, Brepols, 2025 Paperback, 237 pages, Size:156 x 234 mm, Language(s):English, Italian. *new ISBN 9782503614281.
Summary The Dominican master par excellence of the historical method, Pierre Mandonnet (1858-1936) came to Dante as one of the leading Thomists and medievalists of his generation. However, his monograph Dante le th ologien (1935) was neglected and largely forgotten, mainly as a result of the lay historian tienne Gilson's book-length refutation in Dante et la philosophie (1939). This new edition, and the first English translation, re-presents Mandonnet's erudite and thought-provoking monograph to contemporary scholars and Dante enthusiasts. It includes a critical introduction that situates Mandonnet's work in relation to prevailing currents of Dante scholarship in the early twentieth-century, and outlines how it might invite a reappraisal of central features of Dante's thought today. Mandonnet's historically-informed account of Dante the theologian as a preacher, doctrinarian, and distinctively medieval poet, as well as his sophisticated analysis of the theological purpose, method, and content of the Commedia will be an invaluable resource for anyone who seeks to understand Dante's works and their highly contested reception history. TABLE OF CONTENTS Acknowledgements Editions Followed and Abbreviations Note on the Translation Editorial Introduction Introduction Part I. The Author 1. Dante Clericus 2. Dante's Clerical Vocation 3. Dante's Intellectual Formation Part II. The Purpose 4. The Purpose of the Commedia Part III. The Form 5. The Poetic Technique of the Commedia 6. 'One-In-Threeness' in the Commedia's 'Sacred Drama' Part IV. The Matter 7. Theology: The Proper Subject of the Commedia Appendix: A Detailed Study of One Symbol in Accordance with the Above Principles 8.?The 'Ruin' of Dante Scholars Bibliography Index
Turnhout, Brepols, 1974 Hardback, XVI+219 p., 155 x 245 mm. ISBN 9782503010878.
Languages: Latin.
, Hatje Cantz, 2015 English. 168 Seiten, 313 Abb. 24.9 x 30 cm. 1,2 kg. Hardcover, fine!. ISBN 9783775740265.
Belgian artist David Claerbout is known for investigating the conceptual impact of the passage of time through his use of video and digital photography. His work skillfully interrogates both moving and still imagery to suggest an otherworldly level of existence, something that might refer to a specific place or event, but the timeline of which is not clear, oscillating between both past and present. His oeuvre is characterized by a meticulous attention to production details, painstakingly created, often over a period of years. With each of his projects Claerbout creates a small number of drawings, which help him to reflect upon and comprehend his concepts more thoroughly. Up to now, these works have not been afforded the attention they deserve. This publication addresses that oversight in a striking way, presenting, to a larger public for the first time, a comprehensive overview of Claerbout?s drawings created over a period of two decades.
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Turnhout, Brepols 1974 xvi + 219pp., 25cm., in the series "Corpus Christianorum Series latina" volume CVIII-C (108c), publisher's hardcover binding in orange cloth with gilt lettering, ISBN 2-503-01087-8, [introduction in English, text in Latin], very good condition, R67737
Turnhout, Brepols 1974 xvi + 219pp., 25cm., in the series "Corpus Christianorum Series latina" volume CVIII-C (108c), publisher's hardcover binding in orange cloth with gilt lettering, ISBN 2-503-01087-8, [introduction in English, text in Latin], text is clean and bright (looks unread), small ex-libris stamp on blanco endpaper and at verso of title page, good condition, R118916