CASTELLANO Olivier, BIEVILLE (de) Clémence, DE CLIPPEL Catherine (photographies)
Reference : 13967320
Paris: Galerie Olivier Castellano, 2010 gr. in-4, 96 pages, 83 illustrations. Broché, couv. à rabats, très bon état. Photographies des objets par Hugues Dubois.
gr. in-4, 96 pages, 83 illustrations. Broché, couv. à rabats, très bon état. Photographies des objets par Hugues Dubois. [M.C.: Art africain, Mali, photograhies].
, Brussel, Paleis der Academien, 2004., softcover , originele geillustreerde uitgeversomslag in kleur, 26x18cm., 183pp, met 79 afb., bibliografie, index, als nieuw!!! ISBN 906569921X.
Verhandelingen van de Koninklijke Academie voor Wetenschappen, Letteren en Schone Kunsten van Belgie. Nieuwe reeks, n 11.
2012 Éditions Dumerchez, sans date, 2012. 22 x 17 cm, en feuilles sous emboîtage toilé. Petite déchirure au dos de l'emboîtage, sinon bel exemplaire. Ouvrage pubblié à l'occasion de l'exposition à la Galerie Forêt Verte à Paris, lors du festival Photo Saint-Germain des Près du 8 au 30 novembre 2012. Textes de Michel Bohbot, photographies de Catherine de Clippel.
[Sir Peter Paul Rubens] - Vermeylen, Filip, Karolien de Clippel, Nadine M. Orenstein et al.
Reference : 124699
(2024)
ISBN : 9783777443522
Vermeylen, Filip, Karolien de Clippel, Nadine M. Orenstein et al.: Careers by Design: Hendrick Goltzius & Peter Paul Rubens. 2024. 304 pages, over 100 illustrations. Hardback. A consideration of how printmaking facilitated the international success of Goltzius and Rubens. Three essays discuss their individual printmaking as well as putting their work and self-marketing strategies into a contextual dialogue. Followed by a catalogue of 160 copperplate engravings accompanied by texts discussing the workshop system, publishers, Rubens' and Goltzius' engraving techniques, their interest in antique subjects and contemporary portraits, and inspiration from Renaissance masters. Text in English and German.
A consideration of how printmaking facilitated the international success of Goltzius and Rubens. Three essays discuss their individual printmaking as well as putting their work and self-marketing strategies into a contextual dialogue. Followed by a catalogue of 160 copperplate engravings accompanied by texts discussing the workshop system, publishers, Rubensâ and Goltziusâ engraving techniques, their interest in antique subjects and contemporary portraits, and inspiration from Renaissance masters. Text in English and German
Editions de la Martinière, 2007, grand in-8 cartonnage (26 x 20), 183 p., photos n. et b. de C. De Clippel, textes de J.-P. Colleyn, bon état.
Les fétiches africains effrayent les missionnaires, horrifient les marabouts, mais captivent les artistes, les anthropologues, les philosophes et les psychanalystes. L'Afrique s'est urbanisée, les écoles ont souvent remplacé les initiations traditionnelles, mais les fétiches se sont adaptés à la modernité. " Objets inanimés, avez-vous donc une âme ? ", s'interrogeait Lamartine. Ce livre amorce une réponse à partir de deux univers : celui des vodu du Togo et celui des boliw du mali. Dans les deux cas, le rapport d'un individu au monde d'ici-bas et à l'au-delà passe par la confection et l'entretien d'objets qui sont plutôt des êtres que des choses. Ces photos ont été prises entre 1980 et 2006, dans des milieux très secrets, grâce à la longue et étroite collaboration entre une photographe, Catherine De Clippel, et un anthropologue, Jean-Paul Colleyn. Voir le sommaire sur photos jointes.
Paris: Galerie Olivier Castellano, 2011 in-4, 72 pages, 53 illustrations. Cartonné, très bon état.
in-4, 72 pages, 53 illustrations. Cartonné, très bon état. [M.C.: Art africain, African Art, photographie].
Paris: La Martinière, 2007 in-4, 184 pages, illustrations. Glossaire, bibliographie, filmographie. Cartonné, état neuf(emballé)
in-4, 184 pages, illustrations. Glossaire, bibliographie, filmographie. Cartonné, état neuf(emballé) [M.C.: Afrique noire, Togo, Mali, vaudou, photographies].
