53 books for « healy f »Edit

‎GIRLS On Boredom, Rebellion, and Being In-Between ‎

‎, Hannibal Books, 2025 Softcover met flappen, 26 x 21 cm, 192 pagina's, illustraties Quadrichromie, Engelstalige editie . ISBN 9789493416161.‎

‎Een interdisciplinair project dat beeldend kunstenaars, modeontwerpers en filmmakers samenbrengt in hun verkenning van opgroeien GIRLS verkent de schoonheid en complexiteit van girlhood en de emotionele reis naar volwassenheid. Hoe wordt het ?meisje-zijn? verbeeld? Hoe wordt het herinnerd? En hoe be nvloedt ?het meisje? de beeldcultuur en mode? Centraal staan dochters, zussen en vriendschap, en de ervaringen van verveling, rebellie en opgroeien. Met werk van verschillende kunstenaars uit diverse vakgebieden, zoals Veronique Branquinho, Louise Bourgeois, Sofia Coppola, Jenny Fax, Roni Horn, Jas Knight, Alice Neel, Meret Oppenheim, Frida Orupabo, Simone Rocha, en vele anderen. Tekstbijdragen van onder anderen Elisa De Wyngaert (curator MoMu Antwerpen), Claire Marie Healy, Wim Mertens (conservator MoMu Antwerpen), Morna Laing en Alex Quicho. Interviews met onder meer Nancy Steiner (kostuumontwerper voor de films van Sofia Coppola), Leticia Valverdes en Lauren Greenfield. Publicatie bij de gelijknamige tentoonstelling in MoMu ? ModeMuseum Antwerpen van 27 september 2025 tot 1 februari 2026.An interdisciplinary project that brings together visual artists, fashion designers, and filmmakers in their exploration of growing up GIRLS explores the beauty and complexity of girlhood and the emotional journey to adulthood. How is 'being a girl' portrayed? How is it remembered? And how does 'the girl' influence visual culture and fashion? Central themes are daughters, sisters, and friendship, along with experiences of boredom, rebellion, and growing up. Featuring work by various artists from different fields, including Veronique Branquinho, Louise Bourgeois, Sofia Coppola, Jenny Fax, Roni Horn, Jas Knight, Alice Neel, Meret Oppenheim, Frida Orupabo, and Simone Rocha. Text contributions by Elisa De Wyngaert (curator at MoMu Antwerp), Claire Marie Healy, Wim Mertens (curator at MoMu Antwerp), Morna Laing, Alex Quicho and others. Interviews with Nancy Steiner (costume designer for Sofia Coppola?s films), Leticia Valverdes, Lauren Greenfield... Published on the occasion of the eponymous exhibition at MoMu ? ModeMuseum Antwerp, from 27 September 2025 to 1 February 2026.‎

‎Corpus Rubenianum. The Holy Trinity, The Life of the Virgin, Madonnas, and The Holy Family. part IV in 2 volumes. Corpus Rubenianum Ludwig Burchard.‎

‎Healy, Fiona: Corpus Rubenianum. The Holy Trinity, The Life of the Virgin, Madonnas, and The Holy Family. part IV in 2 volumes. Turnhout: 2024. Series: Corpus Rubenianum Ludwig Burchard. 660 pages, over 300 colour and black and white illustrations. Hardback. A study of Ruben's depictions of the Virgin's pre-Annunciation life and the Holy Trinity. A catalogue of 18 works, each illustrated in the second volume, and discussed at length. Particular attention is given to the commission, execution, and distribution of 'The Gonzaga Family in Adoration of the Holy Trinity'. Also analysed are 'The Immaculate Conception' once owned by Philip IV of Spain and the 'Virgin as the Woman of the Apocalypse'. In addition to over 300 illustrations, volume two presents excerpts from sources relating to the Holy Trinity Cycle for Santissima Trinita in Mantua and for 'The Virgin as the Woman of the Apocalypse'. .‎

‎A study of Rubenâs depictions of the Virginâs pre-Annunciation life and the Holy Trinity. A catalogue of 18 works, each illustrated in the second volume, and discussed at length. Particular attention is given to the commission, execution, and distribution of âThe Gonzaga Family in Adoration of the Holy Trinityâ. Also analysed are âThe Immaculate Conceptionâ once owned by Philip IV of Spain and the âVirgin as the Woman of the Apocalypseâ. In addition to over 300 illustrations, volume two presents excerpts from sources relating to the Holy Trinity Cycle for Santissima Trinita in Mantua and for âThe Virgin as the Woman of the Apocalypseâ. . Text in English‎

