Conférence faite à la maison du livre le 3 mai 1916. Le Musée du livre. fascicules 35-38. Bruxelles. 1916. In-4. (20) pp. : couvertures souples de papier blanc, relié par une cordonnette de soie crème.
En parfaite condition.
Goossens 1916 673 à 683 pages in4. 1916. Broché. 673 à 683 pages. illustrations noir et blanc et en couleurs
Bon Etat de conservation intérieur frais
"2. Bruxelles, 1916, in-4°, 29,5 x 21,5 cm, 16 nn pp, orig. wrappers, tied with a silk ribbon, with coloured frontispiece + b/w ills. (Published in the series; ''Le Musée du Livre'' issue 35-38''). Nicely illustrated text in French of a conference given in Brussels in 1916 on Walter Crane.."
Musée du Livre Bruxelles ( éditeur ) - Rémy HAVERMANS - Georges RENCY :
Reference : 49944
0. Bruxelles, Musée du Livre, 1914 , in-4°, 28,5 x 21,5 cm, pp (487 - 560) + (37 of 42 ) plates. 4 separate issues, Leaves bound together with a silk tie, no wrapper ( as issued). Original portfolio a bit worn and discoloured. The plates are loose ( as issued). The plates have a serpente with a printed caption and carry a number. For the year 1914 these numbers are 306 -> 342 ( missing are plates 310 , 311 , 326 , 327 , 348 )The text leaves are complete , index leaf included . This is the nearely complete year 1914, consisting of 4 text issues ( fascicules in French) and 42 plates of the prestigeous Brussels' periodical devoted to the art of the book. It covers the whole subject : typography, lettering , binding, illustration...Its pre-war publications (before 1914) are rightly famous for the beautiful typographical execution. The project , animated by Henri Liebrecht, could rely on the aid of the main Brussels printing houses, paper and ink suppliers. ( e.g. Imprimerie Goossens, établ. Malvaux ...). They published 4 issues per year ( fascicules ), accompanied by plates . With an article by Rémy Havermans on '' L'Esthétique Moderne en Imprimerie''. An article by George Rency on '' La Litterature Belge de Langue Française en 1913'' - very well illustrated with portraits..
Musée du Livre Bruxelles ( éditeur ) - Joseph BATAILLE - Rémy HAVERMANS - J. DENUCE - Bernard JOFE - [ ] Walter CRANE :
Reference : 49946
0. Bruxelles, Musée du Livre, 1916 , in-4°, 28,5 x 21,5 cm, pp (633 - 730) + (13 of 24 ) plates. 4 separate issues, Leaves bound together with a silk tie, no wrapper ( as issued). In an original portfolio ( a bit worn and discoloured , spine damaged). The plates are loose ( as issued). The plates have a serpente with a printed caption and carry a number. For the year 1916 these numbers are 364 -> 387 ( missing are the plates 369->379, 382 ). The text leaves also complete , index leaf included . This years index covers also all previous years . This is the nearly complete year 1916, consisting of 4 text issues ( fascicules in French) and 13 of the 24 plates of the prestigeous Brussels' periodical devoted to the art of the book. It covers the whole subject : typography, lettering , binding, illustration...Its pre-war publications (before 1914) are rightly famous for the beautiful typographical execution. The project , animated by Henri Liebrecht, could rely on the aid of the main Brussels printing houses, paper and ink suppliers. ( e.g. Imprimerie Goossens, établ. Malvaux ...). They published 4 issues per year ( fascicules ), accompanied by plates . With an article by Joseph Bataille : ''Le Papier, son histoire et sa fabrication''. Rémy Havermans : '' Walter Crane ''. J. Denucé : '' Histoire du Musée Plantin-Moretus ''. Bernard Jofé : '' Le Livre et le Droit ''.
Musée du Livre Bruxelles ( éditeur ) - Rémy HAVERMANS - [ ] Walter CRANE :
Reference : 49968
0. Bruxelles, Musée du Livre, 1915 , in-4°, 28,5 x 21,5 cm, pp (673 - 683) with 2 full page colour illustrations illustrations. Leaves bound together with a silk tie, no wrapper ( as issued). Outer pages a bit soiled, but still a good copy. This is the 35-38th issue ( fascicule in French) of the prestigeous Brussels' periodical devoted to the art of the book. It covers the whole subject : typography, lettering , binding, illustration...Its pre-war publications (before 1914) are rightly famous for the beautiful typographical execution. The project , animated by Henri Liebrecht, could rely on the aid of the main Brussels printing houses, paper and ink suppliers. ( e.g. Imprimerie Goossens, établ. Malvaux ...). They published 4 issues per year ( fascicules ).
Musée du Livre Bruxelles ( éditeur ) - Rémy HAVERMANS - [ ] Walter CRANE :
Reference : 49969
0. Bruxelles, Musée du Livre, 1915 , in-4°, 28,5 x 21,5 cm, pp (673 - 683) with 2 full page colour illustrations illustrations. Leaves bound together with a silk tie, no wrapper ( as issued). Fine copy with an extra blind protective wrapper. This is the 35-38th issue ( fascicule in French) of the prestigeous Brussels' periodical devoted to the art of the book. It covers the whole subject : typography, lettering , binding, illustration...Its pre-war publications (before 1914) are rightly famous for the beautiful typographical execution. The project , animated by Henri Liebrecht, could rely on the aid of the main Brussels printing houses, paper and ink suppliers. ( e.g. Imprimerie Goossens, établ. Malvaux ...). They published 4 issues per year ( fascicules ).
Musée du Livre Bruxelles ( éditeur ) - [ ] Rémy HAVERMANS imprimeur - George RENCY :
Reference : 49899
Bruxelles, Musée du Livre, 1914 , in-4°, 29 x 22 cm, pp 493 - 559 + 42 planches hors-texte, reliure demi-toile de l'époque, dos lisse avec titre doré, couverture originale conservée. Bel exemplaire bien complet de tous les planches. Ce recueil de textes sur l'histoire du livre dans tous ses aspects contient pour cette année un texte de Havermans ''L'Esthétique Moderne en Imprimerie ''. Un texte de George Rency sur la littérature francophone belge, avec des portraits. Parmi les planches hors-texte il y a une lithographie en couleurs d' Armand Rassenfosse. ''Le Musée du Livre à Bruxelles avait pour objet l'étude des questions relatives au livre ainsi qu'aux arts et industries qui s'y rapportent....'' Il publie une revue périodique illustré. Ceci est la dernière année avant la Première Guerre Mondiale. La typographie et l'exécution des illustrations atteignent ici un niveau rarement surpassé dans l'art de l'imprimerie.