x. Paris, Gallery Lavigne Bastille, 1991, small in-4°, 28 cp, 47 pp, some black/white and colour illustrations, sewn, orig. stiff wrapper. Text in English and French. (by e.g. Kirby Gookin). Joint catalogue by the four galleries mentionned in the title.
DENOËL .. 1982.. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 286 pages. 1ère de couverture illustrée en couleurs. Etiquette sur la 1ère de couverture.. . . . Classification Dewey : 810-Littérature américaine
Roman traduit de l'américain par Claude Saunier. Classification Dewey : 810-Littérature américaine
DENOEL. 1982. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 286 pages. . . . Classification Dewey : 810-Littérature américaine
Traduit par C Saunier Classification Dewey : 810-Littérature américaine
Denoël. 1982. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 286 pages.. . . . Classification Dewey : 810-Littérature américaine
Traduit de l'américain par Claude Saunier. Classification Dewey : 810-Littérature américaine
Docteur Burns Arnot Robert, Gaines Charles Latham
Reference : RO30313873
(1986)
ISBN : 2221047710
Robert Laffont / L'équipe. 1986. In-8. Relié. Bon état, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 305 pages augmentées de nombreuses illustrations noir et blanc en texte.. . . . Classification Dewey : 796.1-Sports divers
Traduit par le Docteur Bernard Ollivier et supervisé par Éric Mahmy. Classification Dewey : 796.1-Sports divers
Taylor, Henry, Zadie Smith, Sarah Lewis, Charles Gaines & Rachel Kaadzi Ghansah
Reference : 68781
New York & Milan, Rizzoli Electa, 2018 Cloth with Pastedown, 320 pages, 31.5 x 26 cm, richly illustrated, English text. *Very good condition. ISBN 9780847863105.
Henry Taylor's first comprehensive monograph, The Only Portrait I Ever Painted of My Momma Was Stolen, features over 200 works from 1992 onward. For three decades the iconic artist has worked his way through New York, Los Angeles, Europe, and Africa, documenting what he sees. In his circle are artists, musicians, writers, and performers, as well as friends from his ten years as a psychiatric technician. Taylor's topical range also encompasses notable figures and celebratory moments of African American cultural history as well as politically-charged and painful subjects such as police brutality and the prison industrial complex. Suites of Taylor's paintings, sculptures, and installations are reproduced alongside the artist's handwritten notes -- accounts of sittings, sketches, and Henryisms. Contributions by Charles Gaines, Rachel Kaadzi Ghansah, Sarah Lewis, and Zadie Smith touch on the nature of truth, racial terror, memory, and belonging in America. This definitive monograph celebrates Taylor's direct and revealing portraits, offering a tonic to a divisive cultural moment.