Turnhout, Brepols, 2008 Hardback, XLVIII+231 pages., 188 b/w ill. + 35 colour ill., 210 x 297 mm.*NEW ISBN 9782503527680.
Invention: Northern Renaissance Studies in Honor of Molly Faries, evokes Molly's passion for understanding an artist's creative process. The term 'invention' is here understood in the widest possible sense: How did a work of art come into being? How did an artist react to new stimuli or adapt to a new culture? Was innovation valued above adherence to a local tradition? To what degree could artists shape their patrons? taste? How did artists transform their own inventions over time and adopt those of others Was there a concept of invention specific to the Northern Renaissance and how did it differ from ours . The authors who tackle these and other questions include university professors, curators, conservators, and conservation scientists, all recognized specialists in northern European art of the fifteenth and sixteenth centuries. The artists they discuss are among the greatest painters, manuscript illuminators, printmakers, and sculptors: Johan Maelwael, the Limbourg brothers, Jan Van Eyck, Rogier van der Weyden, Hans Memling, Lieven van Lathem, Juan de Flandes, Jean Hey, Albrecht Durer, Hieronymus Bosch, Master H.L., Jacques Du Broeucq, and Jan Brueghel the Elder. Table of content: J.R.J. van Asperen de Boer, ?Laudatio Molly Faries?; Julien Chapuis, ?Introduction: Engaging Tradition in Fifteenth-Century Art?; Victor Schmidt, ?Johan Maelwael and the Beginnings of Netherlandish Canvas Painting?; Timothy Husband, ?The Pictorial Intelligence in the Belles Heures of Jean de France, Duke of Berry?; Carol Purtle, ?Intention and Invention in Jan van Eyck?s Panel of Saint Barbara?; Alfred Acres, ?Posing Intentions in Renaissance Painting?; Catherine Metzger and Michael Palmer, ?The Creative Process in Rogier van der Weyden's Portraits?; Till-Holger Borchert, ?Hans Memling and Early Netherlandish Painting?; Maryan Ainsworth, ?Juan de Flandes, Chameleon Painter?; Anne van Buren, ?Van Lathem?s Costumes?; Larry Silver, ?Translating D rer into Dutch?; Walter Gibson, ?An Infernal Invention: Bosch?s Tree-Man?; Corine Schleif and Volker Schier, ?Puzzles on and beneath the Surface: Matching Technical Discoveries with Historical Narratives, the Case of Changed Subjectivity in the Imhoff Epitaph?; Martha Wolff, ?Observations on Underdrawings in the Paintings of the Master of Moulins?; Philippe Lorentz, ?The Painter?s Role in the Conception of Sculpture: Jean Hey and the Statues from Chantelle?; Jeffrey Chipps Smith, ?Master H. L. and the Challenge of Translating Invention in Different Media?; Matt Kavaler, ?Jacques Dubroeucq and Northern Perspectives on the Antique Mode? Bibliography of Molly Faries
Yverdon, Ed. du Journal d'Yverdon, 1954, in-4°, 154 p. + 6 p., avec 20 dessins de Charles Clément, brochure originale.
Les souvenirs d'un médecin de campagne vécus par le Dr. Samuel Chapuis; les paysages saisis par la sensibilité et le génie expressif de Charles Clément resteront ainsi le témoignage de ce que peut inspirer le Nord vaudois; évocation poétique d'un terroir, message de confiance en l'homme.
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La Chaux-de-Fonds, l'Auteur, imprimé chez Haefeli, 1915, in-folio, 10 p. n.n. + 6 planches lithographiées, broché, couverture illustrée.
Cette première édition a été tirée à 250 exemplaires numérotés de 1 à 250, et tous visés de la main de l'auteur. N° 247, avec signature.
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Transboral Broch D'occasion bon tat 20/05/2009 373 pages
Paris, editions J. J. Baillère Fils, 1889 (2 ème ed. revue et augmentée) - Reliure cartonné editeur, 12 cm x 18 cm, 770 pages + catalogue de l’éditeur . Texte de A. Chapuis - 54 figures intercalées in texte, qques annotations sinon bon état.
