479 books for « hans andersen »Edit

‎Stories from Hans Andersen ‎

‎ 1st Edition. 1911, Quarto. Publisher's original green cloth, decorative gilt titles, tight, Spine a little sunned. Some minor spots and stains on spine, also very good decorated end papers on both sides; inside excellent, no usage signs, .viii, 250pp. Complete with 28 tipped-in colour plates by Dulac, who also designed the other features of this edition such as the end papers, borders, With a bottle . Very good condition for the book !!!‎

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‎HANS ANDERSEN'S FAIRY TALES‎

‎JUVENILE PRODUCTIONS LTD. NON DATE. In-12. Relié toilé. Etat d'usage, Couv. légèrement passée, Dos fané, Intérieur frais. 248 pages. Frontispice illustré en couleurs.. . . . Classification Dewey : 820-Littératures anglaise et anglo-saxonne‎

‎ Classification Dewey : 820-Littératures anglaise et anglo-saxonne‎

‎Un vilain petit canard‎

‎Bibliotheque Precieuse Sans date.‎

‎Bon état‎

‎ Images de la lune ‎

‎ Sous étui et chemise cartonnés. Sous chemise rose rempliée. Avec 30 eaux-fortes originales d'Alexandre ALEXEIEFF. ‎

‎Paris Maximilien Vox 1942 152 pp. In-folio. En feuilles. Très bel état. 1 volume. TIRAGE LIMITÉ. Un des 995 exemplaires numérotés sur papier à la forme pur chiffon des papeteries de Lana avec la signature de l'éditeur. ‎

‎ La vieille lanterne ‎

‎ Couverture beige avec titre en vert. Avec des illustrations en couleurs dans le texte par Marcel ROCHE.Rousseurs éparses. ‎

‎Paris C.P.D.E. 1933 Non paginé. In-4 Broché. En bon état. 1 volume. TIRAGE LIMITE à 150 exemplaires sur Hollande Van Gelder revêtus de la signature d'artiste, après un exemplaire unique sur Japon.Conte extrait du Bulletin personnel de la compagnie Parisienne de Distribution d'Electricité (Numéro Noël 1933). ‎

‎ Contes, traduction nouvelle ‎

‎ Couverture crème souple et imprimée en couleurs. Coiffes frottées. Usure légère de la couverture. Pages non-ébarbées. Papier bruni. ‎

‎Paris. Henri Béziat. Non-daté (XXe siècle). 221 pp. In-12. Broché. En bon état. 1 volume. Collection "DES ÉCRIVAINS ILLUSTRES". ‎

‎THE SOW QUEEN‎

‎"""REVIEW OF REVIEWS"". Non daté. In-8. Broché. Etat d'usage, Couv. défraîchie, Dos satisfaisant, Papier jauni. 58 pages illustrées quelques dessins en noir et blanc. Ouvrage entièrement rédigé en anglais. Manque sur le premier et le second plat. Ecriture sur le premier plat et à l'intérieur de l'ouvrage.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon"‎

‎Books for the bairns. A new translation. Classification Dewey : 420-Langue anglaise. Anglo-saxon‎

‎Les cygnes sauvages et autres contes : L'intérpide Soldat de Plomb + Le petit sapin‎

‎Casterman. 1945. In-4. Cartonnage d'éditeurs. Très bon état, Coins frottés, Dos satisfaisant, Intérieur frais. 32 pages illustrées en couleurs dans le texte. . . . Classification Dewey : 843.0692-Livres d'enfants‎

‎Présentés et racontés par Jeanne Cappe et illustré par H. Schaeffer // Collection les Albums de l'âge d'or Classification Dewey : 843.0692-Livres d'enfants‎

‎A truly splendid and unique collection of 23 Hans Christian Andersen-items that together tell the true story of Andersen's life and sheds light on all aspects of his life and work. The collection is divided into the following (full descriptions belo... - [MAGNIFICENT HANS CHRISTIAN ANDERSEN-COLLECTION]‎

