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‎Malfilâtre, Jacques-Charles-Louis Clinchamps de‎

Reference : 096675

(1795)

‎Narcisse dans l'Ãle de VÃnus. PoÚme en quatre chants‎

‎Malfilâtre, Jacques-Charles-Louis Clinchamps de: Narcisse dans l'Ãle de VÃnus. PoÚme en quatre chants. Paris: 1795. Octavo (18.5 x 11 cm). Printed on vellum. Elegantly bound in red morocco by Charles Capà (1806-1867), binder to the Louvre, the Empress EugÃnie, and the duc d'Aumale. Spine gilt in compartments, triple-line rules to boards and elaborate turn-ins gilt, green morocco doublures, marbled free endpapers, all edges gilt. Minor horizontal fold to each leaf, staining to page 121. 19 x 12.5cms. One of only two known copies printed on vellum of this rare satirical poem, this copy potentially linked to an important pre-1812 Moscow library. Of the known copies of Narcisse dans l'Ãle de VÃnus, one resides at the BibliothÚque Nationale de France. The second is the present copy, which was owned by the celebrated French bookseller and collector Charles Chardin, and was sold when part of his library was auctioned by Leigh and Sotheby in London in 1819 and sold again in the sale of the Hochart library. IIA copy that may be described as being printed on vellum ('p. vÃl') is recorded in the 1805 library catalogue of Count Boutourlin , one of the greatest of Russian collectors and head of the Imperial Russian Library. Boutourlin's magnificent personal library was destroyed during the devastating Moscow fire of 1812, and it was believed that the Malfilâtre was lost in the conflagration.The timing of this volume's appearance in 1819 is, however, suggestive. This copy has mild grey stains at the tops of the leaves, always corresponding to points where the vellum has naturally curled, leaving a space open between the pages. It is plausible that these could have been caused by soot falling onto the top edge and only penetrating the book where the leaves were separated. Many of the leaves show evidence of having been folded in half, and other pages show signs of water damage and possible cleaning, prior to its being bound by CapÃ. The original binding on the Boutourlin copy is uncertain but thought to have been red morocco. It was rebound by the French master binder Charles Capà in the 1830s or 40s, leaving no trace of a previous binding.) A likely conclusion might be that the book was either looted from the fire or discovered in the ruins of the library, and subsequently sold in Paris. As Chardin was one of the most prominent French booksellers of the period it makes sense that the volume would have found its way into his hands. Much of Moscow's artistic and literary heritage was destroyed during the disaster, and books with provenance tying them to pre-1812 institutions are of the utmost rarity. It is, of course, not possible to state definitively that this is the same copy. But given the rarity of vellum printings of Narcisse, this appealing association should not be completely discounted. Literature: Catalogue des Livres de la Bibliotheque de S.E.M. le comte de Botourlin. Paris, Pougins 1805 Number 1855Nouveau dictionnaire portatif de bibliographie. Paris, Fournier fre?res 1809 page 330 'Il en a Ãtà tirà deux exemplaires sor peu de vÃlin grande forme' van Praet; Catalogue des livres imprimÃs sur vÃlin de la BibliothÃque du roi Paris, De Bure frÚres 1822 Volume IV page 213 number 304 'Il n'en a Ãtà tirà que deux sur vÃlin'. Text in French.‎


