266 books for « giordano »Edit

‎Opera ea quae ad adinventam ab ipso ertem universalem, Scientiarum Artiumque omnium breui compendio, firmaque memoria apprehendendarum, locupletissimaque vel oratione ex tempore pertractandarum, pertinent. Ut et In eandem quorumdam interpretum scripti... - [SPARKING LEIBNIZ' DREAM OF A UNIVERSAL ALGEBRA]‎

‎Argentinae (i.e Strassburg], Lazarus Zetzner, 1598. 8vo. Very nice 19th century half calf with richly gilt spine. Some browning and spotting, but overall a nice copy. Many woodcut diagrams in the text. Woodcut printer's device to title-page. (24), 992, (32) pp.‎

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‎Scarce first edition of this seminal publication, which is practically solely responsible for the spreading of both Lullism and Bruno's mnemonic theories in the 17th century. This publication constitutes the standard work on Lull for more than a century and it directly influenced the most significant thinkers of the following century, e.g. Leibnitz, whose dream of a universal algebra was stimulated by the reading of Lull (and Bruno) in the present publication.""In 1598, while the philosopher from Nola (i.e. Bruno) was in prison in Rome, Johann Heinrich Alsted together with the printer Lazarus Zetzner in Strasburg, published a great collection of the works by Raymond Lull and the most significant commentaries on Lullism, among them also some treatises by Bruno. Since then, Bruno's mnemonics was a basic component of all attempts made in the seventeenth century to set up a universal science on the basis of a theory of combinations interpreted in terms of Neo-Platonism... It was also Leibniz who was one of the first to assume similarities between Bruno's theory of the infinite and the Cartesian theory of vortices in an undetermined and infinite universe"" Leibniz had had the opportunity to read these treatises in his capacity as librarian of the Herzog August Library in Wolfenbüttel"". (Blum, p. 110). ""From another of Pierce's Lists we know that he possessed an important collection of Lullian and Lullist texts, namely the Renaissance edition by the famous Strasbourg editor Lazarus Zetzner: ""Raymundi Lulli Opera ea quae ad adinventam ab ipso Artem universalem... pertinent"" (printed first in 1598, then 1609, 1617 and, by his heirs, in 1651). This edition, which was very influential - the young Leibniz, for instance, acquainted himself with Llull through this anthology-, contains several works by Llull himself as well as those Renaissance commentaries on his works by Agrippa of Netteshein, Giordano Bruno..."" (Fidora, p. 181).This highly influential publication of Lull's ""Opera"" through which Leibniz and many of his contemporaries got acquainted with Lull and Bruno, contains seven genuine works by Lull (including the two most important works of the last period of the Art, the ""Ars brevis"" and the ""Ars magna""), four works falsely attributed to Lull, Agrippa's ""In Artem Brevem"" - and Bruno's four highly important commentaries on Lull, being the ""De Lulliano specierum scrutinio"" (pp. 685-97), ""De Lampade combinatoria Lulliana"" (pp. 698-755), ""De Progressu Logicae venationis"" (pp. 756-62) and ""De Lampade venatoria logicurum"" (pp. 763-806), which constitute Bruno's most important logical treatises and his seminal writings on mnemonics. The four treatises originally appeared separately in 1587 and 1588 respectively, and all appear here for the second time (apart from the ""De progressu"", which also appeared together with the first printing of the ""De Lampade venatoria logicorum"" the following year and here thus appears for the third time). The first printings of these works are of impossible scarcity and hardly obtainable. These four groundbreaking works appear together for the first time in the present publication and it is through this second printing of them that 17th century thinkers such as Leibniz got acquainted with them. Raymond Lull (ca. 1232-1315) was one of the most important and influential philosophers and logicians of his time. He is considered a pioneer of several fields of science, now most notably computation theory. His works sparked Leibniz' interest in the field and drove him to his seminal invention. Lull invented an ""art of finding truth"" (often in Lullism referred to as ""The Art""), which centuries later, when read in the present publication, stimulated Leibnitz' dream of a universal algebra. Lull applied this art to basically all subjects studied at the Medieval Universities. ""Lull's metaphysics worked a revolution in the history of philosophy"" (The Cambridge History of Renaissance Philosophy, p. 548). Giordano Bruno (1548-1600) is one of the most significant thinkers of modern times. He prepared the way for the rise of modern philosophy and became a forerunner of modern philosophy and science. His logical commentaries and mnemonic treatises were of special importance to the emerging logic of the 17th century and it is his version of Lullism that comes to dominate this significant strand of thought for more than a