‎(1822) - 1872. ‎

‎With the present Hans Christian Andersen-collection, we have aimed not at an exhaustive collection of ALL of his many writings nor at a LARGE collection, but at an exquisite, chosen collection that tells us the true story of Andersen's life. A collection that enlightens us about both the author and the man Hans Christian Andersen and that sheds light on all aspects of his life and work. A collection that epitomizes quality, scope, and importance, not merely numbers of items nor works that are not particularly important in his life's work. Every one of the 23 items in the present collection has been carefully chosen to represent a certain Aspect of Hans Christian Andersen at a certain time of his life, in an attempt to get as close to the great fairy tale author as possible. The items basically span his entire career - from his first book, published at the age of 17 (and only known in about 10 copies) to an original manuscript poem by the ageing author at the age of 67. The 23 carefully chosen and unique items cover his earliest publications that are of extreme scarcity, his three seminal fairy tale cycles that catapulted him into fame and created the genre of the fairy tale, for which he is now famous world-wide, five magnificent presentation-copies (among them an absolutely magnificent copy of his very first fairy tale, one of the best presentation-copies known) that each give us an insight into the poet Andersen and into his circle of friends, six splendid original letters that are all different in style and content and written from all over the world (among them one of the extremely rare letters known by him written in English, in Latin hand), an original manuscript, which is an extreme scarcity on private hands and something one may never come by again, two books from Andersen's own library, which is extremely rare to find, as only 75 such books are known and almost all of them are in institutional holdings, and finally the three main translations that ensured his fame in the rest of the world: the most important translations into German, English, and French respectively. The collection is divided into the following seven categories, and below follows a short preview and introduction to each. Upon request, a document with full, elaborate descriptions of each item will be provided. 1. Debuts/earliest publications (see also 3.1.)2. The three fairy tale collections/cycles3. Presentation-copies (see also: 2.3.)4. Letters5. Manuscript6. Books from Andersen's library7. The three main translations1. Debuts/earliest publications1.1. Ungdoms-Forsøg / Gjenfærdet ved Palnatokes Grav, en Original Fortælling" og Alfsol, en original Tragoedie. Ungdoms=Forsøg. Kjöbenhavn, [1822]. The extremely rare first printing of Hans Christian Andersen's first book - with facsimiles of the title-page, the contents-leaf and a further four leaves. The book is exceedingly rare. A title-issue appeared in 1827. No more than about ten copies in all of both the first issue and the title-issue are known to exist - only a couple of them are known in private collections, and less than a handful of copies are known outside of Denmark. The present publication, his first book, is of immense importance to Andersen's life and work and is arguably THE most important piece of Anderseniana. 1.2. Ved min Velgører Provst Gutfelds Død. Slagelse, 1823.The extremely rare first printing of the 1823-issues of this slightly obscure newspaper, which contains Hans Christian Andersen's third publication. This exceedingly rare piece of Anderseniana was published when the master of the fairy tale genre was merely 17 years old, namely in February 1823. The present publication constitutes one of the two pieces of publication that are at the epicentre of the coming-to-be of the greatest poet and author to emerge from Danish soil. This little piece is a heartfelt, almost perfectly stylized poem that constitutes an obituary of Hans Christian Andersen's early benefactor, Gutfeld, who was responsible for Collin accepting to be Andersen's benefactor. It was due to Gutfeld and his belief in Andersen that he made it on into the world and was taken seriously enough - at the mere age of 17 - to later be allowed to follow his heart and his life dream - that of writing.1.3. Fodreise fra Holmens Canal til Østpynten af Amager i Aarene 1828 og 1829. Kjöbenhavn, 1829. The rare first edition of Hans Christian Andersen's debut novel, ""Journey on Foot"", here in the extremely scarce original printed wrappers. Andersen himself considered this book his debut and refers to it as ""my first publication"". It came to play a tremendous role in the development of his writing and constitutes one of his most important works. It is the first piece of Andersen that yields any success and the first work for which he gained any recognition. ""It is a well-known fact that Hans Christian Andersen made his début as a writer three times during his youth. The first time he published a book was in 1822, when ""Youthful Attempts"" came out... He was 17 years old, penniless and in need for help, but the main part of the circulation ended up in the paper mill... The second time he made his début was in 1829, when he published ""Journey on Foot from Holmen's Canal to the Eastern Point of Amager"", a book which can hardly be classified as a travel book.. it seems a subtle and humorous arabesque and a literary satire. This book was published in the year after he had left grammar-school and was qualifying for the entrance examination to academic studies at the university. It can rightly be regarded as a key, which enables us to understand the entire development of his later production...2. The three fairy tale-collections2.1. Eventyr fortalte for Børn. (1.-3. Hefte) + Eventyr fortalte for Børn. Ny Samling (1.-3. Hefte). 2 Bind. Kjöbenhavn, 1835-1847. A lovely set of this exceedingly rare collection of Andersen's earliest fairy tales. This legendary fairy tale-collection that created the fairy tale-genre and brought Andersen international fame, consists in six parts that together make up two volumes. As with most of the other few existing copies, the present set is a mixture of issues and likewise has certain wants concerning title-pages, half-titles and tables of contents. ""During Andersen's lifetime 162 of his Fairy Tales were published, but the scarcest and most difficult to obtain are these six little pamphlets. We do not know exactly how many, or how few, copies were printed, but we do know that no copy with all the title pages and tables of contents has ever been offered for sale.""2.2. Nye Eventyr. 