20 books for « f fiorillo »Edit

‎Bel album de photographies sur l’Egypte, le Liban et la Palestine, comportant d’impressionnantes photographies de momies prises au moment de leur découverte (Ramses II, Setie Ier) ‎

‎ Circa 1870-1880. Album in plano (30,5 x 24,5cm) composé de 52 feuilles cartonnées. Pleine percaline noire d’époque, muette, tranches dorées. Rares rousseurs, quelques photos au contraste faible, une photo avec une légère déchirure en marge, sinon très bon état de conservation. L’album est composé de soixante photos, la plupart de grand format (24 x17 cm). ‎

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‎Une partie des photos sont signées dans les plaques : Fiorillo (Luigi Fiorillo, 1847-1898), photographe italien installé à Alexandrie.D’autres Garzòn (Rafael Garzòn), Bonfils (Félix Bonfils, 1831-1885), Hippolyte Arnoux, Frères Rubellin (photographes installés à Smyrne). 10 photos de l’Alhambra par Garzòn, 2 photos identifiées de Rubellin (tampons au verso). Vues du Caire, très belles photos de momies, photos du port de Beyrouth, de Port-Saïd, très belles photos des pyramides, photos animées ou posées de personnages de la rue, etc. Voici le détail de quelques photographies remarquables : _ Alexandrie, la place du Consuls, photographie animée, signée Fiorillo (Luigi Fiorillo, 1847-1898), photographe italien installé à Alexandrie.- un portrait en pied du souverain d’Egypte, anonyme - Belle vue du Caire, signée Bonfils (Félix Bonfils, 1831-1885),- Très belle vue du vieux Caire, signée Zangaki (les frères Zangaki)- Vue générale des tombeaux des Mameluks- Mosquée Hassan Pacha- Les bords du Nil, signée Fiorillo- La cours du musée Boulak, signée Fiorillo- Très Belle photographie en pied de la momie de Sethi Ier, fils de Ramsès I, 1881Découverte en 1881, et photographiée pour la première fois sous l’autorité de Maspero- Portrait en buste de la momie de RAMSES II, 1881Attribué à Félix Bonfils- Photographie de facies de momie anonyme, reproduite sur le site du Musée d’Orsay décrite comme, « Anonyme, momie, vers 1850, Epreuve sur papier albuminé à partir d’un négatif. », Cette photographie nous paraît plutôt contemporaine des deux précédentes c’est à dire circa 1880. - Deux photographies sur papier albuminé, « statue de bois » et « sarcophage ». - « Arles, musée Lapidaire frise de l’arc de triomphe » - «Le prince Rahotep et la dame Nefertiti », Anonyme - « Le Caire, la grande pyramide de Cheops ( sic) », Anonyme - « Pyramide de Cheops, les sphinx ensablés », Hippolyte Arnoux- Personnages disposés sur les pierres de la grande pyramide, signée Zangaki- « Port Saïd, groupe de baudets », Hippolyte Arnoux- scène de genre, femme voilée portant une potiche sur la tête, anonyme - scène de genre, les petits métiers de Caire, anonyme - Belle «Vue de port Saïd », Hippolyte Arnoux, circa 1880- « Jaffa, vue générale prise de la mer. Palestine », signée Bonfils- « Vue de la ville de Haïfa, Palestine » , signée Bonfils- « Vue générale de Beyrouth, et du Mt Liban, Syrie » , signée Bonfils- 3 vues anonymes de Beyrouth et du mont Liban, timbre humide sur l’une d’entre elles, de l’établissement « Rubellin, Photographie parisienne à Smyrne »- vue d’un pont avec Chameaux, timbre humide « photographie parisienne », anonyme - Vue d’un cimetière avec des cèdres en arrière plan, signature estampée illisible - Vue du Port de Galata, Constantinople, 1876, Christopher Oscanyan- Autre vue de Constantinople - Vue de l’entrée d’une Mosquée (Sebah ?) - Vue de la grande mosquée de Constantinople, anonyme, - 8 photographies probablement du Liban - Lyra ( ?) Grèce, Signé Bonfils - 10 photographies Grenade, Alhambra, vues de villes et bâtiments, signé Garzon, ‎

‎Hokuei. Masterworks of Osaka Actor Prints ‎

‎, ludion, 2024 Hardcover, 290 x 235 mm, 288 pages, 150 iColor illustrations , ENG edition. ISBN 9789464781151.‎

