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Transatlantique / Atlantique-Pacifique-Mediterranee. French Line. Poster / affiche by Paul Colin.
France Editions Transatlantique, Paris Courbet , 1955 Dimensions poster ; 100 x 61 cm. offset printing, *Very fine condition !
Colin realized at least three posters for the General Transatlantic Company, known throughout the entire world by the name French Line. Here, the great ship cleaving the shimmering waters is seen sailing through a transparent drape consisting of the French colors, a delightful way to remind [the viewer] of the nationality of this transport company? 100 61 cm. Fine - tiny imperfections. Colin realiseerde ten minste drie posters voor de General Transatlantic Company, die over de hele wereld bekend is onder de naam French Line. Hier wordt het grote schip dat de glinsterende wateren splijt gezien door een doorzichtig doek dat bestaat uit Franse kleuren, een heerlijke manier om de nationaliteit van dit transportbedrijf te herinneren? Colin produced at least three posters for the General Transatlantic Company, known all over the world under the name French Line. Here the tall ship splitting the glittering waters is seen through a translucent cloth made of French colors, a delightful way to remember the nationality of this transport company/ Colin created at least three posters for the General Transatlantic Company, known around the world as French Line. Here, the large ship splitting the shimmering waters is seen through a translucent canvas made up of French colors, a delightful way to remember the nationality of this transport company? * This very nice and beautiful poster (offset printing) is an exact emphasis that may have been carried out in Spain.
In Der Minne Photography by Tim Tronckoe.
, Tim Tronckoe featuring, 2023 Hardcover, Collector's edition, limited to 600 copies. and SIGNED. Size: 31 x 30 cm Pages: 104 pages, including foldout. FINE!
In Der Minne, the highly anticipated photographic art project by Tim Tronckoe featuring Colin H. Van Eeckhout (Amenra), honouring the works by Belgian sculptor and draftsman George Minne. In Der Minne is a black and white photography project, focusing on human tragedy. Being an undeniably relevant theme, Tim starts from the sculptural work by 19th century Minne, to transpose his themes onto the photographic medium, using Colin as a medium to echo the feelings of pain, loss and grief. Tim's ambitious project has landed him into this book, a museum launch and a gallery show most creatives can only dream of.
[: Henri van Straten] - Toussaint van Boelaere, F.V. [Toussaint van Boelaere, Fernand] Colin, Betty [vert.] Van Straten, Henri [ill.]
Reference : 12740
DIALOGUE DANS UN MUSIC-HALL,
, Bruxelles, L.J. Kryn, 1931, Relie, demi-perchamin (dos, coins), plats marbres, plats ornes de fil. dore, 14x21,5cm, 104pp, illustre bois de Henri van Straten.
Collection " Pages de Flandre". Traduit du neerlandais par Betty Colin. Bois de Henri van Straten.*** Un des 50 exemplaires hors commerce marque H.C. sur papier d' edition. Ouvrage limite de 531 exemplaires numerote. Etat tres bon.
Luc Tuymans - Birds of a feather
Brussel, Ludion, 2015 Hardcover with illustrated dustjacket, 112 pages, 26.5 x 21.5 cm, English, As New. . ISBN 9789491819391.
This book brings together the most recent work by Luc Tuymans. It will be shown in the Talbot Rice Gallery in Edinburgh in the autumn of 2015. Birds of a Feather shows Tuymans? fascination with the Scottish Enlightenment and its thinkers, who believed in the ability of humans to shape their future rationally and whose influence extended as far as the United States. Stimulated by a visit to the art collection of the University of Edinburgh, Tuymans did three small portraits of Scottish philosophers, originally painted by the eighteenth-century portrait artist Henry Raeburn. The theme of the Enlightenment is combined with menacing horror: in a monumental dark work, The Shore, which alludes to Goya?s pinturas negras, or in the portrait of the murderer and cannibal Issei Sagawa. The British writer Will Self wrote a remarkable short story for The Shore, and the art critic Colin Chinnery has contributed an explanatory essay.
MASTERPIECES OF IMPRESSIONISM AND POST-IMPRESSIONISM. THE ANNENBERG COLLECTION.