2 Bind (5 samlinger). Kjøbenhavn, 1844 - 48.First edition of Hans Christian Andersen's seminal second collection of fairy tales - the publication that made him internationally famous - with all five collections in first issue, also the first, which is of the utmost rarity. It is in this legendary first collection that we find the first printing of ""The Ugly Duckling""(not as is indicated in PMM in his first). The rarity of the first issue of volume 1, collection 1 is legendary. It was published on November 11th 1843 (dated 1844 on the title-page) in a very small number, probably due to the poor sales of Andersen's first fairy tale collection. Against all belief, this first collection sold out within a few days, catapulting Andersen into worldwide fame, and a second issue was published already on December 21st 1843. Thus, only very few copies of the first issue exist, and almost all collections of the ""New fairy Tales"" are bound with the second issue or the third of 1847, meaning that they do not contain the actual first printing of ""The Ugly Duckling"", ""The Nightingale"", ""The Angel"", and ""The Sweethearts"". 2.3. Nye Eventyr og Historier. 3 Series, 10 collections. Kjøbenhavn, 1858-1872.A splendid fully complete copy of Andersen's third fairy tale collection, WITH ALL 10 ISSUES IN FIRST EDITIONS, FIRST ISSUES, ALL IN THE ORIGINAL PRINTED WRAPPERS, AND ONE OF THEM WITH A SIGNED PRESENTATION-INSCRIPTION BY ANDERSEN - WITH 39 FAIRY TALES IN THEIR FIRST PRINTINGS. It is highly uncommon to find all ten issues of the series together, let alone in the original printed wrappers, each of which is a scarcity on their own. To our knowledge, only one other such set exists in a private collection, and that is in far from as fine condition as the present, where all but one of the issues (which does not have the back wrapper) are fully complete with the spines, exactly as issued. 3. Presentation-copies3.1. Digte. Kjöbenhavn, 1830.THE RARE FIRST EDITION - PRESENTATION-COPY, IN THE EXCEEDINGLY SCARCE ORIGINAL PRINTED WRAPPERS - OF ANDERSEN'S THIRD BOOK, CONTAINING HIS FIRST FAIRY TALE. The magnificent presentation-inscription - hitherto unknown and unregistered - is arguably one of the most important Andersen-presentations known to exist. It is inscribed to Henriette Collin, the then fiancée, later wife, of his closest and most important friend, who was more like a brother to him, Edvard Collin. It is one of the very early Andersen-presentations known. This first published collection of Andersen's poetry constitutes Andersen's third published book (at the age of 24) and contains, at the end, the first printing of any of his fairy tales, being also his very first fairy tale ""The Ghost"" (or ""The Spectre""). This is the first time that Andersen uses the term ""Eventyr"" (fairy tale), the term which came to denote the genre for which he received world-wide fame as one of the most important writers of all time. 3.2. Nye Eventyr. Tredie Samling. Kjøbenhavn, 1845.An excellent presentation-copy of the first edition of the third ""collection"" of Andersen's second fairy tale-collection, containing five of his best fairy tales in the first printing - among them the cherished tales ""The Red Shoes"" and ""The Shepherdess and the Chimney-Sweep "". Inscribed copies of Andersen's fairy tales are very rare and extremely sought-after. But the present presentation-copy is even more interesting, as it is inscribed to a fellow author of tales for children - ""The poet Kaalund/ in kind remembrance/ of our first meeting/ the 29th of April 1845/ from the [NEW FAIRY TALES] (the printed half title) 's author."" -in the collection of Andersen's fairy tales that appeared almost simultaneously with Kaalund's renowned ""Tales for Children"" (""Fabler for Børn""). 3.3. Historier. Anden Samling. Kjøbenhavn, 1853.First edition, in splendid condition, with the original printed wrappers, of the second part of Andersen's ""Story""-collection, containing first printings of four of his famous fairy-tales. With a lovely, poetical presentation-inscription to Frederikke Larcher, signed ""H.C. Andersen"", translated as thus: ""I put my bouquet on the board of the stage/ you yourself make the impression of a fresh bouquet"". Frederikke Larcher was a stage actress, and Andersen might have given the little book as a gift upon her last performance.3.4. Nye Eventyr og Historier. Anden Række (første samling). Kjøbenhavn, 1861.An excellent copy, in the original printed, illustrated wrappers, of the separately published first part of the second series of ""Nye Eventyr og Historier"", with a lovely presentation-inscription to the title-page, translating thus ""The splendid, the spirited,/ Mrs. Agentinde Renck/ send this bouquet of stories/ from my garden of poetry this spring/ Most heartfelt and respectfully/ H.C. Andersen."" This splendid volume contains first printings of one of Andersen's most famous, most beloved and most frequently recounted fairy-tales/stories: ""What the Old Man does is Always Right"". Apart from that masterpiece of moral story-telling, the present publication contains five other of Andersen's great stories in first printings.3.5. Da Spanierne var her. Originalt romantisk Lystspil i tre Acter. Kjøbenhavn (Copenhagen), 1865. An excellent copy of the first edition of Andersen's famed play, in the scarce original binding and with a magnificent presentation-inscription to Rudolph Kranold, who at the time was director of the Royal Theatre in Copenhagen. His short reign here (until 1866) coincides exactly with the work on and premiere of one of the plays that was very closest to Andersen's heart, namely ""When the Spanish were Here"", which premiered at the Royal Theatre on April 6, 1865. Reading Andersen's diaries allows us to actually follow the play the entire way through to the stage. It is evident, both from his diaries and from the present presentation-inscription, that the play meant a lot to Andersen. As the inscription indicates, he's anxious that the play not be taken down again and he clearly asks Kranold to take good care of this play that is close to his heart. 4. Letters4.1. Autographed letter, signed in full (""Hans Christian Andersen""), in English, for the Scottish author William Hurton. Dated ""Copenhagen 2 October 1851"".The present letter is of the utmost interest, as it is written in English (in Andersen's own hand!) and also in Latin letters, as opposed the gothic handwriting that Andersen usually uses. Letters and inscriptions in Andersen's Latin hand are of the utmost scarcity. Out of the few known letters in Andersen's hand, we have even fewer letters by him written in English. He made an exception for William Hurton, to whom a few letters have been preserved, demonstrating his reverence for this Scottishman so fascinated by Andersen himself. Almost all of these letters are in institutional holdings, and the present one on private hands is a true scarcity. 4.2. Autographed letter, signed ""H. C. Andersen"", for Frederik Bøgh. Dated ""Basnæs ved Skjelskjør/ den 3 Juli 1862"". 