144 books for « de ram f x »Edit

‎À petit feu. Dessins de RAM. ‎

‎Strasbourg, La République, 1931 ; in-folio, environ 80 pages, broché, couverture illustrée. Dessins caricaturaux tirés du journal La République et Le Franc. Préface de L. Minck.‎

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‎La voix de la réalité Second choix de textes (Lettres, écrits et causeries)‎

‎ Imprimerie Bosc sans nom d'éditeur, 1983, in/8 broché, 197 pages. Ram Chandra (1899-1983)‎

‎Shri Ram Chandra de Shahjahanpur (1899 -1983), également connu sous le nom de Babuji , était un yogi originaire de l'Uttar Pradesh, dans le nord de l'Inde. Il a consacré la majeure partie de sa vie à développer une méthode de méditation Raja Yoga appelée Sahaj Marg . Il a fondé en 1945 une organisation appelée Shri Ram Chandra Mission, dédiée et nommée d'après son maître, également appelé Ram Chandra. ‎

‎La divine féerie.‎

‎ Institut Supérieur de Sciences et Philosophies Naturelles Institut Supérieur de Sciences et Philosophies Naturelles, sans date, 142 p., broché, environ 14x14cm, exemplaire numéroté et signé 203/300, avec un hommage manuscrit de l'auteur, couverture insolée, des frottements sur le dos, bon état pour le reste, intérieur propre mais forte odeur d'humidité.‎

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‎Suivi de commentaires par Madelien Groffier, Pierre d'Angkor, Nityananda Maricinam. Merci de nous contacter à l'avance si vous souhaitez consulter une référence au sein de notre librairie.‎

‎Vies des pères, martyrs et autres principaux saints, tirées des actes originaux et des documents les plus authentiques, avec des notes historiques et critiques, Tome I-VII [complet en 7 tomes]‎

‎Bruxelles, Goemaere 1854 complet en 7 tomes: lxxx,510 + 515 + 580 + 642 + 664 + 574 + 81,x,256,viii,82 pp., texte imprimé en deux colonnes, ouvrage traduit librement de l'anglais par Godescard, nouvelle édition entièrement revue et augmentée d'un grand nombre de notes en notices nouvelles par P.F.X. de Ram, faux titres et faux nerfs dorés, dos en cuir, plats marbrés, quelques rousseurs, [tome VII contient également: BUTLER Alban, Traité des fêtes mobiles, jeunes et autres observances annuelles de l'église catholique, d'après l'ouvrage posthume d'Alban Butler, nouvelle édition revue et augmentée par P.F.X de Ram, x + 256pp., & LACTANCE (LACTANTIUS), De la mort des persécuteurs de l'église, avec la traduction de l'abbé Godescard et le texte latin, suivi de notes et d'un dissertation sur le nombre des martyrs et l'histoire des persécutions, nouvelle édition par P.F.X. de Ram, viii + 82pp.]‎

‎Music in Unconventional Venues of Nineteenth-Century Europe‎

‎, Brepols, 2026 Hardback, Pages: 464, Size:210 x 270 mm, Illustrations:62 b/w, 48 tables b/w., Language(s):English, Spanish. ISBN 9782503624662.‎

