57 books for « loret j »Edit

‎La Muze Historique ou recueil des lettres en vers contenant les nouvelles du Temps écrits à son altesse Mademoizelle de Longueville, depuis duchesse de Nemours (1650-1665) Par Jean Loret. Edition en 4 volumes de Ch.L. Livet Continuateurs de Loret. Lettres en vers de la Gravette de Mayolas, Robinet, Boursault, Perdou de Subligny, Laurent et autres (1665-1689) , recueillies et publiées par le baron James de Rothschild. Edition d'Emile Picot en 3 volumes. ‎

‎Bel ensemble, relié en demi-chagrin à coins avec conservation des couvertures papiers pour la Muze Historique, broché pour les Continuateurs. La Muze Historique : Tome 1 1650-1654 , 582 p. Texte revu par MM. J. Ravenel et Ed. V. de la Pelouze . P. Daffis éditeur. Mais la page de titre indique "Par J. Loret. par MM J.Ravenel et Ed.V; de la Pelouze . P. Jannet Paris 1857". Cette édition, initialement brochée, ne contient pas le portrait qui est présent sur les éditions en percaline d'éditeur. Tome 2 1655 -1658 , Daffis 1877 . Avertissement de Ch. L. Livet 572 p. + table des lettres 1er et 2nd vol. 4 p. non foliotées. Tome 3 1659-1662 , Daffis 1878. 589p. + 2 p. non foliotées table. Tome 4 1663-1665 . La couverture (conservée) indique "Tome IV Ière partie" , Daffis 1878 327 p. + 2 p. non foliotées table. Les continuateurs Tome 1 1665 -1666 Paris Damascène Morgand Charles Tatut 1881, tirage sur papier vergé à 500 exemplaires (non justifié, épreuve finale)1166 col. [2 col. par page]. faux titre , titre, Avant-Propos de James de Rotschild XIVp. Table analytique XLIV p. Tome 2 1666-1667 Paris Damascène Morgand 1883 , Avant-Propos Emile Picot X p. , 1310 col. , Table analytique XLII p. Tome 3 1668-1669 Paris, Damascène Morgand et Edouard Rahier 1899, avant-propos non signé VIII p. ,1310 col. , table analytique XLI p. ‎

‎Rare ensemble d'une source exceptionnelle sur le XVIIe siècle. Tous les événements, petits ou grands, entre 1650 et 1669 sont relatés et commentés. Par rapport aux annonces éditoriales, les différentes éditions n'ont pas été à leurs termes. Un index de la Muze Historique fut publié en 1890, mais tout l'appareil critique promis par Ch.L. Livet ne vit jamais le jour.‎

‎Flore de Montpellier‎

‎Montpellier Calas 1888 14 x 22 cm reliure simili noir 663 pp Analyse descriptive des plantes vasculaires de l'Hérault. Seconde édition, revue et corrigée par H. Loret‎

‎Cette flore n'est pas illustrée, mais elle comporte deux planches dépliantes de l'Hérault et de Montpellier et ses environs à l'époque. Bon état général, malgré plusieurs feuillets détachés dans la table des matières Photos de tous nos ouvrages sur demande‎

‎FLORE DE MONTPELLIER. Ou analyse descriptive des plantes vasculaires de l'Hérault. Seconde édition revue et corrigée par H. Loret.‎

‎ Montpellier, Librairie Joseph Calas, Paris, G. Masson 1888 un fort volume in-8°, LVIII 663 pp. (petite fente à la couverture, dos bruni et fendu en plusieurs endroits). Deux cartes dépliantes dont une en couleurs. Exemplaire non coupé.‎

‎Flore de Montpellier‎

‎Montpellier Calas 1888 14 x 23 cm reliure skivertex noire 650 pp "Analyse descriptive des plantes vasculaires de l'Hérault".Seconde édition, revue et corrigée par Henri Loret. cartes dépliantes, de l'Hérault et de Montpellier.‎

5 Images

‎ Bon état général, sauf dernières pages détachées (complet cependant) Photos de tous nos ouvrages sur demande‎

‎FLORE DE MONTPELLIER. Ou analyse descriptive des plantes vasculaires de l'Hérault ‎

‎Montpellier - Paris Librairie Joseph Calas - G. Masson, Libraire-Editeur 1886 in 8 (23,5x15) 1 fort volume broché, LXXV et 664 pages, avec 2 cartes dépliantes en couleurs, non coupé. Exemplaire imprimé sur papier vergé. Seconde édition, revue et corrigée par Henri Loret. Bel exemplaire, très frais ‎