‎One of only two known copies printed on vellum of this rare satirical poem, this copy potentially linked to an important pre-1812 Moscow library. Of the known copies of Narcisse dans lâÃle de VÃnus, one resides at the BibliothÚque Nationale de France. The second is the present copy, which was owned by the celebrated French bookseller and collector Charles Chardin, and was sold when part of his library was auctioned by Leigh and Sotheby in London in 1819 and sold again in the sale of the Hochart library. IIA copy that may be described as being printed on vellum (âp. vÃlâ) is recorded in the 1805 library catalogue of Count Boutourlin , one of the greatest of Russian collectors and head of the Imperial Russian Library. Boutourlinâs magnificent personal library was destroyed during the devastating Moscow fire of 1812, and it was believed that the Malfilâtre was lost in the conflagration.The timing of this volumeâs appearance in 1819 is, however, suggestive. This copy has mild grey stains at the tops of the leaves, always corresponding to points where the vellum has naturally curled, leaving a space open between the pages. It is plausible that these could have been caused by soot falling onto the top edge and only penetrating the book where the leaves were separated. Many of the leaves show evidence of having been folded in half, and other pages show signs of water damage and possible cleaning, prior to its being bound by CapÃ. The original binding on the Boutourlin copy is uncertain but thought to have been red morocco. It was rebound by the French master binder Charles Capà in the 1830s or 40s, leaving no trace of a previous binding.) A likely conclusion might be that the book was either looted from the fire or discovered in the ruins of the library, and subsequently sold in Paris. As Chardin was one of the most prominent French booksellers of the period it makes sense that the volume would have found its way into his hands. Much of Moscowâs artistic and literary heritage was destroyed during the disaster, and books with provenance tying them to pre-1812 institutions are of the utmost rarity. It is, of course, not possible to state definitively that this is the same copy. But given the rarity of vellum printings of Narcisse, this appealing association should not be completely discounted. Literature: Catalogue des Livres de la Bibliotheque de S.E.M. le comte de Botourlin. Paris, Pougins 1805 Number 1855Nouveau dictionnaire portatif de bibliographie. Paris, Fournier fre?res 1809 page 330 'Il en a Ãtà tirà deux exemplaires sor peu de vÃlin grande forme' van Praet; Catalogue des livres imprimÃs sur vÃlin de la BibliothÃque du roi Paris, De Bure frÚres 1822 Volume IV page 213 number 304 'Il n'en a Ãtà tirà que deux sur vÃlin'. Text in French‎

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GBP7,500.00 (€8,643.54 )

‎[Arthur Pond] - ‎ ‎Pond, Arthur & Charles Knapton‎

Reference : 121247

(1747)

‎Pond's Landscapes after C. LE Lorrain, G. Poussin, & c. Engraved by Vivares, Mason, Chatelaine, & c.‎

‎Pond, Arthur & Charles Knapton: Pond's Landscapes after C. LE Lorrain, G. Poussin, & c. Engraved by Vivares, Mason, Chatelaine, & c. c. 1747. 43 plates with tissue guards. Nine after Claude Lorrain, thirty after Gaspard Dughet, also known as Gaspard Poussin, and one each after Filippo Lauri, Salvator Rosa, Giacomo Cortesi called Borgognone and Rembrandt van Rijn. Each plate is inscribed with the details of the source image including the artist, date, dimensions and current whereabouts. Also included are the names and dates of the copier and engraver. Arthur Pond (1701-1758) joined Charles Knapton (1728-1742) in print publishing in the 1730s. Together they produced at least three albums of facsimiles: 'A Collection of Etchings and Engravings in Imitation of Drawings from Various Old Masters, Being Facsimiles of Their Respective Performances', London 1734 &c., 'Italian Landscapes', London c.1740-44 and the present set.‎


‎Arthur Pond (1701-1758) joined Charles Knapton (1728-1742) in print publishing in the 1730s. Together they produced at least three albums of facsimiles: 'A Collection of Etchings and Engravings in Imitation of Drawings from Various Old Masters, Being Facsimiles of Their Respective Performances', London 1734 &c., 'Italian Landscapes', London c.1740-44 and the present set.‎

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GBP6,750.00 (€7,779.19 )

‎Yerkes, Charles T.‎

Reference : 046445

(1904)

‎Catalogue of paintings and sculpture in the collection of Charles T. Yerkes, Esq., New York‎

‎Yerkes, Charles T.: Catalogue of paintings and sculpture in the collection of Charles T. Yerkes, Esq., New York. New York: Privately printed, 1904. 250 colies only. Leather Bound - Full.‎


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GBP500.00 (€576.24 )

‎Gates, Charles‎

Reference : 125645

(1983)

‎From Cremation to Inhumation: Burial Practices at Ialysos and Kameiros During the Mid-Archaic Period, ca. 625-525 B.C.‎

‎Gates, Charles: From Cremation to Inhumation: Burial Practices at Ialysos and Kameiros During the Mid-Archaic Period, ca. 625-525 B.C. California: University of California Press, 1983. 91 pages, 8 tables, some in-text illustrations. Paperback.‎