‎Summary During the 19th century, music thrived in a variety of private and public spaces beyond the confines of theatres and concert halls throughout Europe. This volume decisively examines these unconventional venues, including outdoor locations such as gardens, municipal parks, squares, and fairs, alongside indoor environments such as spas and casinos. With over eighteen chapters, this collection provides a comprehensive overview of musical activities across diverse urban settings and social contexts during the long 19th century. The narratives take place in vibrant cafes, gardens, amusement parks, and seaside resorts, significantly highlighting the festive periods of Carnival. Furthermore, this volume underscores the critical role of music in exhibition spaces, equestrian arenas, the world of the circus, and military parades. By delving into these diverse spaces, we gain valuable insights into the musical landscape, where traditional concert hall and opera house audiences interacted with amateurs, dilettantes, and working-class individuals who often lacked formal education. This exploration encompasses 19th-century Europe, focusing on key Romantic cities such as Paris, Vienna, Amsterdam, Brussels, Lisbon, Madrid, and Barcelona, while also considering other alternative urban contexts like Astorga, Pula, and the Austrian Riviera in Abbazia. Additionally, the outlook is completed by an authoritative study of a circus itinerary in 19th-century England. TABLE OF CONTENTS Francesc Cort s i Mir - Ram n Sobrino Preface Music in Diverse Urban Settings: Socialization and Amusement Emilio Casares Rodicio Un espacio alternativo a la m sica de sal n: el caf y sus m sicas Julia M ria Mart nez-Lomb Testa La Sociedad Recreativa del Casino de Astorga: paradigma de espacio musical de una ciudad burguesa de provincias de la Espa a de la segunda mitad del siglo XIX Am lie Addison Performing with a Monster Menagerie: A Circus Bandsman's Perspective Negotiating Spaces: Music Repertoires from the Theatre to the Equestrian Arena William Osmond J'peux pas, j'ai kermesse! : French Opera and com die-vaudeville in the Amsterdam Kermis (1830-1839) Rachel Becker Unconventionally Conventional: Instrumental Music in the Opera Theatre Noriko Kamiyama 'Music Festival of the Future' at the Equestrian Arena in Ballenstedt tienne Jardin Concert Venues in 19th-Century France: An Overview of Cuckoo's Nests John D. Wilson - Cheston Humphries - Mary Kirchdorfer A 'City of Music' without a Concert Hall: Concert Life in Vienna around 1800 Military Orchestras and Bands: Promoting Music for Education and Entertainment Gloria A. Rodr guez-Lorenzo Workhouses Bands in 19th-Century Spain: Music, Education and Social Inclusion Lada Durakovi? - Marijana Kokanovi? Markovi? Kl nge aus Pola: Open-Air Concerts of the Naval Orchestra under the Baton of Franz Leh r Vjera Katalini? A Military Ensemble as a Spa Entertainer: The Case of the 79th Infantry Regiment Orchestra Outdoor Music Spectacles in the Civic Cultural Agenda Joana Peliz Del Convento de las Capuchinas de Par s a las fincas y plazas de toros de la Pen nsula Ib rica: la m sica en las exhibiciones fantasmag ricas y aerost ticas de tienne-Gaspard y Eug ne Robertson Cl ment No l Extending Berlioz's Utopia? Gustave Charpentier and the Architectural Music of the Couronnement de la Muse Jan Dewilde Markets and Squares as Concert Venues in 19th-Century Flanders: Open-Air Cantatas of Peter Benoit (1834-1901) Musical Repertoires in 19th-Century Gardens across the Iberian Peninsula Francesc Cort s Los conciertos en los Jardines de Euterpe y los Campos El seos de Barcelona (1859-1874): tr nsito de repertorios entre la pera y la m sica popular Rui Magno Pinto An Unprecedented Musical Clash at Lisbon's Gardens: The Promenade Concerts of the Associa o M sica 24 de Junho and of the Associa o de Professores de M sica Mar a Encina Cortizo El furor por el baile en el Madrid de mediados del siglo XIX: bailes campestres, sociedades y jardines Ram n Sobrino Conciertos sinf nicos y teatro l rico en los jardines madrile os (1864-1868) Abstracts and Biographies Index of Names‎

‎Wat zei, wat zong dat ""Kwezeltje""‎

‎Antwerpen 1898 J. - E. Buschmann Full-Leather 1st Edition Signed by Author‎

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‎Plein cuir: Très bon, 18 x 14 cm, 107 pp., néerlandais, Signé par l'auteur, 1ère édition, illustrations, état du livre: Très bon Hilda Ram, pseudonyme de Mathilda Ramboux (Anvers 1858 - 1902), était l'une des poétesses les plus aimées de la Flandre. L'un de ses chefs-d'oeuvre, Wat zei, wat zong dat Kwezeltje 1898, reflète sa profonde foi, sa virtuosité linguistique et sa position combative dans la société. Le petit livre a été magnifiquement publié par l'illustre imprimerie/édition anversoise J.-E. Buschmann et est numéroté : 6 et signé avec des initiales, première édition. Belle reliure en cuir estampillée et magnifiques illustrations de style arts et crafts, imprimées sur papier fait main. Sur la première page, nous trouvons une dédicace : Aan Madame P. Mansion uit ware genegenheid d.s. Mathilda Ramboux Antwerpen den 22ste April 1898. Elle était la femme du professeur et mathématicien de Gand Paul Mansion, son nom était Marie-Cécile Belpaire (la soeur de Marie-Elisabeth Belpaire). La famille passait beaucoup de temps à Anvers. Comme c'était souvent le cas, elle était mentionnée comme Madame P. Mansion.‎

