's-Gravenhage, Boekencentrum 1985 548pp., linnen band met stofwikkel, goede staat
August Hopfer burg. 1929. In-12. Broché. Bon état, Couv. convenable, Dos frotté, Intérieur frais. 112 pages, photos noir et blanc.. . . . Classification Dewey : 430-Langues germaniques. Allemand
Deutsche bauten. Fünfzehnter Band. Mit 73 Abbildungen. Classification Dewey : 430-Langues germaniques. Allemand
Den Haag, Sdu Uitgevers, 1996, in-8°, 543 pp. Linnen uitgeversband met originele stofwikkel. Mooi exemplaar, zonder ex-bibliotheek markeringen.
Schiedam Herman Jansen 1943 Affiche publicitaire originale des années 1940 pour Scheidam Jenever. Elle représente un grand Pinneke Proost chevauchant une bouteille de genièvre Jansen. En excellent état, sans défauts significatifs. Encadrée dans un sympathique cadre métallique rouge sous verre. En 1943, l'entreprise a demandé à Marten Toonder de créer "Het recept van Pinneke Proost". Pinneke Proost était le nain de maison (Kabouter) de Jansen Gin. Dans la bande dessinée créée par Toonder, il sauve la situation en démasquant un faux gin et en démontrant que celui de Jansen est supérieur. Impressionnée, l'entreprise a demandé à Hans G. Kresse (l'un des collaborateurs de Toonder) de créer la publicité pour elle. Le résultat est cette affiche. Elle n'a pas été utilisée longtemps et un format plus petit a été créé à partir des années 1950. 46 cm x 31 cm de surface visible sous le passe-partout et cadre de 61 cm par 43 cm (l'affiche actuelle a une partie de la surface vierge cachée derrière le passe-partout et mesure environ 57 cm x 36 cm).
An original 1940's advertising poster for Scheidam Jenever. Featuring a large Pinneke Proost, riding a bottle of Jansen Jenever. In excellent condition, without significant flaws. Framed in a sympathetic red metal frame under glass. In 1943, the company commissioned Marten Toonder to create "Het recept van Pinneke Proost." Pinneke Proost was the house gnome (Kabouter) of Jansen Gin. In the cartoon strip Toonder created, he saved the day by unmasking a fake gin, and showing that Jansen's was superior. Impressed by this, the company commissioned Hans G. Kresse (one of Toonder's team of workers) to create the advertising for them. This poster was the result. It was not used for long, and a smaller size was created from the 1950's. 46cm x 31cm visible area under passe partout and frame of 61cm by 43cm (The actual poster has part of the blank area hidden behind the passe partout and is approx 57cm x 36cm). .
[Vincent van Gogh] - Bakker, Nienke, Leo Jansen and Hans Luijten
Reference : 091882
(2010)
ISBN : 9781905711604
Bakker, Nienke, Leo Jansen and Hans Luijten: The Real Van Gogh: The Artist and His Letters. Exhibition: London, Royal Academy, 2010. 301 pages. over 150 illustrations in colour and black and white. Paperback. 25x27cms. Focusing on Van Gogh's long-standing and lengthy correspondence this exhibition contains over 35 original letters together with 65 paintings and 30 drawings, most of which are mentioned in the selected writings. The letters construct a written self-portrait that divulge his passion for colour, nature and friendship.
Focusing on Van Gogh's long-standing and lengthy correspondence this exhibition contains over 35 original letters together with 65 paintings and 30 drawings, most of which are mentioned in the selected writings. The letters construct a written self-portrait that divulge his passion for colour, nature and friendship. Text in English
's Gravenhage 1981 Uitgeverij Boekencentrum Hardcover Fine
Christelijke theologie na Auschwitz: Deel I: Theologische en kerkelijke wortels van het antisemitisme hard cover, 230 x 150 mm, 719 pp, nieuwe staat, stofwikkel rond linnen band, zilverkleurig opdruk op voorkant en rug van het boek
New York, Rizzoli , 2007 Hardcover with orig. dustjacket, 383pp., 22.5x28.5cm., richly illustr. in col., as new. ISBN 9780847829934.
This important, groundbreaking publication contains the illustrated letters between two great modern artists?Vincent van Gogh and Emile Bernard. The original letters were previously in private hands and have not been seen for approximately seventy years. Here they are published in association with the Van Gogh Museum in Amsterdam and an exhibit at The Morgan Library and Museum in New York. In addition to the letters, the book also includes paintings, photographs, and drawings by both artists, as well as works by artists of the period, such as Paul Gauguin and Jean-Francois Millet. These letters, written between 1887 and 1889, are among the most important and relevant sources of insight into van Gogh?s life and art. They bridge the time when van Gogh was living and working in Paris, where he painted most of his self-portraits (mainly because he was unable to afford models), to the small town of Arles, in Provence. Here he adopted new types of compositions and developed new ideas about color?all of which he describes in detail in letters to his friend and fellow painter Bernard. Only a year later, in July 1890, van Gogh died, at the age of thirty-seven. The authors have carefully placed each letter in context of relevant events and have written authoritative commentaries on the content of the letters.