Philadelphia , Museum of Art, 1989 Paperback, illustrated cardboard cover in colour, 240 x 305mm., 204pp., illustrations in colour and b/w, some fold-outs.*FINE ISBN 9780876330791.
May 21 - September 17, 1989.Corot, Boudin, Manet, Degas, Morisot, Renoir, Monet.... Book is in good condition.
William W. Clark, Colin Eisler, William S. Heckscher, Barbara G. Lane. Festschrift Lotte Brand Philip.
Reference : 67078
Tribute to Lotte Brand Philip. Art historian and detective.
New York, Abaris Books, 1985 Cloth binding, 227 pages, 31 x 23.5 cm, English. *fine condition.
Texts by 26 contributors including Fedja Anzelewsky, Colin Eisler, Creighton E. Gilbert, Andr e Hayum, William S. Heckscher, Robert A. Koch, Barbara G. Lane, Carla Lord, Matthias Mende, Charles I. Minott, Lise Lotte Moller, Nanette Salomon, Lucy Reeman Sandler, Gary Schwartz, James Snyder, Leo Steinberg, James H. Stubblebine.
Theatres of Belief: Music and Conversion in the Early Modern City
, Brepols, 2022 Paperback, 312 pages, Size:178 x 254 mm, Illustrations:11 b/w, 12 col., 10 tables b/w., Language: English. ISBN 9782503598871.
Summary These eleven essays, all centrally concerned with the intimate relationship between sound, religion, and society in the early modern world, present a sequence of test cases located in a wide variety of urban environments in Europe and the Americas. Written by an international cast of acclaimed historians and musicologists, they explore in depth the interrelated notions of conversion and confessionalisation in the shared belief that the early modern city was neither socially static nor religiously uniform. With its examples drawn from the Holy Roman Empire and the Southern Netherlands, the pluri-religious Mediterranean, and the colonial Americas both North and South, this book takes discussion of the urban soundscape, so often discussed in purely traditional terms of European institutional histories, to a new level of engagement with the concept of a totally immersive acoustic environment as conceptualised by R. Murray Schafer. From the Protestants of Douai, a bastion of the Catholic Reformation, to the bi-confessional city of Augsburg and seventeenth-century Farmington in Connecticut, where the indigenous Indian population fashioned a separate Christian entity, the intertwined religious, musical, and emotional lives of specifically grounded communities of early modern men and women are here vividly brought to life. TABLE OF CONTENTS Introduction Marie-Alexis Colin, Iain Fenlon and Matthew Laube 1. Converting Tondalos: Musical Culture on a Lutheran Spiritual Pilgrimage of the Late Sixteenth Century Martin Christ (University of Erfurt) 2. Catholicising the City: Music, Ritual and Identity in Sixteenth-Century C rdoba Iain Fenlon (King's College, Cambridge) 3. Sound and the Conversion of Space in Early Modern Germany Alexander J. Fisher (University of British Columbia) 4. Music Books for Lima Cathedral and their Social Context in the Early Seventeenth Century: Black Slaves as a Guarantee for Producing a New Plainchant Library Mar a Gembero-Ust rroz (Consejo Superior de Investigaciones Cient ficas) 5. Land and Conversion: New Frameworks for Colonial American Hymnody Glenda Goodman (University of Pennsylvania) 6. Lutheranising through Music: Tracing the Confessional Soundscapes of Early Seventeenth-Century Wolfenb ttel and Braunschweig Inga Mai Groote (Zurich University) 7. Sound Conversion? Music, Hearing and Sacred Space in the Long Reformation in Ulm, 1531-1629 Philip Hahn (University of T bingen) 8. The Musical Cultures of Dissent and Anti-Catholicism in Counter-Reformation Douai Matthew Laube (Birkbeck, University of London) 9. A Jesuit Ceremony of Spiritual Exercises with Music in the Seventeenth Century: Devotional Connections between Perpignan, Barcelona, Madrid, Granada and Archbishop Palafox Emilio Ros-F bregas (Instituci n Mil y Fontanals, Consejo Superior de Investigaciones Cient ficas) 10. Bells, Confessional Conflict and the Dutch Revolt, c. 1566-1585 Andrew Spicer (Oxford Brookes University) 11. Music for an Endless Conversion: A Cycle of Offertories from Jesuit Paraguay Leonardo Waisman (University of C rdoba, Argentina)
LA GRAVURE ET LES GRAVEURS. LES MONOGRAPHIES. ( volume 1).