‎Satisfaisant Broché ‎

‎FLORE DE MONTPELLIER. Ou analyse descriptive des plantes vasculaires de l'Hérault ‎

‎Montpellier - Paris Librairie Joseph Calas - G. Masson 1887 in 8 (22x14) 1 volume reliure demi basane verte de l'époque, dos à nerfs, pièce de titre de cuir brun, LVIII et 663 pages, avec 2 cartes dépliantes, dont une en couleurs, petits cachets ex-libris de l'entomolgiste montpelliérain Jean Suire. Seconde édition, revue et corrigée par Henri Loret. Bel exemplaire ‎

‎Très bon Couverture rigide ‎

‎FLORE DE MONTPELLIER. Ou analyse descriptive des plantes vasculaires de l'Hérault ‎

‎Montpellier - Paris Librairie Joseph Calas - G. Masson 1888 in 8 (22,5x14) 1 volume broché, LVIII et 664 pages, une carte dépliante en couleurs (petits manques de papier sur une pliure), dos cassé, trace de scotch sur le bord des plats et le dos de la couverture. Seconde édition, revue et corrigée par Henri Loret. Bon exemplaire (à relier) ‎

‎Satisfaisant Broché ‎

‎ALBUM SOUVENIRS : PARTITIONS - Souvenir de Saint-Cyr par Louis Desvaux / Danse persane par Gabriel Arsau / Jeannette par Louis Desvaux (polka) / Les filles de Capri par Emile Camys / Simple Violette par Louis George / Jane par E. Reboux / ETC.‎

‎MAISON LORET FILS & H. FREYTAG. NON DATE. In-18. Broché. Bon état, Couv. convenable, Dos frotté, Intérieur frais. Environ 25 pages. Dos déboité. PARTITIONS (CLE DE SOL ET CLE DE FA).. . . . Classification Dewey : 780.26-Partitions‎

‎ Classification Dewey : 780.26-Partitions‎

‎La Muze Historique: Ou, Recueil Des Lettres En Vers Contenant Les Nouvelles Du Temps Écrites À Son Altesse Mademoizelle De Longueville‎

‎ 1850 Couverture souple 1850 Sl nd ( v 1850 ) , fort in8 broché , 582pp . Couverture d' attente muette sans page de titre. Il s' agit du 1er volume ( année 1654 ) de l' édition Jannet 1857. Bon état général . Langue: Français ‎

‎WARHOL‎

‎PEREGRINES -LES- EDITIONS‎

‎LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9791025205426‎

‎Dirk Braeckman - No Denial, No Explanation ‎

‎Antwerp, Tim Van Laere, 2023 Hardcover, 88 pages, Illustrated., Quadrilingual: English, Dutch, French, Italian .*New. ISBN 9789464004366.‎

‎Tim Van Laere Gallery presents No Denial, No Explanation, a new solo exhibition by internationally acclaimed artist Dirk Braeckman. Dirk Braeckman is celebrated for his stilled, enigmatic visual language?one that continuously questions, suspends, and redefines the photographic medium. His austere, often monochromatic images oppose the velocity and superficiality of today?s visual overload. They urge the viewer to slow down, to look more attentively, and to embrace ambiguity. For Braeckman, the essence of photography lies not in the moment of capture, but in the entire process?from the initial shot to the final image. With this approach, he engages with photography through a painterly lens, emphasizing the process of image construction. His works are not straightforward reproductions of reality, they are carefully altered, marked, deconstructed, and recomposed by the artist. As a result, the viewer doesn?t just get a glimpse through Braeckman?s lens, but feels his physical presence within each work. ‎

‎Flore de Montpellier ou analyse descriptive des plantes vasculaires de l'Hérault.‎

‎ Montpellier-Paris, Joseph Calas - G. Masson, 1887. Fort in-8° br., couv. muettes postérieures, titre manuscrit au dos, [2ff.]-LXXV-663pp., carte dépliante de l'Hérault h.-t. ‎

‎ Dos marqué avec petit manque, papier lég. bruni. avec minime déchir. au titre. Bonne condition générale. - Frais de port : -France 6,9 € -U.E. 9 € -Monde (z B : 15 €) (z C : 25 €) ‎