Van Der Stighelen, Katlijne; Van Cauteren, Katharina; De Clippel, Karolien
Reference : 022681
(2011)
ISBN : 9782503535692
2011 Brepols Soft cover Fine
Langue: anglais. Le Nu et la Norme dans les Pays-Bas modernes, Broché, 300 x 210 mm, 220 pp, nombreuses illustrations en couleur, en très bon état. [Cette description peut avoir été traduite par une IA.]
McGrath, G. Martin, F. Healy, B. Schepers, C. Van de Velde, K. De Clippel
Reference : 48640
, Brepols , 2016 Hardcover with dusjacket, 2 volumes., 944 pages., 362 b/w ill. + 104 colour ill., 175 x 260 mm Languages: English. ISBN 9780905203676.
Corpus Rubenianum Ludwig Burchard XI One remarkable feature of European culture as it developed in the Renaissance was the accommodation it made with ancient paganism. The classical gods and their legends were allegorised, transformed into symbolic figures or emblematic scenes that might accord with Christian morality. At the same time there emerged a new, secular, genre of art devoted to the depiction of the most popular myths, above all the love stories recounted by the ancient poets. These stories were not only attractive in themselves; they offered the opportunity to depict nude figures in narrative action, which the example of antiquity held forth as the highest goal for painting. Rubens was one of the greatest creators of classical allegory; he was also a supreme interpreter of the classical stories. No painter was so at home in the literature of the Greeks and Romans. When he painted for pleasure, which, increasingly in the course of his life, he felt able to do, he used pagan myth to express and celebrate themes of love, beauty and the creative forces of nature, often in wonderfully idiosyncratic ways. Still, as a Christian committed to the ideals of the Catholic Reformation, Rubens respected the restrictions generally placed on the depiction of pagan tales. Most of his mythological paintings were made for private settings, for display within houses (including his own) or in the galleries of princes, noblemen and prelates. It is a happy accident of history that so many of these splendid paintings are now widely visible in the great museums of the world.
Hasselt, Mode museum, 2021 Paperback, illustraties, 230 x 300 mm, 600 gr. Taal:NL . ISBN 9789077207949.
Meer dan ooit laat de mode zich inspireren door de sportwereld. Wielershorts, hoody?s en sneakers veroveren de catwalk. Ontwerpers experimenteren met tule en met technische materialen als neopreen en elastaan. Modehuizen gaan lucratieve collabs aan met atleten en sportlabels. Activewear exploreert deze spannende relatie tussen mode en sport. Het onderzoekt de boeiende scheidingslijn tussen sportswear, streetwear en activewear, en nodigt de lezer uit om na te denken over het waarom van dit succesverhaal. Elodie Ou draogo en Olivia Borl e, Belgische atletieksterren en gastcuratoren van de tentoonstelling die deze publicatie begeleidt, verenigden in 2016 hun passie voor mode en sport en lanceerden hun eigen activewearlabel: 42|54. Vereeuwigd voor de lens van Ronald Stoops zijn zij niet alleen het gezicht van activewear in Belgi , maar ook van de expo en van dit rijk ge llustreerde magazine. Samen met andere ontwerpers, modebewuste muzikanten, modeactoren en internationale onderzoekers en journalisten bieden ze een inkijk in de wondere wereld van de activewear. In samenwerking met Modemuseum Hasselt Bookdesign: Elisabeth Mestdagh, Studio M in samenwerking met Inge Rylant..
Hasselt, Mode museum, 2021 Paperback, illustraties, 230 x 300 mm, 600 gr. English edition. ISBN 9789077207949.
More than ever before, fashion is finding inspiration in the world of sports. Cycling shorts, hoodies and sneakers are conquering the catwalk. Designers experiment with tulle and with technical materials such as neoprene and elastane. Fashion houses enter into lucrative collabs with athletes and sports labels. Activewear explores this exciting relationship between fashion and sports. It examines the fascinating divide between sports clothing, streetwear and activewear, and invites the reader to reflect on why this success story is taking place. Elodie Ou draogo and Olivia Borl e, Belgian athletics stars and guest curators of the exhibition that accompanies this publication, united their passion for fashion and sports in 2016, launching their 42|54 label. Immortalized by the camera lens of Ronald Stoops, they are not only the face of activewear in Belgium, but also of the exhibition and this richly illustrated magazine. Together with other designers, fashion-conscious musicians, fashion actors and international researchers and journalists, they offer a glimpse into the wonderful world of activewear.
LA MARTINIERE. 2007. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 183 pages- nombreuses illustrations en noir et blanc- dans et hors texte. . . . Classification Dewey : 960-Histoire générale de l'Afrique
Textes de Jea- Paul Colleyn Classification Dewey : 960-Histoire générale de l'Afrique