, Bruxelles, Van Oest & Cie/ librairie Nationale d' Art et d' Histoire, 1918., Broche, couverture d' editeur, 15x24cm, 314pp (11).
Repertoires des ouvrages a consulter. Collection creee pour l' avancement des sciences des lettres et des arts en Belgique.
synaxaire Ethiopien. Mois de genbot,
Turnhout, Brepols, 1997 Paperback, 176 p., 18 x 26,5. ISBN 17402110200.
L'edition, accompagnee d'une traduction, de la 'somme' hagiographique qu'est le synaxaire ethiopien a ete entreprise et menee a bien pour le quart environ par I. Guidi au debut du siecle. Mgr. S. Grebaut a en suite publie en deux livraisons distinctes un mois supplementaire. La publication des huit mois restants a ete commencee par G. Colin a partir de 1986. Le present volume constitue l'ultime fascicule et clot l'entreprise. Les index generaux, eventuellement accompagnes d'additions, paraitront prochainement. Languages : Ethiopic, French.
synaxaire ethiopien. Index des douze Mois. Annexes,
Turnhout, Brepols, 1999 Paperback, 176 p., 18 x 26,5. ISBN 17402150200.
Ce volume qui vient clore l'edition du Synaxaire ethiopien, entreprise des 1905 par Ignazio Guidi (PO 1, fasc. 5) et menee a son achevement par G. Colin en 1997, nous fournit d'abord l'index des anthroponymes et des toponymes, ensuite la liste des personnages commemores dans le Synaxaire, suivie en annexe, de la liste chronologique des patriarches d'Alexandrie, d'Antioche, de Constantinople et de Jerusalem. L'interet principal de ce volume est, selon l'auteur, de "poser les fondements d'un repertoire onomastique encore inexistant dans le domaine des etudes ethiopiennes. Languages : Ethiopic.
version ethiopienne de l'histoire de Bsoy Edition critique et traduction francaise par G. Colin,
Turnhout, Brepols, 2002 Paperback, 79 p., 18 x 26,5. ISBN 170023.
BSOY est la forme ethiopienne de BISHOI, nom d'une des grandes figures du monachisme egyptien. La Vie de BSOY/BISHOI existe aussi en syriaque et en arabe, pas en copte, ce qui ne signifie pas qu'elle n'ait pas existe. La version ethiopienne, traduite d'un original arabe, meme completee par le Synaxaire jacobite et l'Histoire de Jean le Petit, ne fournit pas beaucoup de renseignements sur la vie du personnage, laquelle serait a situer entre la 2ieme moitie du 4ieme siecle et les premieres decennies du 5ieme. Nombre d'indices tendraient a montrer qu'il s'agit sans doute d'un panegyrique plus que d'un recit fonde sur des temoignages contemporains. La date de redaction de ce texte se situe entre la conquete arabe et le 15ieme siecle. Languages : Ethiopic, French.
Vie et miracles de Madhanina Egzi'. Texte ethiopien et traduction par Gerard COLIN,
Turnhout, Brepols, 2011 Paperback, 190 p., 18 x 26,5. ISBN 9782503541365.
L'Ethiopie du 14eme siecle, principalement dans sa partie septentrionale, a connu un essor monastique sans precedent. La figure principale de ce mouvement a la fois cenobitique et anachoretique est Madhanina Egzi', fondateur de Dabra Bankol/Bankwal et pere spirituel de nombre des monasteres de la province du Tigre. Renomme pour son ascese et sa direction ecclesiale, egal du souverain chretien qui le consulte avec deference, Madhanina Egzi' s'est vu consacrer une Vie d'une richesse d'informations inusitee. L'edition de ce texte jusqu'alors inedit est fondee sur le manuscrit le plus ancien connu - encore conserve dans la communaute du saint personnage. Languages : Ethiopic, French.
Johan Creten La TRAVERSEE / The CROSSING.
