Matthew de Westminster [Matthew Paris], Florence de Worcester [Florent], [Jean de Worcester]
Reference : 4085
(1601)
1601 1601 Typis Wechelianis apud Claudium Marmium & heredes Ioannis Aubrii, Francofurti [Francfort], 1601. In-folio plein vélin ivoire, dos sobre à 5 nerfs, titre manuscrit, [1f.] blanc, page de titre, [3ff.] de préface, 696 pages, [12ff.] d'index, [1f.] blanc. Mors à restaurer, quelques travaux de vers sans atteinte au texte, quelques mouillures claires. Ex-libris manuscrits et tampons.
-Flores Historiarum: Histoire du monde depuis la Création jusqu'à la mort du roi Edouard en 1307.Cette chronique est largement basée sur les travaux de Matthew Paris (jusqu'en 1259) et ceux de nombreux continuateurs par la suite,basés à St Albans et Westminster.-Chronicon ex chronicis Florent de Worcester (mort en 1118) fut continuateur des travaux du moine irlandais Marianus (mort en 1082 ou 1083) qui composa une chronique de la Grande-Bretagne depuis la Création jusqu'au XIIème siècle. La librairie est ouverte du mardi au samedi de 9h30 à 12h30 et de 13h30 à 19h00. Commandes par courriel ou téléphone. Envoi rapide, emballage soigné. La librairie est ouverte du mardi au samedi de 9h30 à 12h30 et de 13h30 à 19h00. Commandes par courriel ou téléphone. Envoi rapide, emballage soigné.
The viking press 1963 in12. 1963. Broché.
Bon état couverture défraîchie ternie dos un peu creusé intérieur propre
Wharton William Du Aime Matthew Engelmann Florent
Reference : 517566
(2012)
ISBN : 235178054X
Tate 2001 144 pages 23 4x1 2x23 4cm. 2001. Broché. 144 pages.
Très bon état de conservation intérieur propre bonne tenue
GALLIMARD 2015 384 pages 15 4x2 8x22 4cm. 2015. Broché. 384 pages.
proche du neuf marque sur le haut du dos format moyen
Gallimard 2017 144 pages 19x12x2cm. 2017. Broché. 144 pages.
Etat de Neuf
Mary Kepler Katleen Irving John Hampton Matthew Rampling Ronald Fearfar Gerald Dutton
Reference : 100092891
(1981)
Balland 1981 in8. 1981. Broché. 6 volume(s).
rousseurs sur tranche et aux abords des plats intérieurs couvertures défraîchies jaunies dé-pelliculées par endroits
gallimard série noire 1971 250 pages in12. 1971. broché. 250 pages.
etat d'usage
Gallimard / série noire / Espionnage 1969 250 pages poche. 1969. broché. 250 pages.
Etat Correct
Routledge & kegan paul 1978 200 pages in8. 1978. Broché. 200 pages.
Etat Correct trace étiquette haut page faux titre
Matthew J. Bruccoli Solange Schnall Christian Mégret
Reference : 221799
(1985)
ISBN : 2868960235
Vertiges 1985 547 pages in8. 1985. Broché. 547 pages.
Bon Etat
, Brepols, 2022 Hardback, 298 pages, Size:156 x 234 mm, Illustrations:17 col., Language: English. ISBN 9782503594101.
Summary Carolingian Experiments presents essays exploring how the Carolingians (ca. 700-ca. 900 CE) ? a regime known especially for concerns over imperial power, order, and moral correction ? fostered a remarkable era of experimentation in medieval Europe. The scholars featured here ask new questions and conduct their own methodological experiments to uncover some of the many ways that people innovated within the Carolingian world. To that end, numerous themes are covered in this volume: culture and society, family and politics, religion and spirituality, literature and historiography, law and hierarchy, epistemology and science. This array of scholarly experiments reveals some of the range and depth of Carolingian invention. Furthermore, the essays consider how Carolingian innovation can be found in places both more and less known today, employing novel approaches to unearth some unexpected, even uncanny phenomena. This volume consequently offers a defamiliarizing view of the Franks, unveiling them as a people whose seemingly straightforward imperialism and reform were effective precisely because they stimulated and nurtured potent, creative impulses. In fact, one might argue that the Carolingian world's conservative, moralizing authorities ? despite, or perhaps at times because of, their determination to instil correct thought and behaviour in their subjects ? fostered many varieties of experimentation. Collectively, the authors of this volume seek to inspire new thinking about the Carolingians, while modelling alternative approaches and potential avenues for future research. Carolingian Experiments overall encourages readers to see that much remains unexplored, unknown and even unexpected about the Carolingians and their world. TABLE OF CONTENTS Introducing: Carolingian Experiments ? Matthew Bryan Gillis Part One: Structures Familiar and Otherwise Carolingian Boyhoods ? Valerie Garver Carolingian Experiments with Family ? Paul Edward Dutton The Paper Chase: The Pursuit of Carolingian Legal Innovations ? Abigail Firey Carolingian Imperial Biography and the Memory of Spain ? Anne Latowsky The Historian Hrabanus Maurus & the Prophet Haimo of Auxerre: Experiments, Exegesis, and Expectations Emerging from the Ninth Century ? Matthew Gabriele Strange Natures: Theodulf's Letter to Moduin In Context ? Andrew Romig Part Two: The Struggle Against Sin The Call of the Siren: Sex, Water, and Salt in the Sacramentary of Gellone ? Lynda Coon By the Body Betrayed: Blushing in the Penitential State ? Courtney Booker Why the Carolingians Didn't Need Demons ? Martha Rampton Pleasures of Horror: Florus of Lyons's Querela de divisione imperii ? Matthew Bryan Gillis