‎Aux religieuses : vocations ! Doctrine, pratique,‎

‎PM-DX2-C41, Editions Saint-Paul, Paris 1943‎

‎Assez bon‎

‎FLORE DE MONTPELLIER. Comprenant l'analyse descriptive des plantes vasculaires de l'Hérault. Tomes 1-2 ‎

‎Montpellier - Paris C. Coulet, Libraire-éditeur - Adrien Delahaye 1876 in 12 (19x12,5) 2 volumes reliés demi basane verte de l'époque, XLIV, une carte gravée dépliante [2] et 918 pages [3] [1] (pagination continue), petites traces de scotch sur le bord des pages de garde. Comprenant l'indication des propriétés médicinales, des noms vulgaires et des noms patois, et un vocabulaire explicatif des termes de botanique. Première édition. Bon exemplaire ‎

‎Bon Couverture rigide ‎

‎Ben Sledsens : Under The Tree Distant Sea.‎

‎, Tim Van Laere Books , 2022 Hardcover, 96 pages, ENG./ NL./FR. edition, 255 x 205 x 15 mm, *NEW, illustrated in colors. ISBN 9789464004182.‎

‎Wanneer men het werk van Ben Sledsens bespreekt, wordt het woord utopia vaak in de mond genomen om de wereld te beschrijven die hij in zijn schilderijen weergeeft. Ook de kunstenaar zelf zegt over zijn werken dat ze een utopia voorstellen waarin hij zelf zou willen leven. Als we echter goed kijken naar het oeuvre dat Sledsens in de loop der jaren heeft gecre erd, merk je echter dat zijn wereld niet enkel is opgebouwd uit optimistische verhalen, noch is zijn ?utopia? een suggestie voor een perfecte samenleving. Het is ook geen kritiek of satire; de kunstenaar herbergt geen enkele ambitie om via zijn werken een sociale of politieke boodschap uit te dragen. De wereld die Sledsens in zijn schilderijen weergeeft is dus niet het product van zijn ongenoegen met onze werkelijkheid; zijn utopia is elders ontstaan. ‎

‎Tal R Home Alone. The exhibition includes a new series of paintings, gouaches and drawings.‎

‎Antwerp, Tim Van Laere Books 2020, 2020 Hardcover, 120 pages Illustrated. 25.5x20.5cm. Text in English / Nederlands. Fine! ISBN 9789464004021.‎

‎Tal R ( Tel Aviv, Israel. Lives and works in Copenhagen) transforms everything in his environment into art. His works are known for their daring colors and vivid imagery. Tal R works with a variety of techniques and media including painting, drawing, collage, sculpture, installation, print and furniture. Tal R is a keen observer, who takes inspiration from reality as well as his imagination. His work fits within the northern European tradition of Edvard Munch, Asger Jorn, Per Kirkeby and Georg Baselitz. Historical and art-historical references are abundant: threads of expressionism, fauvism and symbolism continue, as well as a nod to traditional Scandinavian art, art nouveau, outsider art and children?s paintings. Tal R?s enigmatic work offers intersections of personal experience and wider history through a visual jigsaw, finely balanced between representation and abstraction, of what the artist has termed ?Kolbojnik,? a Hebrew term for leftovers. His unique vision, self-identification as an outsider and ability to sample the two worlds of his different heritages, has produced an artistic language that constantly questions our surrounding realities. According to Tal R one can easily describe the subject of his works over the phone. In Home Alone Tal shows a series of birds in their cages and a series of still lifes. The titles of the works refer to the literary work of Bruno Schulz. In his Cinnamon Shops, a collection of interlinked stories, the most prosaic elements of everyday life become fantastic, full of mystery, capable of containing and at times revealing the deepest secrets of existence. Each story floats between the realism of his own autobiography and a fantastical fiction. In one of his stories Schulz tells about his father?s collection of a colony of birds in the attic, which served as an inspiration to Tal?s series of birds in their cage. Tal?s birds are delicately balanced between representation and abstraction, with abstract shapes and fields of color. The linings of the cage divide the canvas and provide structure to the stacking of different paint colors. In his series of still lifes, Tal depicts a series of objects that have been carefully arranged on a table top. These objects are as familiar as they are estranged. They are the objects that have been taken from their initial place and lost their name. Just like in Disney Pixar?s Toy Story, where the toys come to live as soon as the door closes, Tal gives these objects new life by painting or drawing them. Many of these objects carry references towards the stories of Schulz, but just like the author Tal?s interest is not so much in the story itself but in a proces of regeneration.‎