, Johan Creten, 2017 Gebonden, Hardcover, 137 pages, 320 x 285 x 20 mm, English / French text. FINE!!!. ISBN 9782955424513.
Johan Creten is considered a forerunner in the revival of clay in contemporary art, alongside Thomas Sch tte and following in the footsteps of Lucio Fontana. 25 years after his artist residency at Villa Saint Clair in S te during the summer of ?91, the artist returns to S te to present a new project at the CRAC. La Travers e / The Crossing provides an opportunity to discover works of art that illustrate the mystery of nature through the contrast between flowers and algae, as well as a strange and fascinating collection of real and imaginary animals, which ranks beauty as a saving grace. This book was published on the occasion of the exhibition 'Johan Creten, La Travers e/The Crossing', at the Centre r gional d?art contemporain Occitanie/Pyr n es-M diterran e, S te (France) - October 22, 2016?April 17, 2017
Archaic and Classical Greek Coins
London, Methuen & Co, 1976 Linnen binding under dustjacket, 390 pages, 5 maps, 64 plates containing 1110 items, English text. *fine condition. ISBN 9780416123104.
Archaic and Classical Greek Coins
Pentagram Design Staff Theo Crosby, Alan Fletcher, Colin Forbes, Mervyn Kurlansky, Kenneth Grange
Reference : 63795
Pentagram: The Work of Five Designers / Pentagram: The Work Of Five Designers: L'Oeuvre De Cinq Designers: Funf Designer Und Ihre Arbeiten
, Lund Humphries, London], 1972 softcover, 20x21cm Illustrated. Text in ENG-FR-DE. ISBN 9780853313281.
Ben Uri Gallery & Museum, Pentagram: The Work Of Five Designers: L'Oeuvre De Cinq Designers: Funf Designer Und Ihre Arbeiten - Profusely illustrated compilation of the work of the five founding members of the Pentagram design firm
French Renaissance Music and Beyond. Studies in Memory of Frank Dobbins
, Brepols, 2019 Paperback, 730 pages, Size:190 x 290 mm, Illustrations:227 b/w, 37 tables b/w., Languages: English, French, Italian. ISBN 9782503579603.
Summary This volume presents 34 studies (750p) in English, French, and Italian, assembled as a tribute by friends and former students from around the world to the late Frank Dobbins (1943-2012), distinguished scholar of the French chanson in early modern Europe. The book is built around studies of music in the Renaissance and Baroque periods (which form the core of the book), together with contributions about music composed between the second half of the eighteenth century and the twentieth centuries; these reflect both the wide-ranging variety of Frank's interests, and the range of his friendships. Secular, sacred, vocal, and instrumental music are all treated, while individual essays focus upon codicology, music printing and editing, music analysis, music theory, text-setting, biography, music and literature, music and theology, and both the reception and sociology of music. They include major discoveries about the diffusion of Jacques Moderne's choirbooks, Josquin's music, and musical and archival sources, while a number cast new light on different repertories. Contributors : C. Ballman, I. Bartlett, C. Cavicchi, D. Charlton, A. Coeurdevey, M. Cornaz, E. Corswarem. A. Di Profio, J. Duchamp, M. Egan-Buffet, D. Fabris, I. Fenlon, F. Fitch, M. M. Fontaine, G. Garden, O. Grellety Bosviel, J. Griffiths, L. Guillo, F. Guilloux, M. Ham, R. Jacob, T. Knighton, G. Mc Donald, F. de M dicis, P. Nicolas, L. Sawkins, A. Scarcez, K. Schiltz, M. Talbot, A. Tacaille, S. Thieffry, D. Trottier, H. Vanhulst, O. Wahnon de Oliveira, D. Wright, V. Zara. TABLE OF CONTENTS BIBLIOGRAPHICAL ABBREVIATIONS PREFACE ARTICLES Christine Ballman Le grand deul (B-Br Ms IV 90 et B-Tv Ms 94) : m thodologie d'une