century. Having been arrested in 1592 due to alleged heresy, Bruno was subjected to a 6 year long trial that finally condemned him to hanging in 1600, two years after the publication of the four works that came to secure his influence over the following century. ""Bruno burned for philosophy"" he was killed for moral, physical, and metaphysical views that terrified and angered authorities."" (Copenhaver & Schmitt, p. 315).""By far the greatest figure of this generation was Giordano Bruno (1548-1600), whose interest in Llull dates almost exclusively from his sojurns in France and Germany. His activities in this field, which he combined with his other aspects of Reniassance philosophy, are too complex to be treated in any detail here. Suffice it to say with Frances Yates that ""the three strands of the Hermetism, the mnemonics, the Lullism are all interwoven in Bruno's complex personality, mind and mission""...""Perhaps the most important event of Lulliasm of this period was not the appearance of any new figure or work but the publication of an anthology by Lazarus Zetzner of Strasburg, entitled ""Raymundi Lullii, opera ea quae ad adinventam ab ipso Artem universalem"", which, for the next century or so, was to become the standard work on Llull. It is therefore instructive in understanding seventeenth-century Lullism... The first edition of this anthology appeared in Strasburg in 1598. It was reprinted in 1609... reprinted in 1617 and again in 1651... This mixture of Llull, pseudo-Llull, and Renaissance commentaries, emphasizing a general art of discourse, constituted the ""package"" in which Llull was presented to seventeenth-century readers, including Leibniz (note 33: it was apparently the first edition of 1598 that Leibniz read), and it must be kept in mind when discussing their version of Llull."" (Bonner, pp. 67-68). Bruno's works, the first editions of which are all of the utmost scarcity, were generally not reprinted in Bruno's lifetime and new editions of them did not begin appearing until the 19th century. For three centuries his works had been hidden away in libraries, where only few people had access to them. One very significant exception is the four treatises that we find in the present publication. They are among the only of Bruno's treatises to be published again before the 19th century, and as they don't appear again on their own, but here, in THE most important publication of Lull's writings for more than a century, it is through this second printing of these four works that Bruno comes to have his primary influence upon 17th century philosophy and science. His separate publications were simply not accessible to thinkers like Leibniz and could thus not be studied. Also therefore, Zetzners' 1598 publication of Lull and Bruno together proved to be of seminal importance, not only to the spreading of Lullism, but just as much to the spreading of Bruno's even more important theories. ""Raymond Lull (ab. 1232 - 1315), Majorcan writer, philosopher, memorycian (he was later to become a great source of inspiration for Giordano Bruno), logician, and a Franciscan tertiary. He wrote the first major work of Catalan literature. Recently-surfaced manuscripts show him to have anticipated by several centuries prominent work on elections theory. He is sometimes considered a pioneer of computation theory, especially given his influence on Gottfried Leibniz. He is also well known also as a glossator of Roman Law. Lull taught himself Arabic with the help from a slave. As a result, he wrote his ""Ars Magna"", which was intended to show the necessary reasons for the Christian faith. To promote his theory and test its effectiveness, he went to Algiers and Tunis. At the age of 82, in 1314, Lull traveled again to North Africa, where an angry crowd of Muslims stoned him in the city of Bougie. Genoese merchants took him back to Mallorca, where he died at home in Palma the following year."". (Thorndyke)Giordano Bruno was born in Nola in Southern Italy in 1548, and entered the Dominican order in Naples at the age of 18. While pursuing theological studies, he also thoroughly studied the ancient philosophers and began doubting some of the teachings of the Catholic Church. When he was in Rome in 1576, these doubts became known to the authorities of his order, and an indictment for heresy was prepared against him. Before he could be arrested, he escaped and began a long journey which took him to many European countries, among these England, where his most important works are published, until in 1592 he was denounced to the Inquisition and arrested. In 1593 he was taken to Rome, imprisoned, and subjected to a 6 year long trial. He firmly refused to recant his philosophical opinions, and in 1600 he was condemned for heresy, sentenced to death, and burned alive.SALVESTRINI NR. 1.See:Anthony Bonner: Doctor Illuminatus. A Ramon Llull Reader, 1993.Paul Richard Blum: Giordano Bruno. An Introduction, 2012.The Cambridge History of Renaissance Philosophy.Alexander Fidora: Peirce's Account of the Categories and Ramon Llull.‎