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Privas, imprimerie Bouix, 1985. Broché, couverture illustrée. In-4 oblong de 39 pages, photos, plans ; carte
Robert Chapuis fût ministre et député-maire du Teil.
Phone number : 06 80 15 77 01
PARIS A. DURAND & FILS EDITEURS 1926
Edizione del 1926 di questo spartito per pianoforte della melodia "III Nocturne" dall'opera Serenade di Auguste Chapuis (1858-1933) compositore francese. In ottime condizioni. Copertina editoriale in ottime condizioni con lievi usure marginali. Legatura in buone condizioni. Pagine in ottime condizioni con rare fioriture. In folio. cm. 34,5x27,5. Pp. 5.Edition of 1926 of this score "III Nocturne" from the opera Serenade by the french composer Auguste Chapuis (1858-1933). In very good conditions. Editorial cover in very good conditions lightly worn in the extremities. Binding in good conditions. Pages in very good conditions with occasional foxingIn folio. cm. 34,5x27,5. Pp. 5.
Broché bon état .Contenu propre . Couverture érodée . 1965.286 pages . PHOTOS SUR DEMANDE
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LIBRAIRIE J. JULLIEN. 1920. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Paginé de 129 à 172. Quelques photos en noir et blanc dans et hors texte.. . . . Classification Dewey : 551.43-Montagnes
Sommaire : DE GENEVE A ST-CLAUDE ET RETOUR PAR UN AUTRE CHEMIN PAR H. BALAVOINE, UN BLOC ERRATIQUE PAR LE Dr S. CHAPUIS, GEORGES HANTZ PAR C. MAERKY, ERNEST SCHOPFER PAR JOHN-F. MICHEL, REFLEXIONS D'UN CLUBISTE PAR A. R. Classification Dewey : 551.43-Montagnes
1895 Edition Le Journal, Paris 1895 IN4br.-10 lithographies originales de A.WILLETTE ht - couv.ill.- edition originale
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National Gallery of Art, Washington / Metropolitan Museum of Art, New York, 1999. In-4, broché sous couverture illustrée en couleur, 352 pp. Foreword - Maps - Chronology of Tilman Riemenschneider - Notes to the Reader - Essays : Recognizing Riemenschneider, Julien Chapuis. - The Sources of Riemenschneider's Art, Hartmut Krohm. - A Sculptor in Würzburg, Stephan Kemperdick. - The Perception of Riemenschneider, ...
Abondante iconographie en noir et en couleur. --- Plus d'informations sur le site archivesdunord.com
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Lyon, impr. de A. Rey 1933. In-8, Broché.151 p. Thèses de médecine. Lyon. 1932-1933. N 185
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Turnhout, Brepols, 2004 Hardback, XII+328 pages., 224 b/w ill. + 48 colour ill., + 200 ill., 210 x 297 mm. ISBN 9782503505671.
This monograph re-evaluates the oeuvre ascribed to Stefan Lochner in the light of an extensive examination of his works with infrared reflectography, revealing Lochner to be draughtsman practicing a style quite new at the time. The sumptuous paintings of Stefan Lochner (d. Cologne 1451) are among the most familiar yet least understood images of the late Middle Ages. His depictions of the Virgin and Child have entered the popular imagination as models of sweetness and grace, values superficially attached to them since their rediscovery two hundred years ago. Appreciation of Lochner's achievements has also been impeded by criticism that artificially judges him in terms of perceived realism. Both attitudes have blinded us to Lochner's creativity and invention. This book explores Lochner's oeuvre from various vantage points. Tracing current conceptions of the artist back to the earliest recorded testimonies, it first reviews Lochner's changing critical fortunes. A perceptual account of Lochner's major paintings and illuminated manuscripts follows, clarifying the artist's passion for the nature of representation and the different ways in which he engages the viewer. In addition, study of Lochner's works by means of infrared reflectography reveals a draftsman of the first order: his complex underdrawings foreshadow Martin Schongauer's graphic style of forty years later. Lochner's atelier and the different forms of collaboration that took place within it are the focus of a separate chapter. The book then identifies criteria in his images that contemporaries would have valued, such as his enduring engagement with the goldsmith's art, which typifies the manner in which his technical versatility enhanced the sensorial and emotive appeal of his images. An excursus examines painting in Cologne at the end of Lochner's career, while a catalogue provides basic information on all the paintings associated with Lochner and discusses the reflectography of most of them. The appendices contain Truus van Bueren's transcription and translation of all the known documents related to Lochner, the regulations of the Cologne painters' corporation, and Peter Klein's dendrochronological findings on Lochner's panels. The first monograph on Stefan Lochner since 1938, this book is richly illustrated with 69 color plates and 225 black-and-white reproductions; it includes a bibliography and index. Languages : English.