tentative de reconstruction Ian Bartlett Thomas Philips, Lord Chesterfield and the Enigma of a Popular Eighteenth-Century Ballad by William Boyce: a New Conspiracy Theory Camilla Cavicchi Sealed in an Envelope: Binchois and Du Fay on a Fragment from Fifteenth-Century Ferrara David Charlton The Politics of Payments: Rameau, Rousseau and the Op ra Inventory, 1749-1757 Annie Coeurdevey Les recueils manuscrits de c.1480 c.1540 : particularit s scripturales et organisationnelles Marie Cornaz La cantate italienne et fran aise au sein de la collection musicale des archives d'Arenberg : nouvelles perspectives milie Corswarem La chanson Li ge au XVIe si cle Alessandro Di Profio Mozart suo malgrado. Un proto-Don Giovanni a Parigi (1791) Jean Duchamp Passions lyonnaises : un unicum liturgique de Jacques Moderne M ire Egan-Buffet Music and Musicians in a French Provincial Salon 1922-1948 Dinko Fabris Il libro di liuto di Andrea Falconieri e Giuseppe Antonio Doni : trent'anni dopo Iain Fenlon Jacques Moderne's Choirbooks and the Iberian Trade Fabrice Fitch Du fragment de texte po tique consid r comme voix lacunaire : le rondeau d'Ockeghem Se vostre cueur Marie Madeleine Fontaine Musiques, danses et paroles. Leur pratique dans le Printemps d'Yver de Jacques Yver (1572) Greer Garden Mademoiselle de Menetou, 'grande musicienne' of the La Fert -Senneterre Family, and Her Airs serieux deux (Paris, 1691) Olivier Grellety Bosviel Mise en livre et n goce des imprim s parisiens de messes polyphoniques au XVIe si cle. Le cas des bi-feuillets de 1568 publi s par Nicolas Du Chemin John Griffiths Heteroclito Giancarli and His Composizioni musicali of 1602 Laurent Guillo et Alice Tacaille Les r ponses de Loys Bourgeois aux invectives de Simon Gorlier (Lyon, 1554) Fabien Guilloux Notes d'archives lyonnaises : les P nitents blancs du Confalon et le Recueil des Psalmes (1610) Martin Ham Attaingnant and the O Antiphons of the Liber septimus Roger Jacob Double-Choir Dialogue as an Expressive Medium in the Sixteenth-Century Eight-Voice French Chanson from Phinot to Lassus Tess Knighton Approaches to Text-Setting in Castilian-Texted Devotional Songs c. 1500 Grantley McDonald The Debate Over Church Music Between Jacob Andreae and Th odore de B ze at the Colloquy of Montb liard (1586) Fran ois de M dicis 'Une musique secou e de frissons, d' lans, d' treintes' : les gestes mim tiques dans l'oeuvre lyrique de Jules Massenet Patrice Nicolas La chanson A qui direlle sa pens e et ses d riv s : quelques r flexions la lumi re d'une attribution tardive Lionel Sawkins Some Observations on French Vocal Practice and Technique 1670-1750 Katelijne Schiltz Coins and Crosses: Cruciform Riddles in Cerone's Melopeo Michael Talbot 'Le plus habile compositeur qui soit Venise': Vivaldi's Reputation in Eighteenth-Century France Sandrine Thieffry La Soci t Schott Fr res et la SACEM : un pisode des relations ditoriales entre la Belgique et la France (fin XIXe- d but XXe si cle) Danick Trottier Monumentum pro Gesualdo di Venosa : quand Stravinski s'invite sa fa on dans la re-d couverte de la musique ancienne Henri Vanhulst et Alicia Scarcez Les ditions de musique polyphonique de Pierre Attaingnant retrouv es depuis 1969 Olivia Wahnon de Oliveira L on Jongen et la diffusion de la musique de Joseph Jongen en France David Wright Mechanized Music and the New Market for Musical Journalism Vasco Zara Du faux-bourdon aux tabul compositori : Ren Ouvrard et le secret pour composer en musique INDEX NOMINUM INDEX LOCORUM
Cambridge Gloss on the Apocalypse. Cambridge University Library Dd.X.16
, Brepols, 2020 Paperback, 167 pages, Size:156 x 234 mm, Illustrations:1 col., Language: English. ISBN 9782503582405.