‎EEN HUIS VOL KUNST. RUBENS ALS VERZAMELAAR.‎

‎Antwerpen , Rubenshuis/ Rubenianum, 2004 Softcover, geillustreerde kartonomslag met flappen, 235 x 300mm., 342pp., zeer uitgebreid geillustreerd in kleur en z/w. . ISBN 9789076704715.‎

‎Uitgegeven naar aanleiding van de gelijknamige tentoonstelling in het Rubenshuis te Antwerpen van 6 maart tot 13 juni 2004. In goede staat. ‎

‎EEN HUIS VOL KUNST. RUBENS ALS VERZAMELAAR.‎

‎Antwerpen , Rubenshuis/ Rubenianum, 2004 Gebonden, hardcover zwart, originele uitgeversomslag in kleur met flappen, geillustreerde kartonomslag met flappen, 24.5x30.7 cm., 342 pp., zeer uitgebreid geillustreerd in kleur en z/w. . ISBN 9789076704685.‎

‎Uitgegeven naar aanleiding van de gelijknamige tentoonstelling in het Rubenshuis te Antwerpen van 6 maart tot 13 juni 2004.‎

‎Rubens and the Judgement of Paris : A Question of Choice. ‎

‎Turnhout, Brepols, 1997 Hardback, original editor's jacket, english, 19x25 cm., 343 pp., incl. 8 colour + 170 b/w illustrations.*new ISBN 9782503504438.‎

‎Pictura Nova PICT 3. Ruben's renderings of the Judgement of Paris mark every stage in his career, so that this survey, including familiar and unfamiliar works, allows an insight into his entire artistic development. The Judgement of Paris - the tale of the shepherd-prince who gave Venus the prize in a beaty competition - was variously treated by classical writers and became a favourite theme for artists. No painter seems to have responded to the ancient story with more intelligence and entousiasm than Peter Paul Rubens, who devoted at least eight pictures to it.‎

‎Etiquette for Lovers and Killers‎

‎Fleet (7/2025)‎

‎LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9780349127354‎

‎Self-Esteem and the End of the World‎

‎Faber & Faber (5/2024)‎

‎LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9780571375608‎

‎Americana‎

‎Casterman (8/2020)‎

‎LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9782203211933‎

‎Estime de soi et fin du monde‎

‎Cambourakis (1/2025)‎

‎LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9782366249590‎

‎Een huis vol kunst - Rubens als verzamelaar‎

‎Antwerpen 2004 Rubenshuis & Rubenianum Hardcover Good ‎

‎Harde kaft met stofomslag:vertoont gebruikssporen, Goed, 31 x 25 cm, 342 blz., Nederlands, Illustraties, staat: Zeer Goed. ‎

‎Good move, student's book‎

‎GLN-330, Oxford 2008‎

‎Bon‎

‎Biophysique Tome 1 + Tome 2 en 2 volumes (Tome 1: Physico-chimie, électropphysiologie, Tome 2: Utilisation médicale des rayonnements, vision, audition) - Collection Abrege.‎

‎Masson. 1978 - 1979. In-8. Broché. Etat d'usage, Coins frottés, Dos frotté, Rousseurs. 192 pages + 251 pages, rousseurs sur le 1er contreplat, fausse couverture et tranches du tome 2, points à l'encre sur le 1er plat du tome 1.. . . . Classification Dewey : 372.8-Livre scolaire : autres matières‎

‎Collection Abrege Classification Dewey : 372.8-Livre scolaire : autres matières‎

‎Part IV (1) The Holy Trinity, The Life of the Virgin, Madonnas, and The Holy Family. The Holy Trinity and The Life of the Virgin‎

‎, Brepols - Harvey Miller, 2024 Hardback, 2 vols, 660 pages, Size:175 x 260 mm, Illustrations:256 b/w, 142 col., Language: English. ISBN 9781915487421.‎

