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Gedenkblatt des Zentralverband der Zimmerer und verwandter Berufsgenossen Deutschland
Hamburg Bruno Karberg 1928 Certificat commémoratif de 25 ans délivré au camarade Friedrich Steinig par l'association des charpentiers et des professions associées. Lithographie estampée à l'aveugle d'après un dessin de Bruno Karberg. Un beau dessin art-déco, avec des détails dorés et en couleur. Un peu de frottement au nom et à la date (imprimés après la feuille originale) et un léger assombrissement / marquage à la feuille, mais dans l'ensemble en excellent état. Bruno Karberg était un artiste graphique allemand basé à Hambourg. Il a été l'élève d'O. Czeschka à l'école des arts et métiers. Détails de l'éditeur imprimés au bas du certificat. 455 x 375 mm
A 25 year commemorative certificate issued to comrade Friedrich Steinig by the association of Carpenters and associated professions. Blind-embossed lithograph based on a design by Bruno Karberg. An attractive, art-deco design, with gilt and colour detail. A little rubbing to the name and date (printed after the original sheet) and slight darkening / marking to the sheet, but overall in excellent condition. Bruno Karberg was a German graphic artist based in Hamburg. Was a student of O. Czeschka at the arts and crafts school. Printed publisher details to the bottom of the certificate. 455 by 375mm (18 by 14Ÿ inches). .
[Roser Capdevila , Christophe Besse , Pierre Probst , Michelle Daufresne , Florence Koenig , Bruno Heitz , Sandra Smith , Camille Noisette ,] - JOLY Fanny , ZIMMERMANN Natalie , PROBST Pierre , DAUFRESNE Michelle , GONTIER Josette , HEITZ Bruno , PERRAULT Charles
Reference : 017915
(1996)
Tu Me Racontes Une Histoire ? Recueil De 8 Histoires : - L'école Des Bébés - le Lapin de Malheur - Youpi à L'école - Têtard Pot-De-colle - Le Rayon De Soleil - Lapinus , Sculpteur Sur Carotte - Le Chat Botté - Maman Fait Semblant
Paris France Loisirs 1996 In Quarto Superbe réalisation : ce livre rassemble de grands auteurs et de grands illustrateurs de livres pour enfants . A offrir sans modération . - 160 p. , 1 kg 100 gr.
Couverture rigide Très Bon État . 1ère Édition
Galerie de Saint Bruno fondateur de l'ordre des Chartreux, peinte par E. Le Sueur, dessinée et gravée par A. Villerey.
P., Villerey, 1808, in 8° relié demi-chagrin bleu nuit, dos à faux nerfs orné ; des rousseurs.
Portrait de Le Sueur en frontispice. Vie de Saint-Bruno (46 pages) - Explication des gravures (22 pages) - 24 gravures hors-texte. PHOTOS SUR DEMANDE. ...................... Photos sur demande ..........................
Phone number : 04 77 32 63 69
Deux siècles précurseurs- Mélanges en l'honneur de Bruno Foucart.
Paris, Ed. Norma, 2008. 2 vol in-8 broché, couv. ill. en coul. sous coffret, 764 607 pp., ill. en n/b. et en coul. dans le T.2, annexes, bibliographies, index.
Coffret un brin défraichi, très bon ex. au demeurant. - Frais de port : -France 4,95 € -U.E. 11 € -Monde (z B : 18 €) (z C : 31 €)
Bruno Bettelheim Présente les Mille et Une Nuits : Choix De Contes
Paris Seghers 1979 Grand In 8 L'auteur a mis en lumière , l'importance des contes de fées dans la structuration psychique de l'enfant , ils fonctionnent en réponses à des angoisses naturelles et agissent comme fonction thérapeutique . Il nous fait découvrir la richesse inépuisable de ce patrimoine sans âge ; Ces travaux seront poursuivis par une de ses disciples : Mme Von Franz . Une lecture indispensable , il analyse ici l'histoire de - Sindbad le marin - , entre autres contes . - 216 p. , 550 gr.
Couverture rigide Très bon 1ère Édition
Algérie 1830 - 1962
Paris Maisonneuve et Larose / Valmonde 1999 Grand In 8 Collection " Les trésors retrouvés de la Revue des Deux mondes " . Préface de Bruno Etienne . Histoire Colonialisme . - 584 p. , 1 kg 100 gr.
Couverture souple Très Bon État . 1° Édition Chez Cet Éditeur
Le temps du silence. Préface de Dom Patrick Olive, Abbé de Sept-Fons.
1990 Brepols, 1990, in 4° broché, 153 pages ; couverture illustrée.
Nombreuses photographies de Bruno Rotival. Un article de "Libération" ajouté en frontispice. ...................... Photos sur demande ..........................
Phone number : 04 77 32 63 69
COLLECTIF, LOLIVIER Antoine, PANNIER Bruno, GALTIER Damien, AMARA Walid -
Reference : 4602
Nutritions Et Facteurs De Risque, Revue Médicale En Maladies Cardiovasculaires, Diabétologie, Endocrinologie, Obésité, Avril 2005, Volume 3, N°16, Expressions Santé S.A., Paris XI, 2005
21x29,5 cm, broché, 44 pages, excellent état, revue toute en couleurs, avec son lot de pages publicitaires intercalées, agenda et actualités en premières pages, bulletin d'abonnement et rendez-vous de l'industrie en dernières pages -
Au sommaire de cette édition : Recommandations (prise en charge du patient dyslipidémique), Congrès (celui de l'ACC 2005 avec ses nouvelles études), Pédiatrie (obésité de l'enfant, de la prévention à la prise en charge), Diététique (hypertension artérielle, conseil pour le bon régime). Et surtout un dossier complet - et détachable - coordonné par le Docteur Bruno Pannier sur le diabète et coronaire (comment dépister l'ischémie myocardique silencieuse, infarctus du myocarde à la phase aiguë et le modèle diététique des Crétois et des Japonais).
