Hisao TAKI - Kenji KANEKO - Yoko YAMASAKI - Ryosuke MASUDA - Naoto MOCHIZUKI - Hideo FUKUI - [ ] Louis Fransen :
Reference : 47192
S.l. ( Japan ), Arrow Art Works , 2010, in-folio, 37 x 26,5 cm, 127 pp, publisher's cased binding with illustrated dust wrapper. Bi-lingual edition with texts in English and Japanese. Louis Fransen was a painter-designer of modern mural arts ( stained glass - ceramics) for public places who died in 2010. Louis Fransen (born in Hoogstraten in the province of Antwerp, Flanders, Belgium in 1929 - died in Odawara ) came to Japan in 1957 as a Roman Catholic Scheutist missionary and became the leading designer of large mural art works and stained glass in Japan, and director of the Modern Mural Arts Institute..
, Brepols - Harvey Miller, 2013 Hardback, IV 237 p., 65 b/w ill. 170 colour ill., 220 x 280 mm, Languages: English. ISBN 9781909400153.
The activities of Rogier van der Weyden (1399/1400-1464) were much wider in scope than the well-known painted oeuvre that has been the subject of so many publications. This book, with its focus on stone sculpture in Brussels at the time that Rogier was established there, an area of art history that to date has been little explored, offers a fresh and fascinating look at the context in which Brussels?s famous city painter operated. Bart Fransen leads you through a network of stoneworkers and craftsmen, from the stone quarry to the sculptor?s workshop, to discover a number of remarkable but unknown or misjudged sculptures now in churches, an abbey, a beguinage, a museum?s reserve collection and a castle chapel. With the various case studies in mind he goes on to examine Rogier van der Weyden?s direct involvement in sculptural projects, turning to the evidence revealed by archival documents, drawings and sculpture itself. The result is a highly readable and plentifully illustrated book that re-establishes the close relationship between the various art forms that existed in the fifteenth century. Bart Fransen holds a doctorate in Art History from the Catholic University of Leuven. He is currently head of the Centre for the Study of the Flemish Primitives, a specialized research unit and part of Belgium's Royal Institute for Cultural Heritage (KIK-IRPA) in Brussels.. Distinguished Contributions to the Study of the Arts in the Burgundian Netherlands (HMDC 2)
PHOTOS SUR DEMANDE
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, Brepols Publishers, 2006 hardcover, 458 pages ., 316 b/w ill. 195 colour ill., 210 x 297 mm, English. ISBN 9782503517438.
The fourth volume examines all the works attributed to masters with provisional names from the 1470s to the first half of the 16th century (Master of the Joseph Sequence, Master of the Magdalen Legend, Master of the Orsoy Altarpiece, Master of the Saint Barbara Legend, Master of the Saint Catherine Legend, Master of the Saint Lucy Legend, Master of the Saint Ursula Legend, Master of the View of Saint-Gudule, Master of 1473). It was towards 1900 that anonymous works were first grouped, on the basis of stylistic affinities, around certain paintings presenting particular characteristics. Each group is attributed to an anonymous master named after the painting (the eponymous work) which forms the basis for this group. These ensembles serve to give direction to the work of art historians, in the hope of identifying these anonymous painters at a later date. Some of these groups, to which new works have been added over past decades, appear fairly heterogeneous, and merit critical reexamination in the light of modern analysis methods. Like the three previous volumes, it is published in English and abundantly illustrated with colour photographs of the investigated paintings, detail photographs and comparative material. Each of the nineteen paintings has been submitted to exhaustive and detailed examination following a scientific research method which has been fully established over the years. This includes, on the one hand, examination of the supports and the original frames, dendrochronological analysis, infrared reflectography, stereomicroscopic observation, radiographic analysis, ultraviolet fluorescence imaging and, where possible, examination of paint samples and, on the other hand, historical, iconographic and stylistic analysis, dating, attribution and bibliography. Information is drawn from documents in the museum?s archives and supplemented with material held at the Royal Institute for the Study and Conservation of Belgium?s Artistic Heritage (IRPA/KIK) and the Centre for the Study of Fifteenth-Century Painting in the Southern Netherlands and the Principality of Liege. Each group of paintings attributed to a master with a provisional name is introduced with a short status quaestionis evoking the origins of the grouping and the principal publications relating to it. In their notices on the individual paintings, the authors have based their research on comparing them as closely as possible with the works around which each ensemble is grouped. Certain paintings in the Royal Museums of Fine Arts of Belgium are themselves eponymous works. In these cases the authors have made every effort to document these reference works as thoroughly as possible.