‎Yoga and Self-Culture‎

‎Yoga Institute of America 1947 in8. 1947. Cartonné. Yoga and Self-Culture est un livre de Sri Deva Ram Sukul publié par le Yoga Institute of America qui présente une étude scientifique et pratique du yoga. L'ouvrage met l'accent sur l'importance de la culture de soi et de la réalisation de soi dans la pratique du yoga encourageant les lecteurs à cultiver la conscience de soi et à rechercher la paix et l'harmonie intérieures. Il aborde les bienfaits du yoga (santé clarté mentale croissance spirituelle) et explore son histoire et ses origines en Inde ancienne‎

‎Bon état pages jaunies intérieur propre‎

‎Partition de la chanson : Only you Ton amour Jij Alleen ‎

‎ 1955‎

‎ Etat moyen Format Coquille ‎

‎Partition de la chanson : Homme qui passe (L') The great pretender Rock and Roll ‎

‎ S.E.M.I 1956‎

‎ Très bon état Format Coquille ‎

‎Partition de la chanson : Mon regret le plus tendre ( The great pretender ) ‎

‎ S.E.M.I 1984‎

‎ Bon état Format Coquille ‎

‎lenguaje del arte. Evoluci n de la terminolog a espec fica de manuscritos y textos‎

‎, Brepols - Fidem, 2020 Paperback, xxxi + 243 pages, Size:165 x 240 mm, Illustrations:24 col., 14 tables b/w., Languages: Spanish, English, Italian. ISBN 9782503587912.‎

‎Summary El an lisis de la evoluci n de la terminolog a t cnica utilizada en la descripci n cient fica de textos y manuscritos desde la Edad Media hasta nuestros d as es el argumento que los responsables de este volumen pretenden poner al alcance del lector como tema de discusi n y de reflexi n. La particularidad del libro manuscrito reside en constituir un unicum donde los elementos materiales, estructurales y de contenido (texto e imagen) se relacionan necesariamente entre s . Asimismo, los usos ling sticos de los coet neos de los manuscritos medievales para denominar su propia realidad libresca y textual se erigen en un objeto de estudio que ahonda en la consideraci n del manuscrito y del texto, de su forma y de su contenido, como entidades indisociables. Es recomendable, por lo tanto, un acercamiento multidisciplinar al libro manuscrito, un acercamiento que exige la colaboraci n de especialistas de disciplinas diversas, cada una de ellas con una terminolog a t cnica propia. Con esa perspectiva, los trabajos presentados en estas p ginas servir n como descripci n del estado de la cuesti n y, a la vez, como punto de partida til para que pale grafos, codic logos, historiadores del arte o fil logos comparen sus respectivos modos de abordar el an lisis del libro manuscrito y de sus textos, enriqueci ndose unos a otros mediante sus conocimientos propios y particulares sobre la cuesti n, todo ello con el fin de favorecer la utilizaci n de un vocabulario adecuado y, si se considera posible y conveniente, com n. El presente libro tiene su origen en el Coloquio Anual de la F d ration Internationale des Instituts d' tudes M di vales organizado en Barcelona en julio de 2017, en la Instituci n Mil y Fontanals del CSIC. Cuenta con las contribuciones de Marina Bernasconi, Joanna Fronska, Ana G mez Rabal, Jacqueline Hamesse, Christine Jakobi-Mirwald, Marta Pav n Ram rez, Merc Puig Rodr guez-Escalona, Elena E. Rodr guez D az y Pere J. Quetglas. TABLE OF CONTENTS Ana G mez Rabal, Jacqueline Hamesse, Marta Pav n Ram rez, Usos y utilidades en la terminolog a sobre los manuscritos y sus textos: razones para una discusi n reflexiva Merc Puig Rodr guez-Escalona, El laberinto de los libros y sus nombres. Procedimientos denominativos en la Alta Edad Media Pere J. Quetglas Nicolau, Para problemas, los colores. Variaci n e innovaci n en la terminolog a crom tica de la latinidad altomedieval hisp nica Elena E. Rodr guez D az, Reflexiones sobre terminolog a codicol gica en Espa a Joanna Fronska, Between Medieval and Modern Use of Terms, Patricia Stirnemann's Vocabulary and the Technical Terminology Relating to Illuminated Manuscripts in France Christine Jakobi-Mirwald, Flourish and Blotts or How We Name Salient Ornament Features in Manuscripts Marina Bernasconi Reusser, Le biblioteche digitali influenzeranno il modo di descrivere i manoscritti miniati? L'esperienza di e-codices‎

