Write to the booksellers18 books for « diels a »Edit
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English (1)
French (17)
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20th (5)
21st (1)
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Belgium (15)
France (3)
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CLAM (1)
ILAB (1)
Frans Francken and his milieu Old paths, new roads
, ASP - Academic and Scientific Publishers, 2020 Paperback, 260 pages with illustrations, English/ D/ NL / FR ISBN 9789057187469.
In May 2014 the Rubenianum in Antwerp hosted the conference Frans Francken and his Milieu, Old Paths, New Roads, on the initiative of dr. Ann Diels (Vrije Universiteit Brussel) and dr. Natasja Peeters (War Heritage Institute Brussels). Both researchers wanted to draw more attention to research into art in the Southern Netherlands during the late sixteenth century. Dedicating the symposium to one of the most productive history and portrait painters of that period, Frans Francken, opened the door to a range of research tracks. This conference collection includes thirteen essays by national and international specialists in sixteenth-century art of the Netherlands. The essays focus on various aspects of the work and life of the Antwerp history painter Frans Francken the Elder, the Francken dynasty, and his milieu. An artist?s work and life knows many facets, and data have to be culled from many sources. By providing a mosaic of research methods and tracks, the essays makes an attempt to visualize the complexity and richness of the research field. This small selection from the realm of possibilities mainly wants to encourage further research. The book contains, among other writings, an art-historical overview of the study of late sixteenth-century art in the Southern Netherlands by Hans Vlieghe, a historiography and state of current research by the editors, a case study on the late sixteenth-century ?gothic revival? by Didier Martens, the restauration report of Frans Francken?s famous "Schoolmasters? and Soapboilers? altarpiece" in Antwerp Cathedral by David Lain , an in-depth building history reconstruction of Francken?s house by Petra Maclot and an analysis of his books based on his post-mortem inventory by Ria Fabri, a dendrochronological riddle of the Road to Calvary in Dresden by Ursula H rting, and a study of the sensory aspect in history paintings by Ralph Dekoninck.
T. Lucreti Cari De Rerum Natura
BERLIN 1923 Weidmannsche Buchhandlung Full-Leather
T. Lucreti Cari De Rerum Natura. Lateinisch und Deutsch von Hermann Diels. 2 Volumes.
(CLAM, )
Phone number : +32(0)496 80 81 92
DRONKEN SCHIP.
Antwerpen, De Loze Vink, 1988 Originele papieren uitgeversomslag met flappen, met een nawoord door Ludo Simons, 15x25.5 cm., 80 pp.
Franse poezie van Baudelaire tot Valery.
Shadow of Rubens : Print Publishing in 17th-Century Antwerp.
Turnhout, Brepols, Hardback, original editor's jacket, english, VIII+271 pp., 279 b/w ill., 225 x 305 mm. ISBN 9781905375509.
The Print Collection of the Royal Library of Belgium (HMPCRLB 2). This book presents resents both an overview of the print production in the 17th century Southern Low Countries and a focused approach to the work of three collaborators of Rubens. Apart from their work as painters, these artists quickly penetrated the world of prints and each dominated a specific market segment. Abraham Van Diepenbeeck was a prolific designer of individual prints and print series. Erasmus Quelinus II often drew models for book-illustrations. Cornelis Schut ran an important workshop which produced many beautiful etchings. The book explores how these artists positioned themselves in an artistic field, operating in a highly competitive field that presented both threats and new opportunities. Their oeuvre is firmly set in a European context, spanning local, regional and international markets. An analysis is made of the relation between prints as reproductions of paintings and prints as autonomous inventions. The book argues that the importance of prints as autonomous creations has been underestimated for the 17th century. The book studies the connections between the three artists and some forty professional engravers who were active in 17th-century Antwerp. Many biographical data on these engravers are presented, and more than 100 prints are published for the first time.