Summary The Glossa in Apocalypsin (Cambridge Gloss on the Apocalypse) is a recently-discovered anonymous Hiberno-Latin (that is, authored by an Irish cleric writing in Latin) commentary on the Apocalypse of John found in a tenth-century manuscript at Cambridge University Library. This gloss is written in a similar style to other Irish-authored exegetical texts of the same period. That is, the author proceeds verse by verse through the entire Apocalypse, citing short phrases or even single words of the biblical text, followed by brief explanations that serve to clarify meaning and are often moral or allegorical in nature, as well as offering alternative interpretations of a given passage. The text has a marked dependence on the hermeneutical method of the fourth-century Donatist Tyconius as laid out in his Liber Regularum (Book of Rules), and applied in his Exposition on the Apocalypse. The Cambridge Gloss promotes an ecclesiological and spiritual interpretation of the Apocalypse, muting speculation about an imminent endtime scenario. The gloss contains numerous references to heretics, emphasises the hierarchy and the privileged role of teachers within the church, and likely dates from the eighth century, the 'Northumbrian Golden Age', exemplified by the works of Bede the Venerable and Alcuin of York. This English translation (accompanied by numerous notes) is intended to give readers an insight into understanding the viewpoint that medieval exegetes held in explaining the Apocalypse of John. The source text of this volume appeared in Corpus Christianorum, Series Latina as Glossa in Apocalypsin e codice Bibliothecae Vniuersitatis Cantabrigiensis Dd.X.16 (CC SL, 108G). References to the corresponding pages of the Corpus Christianorum edition are provided in the margins of this translation.
Georg Baselitz. 100 Drawings From the Beginning until the Present
, Hirmer verlag, 2024 hardcover, 192 pages, 130 colour illustrations24.5 28.5 cm,. ISBN 9783777438627.
The two extensive sets of drawings and watercolours date from different creative phases from the early 1960s to the present day. Through this direct medium the works provide an intimate insight into the artist?s creative process across the past five decades. An interview with Georg Baselitz conducted to mark this publication provides information about the significance of the works on paper in the genesis of his works and within his oeuvre.
van den Branden, Lode Cockshaw, Pierre Cockx-Indestege, Elly Colin, Georges Corsten, Severin Dogaer, Georges Galama, E.G.A. Gilissen, L on Goetinck, Marc Heireman, Kamiel Hellinga, Wytze Gerbens Hellinga-Querido, Lotte Lemaire, Claudine Lenger, Marie-Th r se Machiels, J r me Mees, Leonide J. Storm van Leeuwen, Jan van Thienen, Gerard Wartena, Sjoerd
Reference : 17407
vijfhonderdste verjaring van de boekdrukkunst in de Nederlanden.
, Brussel, Koninklijke Bibliotheek Albert I, 1973, oorspronkelijk uitgevers ge llustreerde omslag, 185 x 255mm., 588pp., z/w illustratie.
Tentoonstellingscatalogus. Over het begrip Nederlanden in de 15e eeuw. Catalogus : handschriften - prototypografie - blokboeken - drukkerswerkplaatsen. Boek is in goede staat.
Colin B Bailey; Susan Grace Galassi; Margaret Iacono; Joseph Godla; Caitlin Ford Henningsen; Susannah
Reference : 54463
LA FRICK COLLECTION : NUEVA YORK
New York, MMR, 2012 Paperback, 128 pages, illustrated. Spanish. 280 x 210 x 10 mm. ISBN 9789461300713.
Frick Collection, New York. Art
GEEN HEEL GEWONE SCHOOLDAG,
Antwerpen , De Vries , Gebonden, 26pp. ISBN 9789059273122.
Het lijkt een heel gewone schooldag net als alle andere dagen. Een heel gewone jongen gaat naar zijn heet gewone school. Maar er staat hem iets buitengewoons te wachten. Nieuw.
Crimes et ch timents dans l'Espagne inquisitoriale
, Berg International 1992, 1992 Softcover, 2 tomes dans un manteau solide, 1342 pages, Texte en Francais, Tres belle exemplaire. ISBN 9782900269770.
essai de typologie d lictive et punitive sous le dernier Habsbourg et le premier Bourbon , [1655-1724
Eustache du Caurroy, Missa pro Defunctis,
Turnhout, Brepols, 2003 Paperback, .XXXVIII+50 p., 185 x 270 mm ISBN 9782503514925.
