Write to the booksellers4 books for « jardin etienne »Edit
Faites vos jeux ! : la vie musicale dans les casinos français
Actes Sud (4/2024)
LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9782330189198
Exposer musique festival du troc
Horizons d'attente éditions (6/2022)
LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9782491382032
DU JARDIN Pierre, ESCOMAN d' (Damoiselle), THUANUS Jacobus Augustus, PASQUIER Etienne
Reference : 9567
(1717)
RECUEIL DE PIECES HISTORIQUES ET CURIEUSES
1717 reliure plein veau (binding full calfskin) in-octavo, dos 5 nerfs (spine with raised bands) - entre-nerfs à fleuron (floweret) avec des petits fers isolés en remplissage et des feuillages exécutés aux filets courbes aux angles dans un encadrement à filet perlé - pièce de titre (label of title) avec filet or (gilt line) sur fond bordeaux et pièce de tomaison (label of volume numbering) sur fond havane, coiffes légèrement défraîchies (head and tail of the spine lightly faded), roulettes (fillets) sur les coupes (manque de dorure - lack of gilt), tranches rouges (red edges), sans illustration (no illustration), 31+IV+15+56+440 pages avec Privilège, 1717 à Delft Chez Isaac Vorburger,
Sommaire (contents) : les manifestes de Pierre Du Jardin et de la Damoiselle d'Escoman sur la mort d'Henry IV - l'apologie pour monsieur le Président de Thou sur son histoire, epistola Jacobi Augusti Thuani V. C. P. Janino - Tome I seul - bon état général malgré les petits défauts signalés (good condition in spite of the smalls defects indicated)
Financing Music in Europe
, Brepols - Harvey Miller, 2023 hardcover, Pages: xii + 452 p. Size:210 x 270 mm. Illustrations:22 b/w Language(s):English, French, Italian. ISBN 9782503602899.
The way in which music was financed from the 18th to the early 20th centuries has usually been depicted as a slow transition from private investment (or patronage) to more public forms of financial support. In particular, the later 18th and earlier 19th centuries marked fundamental changes in European life with the development of new technologies and expanding market economies. Composers and musicians, no longer bound by service to a court or a patron, were fully integrated into the musical market, and new categories emerged, such as theatre impresarios and the artistic agent. During the second half of the 19th century, the concept of a career as a concert musician began to take shape concurrently with the second Industrial Revolution. This book investigates the various aspects of financing the music world ? in court, on lyrical stages, for concerts, or even music schools ? and ask the question: did the provenance of funding and the funder?s identity have an impact on music itself?