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GBP50.00 (€57.62 )

‎Perrot, Georges and Charles Chipiez‎

Reference : 125676

(1903)

‎Histoire de l'Art dans l'Antiquità La GrÚce Archaique La Sculpture. Vol VIII.‎

‎Perrot, Georges and Charles Chipiez: Histoire de l'Art dans l'Antiquità La GrÚce Archaique La Sculpture. Vol VIII. Paris: Hachette, 1903. 754 pages, 14 monochromatic plates, 352 in-text illustrations. Illustrated boards. Text in French.‎


‎Text in French‎

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GBP100.00 (€115.25 )

‎Morey, Charles Rufus‎

Reference : 033124

(1959)

‎The Gold-Glass Collection of the Vatican Library with Additional Catalogues of Other Gold-Glass Collections‎

‎Morey, Charles Rufus: The Gold-Glass Collection of the Vatican Library with Additional Catalogues of Other Gold-Glass Collections. Vatican City: Biblioteca Apostolica Vaticana, 1959. Cloth,‎


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GBP250.00 (€288.12 )

‎[Alessandro Filipepi called Sandro Botticelli] - ‎ ‎Dempsey, Charles‎

Reference : 046325

(1992)

ISBN : 0691032076

‎The Portrayal of Love. Botticelli's 'Primavera' and Humanist Culture at the Time of Lorenzo the Magnificent‎

‎Dempsey, Charles: The Portrayal of Love. Botticelli's 'Primavera' and Humanist Culture at the Time of Lorenzo the Magnificent. Princeton University Press, 1992. 173pp with 16 colour plates and 29 monochrome figures. Hardback. 26.2x20cms. Detailed study of Botticelli's 'Primavera', placing the work within its cultural and social context and using this to explore the relationship between poetry and painting. With index.‎


‎Detailed study of Botticelli's 'Primavera', placing the work within its cultural and social context and using this to explore the relationship between poetry and painting. With index‎

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GBP35.00 (€40.34 )

‎[SÃbastien Bourdon] - ‎ ‎Ponsonailhe, Charles‎

Reference : 039433

(1883)

‎SÃbastien Bourdon: Sa vie et son oeuvre d'aprÚs des documents inÃdits tirÃs des archives de Montpellier‎

‎Ponsonailhe, Charles: SÃbastien Bourdon: Sa vie et son oeuvre d'aprÚs des documents inÃdits tirÃs des archives de Montpellier. Paris: Bureaux de l'Artiste, AinÃ, 1883. 320 pages with 3 original etchings, 1 in colour and 3 monochrome plates. Number 33 of 100 'examplaires choisi' from an edition limited to 510 numbered copies. Elegantly bound in quarter brown morocco. Text in French.‎


‎Text in French‎

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GBP275.00 (€316.93 )

‎[Auguste Preault] - ‎ ‎Millard, Charles W. et al:‎

Reference : 059011

(1997)

ISBN : 2070115232

‎Auguste PrÃault. Sculpteur Romantique 1809-1879‎

‎Millard, Charles W. et al:: Auguste PrÃault. Sculpteur Romantique 1809-1879. Exhibition: Paris, MusÃe d'Orsay, 1997. 327pp with 5 colour and 12 monochrome plates, 16 colour and 246 monochrome illustrations. Wrappers. 29.7x24cms. Catalogue raisonnà of the sculptures and portrait medallions of this 19th-century French artist, accompanied by a study of his life plus four essays on aspects of his art. With an extensive bibliography and index. Text in French.‎


‎Catalogue raisonnà of the sculptures and portrait medallions of this 19th-century French artist, accompanied by a study of his life plus four essays on aspects of his art. With an extensive bibliography and index. Text in French‎

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GBP15.00 (€17.29 )

‎[Mihaly Munkacsy] - ‎ ‎Sedelmeyer, Charles‎

Reference : 077965

(1914)