C'est a la cour de France, durant le dernier quart du XVIe siecle et les premieres annees du XVIIe, qu'Eustache Du Caurroy, ne en 1549 a Gerberoy, semble avoir exerce toute sa carriere. A l'exception de quelques chansons, diffusees dans des anthologies parisiennes et anversoises durant les annees 1580-1590, la majeure partie de l'oeuvre du compositeur que nous connaissons aujourd'hui n'a ete publiee qu'a partir de 1609. Du Caurroy fut l'auteur de plusieurs messes, dont il ne subsiste aujourd'hui que la Missa pro defunctis. La Missa pro defunctis de Du Caurroy releve du genre de la mese des morts. Si, des le debut du christianisme des ceremonies furent instituees - telles que la celebration de l'Eucharistie pour les morts le jour de leur enterrement et celui de l'anniversaire de leur deces - ce n'est qu'a partir du IVe siecle qu'une place est accordee a la commemoration des defunts dans les liturgies qui commencent a se fixer. Mais une messe specifique n'apparait que vers le Xe siecle environ, la messe des morts ne se distinguant pas des autres messes auparavant. L'oeuvre de Du Caurroy s'inscrit dans une tradition polyphonique relativement recente qui nait vers la seconde moitie du XVe siecle. Languages : French, Latin.
Grand livre de choeur de la cathedrale Saint-Lambert de Liege,
Turnhout, Brepols, 2005 Paperback, XLIV+354 p., 5 b/w ill., 230 x 330 mm. ISBN 9782503515915.
Languages : French.
Eustache du Caurroy, Meslanges,
Turnhout, Brepols, 2011 Paperback, CXXVI+420 p., 16 b/w ill., 235 x 335 mm. ISBN 9782503515922.
A. Gantez (c. 1600-1668) n'est pas le seul a voir en Du Caurroy l'un des chefs de file des compositeurs academiques, apotres (au moins en partie) d'un contrepoint savant. Dans son traite publie en 1639, Antoine Parran (1587-1650) ayant, d'apres sa propre experience, classe la musique en quatre categories, ne decrit-il pas ? la quatriesme sorte [?] une Musique grandement observee, toute pleine d'industrie et de doctrine [?] comme pourroit estre celle de Claudin, du Caurroy, et plusieurs autres Maistres de ce temps comme l'on peut voir au Puy de Saincte Cecile. ? ? Occupes a servir les chapelles privees ou les institutions ecclesiastiques, ces compositeurs, parfois recompenses lors de joutes musicales, ne pratiquent guere l'air de cour, genre en plein epanouissement qui ravit les salons de Louis XIII comme les demeures plus modestes, pour le plus grand benefice de l'imprimeur parisien Pierre Ballard - celui-la meme qui imprime l'essentiel de la musique que nous connaissons de Du Caurroy. Ces musiciens - au nombre desquels figurent Nicolas Forme (1567-1638), qui succede a Du Caurroy comme responsable de la musique de la chapelle royale, Jean de Bournonville (c. 1585-1632), Artus Aux-Cousteaux (c. 1590- c.1656) pratiquent une musique dont le style s'apparente a celui que Du Caurroy a indirectement herite de Josquin des Prez (c. 1450-1521) et d'Adrian Willaert (c. 1490-1562), entre autres ; cette maniere, apparue comme desuete des le dernier quart du 16e siecle, s'accorde difficilement avec la simplicite de l'air de cour (simplicite exprimee tant dans le sujet et la forme litteraires, que dans le profil melodique, les procedes de composition et la forme strophique). Ainsi, en marge de certains ecrits de theoriciens contemporains - par Salomon de Caus (c.1576-1626), Antoine Du Cousu (c.1600-1658), Marin Mersenne (1588-1648), Antoine Parran (1587-1650) - qui louent en Du Caurroy l'heritier francais de Gioseffo Zarlino, les adeptes du stile antico pratique en France durant la premiere moitie du 17e siecle rendent a leur maniere hommage au compositeur. Languages : French.