In Monte Artium. Journal of the Royal Library of Belgium, 3, 2010 Du trait de plume au coup de pinceau: gravures d'invention et de reproduction en Europe au XVIIe siecle. Journee d'etude, Bruxelles, Bibliotheque royale de Belgique, 27 novembre 2009.,
Turnhout, Brepols, 2011 Paperback, 213 p., 200 x 280 mm. ISBN 9782503533285.
Severine Lepape, Les editeurs de la rue Montorgueil et les gravures flamandes : la production des Mathoniere Vanessa Selbach, L'activite de l'editeur d'estampes parisien Jean Messager (vers 1570/75?-1649) : l'affirmation de la gravure fancaise du premier quart du XVIIe siecle, au carrefour des influences flamandes et italiennes Lena Widerkehr, La fortune de Hendrick Goltzius dans la dynastie des graveurs Matham, Jacob, le pere, et ses deux fils : assimilation du modele et adaptation au gout dans la premiere moitie du XVIIe siecle Frederic Jimeno Sole, La rivalite commerciale entre les editeurs d'estampes francais et flamands en Espagne : le temoignage de Jusepe Martinez (1669-1677) Karen Bowen en Dirk Imhof, Exchanges between friends and relatives, artists and their patron: the Correspondence between Cornelis Galle I and II and Balthasar Moretus I Ad Stijnman, Experiment and trial: Technical developments in 17th-century intaglio printmaking, an overview Ann Diels, The Siren Song of the Graphic Arts : The Involvement of 17th Century Antwerp History Painters with Printmaking Alain Jacobs, Johann-Baptist Berterham. Un graveur prolifique au service de l'edition bruxelloise autour de 1700. Premier essai de catalogue. Languages : English, French.
Shadow of Rubens: Print Publishing in 17th-century Antwerp
, Brepols - Harvey Miller, 2009 Hardcover with dusjacket. VIII+271 p., 279 b/w ill., 225 x 305 mm, Languages: English. ISBN 9781905375509.
This book presents both an overview of the print production in the 17th century Southern Low Countries and a focused approach to the work of three collaborators of Rubens. Apart from their work as painters, these artists quickly penetrated the world of prints and each dominated a specific market segment. Abraham Van Diepenbeeck was a prolific designer of individual prints and print series. Erasmus Quelinus II often drew models for book-illustrations. Cornelis Schut ran an important workshop which produced many beautiful etchings. The book explores how these artists positioned themselves in an artistic field, operating in a highly competitive field that presented both threats and new opportunities. Their oeuvre is firmly set in a European context, spanning local, regional and international markets. An analysis is made of the relation between prints as reproductions of paintings and prints as autonomous inventions. The book argues that the importance of prints as autonomous creations has been underestimated for the 17th century. The book studies the connections between the three artists and some forty professional engravers who were active in 17th-century Antwerp. Many biographical data on these engravers are presented, and more than 100 prints are published for the first time. Ann Diels (1969) works at the Print Room of the Royal Library of Belgium and teaches the History of European Printmaking at the Free University of Brussels. She has published the New Hollstein volumes on the Collaert Family (2005-2006) and 'The Family Collaert (ca. 1555-1630) en de prentkunst in Antwerpen' (2009).
Dr. O.J. de Gruyter (bij den 5e verjaardag van zijn overlijden)
, s.l., Uitgaven van de Volksuniversiteit Herman van den Reeck [2e jg. Nr.9], juli 1934, 63pp.+ 3pp.ills.
Altkirchenslavische Grammatik, mit einer Auswahl von Texten und einem Wörterbuch. I. Teil: Grammatik
Heidelberg, Carl Winters Universitätsbuchhandlung 1932 xvi + 307pp., 24cm., in the series "Sammlung slavischer Lehr- und Handbücher. I. Reihe: Grammatiken", cart.cover, G, T71537
Kleine Schriften zur Geschichte der antiken Philosophie
Darmstadt, Wissenschaftliche Buchgesellschaft 1969 xxvi + 467pp., 25cm., publisher's hardcover in yellow cloth (edges slightly bumped), good condition, F105078
Uit de schaduw van Rubens : prentkunst naar Antwerpse historieschilders
Brussel, KBR 2010 140pp., met zw/w ills., 30cm., gebroch., goede staat, S108248
Der formbildungsprozess bei der bluetencecidie von lonicera untergatt. Periclymenum, pagination 184 à 223.