‎Le ciel réformé. Essai de traduction de partie du livre italien, Spaccio della Bestia Trionfante. - [INFLUENCING FRENCH ENLIGHTENMENT THOUGHT]‎

‎[Paris], 1750 [L'an 1000 700 50]. Small 8vo. Lovely contemporary full mottled calf with richly gilt spine and triple gilt line-borders to boards. All edges of boards gilt, and inner gilt dentelles. Some wear to extremities, especially capitals. Book plate removed from inside of front board. Half-title and title-page printed in red and black. Engraved title-vignette. A nice and clean copy, printed on good, heavy paper, and with wide margins. (4), 92 pp.‎

‎Scarce first translation into French of Giordano Bruno's seminal ""Expulsion of the Triumphant Beast"", being the first part of any of Bruno's works to be translated into French and presumably the second translation of any of Bruno's works into any language, only preceded by the equally scarce first translation into English of the same work (1713). ""The Expulsion of the Triumphant Beast"" constitutes one of Bruno's main works and that of his works which proved to be most influential throughout the 18th and 19th centuries, profoundly affecting both science, philosophy and religion, as it ""turns to social ethics and religious reform, but in a cosmic setting"". (Copenhaver & Schmitt, p. 301).Bruno's world-view as presented in the ""Spaccio"" cannot but have appealed directly to the French thinkers of the 18th century, when the first part of any of Bruno's works thus appears in French for the first time. The Enlightenment thinkers of 18th century France must have found much resonance with the extreme and provocative views held by the - until then - overlooked Renaissance thinker, who was burned on the stake due to his non-conformist views. ""Magic, pantheism, idolatory, demonolatory, apostasy - just these few outrages from the long list in the ""Spaccio"" would have been enough to anger the authorities, but there were more besides: Bruno doubted immortality, taught metempsychosis, recommended free-thinking, deserted positive for natural religion, criticized the Bible, defamed the Jews, slandered the Protestants, betrayed the Catholics, and condemned civil government besides."" (Copenhaver & Schmitt, p. 302). - Bruno's thoughts as expressed in the ""Spaccio"" doe not leave those of a Voltaire far behind.Bruno's works, the first editions of which are all of the utmost scarcity, were not reprinted in their time, and new editions of them did not begin appearing until the 19th century. For three centuries his works had been hidden away in libraries, where only few people had access to them. Thus, as important as his teachings were, thinkers of the ages to come were largely reliant on more or less reliable renderings and reproductions of his thoughts. The first translations of his works thus proved to be of seminal importance to the spreading of his ideas.As Jacobi states in the preface to the second edition of his ""Letters on Spinoza..."" (1785), ""This strange man was born, one knows not in which year, in Nola, in the Kingdom of Naples"" and died on February 17th 1600 in Rome on the stake. With great diligence Brucker has been gathering information on him, but in spite of that has only been able to deliver fragments [not in translation]. For a long time his works were, partly neglected due to their obscurity, partly not respected due to the prejudice against the new opinions and thoughts expressed in them, and partly loathed and suppressed due to the dangerous teachings they could contain. On these grounds, the current scarcity of his works is easily understood. Brucker could only get to see the work ""De Minimo"", La Croce only had the book ""De Immenso et Innumerabilibus"" in front of him, or at least he only provides excerpts from this [also