Lépreux et sociabilité du Moyen Age aux Temps Modernes. Introduction et présentation des textes par Bruno Tabuteau.
Université de Rouen, Sociabilité, Culture et Patrimoine, Cahiers du GRHIS, N°11 - 2000, in 8° broché, 98 pages ; illustrations.
...................... Photos sur demande ..........................
Phone number : 04 77 32 63 69
Bardo, Le Passage, Éditions Florent Massot, 2009
13x21 cm, broché, 214 pages, état neuf, bibliographie succincte en fin d'ouvrage (références traitant du livre tibétain des morts et du bouddhisme tibétain), code-barre : 9782916546278
Réalisateur et photographe, Bruno Portier a parcouru l'Asie pendant douze ans avant d'entreprendre des recherches en anthropologie sociale. Depuis, il se consacre à l'écriture et à la réalisation de films et de documentaires. Bardo, le passage raconte, suite à son accident de moto, le périple d'une jeune femme, Anne, à travers les états intermédiaires, périodes de doute profond que l'on traverse au cours de la vie et de la mort (les bardo). Le récit s'inspire du Livre tibétain des morts, dont il retranscrit scrupuleusement le contenu et les étapes.
Le parfum d'une âme. Mère Saint-Bruno, religieuse de Saint-Joseph de Lyon, par celles qui l'ont connue et aimée.
1926 Saint-Etienne, Dumas, 1926, petit in 8° broché, 117 pages ; photographies hors-texte.
...................... Photos sur demande ..........................
Phone number : 04 77 32 63 69
Bruno Walter. Portraits de Roger Hauert.
Genève, Kister (Collection Les Grands Interprètes), 1956, grand in 8° broché, 32 pages ; importante iconographie ; couverture illustrée rempliée (manque au plat inférieur).
...................... Photos sur demande ..........................
Phone number : 04 77 32 63 69
Le livre de l'amour. Jacqueline Vincent présentée par le Père Bruno de J.-M. .
P., Desclée de Brouwer, 1960, in 8° broché, 293 pages ; portraits hors-texte.
...................... Photos sur demande ..........................
Phone number : 04 77 32 63 69
Espaces en représentation.
Saint Etienne, CIEREC (Travaux XXXIII), 1982, in 8° broché, 189 pages ; couverture illustrée.
Articles de Gilbert Durand, Jean Jacques Wunenberger, Jean Pierre Mourey, Michel Fabre, Bruno Duborgel, Maurice Frechuret et Michel Bepoix. Illustrations dans et hors-texte. PHOTOS SUR DEMANDE. ...................... Photos sur demande ..........................
Phone number : 04 77 32 63 69
Saint Bruno, fondateur de l'ordre des Chartreux. Illustrations de Paul-Philibert Charrin.
Lyon, Editions et Imprimeries du Sud-Est, EISE (Collection "Nos Amis les Saints"), 1958, petit in 8°, cartonnage illustré de l'éditeur, 80 pages.
PHOTOS sur DEMANDE. ...................... Photos sur demande ..........................
Phone number : 04 77 32 63 69
Bruno Bettelheim présente Les Contes de Perrault. texte intégral. Suivis des contes de Mme d'Aulnoye et de Mme Leprince de Beaumont. Traduction de l'introduction et adaptation des contes par Théo Carlier.
P., Seghers, 1978, in 8° broché, 267 pages ; couvetrure illustrée en couleurs.
PHOTOS sur DEMANDE. ...................... Photos sur demande ..........................
Phone number : 04 77 32 63 69
[LYONNAIS] - AUDIN (Amable) - FAUCON (Bruno) - LEYGE (François).-
Reference : 74758
(1987)
Regarder et comprendre... une ville.
1987 Paris, Calmann-Lévy (Collection "Jupilles"), 1987, in 8° carré, cartonnage illustré de l'éditeur, 90 pages.
Etude de la ville de LYON. Texte de Amable Audin, dessins de Bruno Faucon, photos de François Leyge. Bel exemplaire. ...................... Photos sur demande ..........................
Phone number : 04 77 32 63 69
Pneumologie - Editions Masson Paris 1999
in-8° broché, 526 pages, très bon état, collectif d'auteurs sous la direction de Bruno Housset, ISBN : 9782225836732
Cet abrégé présente de manière concise, pratique et complète, la pathologie respiratoire sous ses aspects diagnostiques et thérapeutiques les plus modernes.
Ueber die Lehre des Spinoza in Briefen an den Herrn Moses Mendelssohn. Neue vermehrte Auflage. - [THE FIRST EVER TRANSLATION OF BRUNO'S ""DE UNO ET CAUSA""...]
