In-8 broché, 192 p. Très bon état. Contient : Entretien avec Françoise Dolto : La Psychanalyse, parcours et travail / Education spécialisée, par Philippe Raynaud.
[Schippert & Co] - MARJULA, Anna ; [ BEEKHUIS, Hanna ] ; ( HANNAH, Barbara )
Reference : 57805
(1967)
A human document, with an Introduction by Barbara Hannah, 8vo paperback, Schippert & Co, Zurich, s.d. [ 1967 ], XII-128 pp. with 12 original colored drawings under an envelope pasted on guard, and autograph text in flemish on 14 leaves (letters, poems) in another one. Full Tite : The healing influence of Active Imagination in a Specific Case of Neurosis [ Unique and exceptional copy with autograph manuscripts and 12 original drawings: Anna Marjula mystery solved ! ]
Unique copy with 12 original colored symbolical drawings sometimes (3 of them with comments in english) and 14 leaves with manuscript text (3 letters and poems) in flemish. Most of this extra-material is not signed except three letters (two dated 13-5-73 and 28-10-74) signed "Tante Han" or “Hanna”, clearly original work by "Anna Marjula", pseudonym used to protect the identity of the author (The letter "E". On an envelop is written : "These drawings illustrate the fifth conversation with the Great Mother pages 26-27". Many early jungian analysts worked with Anna Marjula (Toni Wolff, Emma Jung or Barbara Hannah), but her real name remained unknown, until now (but we knew it was a pianist). Indeed, our research allowed us to identify the recipient, Ms. Parvati Chavoix-Jodjana ("Vati") but especially the author, who hides behind the pseudonym of Anna Marjula : the famous dutch pianist and composer Hanna Beekhuis (1889-1980) ! A newspaper clipping is joined on a postcard, (that we join), titled : "Gouden medaille voor Hanna Beekhuis" and here's the translation : "Gold medal for Hanna Beekhuis: Arnhem, 3 Oct. - The Dutch composer of chamber music works and songs, Hanna Beekhuis from Ellecom, who currently resides in Zurich, has won a gold medal and an honorary diploma with "Reflet du Japon", a composition for viola and viola at an international competition held in Buenos Aires". It is known she won this medal in 1961.Hanna Beekhuis resided in Zurich, and was previously in relationship with Carl Jung (28 letters or copy of letters between Jung and Hanna Beekhuis, from 1942 until 1960, would be kept in the ETH-Bibliothek). Barbara Hannah explains in her preface that “Professor Jung had, however, once spoken to Anna of including it in a volume of case histories, and, as he died before he had collected the other cases, she was naturally disappointed”. We identify well the identical writing of "Aunt Hanna" with that present on the handwritten drawings, and with the only autograph word reproduced in the work - "Eve".Our incredible copy comes from Parvati Chavoix-Jodjana, daughter of a famous javanese dancer in France, Raden Mas Jodjana (1893-1972) and his wife Raden Ayou. Hanna Beekhuis accompanied the dancer in the 1920s. Another interesting relation with Jungian Psychanalysis is that the Jodjana were friends with Kurt Binswanger and his wife Erica since 1935.Here's some translated extract on a signed letter : “You said me that your Father has become your Guru. What is a guru ? [… ] Your father told me that he was a free thinker. I am that too but Christianity [ … ] is still in blood”. In another one : "The Jodjanas" have meant a lot to me in the course of my life, especially your father, [ … ] your mother too”.
, Brepols - Harvey Miller, 2025 hardcover, Pages: 344 p.Size:178 x 254 mm Illustrations:3 col. Language:English *new. ISBN 9782503605302.