4 pages.This very lengthy letter from Andersen to Frederik Bøgh is interesting in several respects. First of all, Andersen here mentions several of his works: new songs for the revised version of his opera ""The Raven"", proofreading and numerous comments for the ""new edition of Fairy Tales and Stories"", and a brand new fairy tale: ""Finally, I have written a new fairy tale: ""Snowdrop""."" Furthermore, Andersen talks about his health and problems he has with his eye as well as the weather and his impending travel plans. It is clear from the letter that he is very close to his young student friend Bøgh. 4.3. Autographed letter, signed ""H. C. Andersen"", for Frederik Bøgh. Dated ""Tanger I Marokko/ den 8 Nov: 1862."".An absolutely splendid letter with rare observations about Moroccan culture, the people, how they dress and behave, the food, the landscape, etc. It is clear that Tanger, with its ""wild, romantic nature"", its palm trees, its wilderness, the wild boars and hyenas, is very far from the coldness of the North. Andersen's fascination with the ""half naked men"" and women in horrible dress, with the bare headed Moorish Jews in kaftans, ""the naked brown kids that screamed and roared"", and the slaves that carry goods, leaps from the pages of the letter and paint a picture of a place that to a Dane in 1862 must seem oddly fascinating and so different. There is no doubt that this rich culture served as direct inspiration for Andersen's story-writing. 4.4. Autographed letter, signed ""H. C. Andersen"", for Frederik Bøgh. Dated ""Toledo den 6 December 1862"".A splendid letter from Toledo, which Andersen paints so clearly as only he can. ""Toledo is a dead city, but with the life of poetry"", he writes, after having described in detail, to his dear friend back home, the ruins and the melancholy that is Toledo. 4.5. Autographed letter, signed ""H. C. Andersen"", for ""Kjære William"" (i.e. William Melchior). Dated "" Frijsenborg den 27 August/ 1868. "". A lovely, cheerful birthday letter for the young birthday boy William Melchior, who was turning 7 years old. The letter is utterly charming and describes the journey of the birthday letter itself, flying over land and sea, from Jutland to Copenhagen. The letter not only portrays the ease with which Andersen communicates with children, it also constitutes a miniature version of beloved Andersen-stories such as ""Little Tuk"" and ""A Piece of Pearl String"". 4.6. Autographed letter, signed ""H. C. Andersen"", for Frederik Bøgh. Dated "" den 9 Maj 1873"".This Beautiful little letter for Nicolai Bøgh bears witness to the heartfelt bond that Andersen felt towards his young friend. This little gem of a letter is very poetical - most of it is almost like a poem, describing the sun coming through the clouds and liking the clouds to snow and the heaven to Paradise. Furthermore, Andersen mentions his friends' illness, liking him to a bird that needs to be free. Bøgh had fallen ill the previous year, from an illness that would eventually kill him 9 years later, at the mere age of 45. 5. Manuscript5.1. Original handwritten and signed manuscript for a poem entitled ""Stormfloden"" (i.e. The Storm or The Storm Surge). November (22nd), 1872. 1 1/2 handwritten pp.Original manuscripts by Andersen are of the utmost scarcity, and only very few are known on private hands. The present is the manuscript for a poem that Andersen wrote just a couple of years before he died and which was published as the preface to a ""Christmas Present"" by Vilhelm Gregersen in December 1872, just a few weeks after Andersen wrote it. The poem is very dramatic and doomsday-like, but has an uplifting an upbuilding ending. It is inspired by the dramatic storm or storm surge that hit Copenhagen on November 13th, 1872.6. Books from Andersen's Library6.1. F. ANDERSEN, C.J. HANSEN, J.P.E. HARTMANN, P. HEISE and A. WINDING. Ni Fleerstemmige Mandssange. Udgivne af Foreningen ""Fremtiden"". Kjöbenhavn, 1866.Hans Christian Andersen's own copy, with his ownership signature to the bottom of the front wrapper, of this pamphlet of ""Nine Polyphonic Male Songs"". The pamphlet contains nine lovely songs written by the greatest Danish authors of the period, set to music by the most famous Danish musicians of the period. Andersen's contribution is the song ""Hun har mig glemt"" (She Has me Forgotten), which he had printed for the first time in 1854, but in a different version, with different wording. Here, it is set to music by F. Andersen. 6.2. G.h. [GEORG EMIL BETZONICH]. En Kjærligheds-Historie. Fortælling. Kjøbenhavn, 1862.A truly rare example of a book that has belonged to Andersen, with a long presentation-inscription from the author to Hans Christian Andersen to front free end-paper, dated on Andersen's 58th birthday. The author of the novel Georg Emil Betzonich (1829 - 1901) is not a famous author today, nor was he very famous at the time. It is interesting, however, that Andersen kept his book in his library. The book passed to Edvard Collin, who inherited Andersen's entire estate, when Andersen died in 1875, and also Collin kept it. It was sold at the auction of his belongings in 1886.7. The three main Translations7.1. Jugendleben und Träume eines Italienischen Dichters. Nacch H.C. Andersens Dänischen Original: Improvisatoren. Ins Deutsche übertragen von L. Kruse. 2 Theile. Hamburg, August Campe, 1835.The very rare first edition of the first German translation of Andersen's first novel, ""Improvisatoren"", being the first of Andersen's books to be translated into any foreign language. It is fair to say that no other translation before or after was as important to Andersen as the present. Before the work even appeared, Andersen had a list of recipients for the German translation. Among these was Adalbert Chamisso, to whom he wrote in April 1835: ""Here I send you my Italian son" he speaks the German language, so your family can also understand him. I wish that in the great Germany people will be aware of my book and that I may deserve that awareness. That Kruse is introducing me as an author of novels should be somewhat of a recommendation"… For making such an effort of being known outside of little Denmark, I think, I cannot be blamed."" 7.2. Danish Fairy Legends and Tales. (Translated by Caroline Peachey). London, William Pickering (Chiswick), 1846.The very rare first edition - ANDERSEN'S CLOSE FRIEND HENRIETTE SCAVENIUS' (BORN MOLTKE) COPY - of this highly important Andersen-translation, which contains the very first appearance in English of some of Andersen's most famous and beloved fairy tales: ""The Emperor's New Clothes, ""The Nightingale"", ""The Wild Swans"", ""The Buck-Wheat"" and ""The Dustman"", and for the first time we here find the titles ""The Ugly Duckling"" (previously called ""The Ugly Duck"") and ""The Real Princess"" (previously called ""The Princess and the Peas"").7.3. Contes pour les enfants. Traduit du Danois par V. Caralp. Illustrations à deux teintes par Derancourt. Paris, Morizot, (1848).Extremely scarce first edition of the first translations of any of Hans Christian Andersen's fairy tales to appear in French. This first French Andersen-collection constitutes the introduction of Hans Christian Andersen's works in French literature, the introduction of the fairy-tale-genre in France, and a cornerstone in the history French children's literature. ‎