not in translation], as Heumann does only from the ""Physical Theorems"" [also small fragments, not in translation]"" (pp. (VII)-VIII - own translation from the German). Bruno's most representative work, ""Spaccio de la bestia trionfante"" (The Expulsion of the Triumphant Beast), published in an atmosphere of secrecy in 1584 and never referred to as anything but blasphemous for more than a century, was singled out by the church tribunal at the summation of his final trial. That is hardly surprising because the book is a daring indictment of the corruption of the social and religious institutions of his day. The ""triumphant beast"" signifies the reign of multifarious vices. Cast in the form of allegorical dialogues, Bruno's work presents the deliberations of the Greek gods who have assembled to banish from the heavens the constellations that remind them of their evil deeds. The crisis facing Jove, the aging father of the gods, is symbolic of the crisis in a Renaissance world profoundly disturbed by new religious, philosophical, and scientific ideas."" (From Arthur D. Imerti's 1964 translation of the work into English).""Bruno, who had already used geometric diagrams and philosophical terms to present n infinite universe, now wrote a dialogue in which he transformed the cosmos by transforming its imagery. He called it ""The Triumphant Beast"", a phrase that brought to mind the book of Revelation [...] Unlike most of his contemporaries, who gave the universe about six thousand years of existence since creation, the Nolan philosopher had already proclaimed that it was infinitely old"" in ""The Expulsion of the Triumphant Beast"", he insists that the universe holds cultures and memories that have come and gone and will come and go again."" (Rowland, pp. 164-65).Giordano Bruno was born in Nola in Southern Italy in 1548, and entered the Dominical order in Naples at the age of 18. While pursuing theological studies, he also thoroughly studied the ancient philosophers and began doubting some of the teachings of the Catholic Church. When he was in Rome in 1576, these doubts became known to the authorities of his order, and an indictment for heresy was prepared against him. Before he could be arrested, he escaped and began a long journey which took him to many European countries, among these England, where his most important works are published, until in 1592 he was denounced to the Inquisition and arrested. In 1593 he was taken to Rome, imprisoned, and subjected to a 6 year long trial. He firmly refused to recant his philosophical opinions, and in 1600 he was condemned for heresy, sentenced to death, and burned alive. ""Bruno burned for philosophy"" he was killed for moral, physical, and metaphysical views that terrified and angered authorities."" (Copenhaver & Schmitt, p. 315).Salvestrini: 112Copenhaver & Schmitt: ""Renaissance Philosophy"", 1992.Ingrid D. Rowland: ""Girodano Bruno. Philosopher/Heretic"", 2008.See also: Cassirer: ""Das Erkenntnisproblem"", 1922 Bd. 1"" ""An Essay on Man"", 1944. Garin: ""Italian Humanism"", 1965. Paterson: ""The Infinite Worlds of Giordano Bruno"", 1970. Kristeller: ""Eight Philosophers of the Italian Renaissance"", 1964. Copenhaver & Schmitt: ""Renaissance Philosophy"", 1992. W. Boulting, ""Giordano Bruno"". ‎

‎Le Ciel Réformé. Essai de traduction de partie du libre italien, Spaccio della Bestia Trionfante [La déroute ou l'expulsion de la Beste triomphante].‎

‎ Petit in-8 (150 x 96 mm), veau havane marbré de l'époque, dos lisse orné de compartiments fleuronnés et cloisonnés, pièce de titre de maroquin fauve, triples filets d'encadrement sur les plats, tranches rouges, (2) f. (faux titre et titre), 92 p., (2) f. blancs, 2 vignettes gravées, bandeaux, titre noir et rouge. S.l., L'an 1000 700 50 [i.e. 1750].‎