How can contemporary theorisations of consent help us to nuance our understanding of consent and coercion in the Middle Ages? And what can reconsidering medieval attitudes towards consent offer to our own ?consent culture?? Contemporary feminist approaches have identified consent both as a potent political framework for liberation and as an inherently limited concept that opens out onto other important ethical questions. Proceeding from this moment, this book looks in two directions to understand the varied ways in which structural inequalities impact meaningful consent and facilitate coercion in the Middle Ages and today. Building upon the momentum of ?medieval consent studies? as a newly defined field, this volume expands the focus beyond rape and raptus, assessing more varied representations of consent and coercion through an intersectional consideration of power, inequality, and sexual violence. The contributions bring together different methodologies, cultural contexts, and literary traditions to highlight literature?s capacity to reflect otherwise undocumented forms of sexual vulnerability. Offering a compelling case for integrating critical approaches like trans history, codicology, animal studies, ecocriticism, and disability studies into this field, Reconsidering Consent and Coercion demonstrates the vital necessity of a nuanced and inclusive understanding of the past for our present discourses of consent. TABLE OF CONTENTS List of Contributors Acknowledgements Note on the Cover Image Jane Bonsall and Hannah Piercy, Introduction: Why Reconsider Medieval Consent and Coercion? Why Now? Coercive Strategies and (Im)Possibilities of Resistance Carissa M. Harris, ?Resistence Makyng?: Resisting Rape in Premodern England and Scotland Lucas Wood, ?That love should be love?s recompense?: Courtly Seduction, Compulsory Compassion, and Coercive Desire in Alain Chartier?s La Belle Dame sans mercy Rowan Wilson, ?You do not get to consent to yourself, even if you might deserve the chance?: Nature?s Coercion and Transgender Volition in Le Roman de Silence Basil Arnould Price, Suicide as Speech: The Antisocial Feminism of Svarfdæla saga Reframing Gendered Coercion: Men?s Experiences of Vulnerability Jane Bonsall and Hannah Piercy, Comparative Approaches to Men?s Experiences of Sexual Coercion: Reading across Multi-Text Manuscripts Bettina Bildhauer, Sexualised Violence by a Woman against a Boy: Upsetting the Binary Gender Hierarchy in Of the Seven Masters Emmet Taylor, Love Under Threat: Reconsidering the Experiences of Noísiu and Diarmaid Consent and the Boundaries of the Human Grace Delmolino, Consent Beyond Language: Disability, Ambiguity, and the Sex Lives of Chickens and Nuns in Decameron 3.1 Maria Zygogianni, Her Garden: Consent and the hortus conclusus in The Knight?s Tale and The Isle of Ladies Alexander Wilson and Natalie Jayne Goodison, ?Sa vesteüre ala saisir, Par tant la cuide retenir?: Clothing and Coercion in the Bathing Scenes of Medieval Romance Reinscribing Coercion, Rewriting Consent Mara Schmueckle, Writing Consent: Notaries and Gendered Narratives in Late Medieval Scotland Debadrita Saha, Women?s (Absent) Consent and (Culturally Sanctioned) Coercion in Medieval Bengali Literature: Chandimangal and SatiMayna Timi Sgouros, Shades of Coercion in Medieval Exempla: Adaptations of ?The Nun who Saw the World? Caitlin G. Watt, ?Thy Womb Will Avenge Thee?: Olympias, Revenge, and Consent in Medieval Alexander the Great Narratives Elizabeth Robertson, Afterword: Ambiguities of Consent and Forms of Resistance to Rape Bibliography
, Brepols - Harvey Miller, 2025 hardcover, Pages: iv + 326 pages; Size:180 x 265 mm, Illustrations:12 b/w, 181 col., Language(s):English, French. **NEW. ISBN 9782503607993.
In September 2019, ten years of interdisciplinary research culminated in the first-ever monographic exhibition on the Borman family, titled Borman and Sons. The Best Sculptors (20.09.19?26.01.20) at M Leuven. The exhibition was accompanied by a new publication on the Borman family of Brussels sculptors, who were active from the second half of the fifteenth century into the second third of the sixteenth century. The 6th Annual Ards Colloquium, held at M Leuven in November 2019, provided an in-depth contextualisation of the sculptural work of the Borman family. While a document from 1513 refers to the Bormans as ?the best sculptors?, they did not operate in isolation. Brussels was a thriving artistic centre?a cultural hub that hosted numerous talented and influential artists, all working under the patronage of high-profile commissioners. This volume presents papers that explore the Bormans? role within the artistic context of the Duchy of Brabant, alongside discussions of stylistic and iconographical themes, as well as new discoveries concerning their commissions and works. TABLE OF CONTENTS Marjan Debaene and Hannah de Moor, Foreword Part I: Commissions and Commissioners from North to South Magali Briat-Philippe, The Statuary of the Royal Monastery of Brou: An Important and Singular Witness of Brabantine Sculpture between 1513 and 1522 Catheline Périer-D?Ieteren, Emmanuelle Mercier, and Myriam Serck-Dewaide, The Adoration of the Magi in San Nazaro, Milan: An Unknown Work by Jan Borman II? Marjan