‎Summary Whereas other volumes in the Corpus Rubenianum series address a single topic, Part IV (The Holy Trinity, The Life of the Virgin, Madonnas and The Holy Family) deals with very distinct topics, two of which, The Trinity and The Life of the Virgin, form the subject of the present book. More precisely, the book deals with the Virgin's pre-Annunciation life, as those episodes involving her son - the Annunciation itself, Mary's suffering during Christ's passion, her assumption, and coronation - have been treated in the parts of the Corpus that deal with Christ's life. The focus here is on Mary's birth, upbringing and marriage, events described in varying detail in Early Christian and medieval texts. Not all the works discussed are by Rubens himself, but all show his artistic ingenuity, evident in his novel treatment of well-known subjects, often with a long visual tradition, as well as in his ability to devise new ones. Also catalogued here are such important altarpieces as The Immaculate Conception once owned by Philip IV of Spain and the magnificent Virgin as the Woman of the Apocalypse. The very different theme of The Holy Trinity comprises just four entries, which, however, constitute half the volume. During the occupation of Mantua by Napoleonic troops, the three enormous paintings which Duke Vincenzo I Gonzaga had commissioned from Rubens were removed from the Church of Santissima Trinit . The Transfiguration and The Baptism of Christ, both prime examples of the Trinity's manifestation on earth, have survived intact. The Gonzaga Family in Adoration of The Trinity was, by contrast, cut into fragments. The large central section with the portraits of Vincenzo, his wife and parents looking up at the angels displaying a tapestry with the Trinity was, however, rescued for Mantua. Other fragments, primarily with portraits of the children and halberdiers, were dispersed, though some have since resurfaced. The analysis of this commission offers the first comprehensive treatment of the material in English and highlights this project as the earliest indication of Rubens's creative potential in designing large-scale decorative programmes. TABLE OF CONTENTS VOLUME ONE Preface Acknowledgements Introduction Catalogue Raisonn VOLUME TWO Appendices List of Figures Figures Bibliography Indexes Sources of Photographs‎

‎ The Holy Trinity, The Life of the Virgin, Madonnas, and The Holy Family Part IV (1) - 2 VOLS. The Holy Trinity and The Life of the Virgin‎

‎, Brepols - Harvey Miller, 2024 Hardcovers with dusjackets; 2 vols, Pages:660 pages, Size:175 x 260 mm, Illustrations:256 b/w, 142 col. Language(s):English. FINE.‎

‎The book deals with the Virgin's pre-Annunciation life, as those episodes involving her son the Annunciation itself, Mary's suffering during Christ's passion, her assumption, and coronationWhereas other volumes in the Corpus Rubenianum series address a single topic, Part IV (The Holy Trinity, The Life of the Virgin, Madonnas and The Holy Family) deals with very distinct topics, two of which, The Trinity and The Life of the Virgin, form the subject of the present book. More precisely, the book deals with the Virgin's pre-Annunciation life, as those episodes involving her son ? the Annunciation itself, Mary's suffering during Christ's passion, her assumption, and coronation ? have been treated in the parts of the Corpus that deal with Christ's life. The focus here is on Mary's birth, upbringing and marriage, events described in varying detail in Early Christian and medieval texts. Not all the works discussed are by Rubens himself, but all show his artistic ingenuity, evident in his novel treatment of well-known subjects, often with a long visual tradition, as well as in his ability to devise new ones. Also catalogued here are such important altarpieces as The Immaculate Conception once owned by Philip IV of Spain and the magnificent Virgin as the Woman of the Apocalypse. The very different theme of The Holy Trinity comprises just four entries, which, however, constitute half the volume. During the occupation of Mantua by Napoleonic troops, the three enormous paintings which Duke Vincenzo I Gonzaga had commissioned from Rubens were removed from the Church of Santissima Trinit . The Transfiguration and The Baptism of Christ, both prime examples of the Trinity's manifestation on earth, have survived intact. The Gonzaga Family in Adoration of The Trinity was, by contrast, cut into fragments. The large central section with the portraits of Vincenzo, his wife and parents looking up at the angels displaying a tapestry with the Trinity was, however, rescued for Mantua. Other fragments, primarily with portraits of the children and halberdiers, were dispersed, though some have since resurfaced. The analysis of this commission offers the first comprehensive treatment of the material in English and highlights this project as the earliest indication of Rubens's creative potential in designing large-scale decorative programmes.‎