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‎Première édition et première traduction française, par l'abbé Louis-Valentin de Vougny, du dialogue publié à Londres en 1584, dont une seconde page de titre donne l'intitulé complet: 'Spaccio della bestia trionfante: la déroute ou l'expulsion de la Beste triomphante'."Véritable subversion des fondements de la théologie chrétienne, sous la forme d'une fable mythologique, Giordano Bruno y développe les conséquences morales de sa conception d'un univers infini, dépourvu de centre et composé d'une infinité de mondes, et s'en prend aux dogmes de l'Éden ou du péché originel, réhabilitant ainsi la nature un siècle avant Spinoza" (Bertrand Levergeois)."Le 17 février 1600, l'Inquisition catholique menait Giordano Bruno au supplice. Lorsqu'une main lui tendit la croix, au milieu des flammes, il détourna la tête vers le firmament infini. Avant Galilée et Descartes, il tire le plus radicalement les conséquences cosmologiques et philosophiques des découvertes coperniciennes. Il dynamite ainsi tout le dispositif physique, métaphysique et politique de l'ordre scolastique et conçoit un univers inédit, illimité, plein d'une puissance dynamique, opératrice et protéenne" (cf. Ph. Forget [dir.], 'Giordano Bruno et la puissance de l'Infini', éd. Vrin, 2003)."One of Bruno's main works and that of his works which proved to be most influential throughout the 18th and 19th c., profoundly affecting both science, philosophy and religion" (B. Copenhaver & Ch. Schmitt, 'Renaissance Philosophy', p.301-302).(Brunet I, 1298. Caillet, 11295. Peignot, 'Livres condamnés au feu', I, 48, II, 213. Salvestrini, 'Bibliografia di G. Bruno', 112).Petites taches d'encre sur le bord supérieur du premier plat. Mors très légèrement frottés. Courte note bibliographique ancienne à la plume sur la garde blanche.Bel exemplaire, frais, grand de marges, bien relié à l'époque. ‎

‎Giordano Bruno et la tradition hermétique , Traduit par Marc Rolland, avant-propos par Antoine Faivre‎

‎Editions Dervy , Bibliothèque de l'Hermétisme Malicorne sur Sarthe, 72, Pays de la Loire, France 2013 Book condition, Etat : Bon broché, sous couverture imprimée éditeur blanche, illustrée d'un portrait en couleurs du Nolain fort et grand In- 1 vol. - 558 pages‎

‎ nouvelle édition, 2013 Contents, Chapitres : Avant-propos et éléments bibliographiques - Préface - Hermès Trismégiste - Le Pimandre de Ficin et l'Asclépius - Hermès Trismégiste et la magie - La magie naturelle de Ficin - Pic de la Mirandole et la magie kabbalistique - Pseudo-Denys et la théologie du mage chrétien - Corneille Agrippa et son étude de la magie de la Renaissance - La magie de la Renaissance et la science - Contre la magie, les objections théologiques et la tradition humaniste - L'hermétisme religieux au XVIe siècle - Giordano Bruno (Premier séjour à Paris - En Angleterre, la réforme hermétique - La philosophie hermétique - Giordano Bruno et la Kabbala - G. Bruno enthousiaste héroïque et élisabéthain - Le deuxième séjour à Paris - En Allemagne - Dernier ouvrage publié - Retour en Italie - Tommaso Campanella) - Après la datation d'Hermès Trismégiste - Hermès Trismégiste et les controverses autour de Fludd - index, bibliographie couverture propre, à peine jaunie avec d'infimes traces de pliures aux coins des plats, intérieur frais et propre, quelques coins de pages cornés, cela reste un bon exemplaire, presque très bon‎

‎Oeuvres complètes. IV. De l'infini, de l'univers et des mondes ‎

‎ Les belles lettres Les belles lettres, 1995. Fort In-12 broché, couverture à rabats de XCIX + 422 pages. "Le De infinito (1584) expose la conception de l'infini, de l'univers et des mondes qu'avait Giordano Bruno. Dans ce dialogue apparaît pour la première fois la conscience que Bruno a de sa mission de philosophe : détruire la fausse image de l'univers défendue par les péripatéticiens, autrement dit détruire les chaînes qui ligotent l'homme à l'intérieur d'un espace clos, et plus encore : détruire les hiérarchies existant entre les êtres vivants.Dans le cosmos infini de Bruno, les ensembles d'atomes les plus petits comme les plus grands ont la même importance : dans l'univers infini, il n'y a pas de centre absolu, et donc tout peut être à la fois centre et périphérie. De première importance pour les historiens des sciences et de la philosophie, ce livre , encore aujourd'hui, présente également le plus grand intérêt pour la manière originale dont il affronte tous les grands thèmes de la modernité.Quatrième volume de la série des Ouvres italiennes de Giordano Bruno, cette édition est complétée par un important appareil critique". Bon état‎