Breslau, Gottl. Löwe, 1789, 8vo. Very beautiful contemporary red full calf binding with five raised bands and gilt green leather title-label to richly gilt spine. elaborate gilt borders to boards, inside which a ""frame"" made up of gilt dots, with giltcorner-ornamentations. Edges of boards gilt and inner gilt dentelles. All edges gilt. Minor light brownspotting. Marginal staining to the last leaves. Engraved frontispiece-portrait of Spinoza, engraved title-vignette (double-portrait, of Lessing and Mendelssohn), engraved end-vignette (portrait of Jacobi). Frontispiece, title-page, LI, (1, -errata), 440 pp. Magnificent copy.
First edition thus, being the seminal second edition, the ""neue vermehrte Auflage"" (new and expanded edition), which has the hugely important 180 pp. of ""Beylage"" for the first time, which include the first translation into any language of any part of Giordano Bruno's ""de Uno et Causa..."" (pp. 261-306) as well as several other pieces of great importance to the ""Pantheismusstreit"" and to the interpretation of the philosophy of Spinoza and Leibniz, here for the first time in print. The present translation of Bruno seems to be the earliest translation of any of Bruno's works into German, and one of the earliest translations of Bruno at all - as far as we can establish, the second, only preceded by an 18th century translation into English of ""Spaccio della bestia trionfante"". It is with the present edition of Jacobi's work that the interest in Bruno is founded and with which Bruno is properly introduced to the modern world. Jacobi not only provides what is supposedly the second earliest translation of any of Bruno's works ever to appear, he also establishes the great influence that Bruno had on two of our greatest thinkers, Spinoza and Leibnitz. It is now generally accepted that Spinoza founds his ethical thought upon Bruno and that Lebnitz has taken his concept of the ""Monads"" from him. It is Jacobi who, with the second edition of his ""Letters on Spinoza..."", for the first time ever puts Bruno where he belongs and establishes his position as one of the key figures of modern philosophy and thought. Bruno's works, the first editions of which are all of the utmost scarcity, were not reprinted in their time, and new editions of them did not begin appearing until the 19th century. For three centuries his works had been hidden away in libraries, where only few people had access to them. Thus, as important as his teachings were, thinkers of the ages to come were largely reliant on more or less reliable renderings and reproductions of his thoughts. As Jacobi states in the preface to the second edition of his ""Letters on Spinoza..."", ""There appears in this new edition, under the title of Appendices (""Beylage""), different essays, of which I will here first give an account. The first Appendix is an excerpt from the extremely rare book ""De la causa, principio, et Uno"", by Jordan Bruno. This strange man was born, one knows not in which year, in Nola, in the Kingdom of Naples"" and died on February 17th 1600 in Rome on the stake. With great diligence Brucker has been gathering information on him, but in spite of that has only been able to deliver fragments [not in translation]. For a long time his works were, partly neglected due to their obscurity, partly not respected due to the prejudice against the new opinions and thoughts expressed in them, and partly loathed and suppressed due to the dangerous teachings they could contain. On these grounds, the current scarcity of his works is easily understood. Brucker could only get to see the work ""De Minimo"", La Croce only had the book ""De Immenso et Innumerabilibus"" in front of him, or at least he only provides excerpts from this [also not in translation], as Heumann does only from the ""Physical Theorems"" [also small fragments, not in translation]"" also Bayle had, of Bruno's metaphysical works, himself also merely read this work, of which I here provide an excerpt."" (Vorrede, pp. (VII)-VIII - own translation from the German). Jacobi continues by stating that although everyone complains about the obscurity of Bruno's teachings and thoughts, some of the greatest thinkers, such as Gassendi, Descartes, ""and our own Leibnitz"" (p. IX) have taken important parts of their theorems and teachings from him. ""I will not discuss this further, and will merely state as to the great obscurity (""grossen Dunkelheit"") of which people accuse Bruno, that I have found this in neither his book ""de la Causa"" nor in ""De l'Infinito Universo et Mondi"", of which I will speak implicitly on another occasion. As to the first book, my readers will be able to judge for themselves from the sample (""Probe"") that I here present. My excerpt can have become a bit more comprehensible due to the fact that I have only presented the System of Bruno himself, the ""Philosophia Nolana"" which he himself calls it, in its continuity... My main purpose with this excerpt is, by uniting Bruno with Spinoza, at the same time to show and explain the ""Summa of Philosophy"" (""Summa der Philosophie"") of ""En kai Pan"" [in Greek characters - meaning ""One and All""]. ... It is very difficult to outline ""Pantheism"" in its broader sense more purely and more beautifully than Bruno has done."" (Vorrede pp. IX-XI - own translation from the German). So not only does Jacobi here provide this groundbreaking piece of Bruno's philosophy in the first translation ever, and not only does he provide one of the most important interpretations of Spinoza's philosophy and establishes the importance of Bruno to much of modern thought, he also presents Bruno as the primary exponent of ""pantheism"", thereby using