NEUCHATEL EDITIONS DU GRIFFON 1947 Un volume in-8 broché de 269 pages , ouvrage illustré de dessins in-texte , le mors du premier plat de couverture a été recollé avec un léger manque au bas du dos , autrement bon exemplaire . Bon Couverture souple
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Lausanne, Edita, 1981, in-4to, 242 p., richement ill. de photos n/b et croquis (tirées en héliogravure), reliure en toile originale avec jaquette ill.
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Lausanne, Edita, 1981, in-4to, 242 p., richement ill. de photos n/b et croquis, reliure en toile originale avec jaquette ill.
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Editions du Démocrate SA, 1989, in-8vo, 67 p., illustré, brochure originale illustrée.
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Neuchâtel, Musée d’Histoire, 2000, pt. in-8vo, 29 p., ill., brochure originale.
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Turnhout, Brepols, 2012 Paperback, VIII+99 p., 2 b/w ill., 156 x 234 mm. ISBN 9782503543079.
Languages : English.
Turnhout, Brepols, 2012 Paperback, approx. X+120 p., 156 x 234 mm. ISBN 9782503543086.
Languages : English.
Turnhout, Brepols, 2012 Paperback, VII+115 p., 2 b/w ill., 156 x 234 mm. ISBN 9782503536637.
Caliph, King, or Grandfather: Strategies of Legitimization on the Spanish March in the Reign of Lothar III - JONATHAN JARRETT 'Lynes of my Lore': Judas and the Mark of Mars in the York Play of The Conspiracy - CARRIE GRIFFIN A Medieval Officer and a Modern Mentality? Podesta and the Quality of Accountability - JOHN SABAPATHY The Early Piasts Imagined: New Work in the Political History of Early Medieval Poland - PIOTR GORECKI. Languages : English.
Turnhout, Brepols, 2011 Paperback, XI+95 p., 2 colour ill., 1 b/w tables, 156 x 234 mm. ISBN 9782503536620.
Editorial - Margaret Connolly, Ian Johnson, and James Palmer Ideal-Types and the Medieval Church - David L. d?Avray The Staffordshire Hoard Inscription and Other Biblical Texts in Anglo-Saxon Inscriptions - Elisabeth Okasha An Anglo-Norman Practica Geometriae: Edition and Commentary - Tony Hunt Dead Still/Still Dead - Vincent Gillespie. Languages : English.
Lausanne, Lib. de droit, F. Roth & Cie, 1940, gr. in-8vo, XIX, 267 p., non rognées, brochure originale.
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Neuchatel, Editions de la Bourgade, 1948, in-4to, 325 p., illustrée, 1 f., + 16 p. publicité d’entreprises d’horlogerie (Werbung von Uhrenfirmen) + 37 planches photogr. en couleurs, reliure en toile originale, Jaquette orig.
Image disp.
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Paris et Neuchâtel, Attinger Frères, s.d., (1917), in-4to, 490 p., richement illustré avec 21 planches en noir et en couleurs. (Ex. sans p. de titre et les XII p. avant-propos). Ex libris ill. + ms. -1930 Madame Ch. L’Eplattenier, reliure toile verte d’époque (rel. Attinger Neuchâtel) / avec ticket de la librairie Luthy, La-Chaux-de-Fonds.
Illustré de 377 figures dans le texte et de 20 planches en couleurs hors texte. Important index et notes biographiques en fin de volume. Ouvrage de référence incontournable sur le sujet. Bild
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