8 books for « hermann rudolf »Edit

‎LARGO - PIANO OU ORGUE + VIOLON OU VIOLONCELLE.‎

‎J. HAMELLE. NON DATE. In-Folio. En feuillets. Etat d'usage, Livré sans Couverture, Coiffe en pied abîmée, Quelques rousseurs. 4 pages de partition pour piano ou orgue et violon ou violoncelle + 1 page de partition pour violoncelle. Annotations sur quelques phrases.. . . . Classification Dewey : 780.26-Partitions‎

‎J. 4735 BIS.H. Classification Dewey : 780.26-Partitions‎

‎Luthers These‎

‎Gerecht und Sünder zugleich. Germany, Gerd Mohn, 1960. In-8. 314 pages. Toile rigide de l'éditeur.‎

‎Très bon état.‎

‎Les orgues du canton de Fribourg, Freiburger orgellandschaft. Introd. par Ruth Lüthi. Patrimoine fribourgeois Freiburger Kulturgüter N° 14.‎

‎Villars-sur-Glâne, Service des biens culturels, 2002, in-4to, 86 p. richement ill., brochure originale ill.‎

‎Notices de François Seydoux, Hans Gugger, Rudolf Bruhin, Luigi Ferdinando Tagliavini, Maurice Croci et Hermann Schöpfer. ‎

‎Alpes valaisannes‎

‎Club Alpin Suisse (6/2017)‎

‎LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9783859024014‎

‎13 zusammenhängende Broschüren über das Mundarten / Dialekten.‎

‎ 1. Zur Grenze der Lautverschiebung zwischen Mittel- und Niederfranken. Inaugural-Dissertation. 1904. 2. Die Laute der Mundart von Börssum. Inaugural-Dissertation. 1891. 3. Die Flexion des Hauptworts in den heutigen deutschen Mundarten. Inaugural-Dissertation. 1901. 4. Die Verbalflexion einer ostschweizerischen Dialektgruppe mit besonderer Berücksichtigung der Analogiebildungen. Inaugural-Dissertation. 1908. 5. Studien zur Dialektgeographie des Westerwaldes. Inaugural-Dissertation. 1910. 6. Historische Übersicht des osnabrückisch-tecklenburgischen Vokalismus. Inaugural-Dissertation. 1920. 7. Der Konjunktic in der Alemannischen Mundart des Emmentals. 1925. 8. Untersuchungen zur Dialektgeographie des Bergischen Landes zwischen Agger und Dhünn (Teildruck). Inaugural-Dissertation. 1928. 9. Der Sprachschatz der Mundart von Gelnhausen (Teildruck). Inaugural-Dissertation. 1929. 10. Wortatlas des Kreises Wetzlar und der umliegenden Gebiete (Teildruck). Inaugural-Dissertation. 1929. 11. Der d-Rhotazismus im Wesmitteldeutschen (Teildruck). Inaugural-Dissertation. 1931. 12. Studien zur Dialektgeographie der Kreise Calbe (Saale) und Zerbst (Anhalt) (Teildruck). Inaugural-Dissertation. 1938. 13. Deutsche Mundarten Niederdeutsch aus Kleinwusterwitz Kr. Jerichow (Mark). Lautbibliothek, Texte zu den Sprachplatten des Instituts für Lautforschung an der Universitäts Berlin, Nr. 38. 1937. Münster i. W. / Borna-Leipzig / Halle a. S. / Frauenfeld / Marburg / Münster in Westf. / Giessen / Berlin / Leipzig. Buchdruckerei Robert Noske / Druck von Ehrhardt Krarras / Buchdruckerei des Waisenhauses / Druck von Huber & Co. / R. Friedrich’s Universitäts-Buchdruckerei, Inhaber Karl Gleiser / Druck der Aschendorffschen Buchdruckerei / Verlag: v. Münchow’sche Universitäts-Druckerei Otto Kindt / Instituts für Lautforschung an der Universitäts Berlin / in Kommission bei Otto Harrassowitz. 23 Setien - 1 Falttafel + 48 Seiten + 66 Seiten + 62 Seiten + 63 Seiten - 1 Falttafel + 24 Seiten + 40 Seiten + 40 Seiten + 29 Seiten + 34 Seiten + 32 Seiten + 32 Seiten + 31 Seiten. 230x150mm. Bordeauxroter Skyvertex-Einband. Schönes Exemplar. ‎