‎ Toutes les expéditions sont faites en suivi au-dessus de 25 euros. Expédition quotidienne pour les envois simples, suivis, recommandés ou Colissimo. ‎

‎Suis les chemins des animaux - Dès 18 mois‎

‎Lito 2020 10 pages 22 8x22 8x1 2cm. 2020. board_book. 10 pages.‎

‎Très bon état‎

‎Suis les chemins des bébés animaux - Dès 18 mois‎

‎Lito 2020 10 pages 22 8x22 8x1 2cm. 2020. board_book. 10 pages.‎

‎Très Bon Etat‎

‎Suis les chemins des bébés animaux - Dès 18 mois‎

‎Lito 2020 10 pages 22 8x22 8x1 2cm. 2020. board_book. 10 pages.‎

‎Très bon état‎

‎Singular Beauty: Simple Microscopes from the Giordano Collection. Catalogue of an Exhibition at the MIT Museum September 1st 2006 to June 30th 2007.‎

‎2006 64 p., 127 coloured photographs, frontispiece, paperbound.There are three introductory essays: Curator s Introduction by Deborah G. Douglas; Collector s Introduction by Raymond V. Giordano; Simple Microscopes by Anthony Turner.‎

‎Oeuvres complètes. 2. Le souper des cendres‎

‎ Les belles lettres Les belles lettres, 1994. Fort In-12 broché, couverture à rabats de LXXXVIII + 394 pages. "Cette oeuvre peut être considérée, à juste titre, comme la plus célèbre de Giordano Bruno. Il s'agit de son premier dialogue composé en langue "vulgaire", l'italien, publié à Londres en 1584. Du coucher du soleil au lever du jour, cinq savants débattent avec Bruno de la science copernicienne. Celui-ci s'oppose aux professeurs d'Oxford, bons aristotéliciens, en leur expliquant la portée révolutionnaire de Copernic : la Terre n'est plus au centre de l'univers, et il existe même une infinité de mondes et d'univers. Comme toujours, Bruno, à l'image de Rabelais, mélange la farce et la pensée, le comique et la réflexion philosophique, le sérieux et le grotesque va leur donner l'une des oeuvres les plus importantes de la Renaissance. Yves Hersant, qui en avait proposé une traduction aux éditions de l'Eclat sous le titre Le Banquet des cendres, en donne donc ici la première version intégrale".Couverture insolé en bord sinon bon état‎

‎ Toutes les expéditions sont faites en suivi au-dessus de 25 euros. Expédition quotidienne pour les envois simples, suivis, recommandés ou Colissimo. ‎

‎La voiture de papa.‎

‎ Broché, 20X13 cm, 2008, 340 pages, éditions J.C. Lattès. Bon état.‎

‎Cortes del BARROCO : de Bernini y Vel zquez a Luca Giordano : Palacio Real de Madrid, Palacio Real de Aranjuez, 15 de octubre de 2003-11 de enero de 2004‎

‎, Les Punxes, 2003 Softcover, 395 paginas , Spanish, 290 x 240 x 30 mm, Nuevo !, ilustraciones de color y b/n ISBN 9788496008380.‎

‎ El Barroco representa el apogeo tanto de la pintura como de todas las dem s artes, tambi n conocido como el Siglo de Oro. La pintura barroca en Espa a se caracteriza por los bodegones o retratos, con un hermoso equipo de pintores. Su m ximo exponente fue el maestro Diego de Silva y Vel zquez, genio de la luz y la oscuridad y el mayor retratista del periodo barroco, considerado actualmente uno de los mejores pintores de su poca y de todos los tiempos.‎