‎The ultimate publication on Hokuei, the master of Osaka ukiyo-e printmakers and one of the most intriguing artists ever in kabuki-actor prints. Hokuei: Masterpieces of Japanese Actor Prints profiles one of the most intriguing artists ever in kabuki-actor design: Shunbaisai Hokuei (active 1828-1836). A culminating figure in Osaka printmaking, Hokuei produced more masterworks than any other artist of his day. The prints, all shown in color, are largely drawn from the most extensive collection of Hokuei's works to be found anywhere. The book presents two chapters on the artist's life and work, situating his oeuvre within the demimonde of pleasure and entertainment known as the Floating World (Ukiyo). An early chapter discusses the production of Japanese prints and leads into a central section highlighting fifty-six meticulously researched masterworks in remarkable condition. The world of kabuki comes alive in fascinating detail, while assessments of design and technical attributes bring into focus the achievements of Hokuei and printmaking artisans of his age. Of particular importance for scholars and collectors, there is a fully illustrated and annotated catalogue raisonn of 270 prints-the artist's entire known print oeuvre-including designs not to be found anywhere else. As an added bonus, all Japanese inscriptions are translated into English. Well-illustrated appendices cover essential tabulations of Hokuei's prints and their formats, his students, his artist signatures and seals, publishers, carvers, printers, theaters, a glossary, an index, and a bibliography. All-told, the range of comprehensive information featured in this publication make it a singular reference not only for admirers of Hokuei, but also for those interested in the world of actors on stage. - This is the first book about Hokuei - one of the most intriguing artists ever in kabuki-actor prints. Lavishly illustrated with over 150 prints, it brings the world of kabuki alive in fascinating detail. The book includes a fully illustrated and annotated catalogue raisonn of 270 prints (the artist's entire known print oeuvre). John Fiorillo is an independent researcher and writer on traditional and modern Japanese prints, with a particular interest in Kamigata-e ("Osaka prints") and Sosaku Hanga ("Creative prints"). Over time, he came to especially love and admire the actor prints produced in Osaka, a genre often overlooked by collectors and scholars. Mr. Fiorillo has regularly published in the art journal Andon (Society for Japanese Art, Leiden), contributed to the Hotei Encyclopedia of Japanese Woodblock Prints (2005), and designed and written extensive articles for the websites "ViewingJapanesePrints.net " (since 1999) and "OsakaPrints.com " (since 2005). Mr. Fiorillo also serves as a member of the Andon editorial board.‎

‎Hokuei. Masterworks of Osaka Actor Prints ‎

‎Gent, ludion, 2024 Hardcover, 288 pages, 29 x 23.5 cm, 150 illustrations.‎

‎The ultimate publication on Hokuei, the master of Osaka ukiyo-e printmakers and one of the most intriguing artists ever in kabuki-actor prints. Hokuei: Masterpieces of Japanese Actor Prints profiles one of the most intriguing artists ever in kabuki-actor design: Shunbaisai Hokuei (active 1828-1836). A culminating figure in Osaka printmaking, Hokuei produced more masterworks than any other artist of his day. The prints, all shown in color, are largely drawn from the most extensive collection of Hokuei's works to be found anywhere. The book presents two chapters on the artist's life and work, situating his oeuvre within the demimonde of pleasure and entertainment known as the Floating World (Ukiyo). An early chapter discusses the production of Japanese prints and leads into a central section highlighting fifty-six meticulously researched masterworks in remarkable condition. The world of kabuki comes alive in fascinating detail, while assessments of design and technical attributes bring into focus the achievements of Hokuei and printmaking artisans of his age. Of particular importance for scholars and collectors, there is a fully illustrated and annotated catalogue raisonn of 270 prints-the artist's entire known print oeuvre-including designs not to be found anywhere else. As an added bonus, all Japanese inscriptions are translated into English. Well-illustrated appendices cover essential tabulations of Hokuei's prints and their formats, his students, his artist signatures and seals, publishers, carvers, printers, theaters, a glossary, an index, and a bibliography. All-told, the range of comprehensive information featured in this publication make it a singular reference not only for admirers of Hokuei, but also for those interested in the world of actors on stage. - This is the first book about Hokuei - one of the most intriguing artists ever in kabuki-actor prints. Lavishly illustrated with over 150 prints, it brings the world of kabuki alive in fascinating detail. The book includes a fully illustrated and annotated catalogue raisonn of 270 prints (the artist's entire known print oeuvre). John Fiorillo is an independent researcher and writer on traditional and modern Japanese prints, with a particular interest in Kamigata-e ("Osaka prints") and Sosaku Hanga ("Creative prints"). Over time, he came to especially love and admire the actor prints produced in Osaka, a genre often overlooked by collectors and scholars. Mr. Fiorillo has regularly published in the art journal Andon (Society for Japanese Art, Leiden), contributed to the Hotei Encyclopedia of Japanese Woodblock Prints (2005), and designed and written extensive articles for the websites "ViewingJapanesePrints.net " (since 1999) and "OsakaPrints.com " (since 2005). Mr. Fiorillo also serves as a member of the Andon editorial board. ‎