‎M. Von Munkácsy, Sein Leben Und Seine KÃŒnstlerische Entwicklung‎

‎Sedelmeyer, Charles: M. Von Munkácsy, Sein Leben Und Seine KÃŒnstlerische Entwicklung. Paris: C. Sedelmeyer, 1914. 154 pp, profusely illustrated in black and white throughout. Original burgundy cloth boards with gilt letters on front cover. Cloth. 36x28cms. Preface is in English, biography is in German, including many press excerpts in German and French, and a French poem about Munkácsy by Adrien DÃzamy. Presents the life and artistic development of Hungarian painter Mihaly Munkácsy (1844-1900). Includes an annotated catalogue (in German) of many works, each illustrated with a fine plate. Very good condition. Text in German with English introduction.‎


‎Preface is in English, biography is in German, including many press excerpts in German and French, and a French poem about Munkácsy by Adrien DÃzamy. Presents the life and artistic development of Hungarian painter Mihaly Munkácsy (1844-1900). Includes an annotated catalogue (in German) of many works, each illustrated with a fine plate. Very good condition. Text in German with English introduction‎

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GBP170.00 (€195.92 )

‎Gavard, Charles‎

Reference : 098063

(1839)

‎Galerie Aguado : choix des principaux tableaux de la galerie de Mr. le Marquis de las Marismas del Guadalquivir, dÃdià à Mme. la Marquise de las Marismas Notices sur les peintres par Louis Viardot.‎

‎Gavard, Charles: Galerie Aguado : choix des principaux tableaux de la galerie de Mr. le Marquis de las Marismas del Guadalquivir, dÃdià à Mme. la Marquise de las Marismas Notices sur les peintres par Louis Viardot. Paris: 1839. Paris: Chez Gavard Editeur des Galeries Historiques de Versailles. [1839-1847?]. Marbled endpapers, gilding on spine. Title page with vignette, 38 plates. Boards. 60 x 44cms. This large folio publication records the paintings in the collection of the Spanish banker Alejandro Maria Aguado (1784 - 1842), who was born in Seville and settled in Paris. His collection was divided almost equally between Spanish and Italian schools, and was dominated by religious subjects. After Aguado's death, his collection was sold at auction, and a proportion of it was bought by the French state. Text in French.‎


‎This large folio publication records the paintings in the collection of the Spanish banker Alejandro Maria Aguado (1784 - 1842), who was born in Seville and settled in Paris. His collection was divided almost equally between Spanish and Italian schools, and was dominated by religious subjects. After Aguado's death, his collection was sold at auction, and a proportion of it was bought by the French state. Text in French‎

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GBP1,750.00 (€2,016.83 )

‎Charles, Corinne, Francois Boespflug et al.‎

Reference : 104482

(2011)

ISBN : 9788496763296

‎Hay Más en Ti: Imágenes de la Mujer en la Edad Media (siglos XIII-XV)‎

‎Charles, Corinne, Francois Boespflug et al.: Hay Más en Ti: Imágenes de la Mujer en la Edad Media (siglos XIII-XV). Exhibition: Bilbao, Museo de Bellas Artes, 2011. 456 pages, illustrated throughout in colour. Paperback. Text in Spanish.‎


‎Text in Spanish‎

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GBP40.00 (€46.10 )

‎[Jean Dubuffet] - ‎ ‎Dubuffet, Jean and Charles Estienne‎

Reference : 115076

(1966)

‎Nunc Stans, Epokhê. Cycle de L'Hourloupe. Dubuffet‎

‎Dubuffet, Jean and Charles Estienne: Nunc Stans, Epokhê. Cycle de L'Hourloupe. Dubuffet. Paris: Galerie Jeanne Bucher, 1966. Unpaginated, illustrated in black and white with one colour plate. Hard cover. 16 x 26cms. Text in French.‎


‎Text in French‎

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GBP80.00 (€92.20 )

‎[Cassigneul] - ‎ ‎Sorlier, Charles‎

Reference : 122592

(1975)

ISBN : 2856490018

‎Cassigneul Oeuvre gravà 1965 - 1975‎

‎Sorlier, Charles: Cassigneul Oeuvre gravà 1965 - 1975. Paris: A.C.Mazos, 1975. 121 pages. Catalogue of 107 works illustrated in black and white. Paperback. 24.5x18.5cms. Text in French.‎