‎Marcel Dzama Wild Kindness‎

‎Antwerp, Tim Van Laere Books 2024, 2024 Hardcover 224 pages, NL/ ENG / FR / IT text. 21x26cm *fine. ISBN 9789464004304.‎

‎Marcel Dzama: The Moon is Following Me. Marcel Dzama (1974 Winnipeg, Canada. Lives and works in New York) has developed an immediately recognizable visual language that investigates human action and motivation, as well as the blurred relationship between the real and the subconscious. Drawing equally from folk vernacular as from art-historical and contemporary influences, Dzama?s work visualizes a universe of childhood fantasies and otherworldly fairy tales. Dzama?s image repertoire includes a wide range of art-historical quotations. One can recognize ballet costumes by Oskar Schlemmer or Francis Picabia, for example, and direct references to Francisco de Goya, Marcel Duchamp and Joseph Beuys. However, it?s not just elements from the past that spur Dzama?s creativity. The music enthusiast has collaborated with various colleagues from the beginning of his career, whether as part of the Royal Art Lodge in Winnipeg, which he co-founded, or in the form of collaborations with Arcade Fire, Bob Dylan, Beck, Kim Gordon (Sonic Youth), the filmmaker Spike Jonze, the actress Amy Sedaris, the ensemble of the New York City Ballet, or fellow artists like Raymond Pettibon and Jockum Nordstr m. In his work Beuys love a girl who plays guitar he brings together the artist Joseph Beuys with the country-singer Dolly Parton. For the exhibition at the Tim Van Laere Gallery he started a series of drawings with more hopeful themes, more serene. Because the Trump years were so traumatizing.? says Marcel Dzama. ?Also I usually either do political drawing or I go for this kind of vacation feeling. Almost idyllic. A lot of them are based on photographs taken of my son and wife on vacation. I am still playing with this.‎

‎Le Salut Vient Des Juifs‎

‎Europa in8. Sans date. Broché.‎

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‎couverture défraîchie bords frottés quelques rousseurs sur tranche intérieur propre circa 1970‎

‎Anke Weyer. expo catalogue Tim Van Laere Gallery ‎

‎Antwerp, Tim Van Laere Books 2017, 2017 hardcover, 60 pages, illustrated, 25,5 x 21,5 cm, , Dutch/English . ISBN 9789082714524.‎

‎Tim Van Laere Gallery presenteert de eerste solotentoonstelling in de galerie van de Duits-Amerikaanse kunstenares Anke Weyer (? 1974, Karlsruhe). De tentoonstelling, getiteld Elbow Hood Trunk brengt een tiental nieuwe grootschalige schilderijen en een reeks pasteltekeningen samen. Binnen het werk van Anke Weyer is alles mogelijk: ze ontmantelt valse dichotomies zoals abstractie versus figuratie, toeval versus intentie en verwarring versus orde. Verwarring en twijfel ervaart Weyer als iets magnifiek zowel als verraderlijk. Ongedwongen en instinctief gaat Weyer tewerk met een zekere urgentie. Een snelheid die ervoor zorgt dat het geschilderd beeld puur en oprecht blijft. De snelheid primeert over de compositie. Elke compositorische beslissing wordt gemaakt in het moment, heel bewust of net impulsief. De beslissingen die Weyer maakt, hebben telkens een andere schaal en betekenis. Met energieke penseelstreken, druppels, vegen en schrappingen maakt ze een flux van vormen en lijnen. Elk schilderij is een documentatie van Weyers proces met verschillende verflagen, afschrapingen en overschilderingen. Met haar gebruik van levendige kleuren bewijst ze zichzelf ook als een sublieme colorist. De sterke, heldere kleuren tonen zichzelf dwingender en lenen zich het beste om een impuls te weergeven. Het belangrijkste is wat Anke Weyer zelf toelaat binnen haar proces; wat zichtbaar mag blijven en wat verborgen moet worden. Weyers manier van schilderen maakt het werk heel persoonlijk en onthullend. Ze toont fragmenten, mutaties en vergissingen die de menselijke natuur in zijn meest natuurlijke vorm aanraken. De titels van de werken zijn heel ambigu. Het zijn woorden, zinnen of afkortingen met hun eigen gevestigde betekenis die uit hun gebruikelijke context werden gehaald. In plaats van een beschrijving van het werk te geven, zijn de titels eerder een aanvulling op het geschilderd beeld. Dit zorgt ervoor dat er een open dialoog mogelijk is tussen het kunstwerk en de toeschouwer Weyers tekeningen in pastel stralen duidelijk dezelfde energie uit als haar schilderijen. De manier waarop ze de levendige kleuren, strakke lijnen en kleurvlakken aanbrengt op papier kan bijna als agressief worden ervaren. Naast het aanbrengen van de verschillende lijnen en vlakken, veegt ze ook doorheen de pastels met haar handen waarmee ze verschillende sporen en afdrukken nalaat op het papier. Zelfs met de beperking in het formaat is de fysieke handeling van Weyer even voelbaar in haar tekeningen als in haar schilderijen. ‎