‎Symphonism in Nineteenth-Century Europe‎

‎, Brepols, 2020 Hardback, xiv + 484 pages, Size:210 x 260 mm, Languages: English, Spanish, German. ISBN 9782503586434.‎

‎Summary This volume deals, from multiple perspectives, with the complex world of European symphonism during the nineteenth century, a period in which it encompassed not only the creation of musical products and performances, but also significantly affected many compositional approaches, as well as aesthetic factors, such as the opposition between programme and absolute music. The emergence of the great symphony orchestras led to unprecedented types of professional interaction, and new forms of patronage. It also fostered the creation of a specific repertoire, and the construction of the first purpose-built concert halls. These developments originated in Europe at the beginning of the 19th century, in conjunction with the growth of music destined for increasing orchestral formations and the concert as a social phenomenon, available to the common public. About twenty authors discuss in this volume issues about analysis and musical creation, repertoire, musical aesthetics and criticism, orchestras and symphonic ensembles, musical performing venues, production system, consumption, entertainment system and the dissemination and reception of symphonic models in Europe. Through the work of Beethoven, Berlioz, Mendelssohn, Brahms, Mahler, Strauss, among others, the volume addresses these and other aspects across the European geography and in different contexts: Spain, Italy, French, Portugal, United Kingdom, Northern Europe and Eastern Europe. TABLE OF CONTENTS Jos Ignacio Su rez Garc a - Ram n Sobrino S nchez Introduction Symphonic Works by Western European Composers Christian Speck Zum Orchester in Beethovens Symphonien R. Larry Todd Und es soll wahrhaft kein Choral darin vorkommen : On Mendelssohn's Use of Chorales in His Symphonies Virginia Whealton Transformed Abruzzi: Harold en Italie, the r cit de voyage, and French Romantic Visual Culture James L. Zychowicz Gustav Mahler's Adagio Movements and His Evolving Symphonic Structures Vadim Rakochi Dramaturgical Functions of Solos in Richard Strauss's Symphonic Poems Johannes Brahms: A Case Study George S. Bozarth Brahms's Symphonism Jacquelyn Sholes On Meaning in Brahms's Symphonies David Hurwitz Dvo! k's Fifth Symphony: A Politically Incorrect Inspiration for Brahms's Third? National Approaches to Symphonic Literature Marino Pessina Le 'Sinfonie' giovanili di Antonio Bazzini: una ricognizione Ram n Sobrino S nchez The Sociedad de Conciertos de Madrid (1866-1903) and the Uni n Art stico-Musical (1877-1891): From the Reception to the Creation of a Symphonic Repertoire in Spain Jeremy Dibble The Last Symphonies of Hubert Parry and Charles Villiers Stanford: A Journey towards Structural Compression Pauline Fairclough Legacies of Romanticism in the early Soviet Symphony Musical Performance Venues, Organizations, and Entertainment Systems Francesco Esposito The Concertante Symphony as 'Musical Metaphor': The Role of Orchestral Music in the Concert Practice of Liberal Lisbon (1822-1853) Francesc Cort s La orquesta del G. T. del Liceu de Barcelona: organizaci n y funcionamiento en los conciertos sinf nicos de la segunda mitad del s. xix Andrea Garc a Torres Los conciertos populares en el mbito madrile o: la b squeda de nuevos p blicos y la urgencia por europeizar el sistema musical Mia L wengart From a Bourgeois Concern to a Matter of Social Urgency: Legitimization and Institutionalization of Symphonic Music in Stockholm, 1890-1926 Musical Practices, Reception, and Criticism Chloe Valenti Pitched Battles? Vocal Health and the British Pitch Debate in the Late Nineteenth Century Jos Ignacio Su rez Garc a Wagner en los conciertos sinf nicos: su recepci n en Madrid en el siglo xix (1864-1901) Stanislav Tuksar The Issues of Programme and Absolute Music in the Writings of the Leading Croatian 19th-Century Musicologist Franjo Ksaver Kuha" (1834-1911) Abstracts Biographies Index of Names‎