‎Text in French‎

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GBP45.00 (€51.86 )

‎[Rembrandt] - ‎ ‎Blanc (Charles),‎

Reference : 124321

(1873)

‎L'Oeuvre de Rembrandt Decrit et CommentÃ. Catalogue Raisonnà de toutes les estampes du maÃtre et de ses peintures, ornà de bois gravÃs, de quarante eaux-fortes de Flameng, et de trente-cinq hÃliogravures d'Amand Durand. 2 volumes‎

‎Blanc (Charles),: L'Oeuvre de Rembrandt Decrit et CommentÃ. Catalogue Raisonnà de toutes les estampes du maÃtre et de ses peintures, ornà de bois gravÃs, de quarante eaux-fortes de Flameng, et de trente-cinq hÃliogravures d'Amand Durand. 2 volumes. Paris: A. Levy, 1873. Magnificently bound in full blue morocco, with six raised spines, gilt [by Leighton]. 37.5x29cms. Text in French.‎


‎Text in French‎

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GBP3,650.00 (€4,206.52 )

‎Oman, Charles‎

Reference : 013600

(1957)

‎English Church Plate 597-1830‎

‎Oman, Charles: English Church Plate 597-1830. London: Oxford University Press, 1957. 326 pages, 199 black and white plates. Cloth. 28x19cms.‎


‎Text in English‎

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GBP25.00 (€28.81 )

‎Jackson, Sir Charles J.‎

Reference : 013612

(1921)

‎English goldsmiths and their marks.‎

‎Jackson, Sir Charles J.: English goldsmiths and their marks. London: Macmillan, 1921. xvi, 748pp with 1 monochrome plate. Cloth. 30.5x23cms. A History of the Goldsmiths and Plate workers of England, Scotland, and Ireland, with over thirteen thousand marks, reproduced in facsimile from authentic examples of plate and tables of date-letters and other hall-marks used in the ssay offices of the United Kingdom. Binding weak.‎


‎A History of the Goldsmiths and Plate workers of England, Scotland, and Ireland, with over thirteen thousand marks, reproduced in facsimile from authentic examples of plate and tables of date-letters and other hall-marks used in the ssay offices of the United Kingdom. Binding weak. Text in English‎

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GBP30.00 (€34.57 )

‎Jackson, Charles James‎

Reference : 013614

(1911)

‎Illustrated History of English Plate, Ecclesiastical and Secular in which the development of form and decoration in the silver and gold work of the British Isles from the earliest known examples to the latest of the Georgian period is delineated and described. 2 vols‎

‎Jackson, Charles James: Illustrated History of English Plate, Ecclesiastical and Secular in which the development of form and decoration in the silver and gold work of the British Isles from the earliest known examples to the latest of the Georgian period is delineated and described. 2 vols. London: Country Life, 1911. Together, xxxviii, 1085pp with 76 monochrome plates and 1506 figures plus duotone frontispiece. Hardback in a slipcase. 29.5x23.5cms. Dark geen half morocco leather bindings with green cloth boards; gilt titled; five raised bands; double gilt border lines to leather margins. Arntzen P508.‎


‎Dark geen half morocco leather bindings with green cloth boards; gilt titled; five raised bands; double gilt border lines to leather margins. Text in English‎

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GBP100.00 (€115.25 )

‎Read, Sir Charles Hercules; Alec Bain Tonnochy‎

Reference : 512166

(1928)

‎Catalogue of the Silver Plate: Mediaeval and Later ; Bequeathed to the British Museum by Sir Augustus Wollaston Franks, with Selected Examples from Other Sources‎

‎Read, Sir Charles Hercules; Alec Bain Tonnochy: Catalogue of the Silver Plate: Mediaeval and Later ; Bequeathed to the British Museum by Sir Augustus Wollaston Franks, with Selected Examples from Other Sources. London: British Museum, 1928. 58 pages text and 62 monochrome plates. Cloth. 28x22.5cms.‎


‎Text in English‎

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GBP50.00 (€57.62 )

‎[Hans Erni] - ‎ ‎Giroud, Jean-Charles‎

Reference : 122712

(1993)