Jena, Verlag von Gustav Fischer, 1913 ; 159 x 232 mm, 42 pp. + 2 pl. hors-texte, couverture et feuilles collées (les trois premières feuilles décollées). Tiré à part, en langue allemande. Flora oder Allgemeine Botanische Zeitung. Neue Folge. Fünfter Band (Der ganzen Reihe 105. Band.) Heft 2 (Abdruck aus). Bon état.
In Monte Artium. Journal of the Royal Library of Belgium, 4, 2011 ,
Turnhout, Brepols, 2012 Paperback, 235 p., 8 b/w ill. + 202 colour ill., 200 x 280 mm. ISBN 9782503536460.
Renaud Adam, Le berceau d'une collection : les incunables de Charles Van Hulthem (1764-1832). Cecile Arnould, Pacata Europea. Les allegories de Pax dans les medailles de la Paix de Riswyck (1697). Gwendolyne Denhaene, Les debuts de la collection d'estampes japonaises de la Bibliotheque royale de Belgique. Marcus de Schepper, Ein Musikbuch fur Martin Luther. Das Brusseler Exemplar von Ludwig Senfls Magnificat octo tonorum (Nurnberg 1537). Xavier Duquenne, Le graveur Meryon en Belgique pour le duc d'Arenberg, 1857-1858. Anneliese Op de Beeck, Het boek in Belgie van 1875 tot 2005: een bibliometrisch onderzoek naar de collectie van de Belgische Bibliografie. Charlotte Sillon, Sylvia Nieto-Pelletier et Jean-Marc Doyen, Archeologie et numismatique gauloise : une contribution du Cabinet des Medailles de Bruxelles a l'histoire des Remes et des Trevires Claude Sorgeloos, Tranches peintes a sujets numismatiques : les Van Loon et Van Mieris provenant de la collection Geelhand. Joris van Grieken, View of the Strait of Messina. A rediscovered drawing after Pieter Bruegel the Elder. A new acquisition of the Print Room of the Royal Library of Belgium. Johan van Heesch, Mercator et William Parsons representes sur une medaille d'argent gravee par Simon de Passe et Simon Gribelin. Languages : English, French, German.
In Monte Artium. Journal of the Royal Library of Belgium, 5, 2012,
Turnhout, Brepols, 2012 Paperback, approx. 200 p., 200 x 280 mm. ISBN 9782503543802.
Languages : English, French.
Sortant de l'ombre de Rubens: estampes d'apres des peintres d'histoire anversois,
Bruxelles, Bibliotheque Royale de Belgique, 2009 Softcover, 140 p. : ill. ; 30 cm. ISBN 2870931670.
27 novembre 2009 - 15 fevrier 2010.
UIt de schaduw van Rubens: prentkunst naar Antwerpse historieschilders,,
Brussel, Koninklijke Bibliotheek van Belgie, 2009 Softcover, 140 p. : ill. ; 30 cm ISBN 9066371501.
27 november 2009 - 15 februari 2010.
DIE FRAGMENTE DER VORSOKRATIKER
ROWOHLT, 1963, in-8 softcover, 147 pp. In german. Good condition.
Nombreux titres disponibles en Philosophie.
Antike Technik.Sieben Vorträge
Osnabruck, 1965, in-8, 243pp & XVIII pl, Reliure éditeur, Très bel exemplaire! 243pp & XVIII pl.
DIELS Ann ( editor ) - [ ] Adrian COLLAERT - Hans COLLAERT - Jan COLLAERT :
Reference : 55803
'Wat d'yser can bemaelen' . Les estampes des graveurs anversois Collaert (1550 - 1630 )..
" Bruxelles, Bibliothèque Royale, 2005, format in-8°, 164 pp, couverture souple d'origine; Text en français, publié lors d'une exposition."