‎Album Photo Egypte fin XIX e 1882 contenant environ 40 photographies albuminée prise vers 1882, dont la plupart prises vers 1882 à Alexandrie en grands formats 27 X 20 cm, une dizaine format 15 X 10 cm et quelques photographies diverse de Barcelonne, et une photographe intéressante du Mont saint Michel avec des pêcheurs à pieds=‎

‎Album 27 X 20 cm relié sous reliure percaline premier plat décoré d'un chromos L'album est en état moyen, reliure à reprendre, des traces d'humidité sur quelques pages et photos, quelques cartons flottant, une série de chomos sur l'Espagne et la corrida en fin d'album et une série de cartons vierges de photographies. les photographies de grand format sont exceptionnelles même si un peu défraichies, et date apparamment de l'occupation militaire Anglaise de 1882 ou juste après dans la période 1882-1890. Album nécessitant une restauration Photographies pour la plupart de Luigi Fiorillo, photographe Italien originaire de Naples (1847-1898) de Hippolyte Arnoux de Port Said et de Bonfils‎

‎Très RARE album, mais restauration à prévoir !!!!‎

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‎[Égypte]. Album de 102 photographies de monuments et de paysages d'Egypte, tirages d'époque sur papier albuminé montés sur carton.‎

‎, , Ca 1870-1890. Album grand in-folio oblong, demi-chagrin à coins (reliure de l'époque). ‎

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‎Par Abdullah Frères, A. Beato, P. Sébah, Luigi Fiorillo, la plupart signées, légendées voir numérotées dans l'image.Les frères Abdullah d'origine arménienne furent célèbres dans tout l'Empire ottoman et jusqu'en Europe où ils participèrent aux expositions universelles de 1867 et 1878. Antonio Beato (1833-1907), d'origine italienne et britannique, est un des premiers photographes à réaliser des vues panoramiques de l'architecture et des paysages méditerranéens Pascal Sébah (1823-1886) est un photographe français qui a travaillé dans l'Empire ottoman, en particulier à Istanbul et au Caire. On joint 3 photographies signées Henri Béchard. ‎

‎Album containing 146 albumen prints of Egypt from the 1870ies. - [MAGNIFICENT ALBUM WITH EARLY PHOTOGRAPS OF EGYPT INCLUDING SOME OF THE VERY EARLIEST OF THE SUEZ CANAL ]‎

‎Egypt, ca. 1870ies. Folio-oblong (365 x 280 mm). 146 albumen prints mounted verso and recto on 73 ff. Bound in contemporary half cloth. With traces of paper-label to inner margin of front board. Label of the stationery shop ""Maison Martinet, Albert Hautecoeur, bd des Capucines, 12, Paris"" pasted on to upper outer corner of pasted down front end-paper. Paper creased and some leaves symetrically perforated, not affecting photos. Two photos with tears and a few photos partly detached from paper. Some photos are slightly discoloured and toned but are in general in good condition.‎