‎Le rossignol de l’Empereur de Chine.‎

‎ Paris, éditions Le Carrousel, 1965, 270x235mm, pleine toile bleue de l’éditeur, titre doré au dos et sur le premier plat. Extrait du conte d’Andersen traduit du danois par Emmanuel Handrich. Illustrations de François-Marie Froidevaux, 22 bois gravés en couleurs sur papier blanc contrecollé et une planche hors texte.Exemplaire numéroté 292/600, dos légèrement passé. (104534) ‎

‎Contes Danois. + Nouveau Contes Danois. Traduits pour la premiere fois par MM. Ernest Grégoire & Louis Moland. Illustrés d'apres les dessins de M. Yan' Dargent. - [IMPORTANT ASSOCIATION-SET]‎

‎Paris, Garnier Frères, (ca. 1873-75). Bound in two very nice cont. almost uniform red hcalfs w. gilt geometrical ornamentations to backs and blindstamped (vol. 2 black) ornamentations to boards. All edges gilt. Excellent, clean and well-preserved set w. numerous beautiful illustrations. W. both half-titles and frontispieces.‎

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‎Two first editions, both containing the first French translations of the present works by Hans Christian Andersen. With original handwritten and signed presentations in both volumes from the translator, Ernest Grégoire, for Robert Watt.Robert Watt (1837-94) was a leading figure in the Danish modernist breakthrough (1870-90) and a famous figure in Danish cultural life in the second half of the 19th century. In spite of the age difference, he became closely connected with Hans Christian Andersen, and it was he who accompagnied Andersen to the World Exhibition in Paris in 1867. He was also the one to encourage Andersen to have his fairy tales translated into and published in French, and he is the one who made this translation happen. Thus this particur presentation copy is of great interest.In his diaries from 1873 and 1874, Andersen fairly frequently writes about the preparation of this translation, about Watt and Gregoire. On the 31st of March (Vol. X, p. 54-55) he writes: ""Besøg af Watt der havde faaet Brev fra den franske Journalist Gregoire, der vilde oversætte og lade illustrere mine Eventyr, med Undtagelse af dem Soldi havde udgivet..."" [""Visit by Watt who had received a letter from the French journalist Gregoire, who wanted to translate my fairy tales and have them illustrated, except for the ones that Soldi had published..."" (own translation) ]. On several occations Andersen worries about the rights to the French translations, and he is not happy with the fact that Gregoire apparently claims them. On the 13th of April (Vol. X, p.64) he writes: ""-Hele Dagen Hoste og mit Nerveuse, Middag hos Eduard Collin, der skrev for mig en Skrivelse til Gregoire, efter min Opfattelse, og ikke som Watt havde givet mig til Underskrift. Strax paa Aftenen kom Watt og blev ilde stemt ved at jeg ikke vilde underskrive hans Skrivelse, sagde at MIN havde ikke Betydning for Loven i Paris, jeg forstod ikke hele hans Forklaring og da han vedblev kom jeg i saadan nerveus Stemning at jeg brast i Graad og sank om paa Sophaen."" [- The entire day cough and my nerves, dinner at Eduard Collin, who wrote for me a letter for Gregoire, according to my conception, and not like Watt had given me to sign. As soon as evening fell Watt came and became ill disposed because of me not wanting to sign his letter, said that MINE had no significance according to the law in Paris, I did not understand all of his explanation and when he kept on going I became so nervous that I broke down crying and collapsed on the couch."" (own translation) ].Robert Watt later (1886) became the director of the Tivoli Gardens in Copenhagen, where he, among many other things, installed the famous rollar coaster.‎

‎Eventyr, fortalte for born. Rare recueil réunissant l’édition originale de deux des principaux contes d’Andersen : "La petite sirène" et "Les Habits neufs de l’empereur."‎

‎Véritables créations littéraires, dans un style très personnel, ces contes sont remarquables par leur ironie et l’absence des morales traditionnelles. Copenhague, Bianco & Schneider for C.A. Reitzel, 1842-1844-1837.3 parties en 1 volume in-16 de : VIII pp. avec le titre général, la table générale et la préface (« Til de aeldre Laesere »), (2) ff., 61 pp., (1) f. de table, pp. 3 à 76 (sans le faux titre de cette partie), (1) f., 60 pp. et (1) f. Relié en chagrin rouge, dos lisse. Quelques feuillets roussis.126 x 77 mm.‎