Bruno to change the trajectory of modern thought and influencing all philosophy of the decades to come. After the second edition of Jacobi's ""Ueber die Lehre des Spinoza"", no self-respecting thinker could neglect the teachings of Bruno"" he could no longer be written off as having ""obscure"" and insignificant teachings, and one could no longer read Spinoza nor Leibnitz without thinking of Bruno. It is with this edition that the world rediscovers Bruno, never to forget him again.WITH THE FIRST EDITION OF ""UEBER DIE LEHRE DES SPINOZA"" (1785), JACOBI BEGINS THE FAMOUS ""PATHEISMUSSTREIT"", which focused attention on the apparent conflict between human freedom and any systematic, philosophical interpretation of reality. In 1780, Jacobi (1743-1819), famous for coining the term nihilism, advocating ""belief"" and ""revelation"" instead of speculative reason, thereby anticipating much of present-day literature, and for his critique of the Sturm-und-Drang-era, had a conversation with Lessing, in which Lessing stated that the only true philosophy was Spinozism. This led Jacobi to a protracted and serious study of Spinoza's works. After Lessing's death, in 1783 Jacobi began a lengthy letter-correspondende with Mendelssohn, a close friend of Lessing, on the philosophy of Spinoza. These letters, with commentaries by Jacobi, are what constitute the first edition of ""Ueber die lehre des Spinoza"", as well as the first part of the second edition. The second edition is of much greater importance, however, due to greatly influential Appendices. The work caused great furor and the enmity of the Enlightenment thinkers. Jacobi was ridiculed by his contemporaries for attempting to reintroduce into philosophy belief instead of reason, was seen as an enemy of reason and Enlightenment, as a pietist, and as a Jesuit. But the publication of the work not only caused great furor in wider philosophical circles, there was also a personal side to the scandal which has made it one of the most debated books of the period: ""Mendelssohn enjoyed, as noted at the outset, a lifelong friendship with G. E. Lessing... Along with Mendelssohn, Lessing embraced the idea of a purely rational religion and would endorse Mendelssohn's declaration: ""My religion recognizes no obligation to resolve doubt other than through rational means"" and it commands no mere faith in eternal truths"" (Gesammelte Schriften, Volume 3/2, p. 205). To pietists of the day, such declarations were scandalous subterfuges of an Enlightenment project of assimilating religion to natural reason... While Mendelssohn skillfully avoided that confrontation, he found himself reluctantly unable to remain silent when, after Lessing's death, F. H. Jacobi contended that Lessing embraced Spinoza's pantheism and thus exemplified the Enlightenment's supposedly inevitable descent into irreligion.Following private correspondence with Jacobi on the issue and an extended period when Jacobi (in personal straits at the time) did not respond to his objections, Mendelssohn attempted to set the record straight about Lessing's Spinozism in ""Morning Hours"". Learning of Mendelssohn's plans incensed Jacobi who expected to be consulted first and who accordingly responded by publishing, without Mendelssohn's consent, their correspondence - ""On the Teaching of Spinoza in Letters to Mr. Moses Mendelssohn"" - a month before the publication of ""Morning Hours"". Distressed on personal as well as intellectual levels by the controversy over his departed friend's pantheism, Mendelssohn countered with a hastily composed piece, ""To the Friends of Lessing: an Appendix to Mr. Jacobi's Correspondence on the Teaching of Spinoza"". According to legend, so anxious was Mendelssohn to get the manuscript to the publisher that, forgetting his overcoat on a bitterly cold New Year's eve, he delivered the manuscript on foot to the publisher. That night he came down with a cold from which he died four days later, prompting his friends to charge Jacobi with responsibility for Mendelssohn's death.The sensationalist character of the controversy should not obscure the substance and importance of Mendelssohn's debate with Jacobi. Jacobi had contended that Spinozism is the only consistent position for a metaphysics based upon reason alone and that the only solution to this metaphysics so detrimental to religion and morality is a leap of faith, that salto mortale that poor Lessing famously refused to make. Mendelssohn counters Jacobi's first contention by attempting to demonstrate the metaphysical inconsistency of Spinozism. He takes aim at Jacobi's second contention by demonstrating how the ""purified Spinozism"" or ""refined pantheism"" embraced by Lessing is, in the end, only nominally different from theism and thus a threat neither to religion nor to morality."" (SEP).The Beylagen, which are not included in the 1785 first edition and only appear with the 1789 second edition, include: I. Auszug aus Jordan Bruno von Nola. Von der Ursache, dem Princip und dem Einen (p. 261-306) II. Diokles an Diotime über den Atheismus (p. 307-327) translation of Lettre ... sur l'Athéisme by F. Hemsterhuis.
Opera ea quae ad adinventam ab ipso ertem universalem, Scientiarum Artiumque omnium breui compendio, firmaque memoria apprehendendarum, locupletissimaque vel oratione ex tempore pertractandarum, pertinent. Ut et In eandem quorumdam interpretum scripti... - [SPARKING LEIBNIZ' DREAM OF A UNIVERSAL ALGEBRA]
Argentinae (i.e Strassburg], Lazarus Zetzner, 1598. 8vo. Very nice 19th century half calf with richly gilt spine. Some browning and spotting, but overall a nice copy. Many woodcut diagrams in the text. Woodcut printer's device to title-page. (24), 992, (32) pp.
