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Italian Drawings from the Sixteenth Century,2 VOL
Turnhout, Brepols, 2008 Hardback, XXXIV 628 p., 572 b/w ill. 17 colour ill., 220 x 280 mm. 2 VOLUMES FINE COPY ISBN 9781905375103.
Paintings, sculpture, and classical antiquities are the most valuable resources of any museum, and are the first objects to be published in each museum''s own collection catalogue or online inventory. Collection catalogues, however, have customarily included only a small sample of the riches to be found in Midwestern collections of master drawings. This volume of sixteenth-century drawings has been largely the work of Burton L. Dunbar (University of Missouri-Kansas City), director of the project and a specialist in the arts of northern Europe, and Edward J. Olszewski (Case Western Reserve University), co-editor for the series, a well-known authority on drawings of the Italian Renaissance. This volume covers the sixteenth century, including artists born as a rule between 1480 and 1580, with the exception of Giovanni Baglione (ca. 1573-1644) and the Carracci. This study represents a gathering of drawings from forty institutions between Ohio and Oklahoma based on a census of seventy-five museums and art centers. Jacob Burckhardt?s contention that the Renaissance was, in many respects, an age of paganism is readily belied here by the 471 Italian drawings, the great majority of which are religious subjects. Antiquity provided a veneer beneath which sixteenth century artists could cloak their Christianity to make it seem fresh, reminding believers of the origins of their faith, and reviving the purity of Christian doctrine in its early years. It is no surprise, then, to find numerous drawings of antiquities, and mythologies among the many subjects. A corpus this large can be representative in many ways, offering a cross-section of media, subjects, drawing types, and collectors. Of the 471 Italian drawings scattered across Midwestern America, here we reassemble many that were at one time in one or more prominent collections. Every drawing was examined for the following information: Artist, place of birth and death with dates, biography, title of drawing, date of drawing, dimensions in mm (and in inches), media, institutional credit line, accession number, technical condition, inscriptions, collectors? marks, watermark, provenance, exhibitions, bibliography, comments. New book.
Polish art and architecture 1890-1980. An outline, History of Polish 20th century art and architecture
Warsaw, Interpress 1989 184pp.+ 282 illustrations out-of-text, hardcover (editor's cloth), illustrated dustwrapper, 28cm., very good, S80149
Sixteenth-Century Northern European Drawings,
Turnhout, Brepols, 2012 Hardback, approx. 280 p., 150 b/w ill. + 16 colour ill., 220 x 280 mm. ISBN 9781905375110.
This volume catalogues 137 drawings by nearly one hundred artists active in the Netherlands, Germany, France, Switzerland, and Spain from the very end of the fifteenth century through 1600. Compiled by a team of twenty-two scholars, the book fully documents each of the drawings from twenty-four museums, outside of Chicago, with detailed scholarly entries and photographs of every work. Taken as a group, the drawings in this book present some of the most able draughtsmen of the period active north of the Alps. A sampling of the artists include Albrecht Durer and his contemporaries in Germany, Albrecht Altdorfer, Hans Beham, and Georg Pencz; in the Lowlands, Jan Wellens de Cock, Maerten van Heemskerck, Hendrick Goltzius, and Maerten de Vos; and from other countries, members of the Dumonstier family in France and the Swiss artists Tobias Stimmer and David Lindtmayer. The volume also presents over forty drawings which are published here for the first time with attributions to such artists as Christopher Amberger, Wouter Pietersz. Crabeth, Virgil Solis, and Otto van Veen, among others. In sum, the compilation of 73 Netherlandish drawings, 42 German works, and 22 sheets from other countries presents an important cross-section of the brilliant evolution of the drawing medium during the century. It is during this period that drawings become truly of age, for both artists who view their creations as works in themselves (as well as models for paintings and prints) and now their public, who become fascinated with the collecting of drawings as glimpses into the most personal and immediate artistic thoughts of the skillful artists who made them. Languages : English.