‎Partition de la chanson : Homme qui passe (L’) The great pretender Rock and Roll ‎

‎ S.E.M.I 1956‎

‎ Etat moyen Petit format ‎

‎Musical Exoticism. The Mediterranean and Beyond in the Long Nineteenth Century‎

‎, Brepols, 2024 Hardback, xii + 392 pages, Size:210 x 270 mm, Illustrations:39 b/w, 16 tables b/w., 34 musical examples, Language: English. *new ISBN 9782503611778.‎

‎Summary The sound image of Otherness has been a significant source of inspiration for Western music, especially since the late eighteenth century. Encounters with the racial and geographical Other fomented interest in unfamiliar musical traditions, which informed exotic projections by Western composers. This volume explores aspects of musical exoticism and its staging during the long nineteenth century, with a special focus on the Mediterranean. This diverse and yet historically interconnected region was arguably the heart of the exotic enterprise during this period. The intersection of exoticism, nationalism and empire is considered, with a special focus on the situation of Spain as both source of local colour and purveyor of musical exoticism. The essays in this volume explore elements of exoticism across a range of musical styles: from song to opera and the popular musical stage, and from instrumental to symphonic works. The analysis of this corpus also involves the examination of musical culture in dialogue with literature and figurative arts. While many of the essays focus on constructions of exoticism in individual works, several essays focus on repertories of musical exoticism and their coverage in musicological literature. TABLE OF CONTENTS Michael Christoforidis - Ram n Sobrino, Preface Musical Exoticism and the Mediterranean to the Mid Nineteenth Century Ralph P. Locke, Leaving alla turca behind: The Middle East in Opera and Other Musical Genres, 1800-1850 Mar a Encina Cortizo, Exotic Sounds of Spain: French Musical Imageries Between Spain and the Orient: Musical Exoticism, Nationalism and the Alhambra Ram n Sobrino, Musical Exoticisms in 19th-Century Spain: Imaginary Sounds of Spanish Otherness Francesc Cort s, Oriental and National Elements in the Early Operas of Felip Pedrell: Changes and Transformations of El ltimo Abencerraje (1868) into L'Ultimo Abenzeraggio (1889) Gloria A. Rodr guez-Lorenzo - Francisco J. Gim nez-Rodr guez, Granada la bella (1896): Musical Exoticism and Nostalgia at the Turn of the Century Michael Christoforidis - Elizabeth Kertesz, Exoticism and Beyond: The Habanera, Alhambrism and Musical Modernity in Belle- poque Paris Staging Exoticism in Opera Roberto Scoccimarro, Otherness, Self-Affirmation and Self-Denial in F licien David's Op ras-comiques Lalla-Roukh (1862) and La captive (1864) Valeria Wenderoth, Reynaldo Hahn's L' le du R ve (1898) and the Multi-Faceted Representation of Otherness Stanislav Tuksar, Exoticism as a Specific Expression of Otherness in Some Acculturation Phenomena within Nineteenth-Century Croatian Arts Vjera Katalin c, Staging Exoticisms: Case Studies in the Operatic Iconography of the Late Nineteenth-Century Zagreb National Theatre Exoticism in Song and Popular Musical Theatre Nicolas Boiffin, Exoticism in the German Lied: E. Geibel and P. Heyse's Spanisches Liederbuch and Its Musical Settings Sonja Starkmeth, 'Off to Cairo': Musical Orientalism in Late Victorian Musical Comedy Andrea Garc a Torres, The bayadera on the Spanish Stage: Frivolity and Colonialism in European Cultures via the Orient Paul Krejci, A Case Study of White American Male Othering in Early 20th Century Popular Music: The Exotic Songs of Seattleite Minstrel Harold Taylor Weeks Reflection Jean-Pierre Bartoli, From 1974 to 2022: Some Reflections for a Short History of Studies on Exoticism and Orientalism in Music‎