Scarce first edition of this seminal publication, which is practically solely responsible for the spreading of both Lullism and Bruno's mnemonic theories in the 17th century. This publication constitutes the standard work on Lull for more than a century and it directly influenced the most significant thinkers of the following century, e.g. Leibnitz, whose dream of a universal algebra was stimulated by the reading of Lull (and Bruno) in the present publication.""In 1598, while the philosopher from Nola (i.e. Bruno) was in prison in Rome, Johann Heinrich Alsted together with the printer Lazarus Zetzner in Strasburg, published a great collection of the works by Raymond Lull and the most significant commentaries on Lullism, among them also some treatises by Bruno. Since then, Bruno's mnemonics was a basic component of all attempts made in the seventeenth century to set up a universal science on the basis of a theory of combinations interpreted in terms of Neo-Platonism... It was also Leibniz who was one of the first to assume similarities between Bruno's theory of the infinite and the Cartesian theory of vortices in an undetermined and infinite universe"" Leibniz had had the opportunity to read these treatises in his capacity as librarian of the Herzog August Library in Wolfenbüttel"". (Blum, p. 110). ""From another of Pierce's Lists we know that he possessed an important collection of Lullian and Lullist texts, namely the Renaissance edition by the famous Strasbourg editor Lazarus Zetzner: ""Raymundi Lulli Opera ea quae ad adinventam ab ipso Artem universalem... pertinent"" (printed first in 1598, then 1609, 1617 and, by his heirs, in 1651). This edition, which was very influential - the young Leibniz, for instance, acquainted himself with Llull through this anthology-, contains several works by Llull himself as well as those Renaissance commentaries on his works by Agrippa of Netteshein, Giordano Bruno..."" (Fidora, p. 181).This highly influential publication of Lull's ""Opera"" through which Leibniz and many of his contemporaries got acquainted with Lull and Bruno, contains seven genuine works by Lull (including the two most important works of the last period of the Art, the ""Ars brevis"" and the ""Ars magna""), four works falsely attributed to Lull, Agrippa's ""In Artem Brevem"" - and Bruno's four highly important commentaries on Lull, being the ""De Lulliano specierum scrutinio"" (pp. 685-97), ""De Lampade combinatoria Lulliana"" (pp. 698-755), ""De Progressu Logicae venationis"" (pp. 756-62) and ""De Lampade venatoria logicurum"" (pp. 763-806), which constitute Bruno's most important logical treatises and his seminal writings on mnemonics. The four treatises originally appeared separately in 1587 and 1588 respectively, and all appear here for the second time (apart from the ""De progressu"", which also appeared together with the first printing of the ""De Lampade venatoria logicorum"" the following year and here thus appears for the third time). The first printings of these works are of impossible scarcity and hardly obtainable. These four groundbreaking works appear together for the first time in the present publication and it is through this second printing of them that 17th century thinkers such as Leibniz got acquainted with them. Raymond Lull (ca. 1232-1315) was one of the most important and influential philosophers and logicians of his time. He is considered a pioneer of several fields of science, now most notably computation theory. His works sparked Leibniz' interest in the field and drove him to his seminal invention. Lull invented an ""art of finding truth"" (often in Lullism referred to as ""The Art""), which centuries later, when read in the present publication, stimulated Leibnitz' dream of a universal algebra. Lull applied this art to basically all subjects studied at the Medieval Universities. ""Lull's metaphysics worked a revolution in the history of philosophy"" (The Cambridge History of Renaissance Philosophy, p. 548). Giordano Bruno (1548-1600) is one of the most significant thinkers of modern times. He prepared the way for the rise of modern philosophy and became a forerunner of modern philosophy and science. His logical commentaries and mnemonic treatises were of special importance to the emerging logic of the 17th century and it is his version of Lullism that comes to dominate this significant strand of thought for more than a century. Having been arrested in 1592 due to alleged heresy, Bruno was subjected to a 6 year long trial that finally condemned him to hanging in 1600, two years after the publication of the four works that came to secure his influence over the following century. ""Bruno burned for philosophy"" he was killed for moral, physical, and metaphysical views that terrified and angered authorities."" (Copenhaver & Schmitt, p. 315).""By far the greatest figure of this generation was Giordano Bruno (1548-1600), whose interest in Llull dates almost exclusively from his sojurns in France and Germany. His activities in this field, which he combined with his other aspects of Reniassance philosophy, are too complex to be treated in any detail here. Suffice it to say with Frances Yates that ""the three strands of the Hermetism, the mnemonics, the Lullism are all interwoven in Bruno's complex personality, mind and mission""...""Perhaps the most important event of Lulliasm of this period was not the appearance of any new figure or work but the publication of an anthology by Lazarus Zetzner of Strasburg, entitled ""Raymundi Lullii, opera ea quae ad adinventam ab ipso Artem universalem"", which, for the next century or so, was to become the standard work on Llull. It is therefore instructive in understanding seventeenth-century Lullism... The first edition of this anthology appeared in Strasburg in 1598. It was reprinted in 1609... reprinted in 1617 and again in 1651... This mixture of Llull, pseudo-Llull, and Renaissance commentaries, emphasizing a general art of discourse, constituted the ""package"" in which Llull was presented to seventeenth-century readers, including Leibniz (note 33: it was apparently the first edition of 1598 that Leibniz read), and it must