bernard Drujon, Jean Just, Jean-Gabriel Cosculluela, Christian Gabriel Guez Ricord, Jean-Yves Casanova. Cinquième cahier (1983): Stèles de Christian Gabriel Guez Ricord, François Boddaert, Christophe Munier, André Lauro, Hubert Birringer. Sixième cahier (1983): Stèles de Christian Gabriel Guez Ricord, Christian Dimanche, Dominique Sorrente, Laurent Maublanc. Septième cahier (1983): Stèles de Frantz Maugard, Christian Gabriel Guez Ricord, Nicolas Simon, Martine Simon .Huitième cahier (1983): Stèle depour Lenz de Isabelle Baladine Hovald. Neuvième cahier Le Havre àThéo Léger de François de Jassu...Dixième cahier de Francine Laigier. Onzième cahier de jean Juste, de Jean-Max Tixier, de Guez Ricord. Douzième cahier de Laurent Maublanc. Treizième cahier : L'Adieu de Christian Gabrielle Guez Ricord. L'auteur est « Né à Marseille, où il a vécu jusqu'à sa mort, Guez-Ricord incarne certainement le poète maudit de cette fin de siècle, à la croisée de Gérard de Nerval et Antonin Artaud". Très bel ensemble en excellent état. Complet.‎

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