‎Partition de la chanson : Twilight time ‎

‎ Campbell 1944‎

‎ Très bon état Grand format Piano ‎

‎Gedichten Van Hilda Ram‎

‎Aalst 1906 DE Seyn-Verhougstraete Half-Leather ‎

‎Langue: néerlandais. Poèmes de Hilda Ram. 322 pages. Une page de couverture est détachée. [Cette description peut avoir été traduite par une IA.]‎

‎Spiritualité n°23, 9e année- 15 octobre 1946-Sommaire: Charte spirituelle de l'humanité- Limmanence divine en l'homme et la théologie catholique par Pierre d'Angkor- Usage positiviste des religions par Jean Delmanoir- Krishnamurti par Ram Linssen.‎

‎Au bureau de la revue. 1946. In-8. Broché. Etat d'usage, Couv. défraîchie, Agrafes rouillées, Papier jauni. Paginé de 233 à 256. Coins frottés. Quelques mouillures n'altérant pas la lecture. Quelques rousseurs.. . . . Classification Dewey : 70.49-Presse illustrée, magazines, revues‎

‎Sommaire: Charte spirituelle de l'humanité- Limmanence divine en l'homme et la théologie catholique par Pierre d'Angkor- Usage positiviste des religions par Jean Delmanoir- Krishnamurti par Ram Linssen. Classification Dewey : 70.49-Presse illustrée, magazines, revues‎

‎Le lotus bleu, la revue théosophique n°1- LIe année- Mars 1947-Sommaire: Newton par C. Jinarajadasa- Théosophie et science moderne par Ram Linssen- Nicolas Flamel par Jean Chaboseau- L'Atlantide vous parle 1 par L.-André Bonnet- Karma, roman (suite) par A‎

‎Publications théosophiques. 1947. In-8. Broché. Etat d'usage, Couv. défraîchie, Dos fané, Papier jauni. 48 pages. Quelques rousseurs. Quelques mouillures n'altérant pas la lecture. Couverture jaunie. Agrafes rouillées. Coins frottés. Annotations à l'encre en 1er plat.. . . . Classification Dewey : 70.49-Presse illustrée, magazines, revues‎

‎Sommaire: Newton par C. Jinarajadasa- Théosophie et science moderne par Ram Linssen- Nicolas Flamel par Jean Chaboseau- L'Atlantide vous parle 1 par L.-André Bonnet- Karma, roman (suite) par A.-P. Sinnett-etc. Classification Dewey : 70.49-Presse illustrée, magazines, revues‎

‎A petit feu.‎

‎Dessins de Ram, préface de L. Minck. Strasbourg, Editions la République. 1931. Grand in-4 (31x23). Album de 4 pages et 59 planches. Broché, couverture grise illustrée d'une grande composition de Ram.‎

‎Caricatures contre l'autonomie et contre le clergé. 59 planches avec légendes en regard en allemand et en français Bon état.‎

‎Hermeneutical Jew. Essays on Inter-Religious Encounters in Honour of Jeremy Cohen‎

‎, Brepols, 2025 Hardback, Pages: 356, Size:156 x 234 mm, Illustrations:1 b/w, 4 col., Language: English. ISBN 9782503612096.‎