be kept in mind when discussing their version of Llull."" (Bonner, pp. 67-68). Bruno's works, the first editions of which are all of the utmost scarcity, were generally not reprinted in Bruno's lifetime and new editions of them did not begin appearing until the 19th century. For three centuries his works had been hidden away in libraries, where only few people had access to them. One very significant exception is the four treatises that we find in the present publication. They are among the only of Bruno's treatises to be published again before the 19th century, and as they don't appear again on their own, but here, in THE most important publication of Lull's writings for more than a century, it is through this second printing of these four works that Bruno comes to have his primary influence upon 17th century philosophy and science. His separate publications were simply not accessible to thinkers like Leibniz and could thus not be studied. Also therefore, Zetzners' 1598 publication of Lull and Bruno together proved to be of seminal importance, not only to the spreading of Lullism, but just as much to the spreading of Bruno's even more important theories. ""Raymond Lull (ab. 1232 - 1315), Majorcan writer, philosopher, memorycian (he was later to become a great source of inspiration for Giordano Bruno), logician, and a Franciscan tertiary. He wrote the first major work of Catalan literature. Recently-surfaced manuscripts show him to have anticipated by several centuries prominent work on elections theory. He is sometimes considered a pioneer of computation theory, especially given his influence on Gottfried Leibniz. He is also well known also as a glossator of Roman Law. Lull taught himself Arabic with the help from a slave. As a result, he wrote his ""Ars Magna"", which was intended to show the necessary reasons for the Christian faith. To promote his theory and test its effectiveness, he went to Algiers and Tunis. At the age of 82, in 1314, Lull traveled again to North Africa, where an angry crowd of Muslims stoned him in the city of Bougie. Genoese merchants took him back to Mallorca, where he died at home in Palma the following year."". (Thorndyke)Giordano Bruno was born in Nola in Southern Italy in 1548, and entered the Dominican order in Naples at the age of 18. While pursuing theological studies, he also thoroughly studied the ancient philosophers and began doubting some of the teachings of the Catholic Church. When he was in Rome in 1576, these doubts became known to the authorities of his order, and an indictment for heresy was prepared against him. Before he could be arrested, he escaped and began a long journey which took him to many European countries, among these England, where his most important works are published, until in 1592 he was denounced to the Inquisition and arrested. In 1593 he was taken to Rome, imprisoned, and subjected to a 6 year long trial. He firmly refused to recant his philosophical opinions, and in 1600 he was condemned for heresy, sentenced to death, and burned alive.SALVESTRINI NR. 1.See:Anthony Bonner: Doctor Illuminatus. A Ramon Llull Reader, 1993.Paul Richard Blum: Giordano Bruno. An Introduction, 2012.The Cambridge History of Renaissance Philosophy.Alexander Fidora: Peirce's Account of the Categories and Ramon Llull.
Le ciel réformé. Essai de traduction de partie du livre italien, Spaccio della Bestia Trionfante. - [INFLUENCING FRENCH ENLIGHTENMENT THOUGHT]
[Paris], 1750 [L'an 1000 700 50]. Small 8vo. Lovely contemporary full mottled calf with richly gilt spine and triple gilt line-borders to boards. All edges of boards gilt, and inner gilt dentelles. Some wear to extremities, especially capitals. Book plate removed from inside of front board. Half-title and title-page printed in red and black. Engraved title-vignette. A nice and clean copy, printed on good, heavy paper, and with wide margins. (4), 92 pp.
Scarce first translation into French of Giordano Bruno's seminal ""Expulsion of the Triumphant Beast"", being the first part of any of Bruno's works to be translated into French and presumably the second translation of any of Bruno's works into any language, only preceded by the equally scarce first translation into English of the same work (1713). ""The Expulsion of the Triumphant Beast"" constitutes one of Bruno's main works and that of his works which proved to be most influential throughout the 18th and 19th centuries, profoundly affecting both science, philosophy and religion, as it ""turns to social ethics and religious reform, but in a cosmic setting"". (Copenhaver & Schmitt, p. 301).Bruno's world-view as presented in the ""Spaccio"" cannot but have appealed directly to the French thinkers of the 18th century, when the first part of any of Bruno's works thus appears in French for the first time. The Enlightenment thinkers of 18th century France must have found much resonance with the extreme and provocative views held by the - until then - overlooked Renaissance thinker, who was burned on the stake due to his non-conformist views. ""Magic, pantheism, idolatory, demonolatory, apostasy - just these few outrages from the long list in the ""Spaccio"" would have been enough to anger the authorities, but there were more besides: Bruno doubted immortality, taught metempsychosis, recommended free-thinking, deserted positive for natural religion, criticized the Bible, defamed the Jews, slandered the Protestants, betrayed the Catholics, and condemned civil government besides."" (Copenhaver & Schmitt, p. 302). - Bruno's thoughts as expressed in the ""Spaccio"" doe not leave those of a Voltaire far behind.Bruno's works, the first editions of which are all of the utmost scarcity, were not reprinted in their time, and new editions of them did not begin appearing until the 19th century. For three centuries his works had been hidden away in libraries, where only few people had access to them. Thus, as important as his teachings were, thinkers of the ages to come were largely reliant on more or less reliable renderings and reproductions of his thoughts. The first translations of his works thus proved to be of seminal importance to the spreading of his ideas.As