ISBN : 3716508756

‎Hans Erni. Die Plakate. Les affiches. 1929-1992.‎

‎Giroud, Jean-Charles: Hans Erni. Die Plakate. Les affiches. 1929-1992. Bern: Benteli Verlag, 1993. With an original pen and pencil drawing by Hans Erni of a woman with arms outstretched towards a dove. Signed by the artist and dated 7/6/93. Inscribed by the artist, 'Cordially for Pat + Rigby'. 187 pages. 74 plates most in colour. Catalogue of 311 works each illustrated in black and white and described. Hardback. 29x25cms. Very faint water damage to the lower edges. Copy owned by English artist Rigby Graham. Text in French and German.‎


‎Very faint water damage to the lower edges. Copy owned by English artist Rigby Graham. Text in French and German‎

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GBP250.00 (€288.12 )

‎[James McBey] - ‎ ‎Carter, Charles‎

Reference : 122399

(1962)

‎Etchings and Dry Points from 1924 by James McBey (1883-1959), a Supplement to the Catalogue by Martin Hardie pu‎

‎Carter, Charles: Etchings and Dry Points from 1924 by James McBey (1883-1959), a Supplement to the Catalogue by Martin Hardie pu. Aberdeen Art gallery, 1962. xix pages of text, 73 illustrations in black & white. Hardback. 32 x 24cms. Discussing works produced after the 1925 catalogue, from number 224 to 291. With corrections and additions to the previous catalogue and a foreward by Frank Magee, an essay on McBey's late work and an index of titles.‎


‎Discussing works produced after the 1925 catalogue, from number 224 to 291. With corrections and additions to the previous catalogue and a foreward by Frank Magee, an essay on McBey's late work and an index of titles. Text in English‎

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GBP100.00 (€115.25 )

‎[Caspar David Friedrich] - ‎ ‎Sala, Charles‎

Reference : 122472

(1993)

ISBN : 9782879390901

‎Caspar David Friedrich et la peinture romantique‎

‎Sala, Charles: Caspar David Friedrich et la peinture romantique. Paris: Terrail, 1993. 205 pages. Colour illustrations throughout. Paperback. 30x24cms. Text in French.‎


‎Text in French‎

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GBP28.00 (€32.27 )

‎Seymour, Charles Jr.‎

Reference : 121310

(1970)

‎Early Italian Paintings in the Yale University Art Gallery‎

‎Seymour, Charles Jr.: Early Italian Paintings in the Yale University Art Gallery. Yale University Press, 1970. 312 pages. Hardback. 26 x 19cms.‎


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GBP20.00 (€23.05 )

‎Boutell, Charles‎

Reference : 120863

(1874)

‎The Arts and the Artistic Manufactures of Denmark‎

‎Boutell, Charles: The Arts and the Artistic Manufactures of Denmark. London: J. Mitchell & A. Borgen & Co., 1874. 156 pages with 80 black & white illustrations. Cloth. 28 x 22.5cms.‎


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GBP300.00 (€345.74 )

‎Avery, Charles‎

Reference : 048470

(1993)

‎Renaissance and Baroque Bronzes in the Frick Art Museum‎

‎Avery, Charles: Renaissance and Baroque Bronzes in the Frick Art Museum. Pittsburgh: The Frick Art and Historical Center, 1993. 144pp with 39 monochrome plates and 55 monochrome figures. Wrappers. 28x21.5cms. Fully illustrated catalogue of 39 bronze statuettes in the Museum's collection, arranged as follows: Paduan, Venetian, North Italian, Florentine, Italian (unlocated), Roman, German, Dutch/Italian, Flemish. Catalogue supported by an introduction to the collection and an essay on the bronze statuette in the Renaissance. With biographies of sculptors represented, bibliography.‎


‎Fully illustrated catalogue of 39 bronze statuettes in the Museum's collection, arranged as follows: Paduan, Venetian, North Italian, Florentine, Italian (unlocated), Roman, German, Dutch/Italian, Flemish. Catalogue supported by an introduction to the collection and an essay on the bronze statuette in the Renaissance. With biographies of sculptors represented, bibliography‎

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GBP30.00 (€34.57 )
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