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‎Extraordinary collection containing 146 albumen prints depicting landscapes and animated scenes of Egypt including some of the very earliest photographs of the newly opened Suez Canal. The photographs also document a period in Egyptian history, where the country began to gain independence and autonomy from Ottoman rule" Constantinople had granted Egypt the status of an autonomous vassal state or Khedivate in 1867, and completion of the Suez Canal gave Britain a faster route to India which in turn made Egypt increasingly reliant on Britain for both military and economic aid. Most photos are signed by the greatest local photographers of the time: the Zangaki brothers, Bonfils, Arnoux, Beato, Fiorillo, Béchard and Sébah. Active in the second half of the 19th century, these photographers of diverse origins such as French, Italian, British, Ottoman and Greek all established a studio or a branch in Egypt, in Alexandria, Port Said and Cairo. The Suez Canal was one of the most ambitious engineering projects of the 19th century. It was designed to create a waterway between the Mediterranean Sea and the Red Sea, linking Europe and Asia and providing a faster and more efficient route for shipping goods between the two continents. Construction of the canal began in 1859 and took over ten years to complete. Hippolyte Arnoux is best known for his remarkable photographs of the Suez Canal in Egypt. Arnoux's photographs of the Suez Canal were groundbreaking in their time and remain an important documentation of the construction of one of the world's most significant engineering endeavors. He was hired by the French government to document the construction of the canal, and he spent several years in Egypt taking photographs of it. He used a large-format camera, which allowed him to capture incredible detail and clarity in his images. Arnoux's photographs of the Suez Canal were not only important documents of the construction of the canal, but they also played an important role in the popular imagination of the time. They helped to promote the idea of progress and modernity, as well as the importance of colonialism and European expansion in the world. Zangaki's portrait photography also received much acclaim. His portraits were known for their ability to capture the essence of his subjects, conveying their personality, character, and emotions, and his portraiture work also demonstrated his mastery of lighting, composition, and posing.Zangaki's landscape photography is another notable aspect of his work. He and his brother captured breathtaking images of Egypt's natural landscapes, such as the Nile River, the desert, and the countryside. Their images were notable for their use of contrast, shadows, and light, creating a unique atmosphere that evoked the beauty and mystery of Egypt's landscapes. Their work contributed significantly to the early days of Egyptology, as it allowed European scholars and archaeologists that were not in a position to travel to examine the monuments and artifacts. The present collection forms a fine testament to one the most interesting periods in modern Egyptian history and to the cradle of Egyptian photography.‎

‎Six Quatuors concertants a deux Violons Alto et Basse : dédiés a Son Altesse Royale Monseigneur le Prince de Prusse. . Oeuvre Ire, revue et corigé par l'auteur.‎

‎ 1792 A Paris : Chez le Sr Sieber, [ca 1792],in folio broché,tiré d'un recueil factice,Titre,13, [1] p., partition entièrement gravés sur cuivre,bon état ; musique g.s.c ; 2° (31,2 cm),Partie viola uniquement.‎

‎Date d'apres Devries-Lesure I 144 (adresse correspondant aux dates 1782-1792)- Pas de cotage du cuivre Remise de 20% pour toutes commandes égales ou supérieures à 100 €‎

‎36 ETUDES OU CAPRICES POUR VIOLON PAR FIORILLO‎

‎LITOLFF. NON DATE. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 40 pages de partitions - clé de sol Tampon.. . . . Classification Dewey : 780.26-Partitions‎

‎N°506 Classification Dewey : 780.26-Partitions‎

‎36 etuden für violine solo. (Hermann.) N° 283. 36 Etuden oder Capricen.‎

‎Couverture souple. Partition. Broché. 44 pages. Couverture tâchée. Papier légèrement bruni.‎

‎Livre en allemand. Editions Peters. Leipzig, Vers 1950.‎

‎Six Duos pour deux violons composés par F. Fiorillo. Oeuvre Vm. Prix 7,10 (price in handwriting).‎

‎".: (Paris) , chez le Sr. Sieber Musicien rue St. honore entre celle des Vielle Etuve et celle D'orleans chez l'Apothicaire N°85 (the words ''chez l'Apothicaire'' are deleted), s.d. (ca. 1788), in-folio, 31,5 x 24,5 cm, the two parts ; violino primo , title + 14 pp of engraved music ; violino secondo , title + 14 pp of engraved music. Plate number 157. Each part sewn and without a wrapper ( removed from a convolute). With the contemporary ex-libris in handwriting of Philippe Tillier . See Fétis, Biographie Universelle des Musiciens , Vol. III pp. 257-258. See Lesure, Musique imprimée avant 1800 dans les Bibliothèques publiques de Paris pp. 205. (N° de la BN A.33966)."‎

‎Thirty two pièces in three books selected from the celebrated opera of Il Flauto Magico or Die Zauberflöte composed by Mozart , adapted for the piano forte or harp with an accompaniment for the flute by F. Fiorillo. Set 3.‎

‎.: 2. London, printed & sold by Mess.rs Birchall & C°., [...] s.d. ( ca. 1830), format 34 x 24, 2 cm . Engraved title + 11 leaves with engraved music, pp 2 , 3 and last blank (as issued) . No plate number , but at the foot of each plate '' Il Flauto Magico 3rd set''.. Price 8s. Pagination 44->65. Disbound, removed from a binding, minor damage to inner margin, one small tear in pp. 53/54.‎

‎Album with 96 original photographs of Egypt. Period 1875 - 1895. In fine condition.‎