Debaene and Claire Dumortier, The Bormans and Leuven: An Analysis of Known and Newly Discovered Documents in the Leuven City Archives concerning Jan I Borman, the Borman Family, and Their Artistic Activity in Leuven in the Fifteenth Century Hannah De Moor, In Search of the Patrons of Netherlandish Carved Altarpieces in Sweden Ragnhild M. Bø, The Resurrected Christ Appearing to His Mother and the Seven Joys of the Virgin: Borman and Beyond Adam Harris Levine, Borman Reliquaries in their Iberian Context Emilio Ruiz de Arcaute Martínez, Originals or Copies? Interesting Contributions regarding the Technical Study of Some Borman Reliquary Busts Part II: Style, Materials, Techniques, and Workshop Organisation Michel Lefftz, De Rogier van der Weyden à Jan Borman I: Transferts, rivalité et émulation dans la peinture et la sculpture des anciens Pays-Bas au XVe siècle Elisabeth Van Eyck and Ria De Boodt, Reunited? Case Study about an Early Sixteenth-Century Carved Wooden Altarpiece and Its Painted Shutters Ingrid Geelen, The Polychromers of the Borman Altarpieces Christel Theunissen, Lost and Found: Tracing the Origin of Scattered Choir Stall Fragments Seppe Roels and Marieke Van Vlierden, Mallets, Flowers, and Circles: Marks on Sculptures Related to the Borman Workshops: A Preliminary Comparison Index
Leuven 2002 Peeters Publishers Soft cover 1st Edition
Soft cover, 24 x 16 cm, 438 pp., English, 1st Edition, condition : very finernOrbis Supplementa tome 18rnThe articles in this volume treat issues in Hannah Rosen's many fields of scholarly interest. Most of the articles deal with subjects in Latin linguistics and philology; others treat Celtic linguistics and philology, while some combine the two. A number of the papers take Hannah Rosen's own work as their point of departure: especially, research on nominalization and periphrasis; on tense use and narrative structure; on translation technique. The authors adopt a variety of perspectives and approaches. This volume includes many contributions that are descriptive, comparative, or historical in nature, as well as some reflecting a literary orientation. A few authors use the text and its structure as their framework. A wide range of approaches to syntactical analysis on various levels of expression is prominently represented in the work of many of the contributors.
ACCONCI VITO , ARAKAWA, SCOTT BURTON, EDUARDO COSTA, STEPHEN KALTENBACH, LES LEVINE, ABRAHAM LUBELSKI, BERNADETTE MEYER, JOHN PERREAULT, MARJORIE STRIDER, HANNAH WEINER, IRA JOEL HABER
Reference : 102121
(1969)
1969 Affiche New York, The Architectural League of New York, octobre 1969, feuille 710x752mm, impression offset en vert sur papier jaune, pliée au format 185x235mm pour envoi postal, sur une photographie de Ira Haber.
Affiche annonçant une série d’actions exécutées dans divers lieux de New York par les artistes Vito Acconci, Arakawa, Scott Burton, Eduardo Costa, Stephen Kaltenbach, Les Levine, Abraham Lubelski, Bernadette Meyer, John Perreault, Marjorie Strider et Hannah Weiner Coordonné par Hannah Weiner, Marjorie Strider et John Perreault.(102121)
Phone number : +33 1 48 01 02 37
, Brepols, 2024 Hardback, 350 pages, Size:216 x 280 mm, Illustrations:5 b/w, 139 col., Language: English.* NEW ISBN 9782503611235.
Summary This book examines the production, patronage, and use of sculptures made in the Low Countries between 1400 and 1600. Two questions frame the book: 'Why did Sculpture from the Low countries matter' and 'Why will Sculpture from the Low Countries matter for future research'. Answers to these questions will be offered in a coherent and richly illustrated study which considers Sculpture as a pivotal subject field within Art Historical discourse. TABLE OF CONTENTS Preface Julie Beckers and Hannah De Moor Introduction Ethan Matt Kavaler Chapter 1: Use and Function of Sculpture Accommodating Altarpieces: The Impact of Circumstantial Factors on the Design of Altar Decorations in Medieval Churches Justin Kroesen Working Sculpture: The Forms and Functions of Netherlandish Brass Lecterns Douglas Brine The Church's a Stage: Late Medieval Altarpieces as Part of an Ever-Changing Environment Wendy Wauters The Stem of a Once Ornate Fountain: The Use of a Table Fountain Fragment at Museum Mayer Van den Bergh in Antwerp Julie Beckers Chapter 2: Patronage of Sculpture Patronage Jeffrey Chipps Smith Noble Expectations of Memorial Sculpture: Commissioning the Jauche Monuments in Brugelette (c. 1527-1573) Ruben Suykerbuyk The Chapel Space and Interiority in the Ringsaker Altarpiece Lynn F. Jacobs Prestige and Display: Noble Patronage of Sculpture in the Low Countries Elizabeth Rice Mattison Chapter 3: Production and Workshop Continuity and Discontinuity in the Sculpture Workshop Practice Aleksandra Lipi?ska The Leuven Connection: A New Look at the Social and Artisanal Network of Leuven Late Gothic Sculptors (c. 1475-1525) Marjan Debaene Te maken ende te leveren: The Transport of Netherlandish Carved Altarpieces Hannah De Moor Epilogue: Seeing Sculpture Stephanie Porras
Payot Payot, 1996, 1042 p., cartonnage éditeur sous jaquette, environ 23x14cm. Bord supérieur de la jaquette un peu froissé avec quelques petites fentes, dos de la même insolé, bon état pour le reste et intérieur très propre.