‎Kati Heck: All my friends are wild, catalogue Tim Van Laere Gallery, ‎

‎, Tim Van Laere Books, 2019, 2019 Bound, hardcover, 80 pages, Illustrated. 25.8 21.7 cm. NL/ENG. ISBN 9789082714579.‎

‎Kati Heck's masterful virtuosity is unmistakable. She portrays her figures in a photorealistic way with great attention to every detail. She combines that precision with abstractions and parts that are applied almost sculpturally on canvas. With her works, Heck synthesizes different styles, combining elements from expressionism and surrealism with social realism. Her works are reminiscent of the bars, dancers and actors of Otto Dix and George Grosz, but also refer to Jean-Michel Basquiat, the Dada movement, Man Ray and the Old Masters. For her solo exhibition All my friends are wild at Tim Van Laere Gallery, Heck was inspired by the ideas of the philosopher Donna Haraway. Haraway has had a major impact on contemporary social sciences and philosophy through her highly original way of thinking with which she moves between theory and fiction. This idea of equality between sexes, organisms, and other life forms is what attracted Heck to Haraway?s philosophy. With her new series of works, Heck wants to show an alternative universe in which everyone sits down at the table, talks to each other and explores new physical possibilities. She shows a world in which the division has disappeared and the freedom to be who we want to be seems infinite.‎

‎Adrian Ghenie. expo 2020‎

‎Antwerp, Tim Van Laere Books 2020, 2020 Hardcover, unpag. (ca. 90pp), illustr. throughout in col., 25.5x20.5cm., as new. Tekst in Dutch and English. ISBN 978464004052.‎

‎15 october 2020 - 15 january 2021‎

‎Friedrich Kunath : New Ballads‎

‎, Tim Van Laere Books, 2021, 2021 80 pagina's, illustraties in kleur, 25,5 x 20,5 cm, hardcover, Duits/Engels/Frans. ISBN 9789464004083.‎

‎The universe of Friedrich Kunath is carefully balanced around dichotomies. His paintings address the greater questions in life, bringing viewers into a disruptive state of searching for meaning in life while realizing the ridiculousness of this quest. The artist?s personal journey from East to West Berlin and on to his new-found home in Los Angeles presented him with a wide variety of source material ranging from the canon of art history and German philosophy to the idiom of kitsch and the make-believe world of Hollywood and LA. Many of these materials are impacted by two poles ? the culture of wisdom and pop culture ? to the point of obsession and even, at times, systematization. Dealing with such universal themes of human existence as love, loss, optimism, vulnerability and melancholy, he employs a variety of media, from painting, sculpture, drawing, video and photography to expansive installations, all provided with a tragicomic pathos and dreams of possibilities. In almost every work, there is a tangible realization that the world is a spectacle of unfulfilled dreams in which the rawness of life is fled through the parallel universe of pop culture.‎

‎Anton Henning: Pink Period‎

‎, Tim Van Laere Books 2020, 2020 88 pagina's, 25,5 x 20,5 cm, illustraties in kleur, hardcover, Nederlands - Engels. ISBN 9789464004007.‎