Pietermaritzburg, Anreith, 1981 Illustrated cardboard cover b/w, 205 x 185mm., 230pp., profound b/w illustration. ISBN 9780620052412.
South-African edition. With dedication. In good condition.
P.-I. Fransen, L. De Coninck, B. Coppieters 't Wallant, R. Demeulenaere (eds.);
Reference : 35837
Turnhout, Brepols, 2011 Hardback, XXXII+567 p., 155 x 245 mm. ISBN 9782503052052.
Apres le commentaire paulinien des 'Douze Peres', voici une nouvelle realisation de l'equipe autour de dom P.-I. Fransen, concernant cette fois le plus important des ouvrages exegetiques de Florus. Le volume de l'expositio ex operibus Augustini auquel les editeurs ont donne la priorite, le troisieme des quatre tomes prevus, couvre la section II Cor. - Phil., par laquelle debute ce qui subsiste du manuscrit original, Lyon, Bibliotheque municipale 484 (L). A partir de ce point on peut profiter directement des decouvertes de L. Holtz (Revue Benedictine, 2009) concernant la genese de l'expositio. En plus d'une analyse du manuscrit L, l'introduction de ce tome comprend une etude de l'orthographe de Florus basee sur la partie de L qu'il a copiee lui-meme et sur les annotations et corrections de sa main dans une quinzaine de codex. Parmi les quatre apparats au pied de chaque page de l'edition, signalons surtout celui qui fait etat des modifications apportees au texte des manuscrits-sources. Le volume se termine par un index des passages augustiniens dont la section II Cor. - Phil. est composee. Languages: Latin, French.
Aubert Marot Congar Dupront Botte Camelot Alivisatos Fransen De Vooght Gill
Reference : 100075213
(1960)
Chevetogne / Cerf 1960 in8. 1960. Broché.
Très Bon Etat de conservation sous papier de soie intérieur frais rousseurs très légères sur la tranche de tête
NOVA SCIENCE PUBLISHERS INC
LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9781626180543
Relié très bon état . Contenu propre . 1987. 154 pages. A la rencontre de la Bible, tome 3.
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Bruxelles, Académie royale de Belgique 1976 279pp., 28cm., brochure originale, bon état, T58878
Bruxelles, Académie royale de Belgique 1976 279pp., 29cm., exemplaire du médiéviste belge Raymond Macken avec sa signature et qqs.annotations (en crayon) de sa main, bon état, T75232
GLN-964, Ediciones Fax, Madrid 1966
Assez bon
1939 118 p., several graphs & tables, paperbound. Some annotations. Library stamps.
1986 119 p., 41 figs, paperbound. Ex library Dr. A.C. van Bruggen (with his stamp). With author’s dedication.