Merci de nous contacter à l'avance si vous souhaitez consulter une référence au sein de notre librairie.
Leipzig. Koehler & Amelang, 2007. In-12 cartonnage éditeur illustré. Herausgegenben und kommentiert von Christine Fischer-Defoy. Texte en allemand. Reproduction en fac-similé et en transcription de l'agenda d'Hannah Arendt pour les années 1951-1975. Photos en noir & blanc. E.O.
Buster Books 2012 32 pages 29x20x1cm. 2012. Broché. 32 pages.
l'article peut présenter de légères marques de stockage mais aucune marques de lecture et du reste en très bon état.Envoi rapide et soigné dans enveloppe à bulles depuis France
Time magazine. 2016. In-4. Broché. Etat passable, Coins frottés, Dos frotté, Intérieur frais. 48 pages. Texte en anglais. Nombreuses illustrations en noir et blanc et en couleur, dans et hors texte.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
Sommaire: Fear and loathing in Germany par Simon Shuster- Toxic tap par Josh Sanburn- is China kidnapping its critics? par Hannah Beech- The solar system just got bigger- why are the oscars so white?- etc. Classification Dewey : 420-Langue anglaise. Anglo-saxon
( CD Rock et Rock Progressif ) - Marillion - Steve Rothery - Hannah Stobart.
Reference : 15737
(1988)
Intact Records 2009. Rare CD dédicacé par le guitariste de Marillion, Steve Rothery et la chanteuse Hannah Stobart, sur la couverture du livret. CD en état superbe, proche du neuf. Import U.K. Provient de ma collection personnelle
Site Internet : Http://librairie-victor-sevilla.fr.Vente exclusivement par correspondance. Le libraire ne reçoit, exceptionnellement que sur rendez-vous. Il est préférable de téléphoner avant tout déplacement.Forfait de port pour un livre 7 €, sauf si épaisseur supérieure à 3 cm ou valeur supérieure ou égale à 100 €, dans ce cas expédition obligatoire au tarif Colissimo en vigueur. A partir de 2 livres envoi en colissimo obligatoire. Port à la charge de l'acheteur pour le reste du monde.Les Chèques ne sont plus acceptés.Pour destinations extra-planétaire s'adresser à la NASA.Membre du Syndicat Lusitanien Amateurs Morues
Paris, éd. Antropos, 1990, EDITION ORIGINALE, in-8, br. couv. ill. coul. éd., 346 pp., préface de Paul Ricoeur, notes, bibliographie, table des matières, Hannah Arendt, née Johanna Arendt à Hanovre le 14 octobre 1906 et morte le 4 décembre 1975 à New York, est une politologue, philosophe et journaliste allemande naturalisée américaine, connue pour ses travaux sur l’activité politique, le totalitarisme, la modernité et la philosophie de l'histoire. Très bel essai sur la vie et l'œuvre de cette Grande Femme ! RARE Très bon état
HANNAH ARENDT - GUERIN ANNE (traduction)
Reference : RO20275828
(2006)
ISBN : 2070326217
GALLIMARD / FOLIO HISTOIRE N°32. 2006. In-12. Broché. Etat d'usage, Couv. convenable, Dos plié, Papier jauni. 519 PAGES- Signature sur le 1er plat + annotation sur une page de garde et la page de biographie d'Hannah Arendt, hors texte. . . . Classification Dewey : 940.53-Seconde Guerre mondiale 1939-1945
Revision par Martine Leibovici - Presente par Michelle-Irène Brudny de Launay Classification Dewey : 940.53-Seconde Guerre mondiale 1939-1945
Jim Hannah, Simon Wheatley, Salmandjee Yasmina
Reference : RO20275636
(2003)
ISBN : 2742930302
MICRO APPLICATION / FRIENDS OF ED. 2003. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 140 PAGES - Nombreuses photos couleur, dans le texte. . . A l'italienne. Classification Dewey : 4-Traitement des données. Informatique
Jim Hannah, Simon Wheatley, Salmandjee Yasmina (tradu)- Kevin Francis - Yates david ... Classification Dewey : 4-Traitement des données. Informatique
EVERGREEN (22 mars 1996)
Minimes traces manuscrites à la mine dans le texte.
2009 Paris, Editions Stock, 2009, 24x15cm, 523 pp., livre neuf car service de presse
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2010 Paris, Calmann-Lévy, 2010, 23x15cm, 369 pp., livre neuf car service de presse
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2009 Paris, Gallimard, 2009, 21x14cm, 376 pp., livre neuf car service de presse
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2005 Paris, Gallimard, 2005, 14 x 20,5 cm, 198 pp, broché, jaquette,
neuf, service de presse, traduit de l'anglais (Etats-Unis) par Josée Kamoun,.