‎".: Album with 96 original photographs, album size 26 x 34 cm, 6 cm thick. Consists of 48 board-like leaves with 96 tipped on original photographs ( tipped on recto & verso on the leaves). Photo size is 220 x 280 mm ( allmost all are landscape format ). The album is in very good condition as are the photographs; only 2 or 3 are slightly faded, 3 showing a tear which was there before they were tipped on to the leaf. 2 of the album leaves have come loose. The album has a half leather back, the leaves are kept together with two steel pins. The photographs can be dated between 1875 and 1895. Most of them are albumine prints, 7 are salt prints. A complete description with the titles ( captions ) can be had upon email request. Here follows the list of photographers with number of items. Abdoullah Frères - 5 pict. / H. Arnoux - 6 pict. / Beato - 5 pict. / Bonfils - 17 pict. / Fiorillo - 6 pict. / Lekegian - 3 pict. / Sébah - 15 pict. / Zangaki - 1 pict. / Zangorski - 16 pict. / The photographers of 22 pictures remain unidentified. The album offers a great variety of sujects, but all on Egypt. There are 24 views of temples and another 8 views of Karnak. 6 town views of Alexandria , 9 of Cairo , 7 of Suez and the canal , 15 views of the Nile and surroundings, 5 mosques , 4 of the Arab Museum , 4 of persons. Very well preserved and interesting 19th c. collection of views in Egypt. Total price is based on 45 Euro per pictures ( album sells as one item - no separate pictures can be had ). A complete description with the titles ( captions ) can be had upon email request.."‎

‎Geschichte der zeichnenden Künste in Deutschland und den vereinigten Niederlanden. 4 Bde.‎

‎Hannover, Brüdern Hahn, 1815-20. Bound in 4 nice contemp. hcalf, richly gilt spines, title-and tomelabels with gilt lettering. From the private library of the Danish King Frederik VII of Denmark. Clean and fine.‎

‎36 CAPRICES POUR VIOLON SOLO.‎

‎A. DURAND & FILS. NON DATE. In-4. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 44 pages de partitions. Pages désolidarisées. Tampon sur la page de titre. Plats absents.. . . . Classification Dewey : 780.26-Partitions‎

‎ Classification Dewey : 780.26-Partitions‎

‎36 ETUDES - POUR VIOLON.‎

‎SALABERT. NON DATE. In-4. En feuillets. Etat d'usage, Livré sans Couverture, Dos abîmé, Quelques rousseurs. 63 pages de partitions. Reévision et annotations par Lucien Capet. Plats absents.. . . . Classification Dewey : 780.26-Partitions‎

‎M.S. & CIE.5005. Classification Dewey : 780.26-Partitions‎

‎36 CAPRICES‎

‎A. Durand & fils. XXème. In-4. Broché. Bon état, Tâchée, Dos satisfaisant, Quelques rousseurs. 44 pages. Quelques écritures au crayon.. . . . Classification Dewey : 780.26-Partitions‎

‎D. & F. 9402. Révision de A. Geloso. Partitions pour piano. Classification Dewey : 780.26-Partitions‎

‎36 ETUDES OU CAPRICES‎

‎Enoch & cie. XXème. In-4. Broché. Etat d'usage, Tâchée, Dos abîmé, Quelques rousseurs. 40 pages. Ornements en couverture et en page titre. Couverture en partie collée à la page titre. Bande adhésive collée sur le dos. Quelques écritures au crayon.. . . . Classification Dewey : 780.26-Partitions‎

‎Collection Litolff n°506. Partitions pour violon. Classification Dewey : 780.26-Partitions‎

‎36 ETUDES OU CAPRICES POUR VIOLON‎

‎Enoch, Pères et Fils. sans date. In-4. En feuillets. Bon état, Couv. légèrement passée, Dos satisfaisant, Papier jauni. 40 pages. Illustré d'une gravure noire et blanche en couverture. Marques de tampon. Quelques mouillures et rousseurs. Petites perforations.. . . . Classification Dewey : 780.26-Partitions‎

‎3289. Collection Litolff. Partitions pour violon. Classification Dewey : 780.26-Partitions‎

‎ETUDES POUR LE VIOLON FORMANT TRENTE-SIX CAPRICES‎

‎E. Troupenas et Cie. début XXème. In-4. Broché. Bon état, Couv. légèrement passée, Dos satisfaisant, Quelques rousseurs. 32 pages. Quelques petits bouts de papier adhésif à divers endroits.. . . . Classification Dewey : 780.26-Partitions‎

‎Op : 3. Partitions pour violon. Classification Dewey : 780.26-Partitions‎

‎Etude pour le violon formant trente six caprices‎

‎Nederman 1810 Grand format Reliure cartonnée Bon état général -Partition restaurée Mouillures sur certaines pages Intérieur bruni ‎