‎L’un des rares exemplaires du recueil réunissant pour la premiere fois 9 des principaux contes d’Andersen.Le premier opuscule regroupe 4 contes en second tirage (1842) : « Fyrtoiet »(Le Briquet), « Lille Claus og store Claus » (Grand Claus et petit Claus), « Prindsessen paa Aerten » (La Princesse au petit pois) et « Den lille Idas Blomster » (Les fleurs de la petite Ida).La seconde partie présente 3 contes également dans le deuxième tirage (1844) : « Tommelise » (La petite Poucette), « Den uartige Dreng » (Le vilain garçon) et « Reisekammeraten » (Le compagnon de route). Le troisième recueil comporte l’édition originale de deux des contes les plus celebres d’Andersen : « La petite sirène » et « Les habits neufs de l’empereur » (« Den lille Havfrue » et « Kejserens nye Klaeder »). Les premiers contes d’Andersen furent seulement publiés à 200 exemplaires, ce qui explique leur grande rareté sur le marché. Les quelques exemplaires qui sont parvenus jusqu’à nous présentent presque tous une compilation des différents tirages de ces contes ; d’autre part, ils sont rarement complets de tous les feuillets de titre, de faux titre et de table.Le collectionneur Jean Hersholt écrivait d’ailleurs en 1954 que « no copy with all its title-pages and tables of contents has ever been offered for sale by any dealer or at any auction sale”. « The tales of Hans Christian Andersen are unique. Unlike Perrault’s and Grimm’s, his stories were original inventions […] The “Eventyr” are fairy tales of supernatural creatures and fantastic happenings. […] Over and above their intrinsic merit Andersen’s stories signalized a new and fundamentally different approach to the writing of books for children. Mawkishness, didacticism, and moral proselytizing were totally abjured and he was the harbinger of a new era in this genre” (Printing and the Mind of Man, n°299). Hans Christian Andersen (1805-1875) est un écrivain danois qui, grâce à ses nouvelles et à ses Contes, incarne le génie populaire nordique. C’est à trente ans, après le traditionnel voyage en Italie que se doit d’accomplir tout jeune écrivain romantique, qu’il publie un court recueil de « Contes pour les enfants » (Eventyr fortalte for Born). D'autres parties, complétant le premier volume, apparurent en 1837.Après un départ hésitant, le succès fut foudroyant et, en quelques années, le petit vagabond d’Odense allait devenir l’un des écrivains les plus fêtés du monde. Véritables créations littéraires, dans un style très personnel, ces contes sont remarquables par leur ironie et l’absence des morales traditionnelles. Bon exemplaire de ce recueil rare et recherché qui comporte la première impression de deux des contes les plus importants d’Andersen : « La petite sirène » et « Les habits neufs de l’empereur ».‎

‎Dryaden Et Eventyr fra Udstillingstiden i Paris 1867 [La Dryade Un conte de fées de l'Exposition de Paris 1867]‎

‎Kjobenhavn [Copenhague] 1868 | 12 x 18.7 cm | Relié‎

‎«Tout cela sest passé et a été vécu. Nous lavons vu nous-mêmes, lors de lExposition universelle de Paris en 1867, à notre époque, cette grande période merveilleuse des contes de fées» Édition originale. Reliure en plein papier rocaille, pièce de titre en maroquin havane, couvertures originales conservées. Dos, coins et mors légèrement frottés, tache sans gravité en marge du second plat de couverture conservé. Rare édition originale du conte dAndersen sur une dryade au sort tragique, souvent comparé à La Petite Sirène (1837). Les deux mettant en scène un esprit féminin de la nature qui aspire à quitter sa forme pour rejoindre le monde des hommes, avec des conséquences fatales. Lexemplaire est exceptionnellement enrichi dun envoi autographe dHans Christian Andersen « Fru Grøn. En venlig Erindring om Udstillingstiden i Paris 1867. Ærbødigst H. C. Andersen » [à Madame Grøn / en souvenir affectueux de lexposition de Paris en 1867. Avec toute mon estime. H. C. Andersen]. Andersen fit un séjour à Paris en 1867, qui lui inspira cette histoire se déroulant lors de lExposition universelle. Cest à cette occasion quil rencontra la dédicataire Ada Grøn (française dorigine, née Courtois), sa petite fille et son mari le grossiste danois L. J. T. Grøn. Cet envoi est consigné par Andersen dans une entrée de son journal en date du 28 avril 1870, publiée par leH. C. Andersen Centret d'Odensee. * Du 15 avril au 9 mai 1867, Hans Christian Andersen visita lexposition universelle de Paris et sen émerveilla : Ce serait un simplisme ridicule de simaginer Andersen en préécolo, un faune sentimental, éthéré, uniquement sensible à la nature. On ne peut ici que le noter en passant, car cela mériterait tout un essai. Andersen envisage le monde de façon globale, non hiérarchisée et surtout dénuée de tout passéisme [...] La science de son temps le fascinait et excitait ses curiosités et ses engouements: léblouissement de lélectricité, le microscope, bien sûr, qui fait voir au-delà des apparences, la photographie et toutes les inventions qui sannoncent et exaltent la vitesse, lanimation des images, le vol. En effet, lépoque était bien celle du conte et sa matière nétait pas prête à se raréfier. » (Isabelle Jan, « Andersen, écrivain de toujours ? », La Revue des Livres pour Enfants, n° 226). La Dryade illustre tout à fait labondance dinspiration que lui procure sa visite parisienne. Andersen traduit son expérience de la vie moderne entre exaltation et scepticisme à travers le personnage dune dryade, esprit féminin dun arbre, qui vit dans un vieux chêne dans la campagne française, et rêve de découvrir le monde des hommes. Un jour, son vu est exaucé : un événement exceptionnel permet à son arbre dêtre transporté et replanté au cur de lExposition universelle de Paris. Libérée de ses racines, la dryade peut désormais observer la vie humaine de près. Elle découvre la ville, ses splendeurs, son art, ses plaisirs et ses souffrances. Mais ce privilège a un prix : détachée de son sol dorigine, la dryade est vouée à mourir jeune. Son existence terrestre, brève mais intense, sachève dans une dernière vision de la beauté et de la douleur du monde. On ne peut que constater les similarités avec des grands chefs-duvre du conteur, et notamment le leitmotiv qui fit sa célébrité : le puissant désir de ses personnages de changer leur nature. Comme le remarque Ane Grum-Schwensen : «Dans le cas dAndersen, cest comme si un recyclage très conscient déléments intertextuels internes sopérait pour créer un réseau plus vaste reliant les uvres entre elles. Ce fonctionnement devient évident lorsque par exemple, dans « les archives », on trouve une note décrivant les liens réciproques existant entre les nombreux éléments utilisés par Andersen dans La Dryade, La Petite Sirène, La Vierge des glaces et La Reine des Neiges», (Ane Grum-Schwensen, « Images littéraires et recyclage dans les manuscrits dAndersen », Genesis, 48, 2019). Rar‎