[Thorvald Hellesen] - Blakkisrud, Dag, Matthew Drutt, Hilde Morch
Reference : 121497
(2022)
ISBN : 9783897905948
Blakkisrud, Dag, Matthew Drutt, Hilde Morch: Thorvald Hellesen 1888-1937. 2022. 272 pages, 280 colour illustrations. Hardback. 28 x 24cms. Thorvald Hellesen (1888-1937) was a Norwegian avant-garde artist who lived and worked in Paris in the 1910s and 1920s. He and his wife, the French artist HÃlÚne Perdriat, were part of a circle of artists that included Pablo Picasso, Fernand LÃger, Constantin Brâncusi, Piet Mondrian, Theo van Doesburg, and many others. In his short yet intense life, Thorvald Hellesen created an impressive unique oeuvre, oriented on Modernism, consisting of oil paintings, watercolours, gouaches, drawings, design projects, and textiles. Nevertheless, even in Norway he is only known to a few. With this publication the authors Dag Blakkisrud, Matthew Drutt, and Hilde MÞrch have created a written portrait of Hellesen. In addition to classifying him within the history of art, they try to find explanations as to why his artistic practice is only now being considered important and interesting for Norwegian and international art history. Text in English and Norwegian.
Thorvald Hellesen (1888-1937) was a Norwegian avant-garde artist who lived and worked in Paris in the 1910s and 1920s. He and his wife, the French artist HÃlÚne Perdriat, were part of a circle of artists that included Pablo Picasso, Fernand LÃger, Constantin Brâncusi, Piet Mondrian, Theo van Doesburg, and many others. In his short yet intense life, Thorvald Hellesen created an impressive unique oeuvre, oriented on Modernism, consisting of oil paintings, watercolours, gouaches, drawings, design projects, and textiles. Nevertheless, even in Norway he is only known to a few. With this publication the authors Dag Blakkisrud, Matthew Drutt, and Hilde MÞrch have created a written portrait of Hellesen. In addition to classifying him within the history of art, they try to find explanations as to why his artistic practice is only now being considered important and interesting for Norwegian and international art history. Text in English and Norwegian
London, W. Bulmer and Co., 1805 - 1806. 4to. In recent marbled paper wrappers. Extracted from ""Philosophical Transactions"". Leaves reinforced in margin. (4), (239)-266, (2), 185-198 pp.
First edition of these two important papers by Captain Matthew Flinders, the first circumnavigator of Australia.OBSERVATIONS UPON THE MARINE BAROMETER:First printing of this important paper relating Flinder's observations on the ship ""Investigator"" when exploring the coast of Australia. IN THE PAPER THE NAME ""AUSTRALIA"" APPEARS PROBABLY FOR THE FIRST TIME IN A SCIENTIFIC MEMOIR (p. 247).The name Australia was popularised by Matthew Flinders, who pushed for the name to be formally adopted as early as 1804. When preparing his manuscript and charts for his 1814 A Voyage to Terra Australis, he was persuaded by his patron, Sir Joseph Banks, to use the term Terra Australis as this was the name most familiar to the public. Flinders did so, but allowed himself the footnote:""Had I permitted myself any innovation on the original term, it would have been to convert it to Australia"" as being more agreeable to the ear, and an assimilation to the names of the other great portions of the earth."" In the paper offered he used the name ""Australia"" as early as 1806.CONCERNING THE DIFFERENCES IN THE MAGNETIC NEEDLE:First printing of, probably the first work, to discover, and correct for the errors of the compass caused by the iron in ships, by the first circumnavigator of Australia.""Captain Matthew Flinders RN (16 March 1774 - 19 July 1814) was one of the most successful navigators and cartographers of his age. In a career that spanned just over twenty years, he sailed with Captain William Bligh, circumnavigated Australia and encouraged the use of that name for the continent, which had previously been known as New Holland. He survived shipwreck and disaster only to be imprisoned for violating the terms of his scientific passport by changing ships and carrying prohibited papers. He identified and corrected the effect upon compass readings of iron components and equipment on board wooden ships and he wrote what may be the first work on early Australian exploration A Voyage to Terra Australis.""(Wikepedia)
Koba 13 76x18 03x1 48cm. Sans date. blu_ray.