‎Das Schweizer Heer. Von den Anfängen bis zur Gegenwart.‎

‎Dietikon-Zürich, Stocker-Schmid, 1969, gr. in-4to, 375 S. reich illustriert, Original-Leinenband.‎

‎Von der Gründung der Eidgenossenschaft bis zur Nachkriegsziet (13. Jh. - 20. Jh.). ‎

‎Ueber einige Stellen der Schrift von Helmholtz ""über die Erhaltung der Kraft""" (and Helmholtz:) Erwiederung auf die Bemerkungen von Hrn. Clausius" (and Clausius:) Ueber einige Stellen der Schrift von Helmholtz ""über die Erhaltung der Kraft"", zweite No...‎

‎Leipzig, Johann Ambrosius Barth, 1853-54. No wrappers. ""Annalen der Physik und Chemie. Hrsg. von J.C. Poggendorff"", Vol. 89, No 8 and vol. 91 No 2 a. 4. Pp. 497-628, pp. 161-320 a. pp. 497-628 a. 1 folded plate. (3 entire issues offered). Clausius's papers pp. 568-579 (vol. 89, ""Heft"" 8) a. pp. 601-604 (vol. 91,""Heft"" 4). Helmholtz paper: pp. 241-260 (vol. 91, ""Heft"" 4). With titlepages to both volumes 89 a. 91. All three issues clean and fine.‎

‎First printing of the 3 main papers in the famous Helmholtz-Clausius controversy about the principle of the ""Conservation of Energy"". His reply to Clausius contains very importent additons to his conservation law, as it clarifies his use of the concepts of ""energy"", ""vis viva"", ""electrical tension"" , ""potentials"" etc.Helmholtz famous work Über die Erhaltung der Kraft"" from 1847 gave the first comprehensive statement of the first law of thermodynamics: All modes of energy, heat, light, electricity, and all chemical phenomena, are capable of transformation from one to the other but are indestructible and cannot be created. Clausius (in the papers offere) critized helmholtz on his theory of heat over the consistency of the physical interpretation and of the use mathematics. He argued that Helmholtz's demonstration of his conservation law was valid only for Helmholtz's particulat model of matter, and that he had not understood the notion of the potential. This criticism lead Helmholtz expand and clarify the central concepts of physics, importent steps in the history of theoretical physics.‎

‎Writings of the Vienna Actionist‎

‎Translated, edited and introduced by Malcolm Green. Brus, Muehl, Nitsch, Schwarzkogler: four artists who, during the Sixties, became notorious for pushing the possibilities of art to an extreme which has yet to be surpassed. Variously fined, jailed, and forced into exile, they were ignored by the art establishment of the day, only to be hailed in recent years as one of the most outstanding and unique contributions to post-war art in Europe. Exaggeration and myth still obscure their activities, however, and their actual motives for an art centred on the examination of taboos, the “hidden” secrets of the body, the aesthetics of destruction and the possibilities of regeneration have remained elusive. Subsequent generations of artists have claimed them as their forefathers or unscrupulously borrowed their ideas (but without approaching the intensity of their actions), and while international exhibitions have reclaimed their work for the visual arts, their writings have remained largely unpublished since they first appeared in small mimeographed editions. This anthology of photo-documentation and writings — which includes manifestos, theoretical texts action scores, press reports, letters, police, psychiatric (!) and court reports and extensive photographic documentation covering the most intensive period of the Actionists’ productions (1962-1974) — has been assembled in collaboration with the three surviving artists. It provides the first comprehensive survey of their work, and for the first time illuminates their differing intentions. These texts employ humour and vitriol to elaborate a position in total opposition to contemporary social, political and aesthetic mores. A lucid narrative emerges of a determined exploration of these conditioning factors, by means of an art that used life itself as material. The Vienna Actionists were indeed unique — at the very outset of post-war performance art they trod a path very different from the “happenings” in the USA or the belated neo-Dada pranks of many of their contemporaries. They not only established a new territory for art but they explored it so thoroughly as to make most subsequent “body art” simply irrelevant. Principal events covered include: The Blood Organ, The Festival of Psycho-Physical Naturalism, Material Action and Direct Art, the Destruction in Art Symposium, the Orgies Mysteries Theatre, the Vietnam Party, Body Analysis, Zock and The Zock Festival, the Art and Revolution scandal.‎

‎Coffret de luxe. Signatures des auteurs sur la première de couverture. Edition limitée, signé par Günther Brus, Otto Muehl et Hermann Nitch. Inclue une plaquette des photographies en supplément.‎