‎Hans Andersen Christian. Hans Andersens Fairy Tales. Compilation: 26 fairy tale‎

‎Hans Andersen Christian. Hans Andersens Fairy Tales. Compilation: 26 fairy tales. In Russian /Andersen Khans Kristian. Hans Andersens Fairy Tales (Skazki Gansa Andersena. Sbornik: 26 skazok). Illustrations: Dagmar Berkova. Prague. Artia. 1979. 264 p. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalbb10dc8b3521de5ee.‎

‎Gesammelte Märchen. - [PRESENTATION COPY]‎

‎Leipzig, Carl B. Lorck, [1848?]. 12mo. Bound in the original richly gilt and blindstamped full cloth binding. All edges gilt. Minor wear to outer hinges, neatly restored. Inscribed by Andersen to front free endpaper: ""Kunstnerinden / den elskværdige Madam / Rosenkilde / bringer jeg denne Bouquet / fra min Digterhave / Nytaarsmorgen / 1852. / H. C. Andersen."" ('To the artist, the amiable Madam Rosenkilde, I bring this bouquet from my garden of poetry / New Year's Morning / 1852. / H. C. Andersen'). (8), 448 pp.‎

‎A beautiful copy of the rare pocket edition, without Vilhelm Pedersen's illustrations, of Carl B. Lorck's German edition of Andersen's collected fairy tales. The edition is undated, but according to the Hans Christian Andersen Centre, it was printed in 1848, a year after the first volume of the first German edition of Andersen's collected works. The present copy is inscribed by Andersen to the renowned Danish actress Julie Weber Sødring, born Rosenkilde (1823-1894). Rosenkilde was a dear friend of Andersen and is mentioned frequently in his diaries. The copy once belonged to the Danish historian Theodor Alfred Müller (1865-1950), who passed it on to Kamma Roos (1886-1973), wife of the prominent literary historian Carl Roos (1884-1962). In 1968, Kamma gifted it to the distinguished Danish librarian and Andersen collector Erik Dal (1922-2006).‎

‎Billeder og Vers. Billederne tegnede med Pen paa Steen af J. A. Kittendorff i Tegner & Kittendorffs lithographiske Institut. - [INSCRIBED BY HANS CHRISTIAN ANDERSEN]‎

‎Kjøbenhavn, P. G. Philipsens Forlag, (1862). 8vo. Bound in the original cardboard binding. With minor wear to capitals, otherwise almost completely fresh. Neatly restored tear to title page. Small ink stain to outer right margin of the last leaves. With a long gift inscription by H. C. Andersen to front free endpaper. Internally clean. ‎

‎A beautiful copy of Julius Exner's and Christian Winther's ""Billeder og Vers"" with a charming dated gift inscription from H. C. Andersen to a young boy, Jørgen: ""Til Tak for hvert Smiil jeg fik i det / gamle Aar af min lille Ven Jørgen, / bringer jeg ham her en Billedbog og den / vil han engang læse i og tænke paa / sin gamle Ven / H. C. Andersen / Kjøbenhavn Nytaars Ugen 1862."" (Translation: As thank for every smile I recieved in the old year from my small friend Jørgen, I bring him here a picture-book and in this he will in due time read and think of his old friend H. C. Andersen. Copenhagen new-year week 1862). Julius Exner (1825-1910) was a Danish painter known for his romantic paintings of the life of the peasants. Christian Winther (1796-1876) was one of the greatest Danish poets of the 19th century. Winther is best known for his poem ""Hjortens Flugt"" which is considered to be one of the classics of Danish literature. The inscription is written to Jørgen Hansen Koch (1861-1935). Jørgen, who was only 1 year old at the time the inscription was written, later became president of the Maritime and Commercial Court and Det Classenske Fideicommis. Jørgen and his family had a close relationship with H. C. Andersen and they are mentioned frequently in his diaries. H. C. Andersen wrote in his diary that he visited the Koch family January 2 1862. It was presumably during that visit that he gave Jørgen this copy. Works of other authors inscribed by H. C. Andersen are very rare. ‎