Jacobi states in the preface to the second edition of his ""Letters on Spinoza..."" (1785), ""This strange man was born, one knows not in which year, in Nola, in the Kingdom of Naples"" and died on February 17th 1600 in Rome on the stake. With great diligence Brucker has been gathering information on him, but in spite of that has only been able to deliver fragments [not in translation]. For a long time his works were, partly neglected due to their obscurity, partly not respected due to the prejudice against the new opinions and thoughts expressed in them, and partly loathed and suppressed due to the dangerous teachings they could contain. On these grounds, the current scarcity of his works is easily understood. Brucker could only get to see the work ""De Minimo"", La Croce only had the book ""De Immenso et Innumerabilibus"" in front of him, or at least he only provides excerpts from this [also not in translation], as Heumann does only from the ""Physical Theorems"" [also small fragments, not in translation]"" (pp. (VII)-VIII - own translation from the German). Bruno's most representative work, ""Spaccio de la bestia trionfante"" (The Expulsion of the Triumphant Beast), published in an atmosphere of secrecy in 1584 and never referred to as anything but blasphemous for more than a century, was singled out by the church tribunal at the summation of his final trial. That is hardly surprising because the book is a daring indictment of the corruption of the social and religious institutions of his day. The ""triumphant beast"" signifies the reign of multifarious vices. Cast in the form of allegorical dialogues, Bruno's work presents the deliberations of the Greek gods who have assembled to banish from the heavens the constellations that remind them of their evil deeds. The crisis facing Jove, the aging father of the gods, is symbolic of the crisis in a Renaissance world profoundly disturbed by new religious, philosophical, and scientific ideas."" (From Arthur D. Imerti's 1964 translation of the work into English).""Bruno, who had already used geometric diagrams and philosophical terms to present n infinite universe, now wrote a dialogue in which he transformed the cosmos by transforming its imagery. He called it ""The Triumphant Beast"", a phrase that brought to mind the book of Revelation [...] Unlike most of his contemporaries, who gave the universe about six thousand years of existence since creation, the Nolan philosopher had already proclaimed that it was infinitely old"" in ""The Expulsion of the Triumphant Beast"", he insists that the universe holds cultures and memories that have come and gone and will come and go again."" (Rowland, pp. 164-65).Giordano Bruno was born in Nola in Southern Italy in 1548, and entered the Dominical order in Naples at the age of 18. While pursuing theological studies, he also thoroughly studied the ancient philosophers and began doubting some of the teachings of the Catholic Church. When he was in Rome in 1576, these doubts became known to the authorities of his order, and an indictment for heresy was prepared against him. Before he could be arrested, he escaped and began a long journey which took him to many European countries, among these England, where his most important works are published, until in 1592 he was denounced to the Inquisition and arrested. In 1593 he was taken to Rome, imprisoned, and subjected to a 6 year long trial. He firmly refused to recant his philosophical opinions, and in 1600 he was condemned for heresy, sentenced to death, and burned alive. ""Bruno burned for philosophy"" he was killed for moral, physical, and metaphysical views that terrified and angered authorities."" (Copenhaver & Schmitt, p. 315).Salvestrini: 112Copenhaver & Schmitt: ""Renaissance Philosophy"", 1992.Ingrid D. Rowland: ""Girodano Bruno. Philosopher/Heretic"", 2008.See also: Cassirer: ""Das Erkenntnisproblem"", 1922 Bd. 1"" ""An Essay on Man"", 1944. Garin: ""Italian Humanism"", 1965. Paterson: ""The Infinite Worlds of Giordano Bruno"", 1970. Kristeller: ""Eight Philosophers of the Italian Renaissance"", 1964. Copenhaver & Schmitt: ""Renaissance Philosophy"", 1992. W. Boulting, ""Giordano Bruno"".
Bruno Vekemans, Kinshasa - Congo
, Antwerp, 2008., 300 x 235 mm, 112p, Eng./ Fr./ NL/ Germ. ed. Hardback (relie) ISBN 9789077207192.
In December 2005, Bruno Vekemans decided for the first time in his oeuvre to create an extensive series of artworks on a particular theme. In May of 2006 Bruno Vekemans stayed in Kinshasa, Congo - 2 months prior to the first round of the first democratic elections in 40 years - to prepare for a series of gouaches, oils on canvas and verres eglomises. His physical presence and the emotional experience of this study trip to Kinshasa made an overwhelming impression on Bruno Vekemans, both as a person and as an artist. He allowed this project to occupy two years of his life. At the centre of it all lies authenticity.Bruno Vekemans is a personality, and, beyond that, a man with a great deal of respect for other people, both in his daily life and as subjects.He retains everything of the authentic artist, and has been painting since the age of seven. Throughout his career, Vekemans has always maintained that he does not like to theorise or even philosophise about his work. His life and his mission are simply to paint. That reflexive response reveals how his art is a highly intuitive and everyday activity to him.The black people portrayed in Kinshasa have an individuality and naturalness no longer apparent in West Europeans. They are not affected; neither are they influenced by the media: qualities that enable Bruno Vekemans to portray them in their full glory. He gives the Congolese a starring role.The image material - photos and film - collected as a sort of sketchbook for this series, is "genuine" and experienced by the artist.This art book recreates that Kinshasa Congo experience for the reader, not only through its text, but also and above all through its images.Dvd included (4,5 minuten Vekemans in Kinshasa-Congo)
Bruno Vekemans Kinshasa - Congo.
, Antwerp, 2008., Hardback, 300 x 235 mm, 112p, Eng./ Fr./ NL/ Germ. ed. ISBN 9789077207192.
