, Uitgeverij Waanders, 2024 Gebonden, Hardcover, 160 pages, 26x21 cm English. ISBN 9789462625860.
How to depict sin, human wickedness and folly? In what is now known as the long sixteenth century, religious and political tensions, and even the weather - this was the low point of the Little Ice Age - prompted a flood of images featuring the seven deadly sins in the Netherlands and the surrounding region. In this publication, four accessibly written essays examine different aspects of the pictorial tradition of the seven deadly sins, with Pieter Bruegel the Elder's renowned series of prints of the same name as the main focus. A fifth, literary essay describes among other things the fevered visions - strewn with representations of the seven deadly sins - of one of the victims of a series of murders that really did happen in the sixteenth century
, WAANDERS - Bonnefanten museum, Maastricht, 2025 Hardback, Dimensions 260 x 210 mm, 100 Illustrations col.ill., 160 Pages, Language English ed. *new. ISBN 9789462625860.
How to depict sin, human wickedness and folly? In what is now known as the long sixteenth century, religious and political tensions, and even the weather - this was the low point of the Little Ice Age - prompted a flood of images featuring the seven deadly sins in the Netherlands and the surrounding region. In this publication, four accessibly written essays examine different aspects of the pictorial tradition of the seven deadly sins.
, Waanders Uitgevers, 2021 HB, 260 x 210 mm, ENG. edition, 192 pages, 175 illustrations in colour / b/w., in Perfect condition. ISBN 9789462623163.
The turbulence of the sixteenth century wrought major changes in Netherlandish society, but also left clear traces in the art of the region. The destruction of religious images, the Spanish occupation and the Dutch Revolt are all occasionally reflected in it. Why do the Roman legionaries in Brueghel's Procession to Calvary wear Spanish helmets? And what is that conspicuous Habsburg crest doing on their flag? Surely the double-headed eagle represents the much-resented foreign oppressor? And what about those crescent moons and drooping moustaches in Brueghel's Conversion of St Paul? They must surely mean something. Were the artists of the Netherlandish Renaissance covert resistance heroes? Or simply pragmatists keen to satisfy their clients? We track the evidence from the luxurious Books of Hours of the Middle Ages, through the many works of Pieter Brueghel II ('the Younger') to the great artists of seventeenth-century Flemish Baroque.
Leuven, 2011 93pp., 30cm., gebroch., onuitgegeven masterproef aan de Katholieke Universiteit Leuven, met luttele antekeningen, verder in goede staat, K114069
Ace books.. 1962.. In-12. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Quelques rousseurs. 159 pages. 1ère et 4 ème de couverture illustrées en couleurs.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
Texte en anglais. Classification Dewey : 420-Langue anglaise. Anglo-saxon
Rouen, Imprimerie Lecref Fils, 1920. Un volume in-8°, broché.
[18126]
REVUE. Valentine Dubois, René Bizet, Jacques Dorien, François Sorbiers, Xavier Privas, André Leroy, Me Gaboriau, Ritta Morphy...
Reference : 19903
Le goût parisien, boulevards et faubourgs ; conseils aux midinettes, aux ménagères, aux mères de famille ; modes, santé, cuisine, directrice : Germaine Louis-Besse, N° 1, première année, 16-31 décembre 1911. Un fascicule in-4°, en feuilles.
Tout premier numéro. Bon exemplaire. [19903]