‎Andersen Hans Christian: The Snow Queen. In Russian /Andersen Khans Kristian. ‎

‎Andersen Hans Christian: The Snow Queen. In Russian /Andersen Khans Kristian. Snezhnaya koroleva. Andersens Fabulous Rebus M Clover Media Group 2013 42 4s. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalba9b75ea0ebf5231c.‎

‎Andersen Hans Christian. The Little Mermaid. In Russian /Andersen Khans Kristia‎

‎Andersen Hans Christian. The Little Mermaid. In Russian /Andersen Khans Kristian. Rusalochka. Series: Gift Collection. Illustration: Vladimir Nenov. Rosman 2014. 48 p. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalb3153d1cf1e78f694.‎

‎Andersen Hans Christian. Tales. In Russian /Andersen Khans Kristian. Skazki.‎

‎Andersen Hans Christian. Tales. In Russian /Andersen Khans Kristian. Skazki. Series: Book in Gift. Artist: Gotzen-Beck Betina. M Dragonfly. 2018. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalb4f1770f5f10aee31.‎

‎Andersen Hans Christian. Ognivo. In Russian /Andersen Khans Kristian. Ognivo.‎

‎Andersen Hans Christian. Ognivo. In Russian /Andersen Khans Kristian. Ognivo. Artist Vladislav Erko. Kyiv. A-BA-BA-GA-LA-MA-GA. 2011. 24 p. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalba767e954bd88181f.‎

‎Andersen Hans Christian. In Sweden. In Russian (ask us if in doubt)/Andersen Kha‎

‎Andersen Hans Christian. In Sweden. In Russian (ask us if in doubt)/Andersen Khans Kristian. V Shvetsii. Series: Sac de Voyage.Literary travel. Translated from Danish: Kiyamova N. M.: B.S.G.-Press 2008. 335p. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalb15bb16a5fb93afd5‎

‎Hans Andersen's Fairy Tales ,Illustrated by A. Duncan Carse‎

‎ 1912 London: A & C Black Ltd, 1912 Decorative Cloth. Very Good/No Jacket. 1ST EDITION. 8vo - over 73⁄4" - 93⁄4" tall. The cloth boards are coloured and pictured and the pictures inside are also coloured. ‎

4 Images

‎cartonnage tres decoré en bon etat,tete dorée,rousseurs tranches, Remise de 20% pour toutes commandes égales ou supérieures à 200 €‎

‎Stories for the Household. Translated by H.W. Dulcken. With Two Hundred and Twenty Illustrations by A.W. Bayes, Engraved by Dalziel Brothers.‎

‎London, Routledge & Sons, 1872. Cont. (orig. ?) blue full cloth w. gilt title to back (Hayes & Son, Oxford). First few leaves brownspotted.‎

‎Early edition of the famous Andersen-translation, ""Stories for the Household"".In 1864 Dulcken published his first translation of some of Andersen's fairy tales, ""Stories and Tales"". In 1865 or 1866 he publishes his second, ""What the Moon Saw: And Other Tales"", profusely illustrated"" together these to translations make up the 9th Andersen fairy tale translations to appear in English. In 1866 a collected edition of all the fairy tales from Dulcken's two collections plus two other ones appeared in one volume under the title ""Hans Christian Andersen's Stories for the Household"", with 220 illustrations. Dulcken's translations became exceedingly popular and were reprinted numerous times. Dulcken is considered one of the three best contemporary Andersen fairy tale-translators.‎

‎Oldingen. (Julebog 1874. Udgivet af Karl Schmidt.) - [PRESENTATION-COPY]‎

‎Odense, Hempelske Boghandel, 1874. 8vo. Bound in the beautiful original green full cloth binding with gilt spine and gilt angel to front board. Blindstamped frames to boards. All edges gilt. Minor insignificant wear to extremeties. Inner hinges weak. Exlibris to pasted down front endpaper. Internally clean with a fully legible presentation-inscription to front free endpaper: ""Dr. Professor E. Hornemann / en hjertelig Hilsen ved Udgangen / af Aaret 1874 fra hans / taknemlige Ven / H. C. Andersen. (""Dr. Professor E. Hornemann a heartfelt greeting by the end of the year 1874 from his grateful friend H. C. Andersen."").‎

‎A lovely presentation-copy of the first printing of Andersen's poem Oldingen.The inscription is made for Andersen's doctor Claus Jacob Emil Hornemann (1810-90). On December 30, 1874 Andersen wrote in his diary: ""Sendt til Dr Hornemann i smagfuld Indbinding de tre Bind Eventyr illustrerede af Frøhlich, dernæst en ligesaa rig Udgave af Odense: Julebog og endeligt O T paa Engelsk, amerika Udgaven. Netop da Bydrengen var gaaet med Bogpakken kom Dr Hornemann i Besøg."" (""Sent Dr Hornemann a tasteful copy of the three volumes of fairy tales, illustrated by Frøhlich, then a likewise beautiful copy of Odense: Julebog and lastly, O T in English, the American edition. Just as the delivery boy had left with the books Dr Hornemann visited me."")BFN 1038.‎

‎Andersen Hans Christian, Drevsen Adolf Ludwig. Christinas album. In Russian /An‎

‎Andersen Hans Christian, Drevsen Adolf Ludwig. Christinas album. In Russian /Andersen Khans Kristian, Drevsen Adolf Lyudvig. Albom Kristiny. M. Terra-book club Knigovek 2015. 256 p. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalb3234220645f35489.‎