‎LETTERA AUTOGRAFA FIRMATA.‎

‎ 1935. 1 p. (mm. 192x141), datata 16 ottobre 1935, indirizzata a Ferruccio, 9 righe. Caro Ferruccio, / Vengo or ora dalla seduta. / Fatto. / L'opera Sir Oluf del M.o Malatesta sar prossimamente eseguita all'Eiar. / Affettuosi saluti / Tuo / Umberto Giordano.Ben conservata.‎

‎Spécial Collector's Issue ! Conan the Barbarian. The Cimmerian's greatest adventures co-starring, Red Sonja, she-devils with a sword.‎

‎ Editions Marvel Comics Group / Marvel Treasury Spécial " Conan the Barbarian " 1977. In-4 broché, agrafé, de 80 pages au format 34 x 25,5 cm. Couvertures illustrées. Dos carré avec titre. Plats avec petits frottis et tassements aux coins. Intérieur frais, malgré un papier de piètre qualité. Contient 3 histoires, scénarisées par Roy Thomas. 1 : The song of Red Sonja illustrée en couleurs par Barry Smith - 2 : Night of Dark God illustrée en couleurs par Gil Kane et Neal Adams - 3 : Black Colossus illustrée en couleurs par John Buscema et Alfredo Alcala. En milieu de BD on trouve un portfolio consacré à Red Sonja avec illustrions en couleurs de dossier de Frank Thorne, Esteban Maroto et Dick Giordano. Au verso du 4ème plat, qui est un peu bruni, on trouve une carte de l'ère Hyborienne. Rarissime et mythique bande dessinée en bel état général. ‎

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‎ Site Internet : Http://librairie-victor-sevilla.fr.Vente exclusivement par correspondance. Le libraire ne reçoit, exceptionnellement que sur rendez-vous. Il est préférable de téléphoner avant tout déplacement.Forfait de port pour un livre 7 €, sauf si épaisseur supérieure à 3 cm ou valeur supérieure ou égale à 100 €, dans ce cas expédition obligatoire au tarif Colissimo en vigueur. A partir de 2 livres envoi en colissimo obligatoire. Port à la charge de l'acheteur pour le reste du monde.Les Chèques ne sont plus acceptés.Pour destinations extra-planétaire s'adresser à la NASA.Membre du Syndicat Lusitanien Amateurs MoruesLivres‎

‎Magazine Foom ( Friends of Old Marvel ) n° 14 : Spécial Conan.‎

‎ New York: Marvel Comics, Magazine Foom ( Friends of Old Marvel ) n° 14 de 1976. In-8 agrafé de 32 pages au format 27,5 x 21 cm. Couvertures illustrées en couleurs par John Buscema et John Severin. Numéro spécial entiérement consacré à Robert Erwin Howard, Conan, Red Sonja et Kull le roi Barbares, avec articles, interviews, bibliographies par Chris Claremont, Stan Lee, Archie Goodwin, Ralph Maccio, Roy Thomas, Skip Kirkland, Naomi Basner, Howard Zimmerman et Roger Stern, accompagnés d'illustrations en noir par John Buscema, Barry Windsor Smith - Dick Giordano, Frank Thorne, etc. Rarissime édition originale américaine, en très bel état général de fraicheur.‎

‎ Site Internet : Http://librairie-victor-sevilla.fr.Vente exclusivement par correspondance. Le libraire ne reçoit, exceptionnellement que sur rendez-vous. Il est préférable de téléphoner avant tout déplacement.Forfait de port pour un livre 7 €, sauf si épaisseur supérieure à 3 cm ou valeur supérieure ou égale à 100 €, dans ce cas expédition obligatoire au tarif Colissimo en vigueur. A partir de 2 livres envoi en colissimo obligatoire. Port à la charge de l'acheteur pour le reste du monde.Les Chèques ne sont plus acceptés.Pour destinations extra-planétaire s'adresser à la NASA.Membre du Syndicat Lusitanien Amateurs MoruesLivres‎