‎Tim Van Laere Gallery is pleased to present Pink Period, the third solo exhibition by Anton Henning. Few colors trigger as many contradictory associations and emotions or have as many symbolic meanings in both high as low culture as pink. The same tension and duality can also be found in the works by Anton Henning. If we consider Art History as an ongoing conversation, Anton Henning ( 1964 Berlin, lives and works in Berlin and Manker) proves himself to be a master conversationalist who speaks various different languages. His oeuvre comprises paintings, sculptures, drawings, films, photographs, musical pieces and entire environments. His oeuvre could be read as a contemporary interpretation of the Gesamtkunstwerk. Focussing equally on the search as well as the outcome, he creates a hybrid pictorial event, an anarchy of images liberated from the gravity of the isms in art history. With his motif repertory, material choices, stylistic devices and playful reinventions of the genre types, Henning doesn?t simply quote from art history, but he playfully looks for painterly potential through his own pictorial memory which has remained delitescent, discarding all spatial, temporal, and ideational contexts. He moves between modern enthusiasm and postmodern irony, between hope and melancholy, between naivet and knowledge, empathy and apathy, unity and diversity, totality and fragmentation, purity and ambiguity.‎

‎Swim The Mountain Climb The Sea ( different artists) ENG / NL / FR ‎

‎, Tim Van Laere Books , 2022 Hardcover, 146 pages, ENG / NL / FR, 255 x 205 mm, NEW, catalogue of different artists in bright colours. *new ISBN 9789464004144.‎

‎This catalog was published on the occasion of Swim the Mountain Climb the Sea, a group exhibition showcasing new work by Bram Demunter, Isabella Ducrot, Adrian Ghenie, Anton Henning, Ben Sledsens, Ed Templeton, Dennis Tyfus and Rose Wylie alongside works by Jean-Michel Basquiat, James Ensor, Cameron Jamie, Pablo Picasso, Ceija Stojka and Franz West. This exhibition thus includes a selection of contemporary and modern artists who share the same pioneering spirit. The concept of a group exhibition, where the general public is invited to view new work by a collection of artists, is relatively recent in art history: it all started with the Paris Salon, first held in 1737. Those jury salons with pre-established rules lasted for about 130 years until the art world revolted. Since The Salon des R fuses in 1863, a showcase of artworks rejected by the Paris Salon, a series of groundbreaking group exhibitions have followed, presenting works that changed not only art, but Western culture itself. Most of these pre-1960 group exhibitions, from the Impressionists? first exhibition in 1874 to the Gutai Art Association shows in Japan and London?s Independent Group in the late 1950s, were all organized by artists. In contrast, from roughly the 1960s onward, the groundbreaking group exhibitions were curated by professional exhibition makers, from galleries to biennials. This shift brought about a change in the dialogue, where previously only artists and the public came together, there is now also a third player present. This is also the case with this group exhibition. Curated by Tim Van Laere Gallery, this exhibition includes a selection of artists whose most pronounced characteristic is their idiosyncrasy. Each of these artists has idiosyncratically constructed their own universe with their own visual language, with which they started new conversations in art history by questioning and examining its foundations. Showing both works by modern and contemporary artists, this exhibition not only reveals the individual profiles of the artists, but also allows us to re-evaluate their unique position and concept. Pablo Picasso, James Ensor, Jean-Michel Basquiat, Franz West and Ceija Stojka have left behind a body of work that continues to inspire new generations of artists to this day. Placing their work in dialogue with contemporary works not only reveals the influence of the modern artists on this generation, but also shows how their work has remained current over the years. In the opposite direction, this combination also illustrates the strength of the individual voices of this selection of contemporary artists, who can engage in conversation both with the work of each other and with the work of generations before them.‎

‎BRAM DEMUNTER - Ancient Alligator Swimming from the Sea to the River. ‎

‎, Tim Van Laere Books , 2021 Hardcover, 128 pages. ENG / NL / FR, 255 x 205 mm, *NEW, with coloured illustrations. ISBN 9789464004113.‎

‎Bram Demunter (28) groeide op tussen de West-Vlaamse heggetjes van Bissegem en schoolde zich als tekenaar en schilder aan het Gentste HISK. De jongste jaren groeide hij uit tot die volgende jonge naam om in de gaten te houden, dankzij zijn complexe, op het randje van bizarre schilderijen. Ook de Antwerpse topgaleriehouder Tim Van Laere zag potentieel. ?Ik had Bram Demunters werk al heel vroeg gezien en ben het van op een afstand blijven volgen. Het was me snel duidelijk dat hij een uitzonderlijk talent is die een heel eigen universum kan cre ren. Bovendien klikte het meteen?, aldus Van Laere. Sinds Van Laeres aanzoek, dat zich in 2019 in een Knokse beachbar voltrok, maakt Demunter deel uit van een clan met hedendaagse kunstenaars als Kati Heck, Rinus Van de Velde, Dennis Tyfus en Ben Sledsens.‎