In December 2005, Bruno Vekemans decided for the first time in his oeuvre to create an extensive series of artworks on a particular theme. In May of 2006 Bruno Vekemans stayed in Kinshasa, Congo - 2 months prior to the first round of the first democratic elections in 40 years - to prepare for a series of gouaches, oils on canvas and verres eglomises. His physical presence and the emotional experience of this study trip to Kinshasa made an overwhelming impression on Bruno Vekemans, both as a person and as an artist. He allowed this project to occupy two years of his life. At the centre of it all lies authenticity.Bruno Vekemans is a personality, and, beyond that, a man with a great deal of respect for other people, both in his daily life and as subjects.He retains everything of the authentic artist, and has been painting since the age of seven. Throughout his career, Vekemans has always maintained that he does not like to theorise or even philosophise about his work. His life and his mission are simply to paint. That reflexive response reveals how his art is a highly intuitive and everyday activity to him.The black people portrayed in Kinshasa have an individuality and naturalness no longer apparent in West Europeans. They are not affected; neither are they influenced by the media: qualities that enable Bruno Vekemans to portray them in their full glory. He gives the Congolese a starring role.The image material - photos and film - collected as a sort of sketchbook for this series, is "genuine" and experienced by the artist.This art book recreates that Kinshasa Congo experience for the reader, not only through its text, but also and above all through its images.Dvd included (4,5 minuten Vekemans in Kinshasa-Congo)
Nina Sutton Biografía Bruno bettelheim Una Vida
Editions Sutton 1995 1995. Nina Sutton Biografía Bruno Bettelheim: Una Vida (1995 Tbe ) La descripción de este producto se ha traducido automáticamente. Si tiene alguna pregunta al respecto por favor póngase en contacto con nosotros. gran volumen de bolsillo 758 páginas de las ediciones de Stock 1995 con galería de fotos en muy buen estado ; completo y sólido sin rasgaduras ni anotaciones interior limpio y fresco muy pocos pliegues en la cubierta Cómo pudo el nazismo salvar a los niños locos? Este enigma está en el corazón de la vida de Bruno Bettelheim. De ahí las pasiones y disputas que siempre han despertado al hombre y su trabajo. Del psicoanalista más famoso después de apenas no sabíamos casi nada. En cinco años de investigación apasionada Nina Sutton ha explorado los archivos ha interrogado a los testigos y actores de esta vida extraordinaria para volver sobre todas las etapas de un destino en el que se refleja el siglo XX. Infancia en la Viena de Freud; antisemitismo; la muerte prematura del padre obligando al joven a abandonar sus estudios de filosofía; un primer matrimonio doloroso; un análisis comenzó con Richard Sterba. El Anschluss pone fin a todo eso. El 2 de junio de 1938 Bruno Bettelheim fue enviado a Dachau luego a Buchewald. Es en este universo de muerte que paradójicamente Bettelheim-le- psicoanalista el que entendió el valor de la vida psíquica. El sobreviviente se dará a sí mismo la misión de distribuir esta riqueza. Bettelheim liberado es exiliado en América en la década de 1940. Todo parece nuevo en su segunda vida: idioma trabajo familia. Pero viejas heridas formaron bien el famoso Doctor B. The Orthogenic School su trabajo sobre el autismo sobre las relaciones entre padres e hijos sobre el totalitarismo su interpretación de los cuentos de hadas: todo su trabajo se asemeja a una larga lucha contra la muerte y la locura. Con emoción rigor y una notable intuición de los trucos que puede jugar el inconsciente Nina Sutton decodificó pacientemente las hermosas historias de Bruno Bettelheim y escuchó a sus amigos y a sus adversarios para encontrar el hilo de una pelea en la que nada de eso. Es humano no es extraño. El 12 de mars de 1990 la depresión finalmente se impuso al deseo de vivir de Bruno Bettelheim. Pero incluso su suicidio no puede ocultar esta evidencia: su trabajo es el de un hombre que nunca ha dejado de luchar por la vida. vea muchos otros libros en mi tienda. para Francia y Bélgica los costos de envío aumentan muy poco o nada en caso de compras múltiples. Perlenbook empresa Siret n ° 49982801100010. RCS Lure Tgi 499828911 N ° GESTION 2007 A 111. Creado por
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Nina Sutton Biography Of Bruno bettelheim One Life
Editions Sutton 1995 1995. Nina Sutton Biography Of Bruno Bettelheim: One Life (1995 Tbe ) The description of this item has been automatically translated. If you have any questions please feel free to contact us. large paperback volume 758 pages from Stock 1995 editions with photo gallery In very good shape ; complete and solid no tears or annotations clean interior and still fresh very few creases on the cover How was Nazism able to save the mad children? This enigma is at the heart of Bruno Bettelheim's life. Hence the passions and disputes that have always aroused man and his work. Of the most famous psychoanalyst after hardly we knew almost nothing. In five years of passionate investigation Nina Sutton has explored the archives questioned the witnesses and actors of this extraordinary life to retrace all the stages of a destiny in which the twentieth century is reflected. Childhood in Freud's Vienna; anti-Semitism; the premature death of the father forcing the young man to abandon his philosophy studies; a painful first marriage; an analysis started with Richard Sterba. The Anschluss puts an end to all that. On June 2 1938 Bruno Bettelheim was sent to Dachau then to Buchewald. It is in this universe of death that paradoxically Bettelheim-le- psychoanalyst the one who understood the value of the psychic life. The survivor will give himself the mission of distributing this wealth. Bettelheim freed it is exile in America in the 1940s. Everything seems new in its second life: language job family. But old wounds formed the famous Doctor B well. The Orthogenic School his work on autism on parent-child relationships on totalitarianism his interpretation of fairy tales - all his work resembles a long fight against death and madness. With emotion rigor and a remarkable intuition of the tricks that the unconscious can play Nina Sutton patiently decoded Bruno Bettelheim's beautiful stories and listened to her friends as well as her adversaries to find the thread of a fight in which nothing of the sort. is human is no stranger. On 12 Mars 1990 the depression eventually outweigh the desire to live by Bruno Bettelheim. But even his suicide cannot obscure this evidence: his work is that of a man who has never ceased to fight for life. see many other works in my shop . for France and Belgium the shipping costs increase very little or not at all in case of multiple purchases. Perlenbook company Siret n ° 49982801100010. RCS Lure Tgi 499 828 911 N ° GESTION 2007 A 111. Created by eBay
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