Gill, Eric: Art & Love. Bristol: Douglas Cleverdon, 1927. 26 pages with six etchings. Number 247 of 260 copies. Signed 'Eric Gill T.S.D.' in pencil on the colophon. Original black buckram, gilt-lettered spine, deckle edged. Printed by Robert Gibbings at the Golden Cockerel Press. Buckram. 20x12cms. Gill first published his reflection on art and Christianity in the journal, Blackfriars: A Monthly Review Edited by the English Dominicans in October 1924. An author's note in the present volume reveals that this reprint allowed for an expansion of Gill's theories which 'were formerly excluded in deference to puritan prejudice by editorial prudence.' He clarifies that these changes included the addition of section five, 'Clothes and Nakedness'. Long involved in the reintegration of craft (i.e. humanity) and industry, Gill's conversion to Catholicism in 1913 introduced a strictly spiritual approach to both his art and writings. In the present volume, Gill explored the act of creation as an act of love and worship. The volume includes six engravings which are exceptional examples of Gill's proficiency in the medium. Four engravings are explicitly religious, including a crucifixion and the inclusion of the hand of God.One print, For dignity and adornment, juxtaposes a 'pre-industrial' couple with a flapper and a tuxedoed man. The work accompanies Gill's criticism of contemporary fashion, 'The clothes of to-day clearly show that man has forgotten his dignity and he has forgotten his dignity because he has forgotten his Love.'.
Gill first published his reflection on art and Christianity in the journal, Blackfriars: A Monthly Review Edited by the English Dominicans in October 1924. An author's note in the present volume reveals that this reprint allowed for an expansion of Gill's theories which 'were formerly excluded in deference to puritan prejudice by editorial prudence.' He clarifies that these changes included the addition of section five, 'Clothes and Nakedness'. Long involved in the reintegration of craft (i.e. humanity) and industry, Gill's conversion to Catholicism in 1913 introduced a strictly spiritual approach to both his art and writings. In the present volume, Gill explored the act of creation as an act of love and worship. The volume includes six engravings which are exceptional examples of Gill's proficiency in the medium. Four engravings are explicitly religious, including a crucifixion and the inclusion of the hand of God.One print, For dignity and adornment, juxtaposes a 'pre-industrial' couple with a flapper and a tuxedoed man. The work accompanies Gill's criticism of contemporary fashion, 'The clothes of to-day clearly show that man has forgotten his dignity and he has forgotten his dignity because he has forgotten his Love.'
London The Folio Society 2007
Folio. 268, [3] pp. Numerous illustrations (some full-page). Bound in full goatskin by G. Lachenmaier with Fabriano Tiziano endpapers, all edges gilt. Fine copy. Cloth clamshell box. Facsimile Edition printed by Memminger Medien Centrum on Favini feltmarked laid paper. Limited to 2750 numbered copies. This being #2025. Beautiful copy, without flaws. Accompanying folio text in quarter cloth entitled: The Four Gospels Eric Gill And The Golden Cockerel Type [by John Dreyfus] Preceded By A Personal Reminiscence By Robert Gibbings Proprietor Of The Golden Cockerel Press 1924-1933. Folio. 27 pp. illustrations. 350 x 260 mm (13Ÿ x 10Œ inches).
Phone number : +32(0)496 80 81 92
2. Winchester, 1991, in-8°, xv + 368 pp, frontispiece, ill., publisher's cloth with d.w.. (A considerably enlarged work, one third larger than the 1953 original).
LEININGER MOLINIER GILL-ERIC Saint René Taillandier Francine
Reference : 100093832
(2026)
ISBN : 9782716316484
DAUPHIN 2026 503 pages 17x24x3cm. 2026. Broché. 503 pages.
French édition - Livre issu de déstockage JAMAIS LU présentant des marques de manipulation sur la couverture et/ou les pourtours mais demeurant en bon état d'ensemble.Expédition sous blister dans une enveloppe matelassée depuis la France
Wilkes Barre, PA: The Collins Press 1940 Couvertures en papier agrafé crème avec titres et décorations rouges (avec une gravure du Christ crucifié). Détails de l'éditeur au dos de la couverture. Chacune des stations est accompagnée d'un verset et d'une réponse, d'une description et d'une brève réflexion. Il n'y a pas d'imprimatur et la couverture indique que l'ouvrage ne doit être utilisé que pour la dévotion privée. Le livret est d'une propreté irréprochable, à l'intérieur comme à l'extérieur, et ne présente aucune marque significative. COPAC cite cet ouvrage comme une autre édition de Social Justice and the Stations of the Cross, et donne la date de publication comme étant 1940. 16 pages. 145 x 90 mm (5Ÿ x 3œ pouces).
Cream stapled paper covers with red titles and decoration (with an engraving of Christ Crucified). Publisher's details to the rear cover. Each of the stations has a verse and response, a description, and short thought. There is no imprimatur and the cover states that the work is only to be used for private devotion. The booklet is beautifully clean, inside and out, with no significant marks. COPAC cites this work as another edition of Social Justice and the Stations of the Cross, and gives the publication date as 1940. 16 pages. 145 x 90 mm (5Ÿ x 3œ inches). .
London Neville Spearman 1954
in-8 illustré, 4f. de texte et 24 planches. Cartonnage de l'éditeur, toile et jaquette illustrée. :: First edition. Carnet de dessins de 1926. :: Jaquette avec petites pertes, sinon bon état.
2. London, Her Majesty's Stationary Office, 1963, small in-4°, 94 pp, sewn, orig. stiff wrappers, 205 b/w ills.
Le livre de poche 2026 218 pages poche. 2026. broché. 218 pages.
Bon Etat-couv un peu usagée-petite inscription sur la 2ème page