Neuf
, Brepols, 2022 Paperback, 312 pages, Size:178 x 254 mm, Illustrations:11 b/w, 12 col., 10 tables b/w., Language: English. ISBN 9782503598871.
Summary These eleven essays, all centrally concerned with the intimate relationship between sound, religion, and society in the early modern world, present a sequence of test cases located in a wide variety of urban environments in Europe and the Americas. Written by an international cast of acclaimed historians and musicologists, they explore in depth the interrelated notions of conversion and confessionalisation in the shared belief that the early modern city was neither socially static nor religiously uniform. With its examples drawn from the Holy Roman Empire and the Southern Netherlands, the pluri-religious Mediterranean, and the colonial Americas both North and South, this book takes discussion of the urban soundscape, so often discussed in purely traditional terms of European institutional histories, to a new level of engagement with the concept of a totally immersive acoustic environment as conceptualised by R. Murray Schafer. From the Protestants of Douai, a bastion of the Catholic Reformation, to the bi-confessional city of Augsburg and seventeenth-century Farmington in Connecticut, where the indigenous Indian population fashioned a separate Christian entity, the intertwined religious, musical, and emotional lives of specifically grounded communities of early modern men and women are here vividly brought to life. TABLE OF CONTENTS Introduction Marie-Alexis Colin, Iain Fenlon and Matthew Laube 1. Converting Tondalos: Musical Culture on a Lutheran Spiritual Pilgrimage of the Late Sixteenth Century Martin Christ (University of Erfurt) 2. Catholicising the City: Music, Ritual and Identity in Sixteenth-Century C rdoba Iain Fenlon (King's College, Cambridge) 3. Sound and the Conversion of Space in Early Modern Germany Alexander J. Fisher (University of British Columbia) 4. Music Books for Lima Cathedral and their Social Context in the Early Seventeenth Century: Black Slaves as a Guarantee for Producing a New Plainchant Library Mar a Gembero-Ust rroz (Consejo Superior de Investigaciones Cient ficas) 5. Land and Conversion: New Frameworks for Colonial American Hymnody Glenda Goodman (University of Pennsylvania) 6. Lutheranising through Music: Tracing the Confessional Soundscapes of Early Seventeenth-Century Wolfenb ttel and Braunschweig Inga Mai Groote (Zurich University) 7. Sound Conversion? Music, Hearing and Sacred Space in the Long Reformation in Ulm, 1531-1629 Philip Hahn (University of T bingen) 8. The Musical Cultures of Dissent and Anti-Catholicism in Counter-Reformation Douai Matthew Laube (Birkbeck, University of London) 9. A Jesuit Ceremony of Spiritual Exercises with Music in the Seventeenth Century: Devotional Connections between Perpignan, Barcelona, Madrid, Granada and Archbishop Palafox Emilio Ros-F bregas (Instituci n Mil y Fontanals, Consejo Superior de Investigaciones Cient ficas) 10. Bells, Confessional Conflict and the Dutch Revolt, c. 1566-1585 Andrew Spicer (Oxford Brookes University) 11. Music for an Endless Conversion: A Cycle of Offertories from Jesuit Paraguay Leonardo Waisman (University of C rdoba, Argentina)
Mcconaughey Matthew Tennant Andy Mcconaughey Matthew
Reference : 500103868
(2008)
ISBN : 7321910139998
Revue Question de - Marie-Madeleine Davy - Jean Chevalier - Claudine Brelet-Rueff sur Itsuo Tsuda - Aimé Michel - Hélène Renard sur Matthew Manning - Peter Bander- sur Rémy Chauvin - Lucien Gérardin
Reference : 87565
(1975)
Editions Retz , Revue Question de Malicorne sur Sarthe, 72, Pays de la Loire, France 1975 Book condition, Etat : Bon broché, sous couverture imprimée éditeur noir et blanc, illustrée d'une figure avec deux visages grand In-8 1 vol. - 128 pages
quelques illustrations dans le texte en noir et blanc 1ere édition, 1975 Contents, Chapitres : 1. Spiritualité chrétienne : Marie-Madeleine Davy : Guides et méthodes de la vie intérieure chrétienne - Jean Chevalier : Quatre façons de lire la Bible - 2. Expérience : Claudine Brelet-Rueff : Un dojo à Paris, chez le philosophe du Ki, Itsuo Tsuda - 3. Méditation : Aimé Michel : La prophétie fossile - 4. Parapsychologie : Hélène Renard : L'extraordinaire cas Matthew Manning - Peter Bander : Les tests de Toronto sur le cas Manning - 5. Portrait : Aimé Michel : Un savant docile, Rémy Chauvin - 5. Archéologie : Lucien Gérardin : Un calculateur astronomique de 2000 ans, la machine d'Antikythera - Bibliothèque et informations couverture propre à peine jaunie, intérieur frais et propre, papier à peine jauni, bas de la première page à peine plissé sans gravité, cela reste un bon exemplaire