‎Summary The interconnected histories of Judaism and Christianity are explored in this compelling volume honouring the influential work of Jeremy Cohen. Cohen's pioneering studies have reshaped our understanding of these religious traditions, emphasizing the crucial role of cross-religious engagements in forming their self-perceptions and identities. Comprising fifteen chapters, the book is organized into four thematic sections. The first section, Literary Mirrors and Inter-Religious Representations, explores patterns of internalizations, (mis)representations, and appropriations between competing religious traditions. The second section, Physical and Figurative Encounters, addresses the roles played by visible and physical markers in setting interreligious boundaries and exchanges. The third section, Agents of Anti-Jewish Discourse, focuses on Christian thinkers of the late Middle Ages who propagated anti-Jewish measures or prejudices across different genres and causes. The final section, The Transformability of the Jews and the Hermeneutics of Inter-Religious Conversion, examines the cultural and intellectual impact of different efforts to convert Jews and Jewishness. This collection of new studies by leading medievalists serves as a fitting tribute to Jeremy Cohen's groundbreaking contributions and offers readers an insightful look into the complex world of medieval and early modern religious identity. TABLE OF CONTENTS Introduction. A Game of Mirrors: Jeremy Cohen and the Literary Matrix of the Jewish-Christian Encounter - YOSI YISRAELI and RAM BEN-SHALOM Chapter 1. Unetaneh tokef: From John of Patmos to Amnon of Mainz - ISRAEL JACOB YUVAL Chapter 2. Narrative as Historical Interpretation: Rabbi Eliyahu Capsali's 'Cycle of Ashkenaz Tales' - ELI YASSIF Chapter 3. The Hermeneutic Gentile: The Evolution of the Anti-Jewish Rhetoric in the Mesirat Haman Monologue - RONI COHEN Chapter 4. The Hermeneutics of Power: Competing Narratives of Imperial Origins - URI Z. SHACHAR Chapter 5. From the Hermeneutical Jew to the Intersectional Jewess: Gender, Identity, and Scopic Ambivalence in Medieval Europe - AVITAL DAVIDOVICH-ESHED Chapter 6. Hermeneutical Objects in Late Antique Jerusalem - ORA LIMOR Chapter 7. Signing with the Cross and Other Ritualized Gestures in Medieval Jewish-Christian Encounters - IRVEN M. RESNICK Chapter 8. Facing the Crucifix: Herman of Cologne - A 'Hermeneutical Jew' Reacting to Christian Symbolism? - EPHRAIM SHOHAM-STEINER Chapter 9. Animals at War in the Kennicott Bible - KATRIN KOGMAN-APPEL Chapter 10. How Hermeneutical are the Jews in Gratian's Decretum? - ANNA SAPIR ABULAFIA Chapter 11. Evelyn Faye Wilson, John of Garland, and the 'Invisible' Jews - WILLIAM CHESTER JORDAN Chapter 12. Manuforte of Trani: An Assessment - PIERO CAPELLI Chapter 13. Carnal Israel? The Medieval Conceit of Jews as Organs in the Social Body - RYAN SZPIECH Chapter 14. Mass Conversion, Genealogical Mentalities, and the History of Race: Jews and Muslims in North Africa and Iberia - DAVID NIRENBERG Chapter 15. 'They shall return at evening': A pro-Converso Response against the Inconvertibility of the Jews (between the Katechontic and the Messianic) - CLAUDE B. STUCZYNSKI Index‎

‎de Ram Zh. Differenciruemye mnogoobraziya‎

‎In Russian. Short description: De Rahm, J. Differentiated Diversity. Moscow: Publishing House of Foreign Literature, 1956. Please feel free to contact us for a detailed description of the copies available. SKU lom-SK000168‎

‎DE FAMILIE SCHRIKKEL. 2e DEEL.‎

‎Maldeghem, Delille, 1899 Originele uitgeversomslag, 17.9x13.6 cm., 286 pp. + IV + XXI pp.‎

‎Duimpjesuitgave nummer 14.‎

‎Sylvia Une vie au coeur du Mossad‎

‎ 2013 Paris, Nouveau Monde Editions, 2013 14 x 22,5 cm, broché, couverture souple illustrée, état neuf, ‎

‎Traduit de l'anglais par Madison Deschamps. ‎

‎Remember Be here now.‎

‎Harmony. 1978. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Non paginé, environ 300 pages - livre en anglais - nombreuses photos et nombreux dessins en monochrome dans et hors texte.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon‎

‎Livre en anglais - Sommaire : Journey the transformation : Dr Richard Alpert, Ph.D. into Baba Ram Dass - from bindu to ojas the core book - cookbook for a sacred life a manual for conscious being - painted cakes books. Classification Dewey : 420-Langue anglaise. Anglo-saxon‎

‎Royal Nepal: A Political History‎

‎Sangam Books Ltd Reli D'occasion bon tat 15/11/1996 98 pages ‎