Turnhout, Beersmans-Pleek, s.d. (voor 1895), in-8°, 13 pp, originele bedrukte omslag. Tekst in het Latijn. Hulde aan pastoor Jacob Diels te Arendonk, pater van de abdij van Postel.
, ASP - Academic and Scientific Publishers, 2020 Paperback, 260 pages with illustrations, English/ D/ NL / FR *new ISBN 9789057187469.
In May 2014 the Rubenianum in Antwerp hosted the conference Frans Francken and his Milieu, Old Paths, New Roads, on the initiative of dr. Ann Diels (Vrije Universiteit Brussel) and dr. Natasja Peeters (War Heritage Institute Brussels). Both researchers wanted to draw more attention to research into art in the Southern Netherlands during the late sixteenth century. Dedicating the symposium to one of the most productive history and portrait painters of that period, Frans Francken, opened the door to a range of research tracks. This conference collection includes thirteen essays by national and international specialists in sixteenth-century art of the Netherlands. The essays focus on various aspects of the work and life of the Antwerp history painter Frans Francken the Elder, the Francken dynasty, and his milieu. An artist?s work and life knows many facets, and data have to be culled from many sources. By providing a mosaic of research methods and tracks, the essays makes an attempt to visualize the complexity and richness of the research field. This small selection from the realm of possibilities mainly wants to encourage further research. The book contains, among other writings, an art-historical overview of the study of late sixteenth-century art in the Southern Netherlands by Hans Vlieghe, a historiography and state of current research by the editors, a case study on the late sixteenth-century ?gothic revival? by Didier Martens, the restauration report of Frans Francken?s famous "Schoolmasters? and Soapboilers? altarpiece" in Antwerp Cathedral by David Lain , an in-depth building history reconstruction of Francken?s house by Petra Maclot and an analysis of his books based on his post-mortem inventory by Ria Fabri, a dendrochronological riddle of the Road to Calvary in Dresden by Ursula H rting, and a study of the sensory aspect in history paintings by Ralph Dekoninck.
BERLIN 1923 Weidmannsche Buchhandlung Full-Leather
T. Lucreti Cari De Rerum Natura. Lateinisch und Deutsch von Hermann Diels. 2 Volumes. original full leather binding with the normal wear, 25 x 16 cm, 409 + 312 pp, the text is very clean, good copy
Phone number : +32(0)496 80 81 92
Antwerpen, De Loze Vink, 1988 Originele papieren uitgeversomslag met flappen, met een nawoord door Ludo Simons, 15x25.5 cm., 80 pp.
Franse poezie van Baudelaire tot Valery.
Turnhout, Brepols, Hardback, original editor's jacket, english, VIII+271 pp., 279 b/w ill., 225 x 305 mm. ISBN 9781905375509.
The Print Collection of the Royal Library of Belgium (HMPCRLB 2). This book presents resents both an overview of the print production in the 17th century Southern Low Countries and a focused approach to the work of three collaborators of Rubens. Apart from their work as painters, these artists quickly penetrated the world of prints and each dominated a specific market segment. Abraham Van Diepenbeeck was a prolific designer of individual prints and print series. Erasmus Quelinus II often drew models for book-illustrations. Cornelis Schut ran an important workshop which produced many beautiful etchings. The book explores how these artists positioned themselves in an artistic field, operating in a highly competitive field that presented both threats and new opportunities. Their oeuvre is firmly set in a European context, spanning local, regional and international markets. An analysis is made of the relation between prints as reproductions of paintings and prints as autonomous inventions. The book argues that the importance of prints as autonomous creations has been underestimated for the 17th century. The book studies the connections between the three artists and some forty professional engravers who were active in 17th-century Antwerp. Many biographical data on these engravers are presented, and more than 100 prints are published for the first time.
, Brepols - Harvey Miller, 2009 Hardcover with dusjacket. VIII+271 p., 279 b/w ill., 225 x 305 mm, Languages: English. ISBN 9781905375509.
This book presents both an overview of the print production in the 17th century Southern Low Countries and a focused approach to the work of three collaborators of Rubens. Apart from their work as painters, these artists quickly penetrated the world of prints and each dominated a specific market segment. Abraham Van Diepenbeeck was a prolific designer of individual prints and print series. Erasmus Quelinus II often drew models for book-illustrations. Cornelis Schut ran an important workshop which produced many beautiful etchings. The book explores how these artists positioned themselves in an artistic field, operating in a highly competitive field that presented both threats and new opportunities. Their oeuvre is firmly set in a European context, spanning local, regional and international markets. An analysis is made of the relation between prints as reproductions of paintings and prints as autonomous inventions. The book argues that the importance of prints as autonomous creations has been underestimated for the 17th century. The book studies the connections between the three artists and some forty professional engravers who were active in 17th-century Antwerp. Many biographical data on these engravers are presented, and more than 100 prints are published for the first time. Ann Diels (1969) works at the Print Room of the Royal Library of Belgium and teaches the History of European Printmaking at the Free University of Brussels. She has published the New Hollstein volumes on the Collaert Family (2005-2006) and 'The Family Collaert (ca. 1555-1630) en de prentkunst in Antwerpen' (2009).
Heidelberg, Carl Winters Universitätsbuchhandlung 1932 xvi + 307pp., 24cm., in the series "Sammlung slavischer Lehr- und Handbücher. I. Reihe: Grammatiken", cart.cover, G, T71537
Darmstadt, Wissenschaftliche Buchgesellschaft 1969 xxvi + 467pp., 25cm., publisher's hardcover in yellow cloth (edges slightly bumped), good condition, F105078
Brussel, KBR 2010 140pp., met zw/w ills., 30cm., gebroch., goede staat, S108248
Jena, Verlag von Gustav Fischer, 1913 ; 159 x 232 mm, 42 pp. + 2 pl. hors-texte, couverture et feuilles collées (les trois premières feuilles décollées). Tiré à part, en langue allemande. Flora oder Allgemeine Botanische Zeitung. Neue Folge. Fünfter Band (Der ganzen Reihe 105. Band.) Heft 2 (Abdruck aus). Bon état.
Bruxelles, Bibliotheque Royale de Belgique, 2009 Softcover, 140 p. : ill. ; 30 cm. ISBN 2870931670.
27 novembre 2009 - 15 fevrier 2010.
Brussel, Koninklijke Bibliotheek van Belgie, 2009 Softcover, 140 p. : ill. ; 30 cm ISBN 9789066371507.
27 november 2009 - 15 februari 2010.
Osnabruck, 1965, in-8, 243pp & XVIII pl, Reliure éditeur, Très bel exemplaire! 243pp & XVIII pl.
DIELS Ann ( editor ) - [ ] Adrian COLLAERT - Hans COLLAERT - Jan COLLAERT :
Reference : 55803
" Bruxelles, Bibliothèque Royale, 2005, format in-8°, 164 pp, couverture souple d'origine; Text en français, publié lors d'une exposition."