Gembloux, J.Duculot 1946 xxxii + 432pp., non coupé, dans la série "Universitas Catholica Lovaniensis Dissertationes ad gradum magistri in Facultate Theologica vel in Fac. Iuris Canonici..." series II Tomus 37, br.orig., 26cm., bel état, R27583
Bruxelles, Académie royale de Belgique 1977 ["publié sous la direction de L. Genicot et P. Tombeur"], 157pp., 28cm., br.orig., bel état, T75596
Turnhout, Brepols 1973-1985 55pp., + joint: 10pp. (mise à jour, 1985), 24cm., brochure originale, dans la série "Typologie des sources du moyen age occidental" fasc.10 (A-III.1*), bon état, R107175
ANTWERPEN - Stadsbestuur - EENBLADSDRUK - 12 Februari 1731 - Sr. Fransen - Uitbater van een Poeder molen tussen de Slijkpoort en de Roode Poort :
Reference : 53139
Antwerpen, ( Petrus Jouret, Stadts-drucker ...in de Gulde Tralie, onderste marge met drukkersnaam weggesneden ) , 1731, in plano, 26 x 16 cm ( marges afgesneden). Met houtgravure titel-vignet en houtgravure initiaal ( 50 x 50 mm), opgeplakt op eigentijdse papieren drager. Herkomst: 18e eeuwse collectie van de Antwerpse Jezuïeten. (Veiling Walter Couvreur). Onderwerp: Het is ten strengste verboden vuurwapens te hanteren in de nabijheid van de poedermolen van dhr. Fransen aan de Slijkpoort.
D'Olne, Pascale; DuBois, Anne; Fransen, Bart; Peters, Famke; Slachmuylders, Roel
Reference : 013295
(2006)
ISBN : 2503517439
2006 Brepols N.V. Soft cover
Langue: anglais. Les Primitifs flamands IV : Maîtres avec des noms provisoires : 4 (Catalogue de la peinture néerlandaise ancienne : Musées royaux des Beaux-Arts) couverture souple : 295 x 215 mm, 458 p, très bon état
D'Olne, Pascale; DuBois, Anne; Fransen, Bart; Peters, Famke; Slachmuylders, Roel
Reference : 013392
(2006)
ISBN : 2503517439
2006 Brepols N.V. Soft cover
Langue: anglais. Les Primitifs flamands IV : Maîtres avec des noms provisoires : 4 (Catalogue de la peinture néerlandaise ancienne : Musées royaux des Beaux-Arts) couverture souple : 295 x 215 mm, 458 p, très bon état [Cette description peut avoir été traduite par une IA.]
Turnhout, Brepols, 2006 Hardback, LXVII+316 p., 155 x 245 mm. ISBN 9782503049335.
C'est le deuxieme volume de la collection dite des Douze Peres. Dans ce volume les extraits des oeuvres d'Ambroise, choisis par Florus, n'occupent pas moins de 70 folios du manuscrit de la Grande Chartreuse, le seul temoin de ce florilege et alignent 411 pericopes. Cette importance n'avait pas echappe au copiste du manuscrit de Sainte Marie des Trois Fontaines qui recopiait l'oeuvre de Florus: il met en premier l'oeuvre d'Ambroise et relegue en fin de volume les oeuvres de Cyprien et de Hilaire (CCCM 193), n'hesitant pas a bouleverser l'ordre de la collection. Languages: Latin, French.
Turnhout, Brepols, 2007 Hardback, XCI+457 p., 155 x 245 mm. ISBN 9782503049359.
Ce troisieme volume acheve l'edition d'une oeuvre inedite de Florus de Lyon, son commentaire de saint Paul emprunte a douze Peres de l'Eglise. Alors que les deux premiers volumes ont ete consacres a des Peres bien connus, a savoir Cyprien, Hilaire et Ambroise, ce troisieme volume fait appel a des auteurs moins frequents tel Avite de Vienne, Fulgence de Ruspe, Ephrem latin, Pacien de Barcelone, Theophile d'Alexandrie et autres. Tel un panorama de l'epoque patristique, ce volume presente un echantillonnage qui n'est pas sans interet et qui revele un aspect inhabituel et attachant de la recherche medievale. Languages: Latin, French.
, Brepols - Harvey Miller, 1972 Hardcover. 56 p., incl. 5 p. updating, 156 x 234 mm, Languages: French, Fine copy. Including an index. ISBN 9782503360027.
, Brepols - Harvey Miller, 1985 Hardcover. 318 pages ., 160 x 240 mm, Languages: French, Fine copy. Including an index. ISBN 9782503360447.
P. LETHIELLEUX. VERS 1996. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 211 pages.. . . . Classification Dewey : 264-Le culte
Classification Dewey : 264-Le culte