‎Adventures in time and space - An anthology of science fiction stories.‎

‎A del rey book. 1979. In-8. Broché. Etat d'usage, Coins frottés, Coiffe en pied abîmée, Intérieur frais. 997 pages - livre en anglais - coiffes abîmées - dos plié.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon‎

‎Livre en anglais. Classification Dewey : 420-Langue anglaise. Anglo-saxon‎

‎Een huis vol kunst: Rubens als verzamelaar ‎

‎ 2004 Rubenshuis en Rubenianum Soft cover ‎

‎Een huis vol kunst: Rubens als verzamelaar catalogus van de tentoonstelling broché, 30 x 24 cm, 342 pp, etat superieur‎

‎Een huis vol kunst: Rubens als verzamelaar ‎

‎ 2004 Rubenshuis en Rubenianum Soft cover ‎

‎Een huis vol kunst: Rubens als verzamelaar catalogus van de tentoonstelling Softcover, 300 x 240 mm, 342 blz, zeer goede staat‎

‎Een huis vol kunst: Rubens als verzamelaar ‎

‎ 2004 Rubenshuis en Rubenianum Soft cover ‎

‎Een huis vol kunst: Rubens als verzamelaar catalogus van de tentoonstelling Softcover, 300 x 240 mm, 342 blz, zeer goede staat‎

‎Cri de l'Irlande à l'Europe ou Etude sur la Ligue Agraire‎

‎Paris, Aux bureaux du journal Le Paysan 1881 84pp., reliure cart.moderne, 17cm.‎

‎Hercules to Olympus Part XI, 2: Mythological Subjects Hercules to Olympus / 2 volumes.‎

‎, Brepols - Harvey Miller, 2023 hardcover with dusjacket, 2 vols, 946 pages.Size:175 x 260 mm Illustrations:450 b/w. Language(s):English. ISBN 9781912554867.‎

‎One remarkable feature of European culture as it developed in the Renaissance was the accommodation it made with ancient paganism. The classical gods and their legends were allegorised, transformed into symbolic figures or emblematic scenes that might accord with Christian morality. At the same time a secular space was created in art for the depiction of the most popular myths, above all the love stories recounted by the ancient poets. These stories were not only attractive in themselves; they offered the opportunity to depict nude figures in narrative action, which the example of antiquity held forth as the highest goal for painting. Rubens was one of the greatest creators of classical allegory; he was also a supreme interpreter of the classical stories. No painter was so at home in the literature of the Greeks and Romans. When he painted for pleasure, which, increasingly in the course of his life, he felt able to do, he used pagan myth to express and celebrate themes of love, beauty and the creative forces of nature, often in wonderfully idiosyncratic ways. At the same time, as a Christian committed to the ideals of the Catholic Reformation, Rubens respected the restrictions generally placed on the depiction of pagan tales. Most of his mythological paintings were made for private settings, for display within houses (including his own) or in the galleries of princes, noblemen and prelates. It is happy accident of history that these splendid paintings are now widely visible in the great museums of the world.‎

‎Orage d'été duo‎

‎ 1981 1981.‎

‎Etat correct‎

‎Fugue pour un surdoué Gallimard Série Noire n‎

‎Editions Gallimard 2012 2012. Gallimard Série Noire N°2012‎

‎American jewelry. Glamour and tradition. Foreword by R. Essmerian. Photogr. by David Behl. ‎

‎N.-Y.: Rizzoli: 1987, in-4to, 208 p., ill. in colour, clothbound, jackett. Fine copy.‎

‎ Image disp.‎

‎Tiffany und die amerikanische Juwelierkunst. Vorwort von Ralph Esmerian. Fotos von David Behl.‎

‎München, D. W. Callwey, 1987, in-4°, 208 p., reich ill. mit 198 farbigen photogr. Abb., Archiv-Exemplar des Verlages mit Stempel, Original-Leinenband, farbig ill. OU, Schönes Exemplar.‎

‎American jewelry. Glamour and tradition. Foreword by R. Essmerian. Photogr. by David Behl. ‎

‎New York, Rizzoli, 1987, in-4to, 208 p., richly ill. in colour, copy from the archives of the publisher with stamp ‘Exemplaire d’Archive’, else fine, original clothbound, with jacket.‎