‎Carlo Carrà. L'Opera Grafica 1922-1964‎

‎Mussa, Itala, Cecilia Casorati and Giovanni Giordano: Carlo Carrà. L'Opera Grafica 1922-1964. Milan: Fabbri, 1987. 102 pages, illustrated in black and white. Paperback. 23 x 22cms. Text in Italian.‎

‎Text in Italian‎

‎FEDORA, DRAMMA IN 3 ATTI‎

‎Casa Musicale Sonzogno di Piero Ostali, Milano. 1977. In-18. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 75 pages.. . . . Classification Dewey : 450-Italien, roumain, rhéto-romain‎

‎Dramma di V. Sardou, Ridotto in 3 atti per la scena lirica da A. Colautti, Musica di Umberto Giordano. Classification Dewey : 450-Italien, roumain, rhéto-romain‎

‎LA CULTURE SOUS VERRE ET SOUS PLASTIQUE - UNE PHOTO PAR GESTE, PHOTOGESTES RUSTICA‎

‎DARGAUD EDITEUR. 1976. In-8. Relié. Etat d'usage, Coins frottés, Dos satisfaisant, Intérieur frais. 95 pages augmentées de nombreuses photographies en noir et blanc dans et hors texte dont le frontispice. . . . Classification Dewey : 631.5-Culture et récolte‎

‎PHOTOGRAPHIES DE MICHEL GIORDANO Classification Dewey : 631.5-Culture et récolte‎

‎La splendeur de Monreale.‎

‎Palerme Edizioni Poligraf 1986 1 vol. broché in-4, broché, couv. illustrée, 109 pp., nombreuses photos en noir et en couleurs, index, bibliographie. Très bon état.‎

‎Cause, principe et unité‎

‎Editions d'Aujourd'hui Dos carré collé 1982 In-12 (13,3 x 18,5 cm), dos carré collé, 218 pages ; légères pliures au dos, par ailleurs très bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.‎

‎Martine le destin ou la vie‎

‎Editions Grasset, Paris, 2011. In-8, broché sous couverture illustrée en couleurs, 170 pp. Introduction - 1. Martine Aubry aime-t-elle la politique? - 2. La fille de sa mère - 3. La sœur de son frère - 4. L'aubrysme existe-t-il? - 5. Martine Aubry a-t-elle un avenir? - Conclusion - Table des matières.‎

‎ --- Plus d'informations sur le site archivesdunord.com‎

‎Bruno et son bûcher - 17 février 2000 - Vannaire (21).‎

‎ S.l., s.n., 2000. In-8, [16]p sur papier jaune et sous couverture rouge. Plaquette tirée vraisemblablement à très peu d'exemplaires, le jour des 400 ans de la mort de Giordano Bruno. Bruno Duval, propriétaire du château de Vannaire, a voulu commémorer ce jour dans le parc détrempé de Vannaire. La plaquette est indiquée comme étant un « numéro exceptionnel du 17 du moi ». La couverture porte une étiquette « Catalogue ». Le texte est une interview de Duval par lui-même, des petites réflexions sur le sujet et un texte sur Bruno à travers les siècles qui se termine par « Je brûle donc je suie ». Curiosité. ‎

‎Congrès de psychiatrie et de neurologie de langue française - Rapport de neurologie Manifestation neurologiques et psychiatriques des parasitoses‎

‎ LXXXIVe session - Le Mans - 23-27 juin 1986 - Masson Editeur - in-8 broché - 265 pages‎

‎bon état ‎

‎Oeuvres complètes. 1. Documents. Le procès‎

‎ Les belles lettres Les belles lettres, 2000. Fort In-12 broché, couverture à rabats de CCXVII + 685 pages. Couverture insolé en bord sinon bon état‎

‎ Toutes les expéditions sont faites en suivi au-dessus de 25 euros. Expédition quotidienne pour les envois simples, suivis, recommandés ou Colissimo. ‎

‎Alain Delon : film par film‎

‎Gallimard (10/2019)‎

‎LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9782742459735‎