3 Bände. Schaffhausen, Meier Buchverlag, 2005, 2007, 2015. 198 S., 220 S., 243 S., Tabellen und vielen schwarz-weiss Illustrationen. Illustrierte Leinenbande.
Komplette Serice (Bäne 1 bis 3) von den Freunden alter Motorräder.Mit handschriftlicher Widmung des Autors. - Tadellos erhalten.
Schaffhausen, Meier Buchverlag, 2005. 198 S., Tabelle, und vielen schwarz-weiss Illustrationen. Illustrierter Leinenband.
Band 1 von den Freunden alter Motorräder. Tadellos erhalten.
[RAMUZ Charles-Ferdinand] KOHLER Pierre; THOMAS Max-Marc (bibliographie):
Reference : 14814
(1929)
Genève, aux Editions de l'Anglore, 1929. In-8 broché de [6]-III-55-[7] pages, couverture rempliée.
Edition originale au tirage limité à 500 exemplaires sur vélin anglais, celui-ci un des 400 numérotés en arabe (358). Non coupé, sauf la partie bibliographie. Exemplaire enrichi d'un envoi autographe à M. Gagnebin, "érudit, bibliothécaire, historiographe", signé Max-Marc Thomas, "bibliographe & éditeur". Du 26 septembre au 5 octobre, le libraire est absent il prendra connaissance de vos commandes dès le 6 octobre au matin. Et durant cette période, l'horaire de fermeture sera 17h30 du lundi au vendredi. – From September 26 to October 5, the bookseller is absent; he will take note of your orders as early as the morning of October 6. And during this period, the closing time will be 5:30 p.m. from Monday to Friday.
, Hirmer verlag, 2023 Hardcover, 304 pages, ENG. edition, 246 coloured illustrations, NEW, 285 x 225 x 25 mm, . ISBN 9783777442181.
In 1892 the Association of Berlin Artists invited the still-unknown Edvard Munch (1863?1944) to an exhibition. The public was shocked by the colourful, sketch-like pictures. The artist enjoyed the furore and moved to the city on the Spree, where he repeatedly sojourned until 1908. Here he learned the techniques for printed graphics and presented for the first time paintings in several continuous series which would become central to his oeuvre. In Berlin, before long, the concept of the ?Magic of the North? (Stefan Zweig) was no longer associated with romantic or naturalistic fjord landscapes, but with Munch?s psychologically concentrated pictorial worlds.